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Kathryn Pszotka
Link: https://www.britannica.com/biography/Henri-Matisse
Henri Matisse, born on Dec. 31, 1869, is often regarded as the most important French painter of
the 20th century. The leader of the Fauvist movement around 1900, Matisse pursued the expressiveness of
color throughout his career. His subjects are largely domestic or figurative, and a distinct Mediterranean
verve is characteristic of his work. Matisse's artistic career was long and varied, covering many different
styles of painting from impressionism to near abstraction. But early on in his career Matisse's use of deep
color, simplified lines and flat patterns categorized him as a Fauvist. He actually became known as the
King of the Fauves, an inappropriate name for this gentlemanly intellectual, for though there was much
passion in his work, it was not wild. He was an awesomely controlled artist and his spirit and mind
always had the upper hand over the "beast" of Fauvism. Matisse's celebration of bright colors reached its
peak in 1917 when he began to spend time on the French Riviera. He spent his time there concentrating
on the colors of his surroundings and completed some of his most exciting paintings during this period.
Henri Matisse · Le Bonheur de vivre, also called The Joy of Life
Link: https://www.theartstory.org/artist/monet-claude/life-and-legacy/
Claude Monet also known as Oscar-Claude Monet or Claude Oscar Monet (November 14, 1840 –
December 5, 1926) was a founder of French impressionist painting, and the most consistent and prolific
practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as
applied to plein-air landscape painting. The term Impressionism is derived from the title of his painting
Impression, Sunrise. In his mature works, Monet developed his method of producing repeated studies of
the same motif in series, changing canvases with the light or as his interest shifted. These series were
frequently exhibited in groups—for example, his images of haystacks (1890/91) and the Rouen cathedral
(1894). At his home in Giverny, Monet created the water-lily pond that served as inspiration for his last
series of paintings. His popularity soared in the second half of the 20th century, when his works traveled
the world in museum exhibitions that attracted record-breaking crowds and marketed popular commercial
Claude Monet
Link: https://www.britannica.com/biography/Vincent-van-Gogh
Vincent van Gogh was one of the world’s greatest artists, with paintings such as ‘Starry Night’
and ‘Sunflowers,’ though he was unknown until after his death. Vincent van Gogh was a post-
Impressionist painter whose work — notable for its beauty, emotion and color — highly influenced 20th-
century art. He struggled with mental illness and remained poor and virtually unknown throughout his
life. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date
from the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are
characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the
foundations of modern art. He was not commercially successful, and his suicide at 37 came after years of
mental illness, depression and poverty. Van Gogh suffered from psychotic episodes and delusions and
though he worried about his mental stability, he often neglected his physical health, did not eat properly
and drank heavily. Van Gogh was unsuccessful during his lifetime, and he was considered a madman and
a failure. He became famous after his suicide and exists in the public imagination as a misunderstood
genius, the artist "where discourses on madness and creativity converge”. Van Gogh did not discover
color until September 1883 when he was thirty years old and had been an artist for three years. His ideas
about color were developed through his detailed study of Eugène Delacroix’s color theories. Van Gogh
read about Delacroix’s color theories in Charles Blanc’s Grammaire des arts du dessin: architecture,
sculpture, peinture, “which explained the action of complementary colors – colors opposite each other in