Cuapren VIII. — Cuarren IX. — Cuarren CHarren XI. — Cnarren XI. — Charren XI — —10— MELODY AND MELODIC CONTOURS... ...- 2... ++ D Inewale a 2) Melodie Contours. ss 566 5) Folk Songs... : D) Plainchant. 3) Hinds Ragas. BIRD SONG MELODIC DEVELOPMENT. . 2) Elimination . 2) Interversion of Notes 3) Change of Register... 222... SONGS 1) Sang-Sentence 2% x #) Ternary Sentence. 5) List of Metodic Periods. GUE, SONATA, PLAI Rie Sonata Psalmody and Vocalise. . . Kyrie Sequence so... SB9ysyssy NTENCE, BINARY AND TERNARY SENTENCES. Development of Three Themes, Preparing a Final Issued from the First Verio of he Ft Theme, Separated by Delp of the Second, Plainchant Forms... ee : HARMONY, DEBUSSY, ADDED NOTES. - 1) Added Notes. 2) Added Sixth ‘and Added Augmented Fe ourth. eee 3) Relation of Added Noles and Added Values... 2 A) Useof Added Notes. Cuapren XIV. — SI Cuapren XV. — 1) The Chord on the Dominant. 2) The Chord of Resonance. 3) The Chord in Fourths. « 2) ifects of Resonance . 3) Clusters of Chords 6) A Look at Other Styes 7) Naturat Harmony. 8) 1 List of Connections of Chords ENLARGEMENT OF FOREIGN MINATIONS . - 1) The Pedal troup, 2) The Passing Group. 3) The Embellishment Croup 4) Upbeats and Terminations NOTES, UPBEATS AND TER- at a aL 33 35 35 5 36 ar 37 38 as 38 9 0 0 0 a ry a“ 5 6 6 esses 8 50 50 50 51 51 52 32 53