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30/1/2021 About - Wilson A. Vargas Tamayo.

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Because our knowledge is
                    󹁦ere are as many ways to begin a
ignorance, or because it is
neither knowledge of story as there are starting points on a
anything there nor the
understanding of any truth,
sphere. And of course every other aspect of
or because even if there is narrative relation is born from the same
some entrance to that truth,
the door may not come
innumerable axes.1 󹁦is is not said as an
open except by means of endorsement of a spiritless relativism but as
ignorance — which is
simultaneously path, a wary and preemptive quali󹀼er to an
gatekeeper, and gate. exploratory project of which meaninglessness
 Giordano Bruno, from might be taken as the point out of hand. 󹁦is
Cabala del Cavallo Pegaseo
is not the case, though relativity is present.
(The Cabala of Pegasus), 1584
󹁦e pieces under the title (anti-apex) are
earnest a󹁭empts to paraphrase something
like the transcendental speci󹀼city of
…to steep oneself again in quotidian experience. It is felt that such an
this slow and massive world,
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where all things move with exercise could, not without employing a
the ponderous sullenness of
certain joyful weirdness, help to clear up a
oxen, patiently through the
immemorial ways, and of common ever increasing misconception:
course where no
investigation would be
that life is meaningless without steady,
possible.  classic or universal meaning. It is the
 Samuel Beckett, from Molly,
contention here that life is not meaningless
1955 without standards of meaning, meaning is
just not consistent; it is circumstantial and
contingent — though, and perhaps this is
unfortunate, a viewpoint like this might
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30/1/2021 About - Wilson A. Vargas Tamayo.

require a fair amount of strength to 


Everyone is the other and no
maintain.2
one is himself.
                       󹁦is transcendental speci󹀼city is
 Martin Heidegger, Being
and Time, 1927
not a new zone for investigation; the feeling
that an overarching idiosyncrasy pervades
a󹁃 human endeavors and conceptions
(persona󹁃y and as a race) has been primary
...the central signified, the fodder for much of the last century’s
original or transcendental
signified, is never absolutely thought (Derrida’s transcendental signi󹀼er,
present outside a system of
Heidegger’s dasein, Wi󹁃iams’s red
differences. The absence of
the transcendental signified wheelbarrow and Becke󹁭’s self-referential
extends the domain and the
interplay of signification ad
mumblers easily surface as examples). And
infinitum. obviously scienti󹀼c developments of the
 Jacques Derrida, Structure,
la󹁭er modern period have, by introducing
Sign, and Play in the Discourse theories of relativity and uncertainty,
of the Human Sciences, 1966
displaced human ascendancy in the classic
hierarchical order. But again the subject
ca󹁃s out afresh and intact in the age of the
so much depends internet.
upon
                        󹁦e algorithm of the standard
a red wheel web search, particularly Google Image
barrow
searches, produces results almost Fluxus-like
glazed with rain in its unharmonious counterpoint — a press
water
image of some catastrophe, next to a banal
beside the white
product shot, fo󹁃owed by a standard
chickens.
holiday photo, and so on. 󹁦e unimaginably
 William Carlos Williams,
The Red Wheelbarrow, 1923
nimble computations have pu󹁃ed the
polysemic underpinnings of general
humanness into near existential focus.
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Disparity (or at least arch slipperiness) is


shown in dominant aspect — and this is due
mainly to speed. As said artists and theorists
have been detailing general disparity for a
long time but never has it been presented so
involuntarily and natura󹁃y (as in outside the
context of philosophy or art) and with so
much velocity.3 Life more than ever seems to
be suspended in a matrix of the un-
taxonomic, the random, the tenuous and the
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30/1/2021 About - Wilson A. Vargas Tamayo.
taxonomic, the random, the tenuous and the
fabricated. 
                       Whether who󹁃y conscious or not,
it is in this light, that the fo󹁃owing pieces
were wri󹁭en. 󹁦e main in󹀹uence being an
impulse to reduce narrative intentionality;
not nonsensical just no arc, disconnected.
󹁦e effect is that the plots feel something
like gathered piles of kindling that are never
used for an actual 󹀼re.4  As we󹁃 there is a
wi󹁃ful resistance to assured understanding,
keeping in mind the sentiment of Bruno’s
line above: the door may not come open except
by means of ignorance.
                       As for the odd use of the pronoun
“Us” employed for a󹁃 protagonists, the “Us”
is us — you, me, them, moi, ich. 󹁦is is a
device to intimate that you could be otherwise
— like looking into a mirror and seeing
someone else staring back.
                       It is one thing to write about an
abstract notion, and quite another to write
an abstraction. It has been the a󹁭empt with
this project to perform the la󹁭er. So please
note, that it is not so much the opposite of
an “apex” that is the ground explored here,
for the opposite of an apex, like a furrow or
cavern is an apex as we󹁃, but an a󹁭empt to
see, and ultimately feel comfortable, outside
this sort of binary — perhaps a quantum
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󹀼ction? In any case, a󹀿er this exercise it is


clear that humans think polemica󹁃y and act
randomly or be󹁭er they act in a way that
confounds the logic thought to be so
common and straightforward.

AQQ—’18

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30/1/2021 About - Wilson A. Vargas Tamayo.

1It seems necessary to mention that informing these infinitely



unique starting points is a preference of such a personal
complexity and saturation that it could never be parsed. But is
worthy of an entire study.

2I have been to the desert; I know what goes on. The views
detailed here are not an endorsement; humans are no less
members of the animal kingdom than jack-rabbits — by extension
humans don’t necessarily thrive by analysis.

3 Not to mention that the wholesale adoption of social media has


made the construction of thin as paper personal narratives (masks)
all pervasive.

4 It is a contention here that life is made up almost entirely of such


unused kindling. Thoughts, actions, etc. plan to get consumed in
the fire of arrival, but 99% of the time are just some sort of filler,
and that is their true purpose — their mask is otherwise.

    About this Site 01. Now is permanent 08. Mound in Rain


    Twitter 02. Editio Princeps 09. This or That Path
    Instagram 03. Skin to bone 10. Shimmering Lure
04. Gothic Overpass 11. Fearing Wolf’s Grin
05. Ducks in a Row 12. Lonely Groups of
06. Bankers Boxes in the Seagulls
Semidarkness 13. Plastic Dolmen
07. A Wig’s Reflection 14. Sheet Ghost

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