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‫‪(1)https://www.vetogate.com/1159356‬‬
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‫‪(2)https://www.makalcloud.com/post/o6lw6mknb‬‬
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٢٠١٩< J٥٥‫=א א–د‬2>
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. ‫ ﺩﻻﻻﺕ ﺍﻟﺮﻣﻮﺯ ﰲ ﻓﻦ ﺍﻟﻨﺤﺖ ﺍﻟﺒﺎﺭﺯ ﺍﳌﺼﺮﻱ ﺍﻟﻘﺪﻳﻢ‬: ‫ﺭﺍﺑﻌﺎ‬
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4
( )https://ar.wikipedia.org/wiki/%D8%A2%D8%A8%D9%8A%D8%B3
(5)https://ar.wikipedia.org/wiki/%D8%AD%D8%AA%D8%AD%D9%88%D8%B1
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K٥٨‫ص‬،$ ‫א‬n*‫א‬E2)
3
( ) Farid Atiac: " Ancient Egypt" , American university Cairo press ,2006 , P 113.
( 4)
https://ar.wikipedia.org/wiki/%D8%B9%D9%8A%D9%86_%D8%AD%D9%88%D8%B1
%D8%B3
٣٦٢
٢٠١٩< J٥٥‫=א א–د‬2>

E١ F
E٢F#0'l
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*!s

E٢FE٣F#0'l
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(1) Salima Ikram : " divine creatures : animal mummies in ancient Egypt ", the
American University in Cairo press , 2005 , P 6 .
(2) Salima Ikram : the same Reference ,P 5 .
٣٦٣

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E١FE٤F#0'l
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E٢FE٥F#0'l
K³%‫س‬Q*‫ ن‬S‫א‬r8‫نع‬g5±‫ز‬

(1) Adela Oppenheim and Others : " Ancient Egypt Transformed: the middle Kingdom
" , the Metropolitan Museum of Art, new York ,2015 , P 4.
(2)https://www.ancienthistorylists.com/egypt-history/top-10-worshipped-ancient-egyptian-
gods/
٣٦٤
٢٠١٩< J٥٥‫=א א–د‬2>

E١FE٦F#0'l
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E٢FE٧F#0'l
KG
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،uUJN
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(1)https://www.flickr.com/photos/libyan_soup/2214205963
(2) http://godofmuseums.blogspot.com/2013/02/blog-post_4.html
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E١FE٨F#0'l
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E١١F#0'l K‫'^وא‬L‫א‬5EM5‫א‬r8‫ز‬%‫אא‬8*R
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E١٣F#0'lW§%‫א‬
(1 FFarid Atiac: " Ancient Egypt" , American university Cairo press ,2006 , P 112.
,FX‫زא‬W<F
6،?<F
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K٩٠‫ص‬،‫م‬٢٠٠٧،\¸&‫א א‬،4<4‫א‬%5<* <W©*6،‫אس‬U
K٦٠‫ص‬،$n*W*<¶rE3)
4
( ) Farid Atiac: Previous reference, P 116.
(5 Fhttp://crownofegypt.blogspot.com/2013/02/blog-post_7795.html
٣٦٦
٢٠١٩< J٥٥‫=א א–د‬2>
M*R ^ K [‫*א‬c‫א‬E‫وאد‬F O‫ א‬r 8 M*R‫ و‬، ‫ א
س‬0‫ א‬,X W‫א'*א‬
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W‫א‬

E٣FE٩F#0'l
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K٦٠‫ص‬،$n*‫א‬W*<¶rE1)

F ‫א‬،‫د‬FF^}º‫א‬FF%FF^h9WFF©*6،,FF‫א&و‬FF%f‫א‬،?FFS*‫*א‬FF8FFL‫وא‬/FF‫?א‬WFF<7.FFE2)
K٣٥٦‫ص‬،٢٠٠٣،*X
‫א‬،9
j,&‫א‬
(3) https://m.marefa.org/%D9%86%D8%AE%D8%A8%D8%AA
٣٦٧

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‫زא*;א‬%‫אא‬/985677‫ود‬4*‫دوא‬

E١ F
E١٠F#0'l
K‫م‬K‫ق‬٤٠٠٠،,‫א&*א&و‬،‫س‬U*
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E٢FE١١F#0'l
%Q‫م‬،0K&‫ز‬

(1)https://ar.wikipedia.org/wiki/%D8%AD%D9%88%D8%B1%D8%B3
(2)http://www.landofpyramids.org/images/kom-ombo-ibis-1.jpg
٣٦٨
٢٠١٩< J٥٥‫=א א–د‬2>

E١FE١٢F#0'l
6‫א‬X‫ز‬,i
<XX
E٢FE١٣F#0'l
‫*<*و‬N
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(1Fhttp://www.ancient-
egypt.co.uk/cairo%20museum/cm,%20burials/pages/egpytian_museum_cairo_2062.htm
(2) http://godofmuseums.blogspot.com/2012/05/blog-post_16.html
٣٦٩

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‫زא*;א‬%‫אא‬/985677‫ود‬4*‫دوא‬

E١FE١٤F#0'l
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K‫א‬M<*‫א ون‬
K
E٢FE١٥F#0'l
KL‫א‬#‫و‬1%‫אوא‬4،e5±‫ز‬
(1) Adela Oppenheim and Others : previse reference , P 7.

(2) https://it.m.wikipedia.org/wiki/file:kom_ombo,_sobek_0325.gpg
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٢٠١٩< J٥٥‫=א א–د‬2>
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4
( Fhttp://www.winifred.cichon.com/ideal_beauty/pages/02-Ancient-Egypt.html
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(1) Adela Oppenheim and Others : previse reference, P 48.

(2)https://charlesthor.wordpress.com/2012/06/17/egypt-day-6-edfu-and-kom-ombo/
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Fhttps://www.marefa.org/%D8%B9%D8%AC%D9%84%D8%A9_%D8%AD%D8%B1%
D8%A8%D9%8A%D8%A9
(4 FHelaine Selin : " Encyclopedia of the History of Science , Technology and Medicine
in Non-Western cultures " , Springer ,2008 ,P 923 .
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(1) https://www.nytimes.com/2017/10/17/science/volcanoes-ancient-egypt-revolts.html F
(2)https://ar.wikipedia.org/wiki/%D8%B9%D8%AC%D9%84%D8%A9_%D8%AD%D8
%B1%D8%A8%D9%8A%D8%A9
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(1Fhttps://ar.wikipedia.org/wiki/%D9%87%D9%8A%D8%B1%D9%88%D8%BA%D9%84%D9%8
A%D9%81%D9%8A%D8%A9_%D9%85%D8%B5%D8%B1%D9%8A%D8%A9
(2)https://www.marefa.org/%D8%A7%D9%84%D9%83%D8%AA%D8%A7%D8%A8%D8%A9_%
D9%81%D9%8A_%D9%85%D8%B5%D8%B1_%D8%A7%D9%84%D9%82%D8%AF%D9%8A
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‫א א&‪،9
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‪ ٢٠٠٣،*X‬‬
‫ אن א‪ '+‬א& *< אن وאدא وאم א‪ ?W ^7‬א‪ nf‬א
‪,‬‬ ‫‪K١٣‬‬
‫‪S‬א‪–*r‬دא‪M‬و‪،?=2‬א‪O‬א*<א'‪،‬א
‪ ١٩٧٨،*X‬‬
‫} ‪?Wf^}/‬א‪)+‬א^ل‪8‬א‪/‬وא‪q،?K%f‬א'‪،u‬א
‪ ٢٠٠٥،*X‬‬ ‫‪K١٤‬‬
‫} ‪?Wf^}/‬א‪/‬و‪q‬א*‪،?4‬دאא)‪،‬א
‪١٩٩٦،*X‬م ‬ ‫‪K١٥‬‬
‫}^א‪*Q?W,S %‬אא‪/‬א‪q،?,'+‬א'‪،u‬א
‪١٩٨٠،*X‬م‬ ‫‪K١٦‬‬
‫وא ‪^*?W,‬א‪،?q‬אאא*<א‪٢٠١٥،S%‬م ‬ ‫‪K١٧‬‬
‫‪٣٧٦‬‬
٢٠١٩< J٥٥‫=א א–د‬2>
@ @ZòîàÜÈÛa@Ýöb‹Ûa •
? /<*r‫ א‬e9‫ א*א‬,S9 , v*\Q‫ א*; א
< و‬/‫ א‬8 4*‫?א‬W e<‫* א* دو‬hI ih K١٨
٢٠١٥،‫א‬،‫א א‬،v‫دא‬،
0I^ <
‫ א*; א‬/‫ א‬8 O‫ א‬4*6 8 <*‫ א‬%‫ وא‬f&‫\* א‬Q?W ‫ א‬Q < K١٩
٢٠٠٦، ®~،‫א א‬،. ،?‫وقא‬H‫\*א[א‬
8 R ‫د‬7‫ * وא‬8 '+‫ א‬Mf ‫ن א‬9 8 <4*‫ ? א‬W ~ U ^} ,f %X K٢٠
‫م‬١٩٩٣،‫אن‬U،
%f‫אنא‬،. ،?Ml‫א*و‬+^#Q%h^6
òîjäuþa@Éua‹¾a •
21. Adela Oppenheim and Others : " Ancient Egypt Transformed: the middle
Kingdom " , the Metropolitan Museum of Art, new York ,2015
22. Farid Atiac: " Ancient Egypt" , American university Cairo press ,2006
23. Helaine Selin : " Encyclopedia of the History of Science , Technology and
Medicine in Non-Western cultures " , Springer ,2008
24. Salima Ikram : " divine creatures : animal mummies in ancient Egypt ",
theAmerican University in Cairo press , 2005
oãã⁄a@ÉÓaìß •
25. http://crownofegypt.blogspot.com
26. http://godofmuseums.blogspot.com
27. http://www.ancient-egypt.co.uk
28. http://www.landofpyramids.org
29. http://www.winifred.cichon.com
30. https://ar.wikipedia.org
31. https://charlesthor.wordpress.com
32. https://m.marefa.org
33. https://www.alukah.net
34. https://www.ancienthistorylists.com
35. https://www.flickr.com
36. https://www.makalcloud.com
37. https://www.marefa.org
38. https://www.nytimes.com
39. https://www.vetogate.com

٣٧٧

<
‫زא*;א‬%‫אא‬/985677‫ود‬4*‫دوא‬
Abstract
The Relief Sculpture in ancient Egypt , which is Rich on The Walls
of Temples, Coffins, Stone Tablets and Tools is an Important source we
Can Understand The Connotations of ancient Egyptian Symbols. We find a
huge Diversity in Symbols and its Classifications That Show The Richness
Of ancient Egyptian Life in All its Fields , it is also Indicative The ancient
Egyptian Ingenuity , Skills , Ability to Discover What is Around Him and
Benefit From it in Order to Serve The Creation of Egyptian Civilization.
The Old Egyptian has Recorded His Daily Life on The Walls of Templets .
The Research Aims to Focus on The Relief Sculpture and
Understanding of ancient Egyptian Symbols Through it. This is by
Understanding The Connotations of ancient Egyptian Symbols Can be
Divided into Human and Animals Symbols , Symbols of Plants and Insects ,
and Geometric and Written Symbols.
٣٧٨

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‫ﺩﻭﺭ ﺍﻟﺮﻣﺰ ﻭﺩﻻﻻﺗﻪ ﰲ ﻓﻦ ﺍﻟﻨﺤﺖ ﺍﻟﺒﺎﺭﺯ ﺍﳌﺼﺮﻱ ﺍﻟﻘﺪﻳﻢ‬

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K٣‫ص‬،‫م‬٢٠٠٧،cRS،?‫אא‬U8

‫ﺃﻫﻤﻴﺔ ﺍﻟﺒﺤﺚ ‪:‬‬

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K٦١‫ص‬،$ ‫א‬n‫א‬W<¶r(1)

K٦٠‫ص‬،$n‫א‬W<¶rE1)

(1) Adela Oppenheim and Others : previse reference , P 7.

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(1) Adela Oppenheim and Others : previse reference, P 48.

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‫ﺩﻭﺭ ﺍﻟﺮﻣﺰ ﻭﺩﻻﻻﺗﻪ ﰲ ﻓﻦ ﺍﻟﻨﺤﺖ ﺍﻟﺒﺎﺭﺯ ﺍﳌﺼﺮﻱ ﺍﻟﻘﺪﻳﻢ‬

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‫  א‬J ‫

K٣‫ص‬،‫م‬٢٠٠٧،* cRS،? ‫א*א‬U8

‫ﺃﻫﻤﻴﺔ ﺍﻟﺒﺤﺚ ‪:‬‬

K٥‫ص‬،‫م‬١٩٩٢، <$+‫دאد‬،‫س‬%;‫د‬O‫א‬% ©*6?L‫ א‬J/<‫ א‬J/‫א‬9‫?א*ز‬WS.u9 (1)

‫)‪%,^}QE1‬א'*<‪^6S?W‬אنא‪*+ hQ،? <*%‬وא‪S‬جא‪،,Fd‬א‪،٢٠١٣،4F‬ص‬

K٦١‫ص‬،$  ‫א‬n*‫א‬W*< ¶r(1)

K٦٠‫ص‬،$ n*‫א‬W*< ¶rE1)

(1) Adela Oppenheim and Others : previse reference , P 7.

K١٧‫ص‬،‫م‬٢٠١١،* cRS‫دא‬،?%‫ و‬#¼8?W*'  QJµE1)

(1) Adela Oppenheim and Others : previse reference, P 48.

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K٣‫ص‬،‫م‬٢٠٠٧،cRS،?‫אא‬U8

K٥‫ص‬،‫م‬١٩٩٢،<$+‫دאد‬،‫س‬%;‫د‬O‫א‬%©6?L‫ א‬J/<‫ א‬J/‫א‬9‫?אز‬WS.u9 (1)

‫)‪%,^}QE1‬א'<‪^6S?W‬אنא‪+ hQ،?<*%‬وא‪S‬جא‪،,Fd‬א‪،٢٠١٣،4F‬ص‬

K٦١‫ص‬،$ ‫א‬n‫א‬W<¶r(1)

K٦٠‫ص‬،$n‫א‬W<¶rE1)

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