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  • Pavane - Fauré For Flute Trio

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    Micaela
    1K views13 pages
    - This musical score is for Gabriel Fauré's Pavane Op. 50, written for three flutes. - The piece is marked "Allegretto molto moderato" and has flowing melodic lines passed between the three flute parts. - The score provides detailed instructions for dynamics, articulation, and expression throughout the romantic era piece.

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    Original Title

    Pavane - Fauré for flute trio

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    - This musical score is for Gabriel Fauré's Pavane Op. 50, written for three flutes. - The piece is marked "Allegretto molto moderato" and has flowing melodic lines passed between the three flute parts. - The score provides detailed instructions for dynamics, articulation, and expression throughout the romantic era piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    1K views13 pages

    Pavane - Fauré For Flute Trio

    Uploaded by

    Micaela
    - This musical score is for Gabriel Fauré's Pavane Op. 50, written for three flutes. - The piece is marked "Allegretto molto moderato" and has flowing melodic lines passed between the three flute parts. - The score provides detailed instructions for dynamics, articulation, and expression throughout the romantic era piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 13

    Pavane

    Op. 50

                             
    D. Woodfull-Harris G. Fauré (1845-1924)

    Flauto 1  

    Allegretto molto moderato  = 76-96

              
                
    

      
    Flauto 2

        
    Flauto 3 

    

                        
    Fl. 1   
    5

                           
            

    Fl. 2

      
    

                     
         
    


    Fl. 3

    

       
    Fl. 1                
       
    9

        
     
    

                   
    Fl. 2

           
    Fl. 3 
        
    

                          
    Fl. 1          
    13

           
                
     

            
                      
    Fl. 2

     
       
    

    Fl. 3


     

                
    Fl. 1             
     
    17

     
                     
                 
    3


    Fl. 2

      
        
           
    3
     sempre 

    Fl. 3

     

     
    Fl. 1        
    21

               
    Fl. 2              
    

      

    Fl. 3                         
              
    3


    3 3

       
    Fl. 1           
      
    25

                 
      
    

    Fl. 2

     
         
      
      con grazia

    
    Fl. 3

      dolce

    2
                       
    Fl. 1               
    
    29

                 
    Fl. 2               
     


                  
     
    

    Fl. 3  
     

              
     

    Fl. 1    
    33

                 
             
      
    

    
           
    Fl. 2

         
       
    

    Fl. 3
     
      
       
         
    

    Fl. 1            
    37

                          

     

    Fl. 2 

                          
    Fl. 3        
        
     

     

        
     

    Fl. 1            
             
    41

            
                  
    Fl. 2    



       
        
        
     



    Fl. 3

     
    
    3
      
       
    Fl. 1                 
    45


      
           
        
     

     
    

      
           
    Fl. 2

          
     
        
    

    Fl. 3
        

             
            
    

    Fl. 1    
          
    49

     
     
                          
    

    
     
    Fl. 2

          
    Fl. 3 
       
    


    

     

     
    


    

           

    53

           
    Fl. 1

      
    
                        

     

    Fl. 2


     
         
    

     
    
    Fl. 3

      
                            
    

    Fl. 1    
         
    56

         
              
     


    Fl. 2

      
        
        
     

     
    Fl. 3

     

    4
         
    Fl. 1                
    60

      
                  
    3
     dolce espressivo

                  
    Fl. 2

     
          
    

    Fl. 3
     
                
    3


     

    Fl. 1    
       
        
      
    63

     
    Fl. 2             

    


       
    Fl. 3   
          
                 

    3

      


               
                     
    3
     3

    Fl. 1 
    
    67


                       
     dolce


     
    Fl. 2

     
                 
        sempre

    Fl. 3 
            

                          

      

    Fl. 1 
    71

                     
     

    Fl. 2   

             
            
     

    Fl. 3
             
     

    5
               
    Fl. 1    
         
      
    75

          
       
               

     
     
    Fl. 2

                       
     
      espressivo

    Fl. 3    

                      
      dolce

    Fl. 1         
      
    79

               
    Fl. 2 

                    

            
                   
    Fl. 3 
     


    
              
     

    Fl. 1    


    83

                   
                  

      
     dolce 

         
    Fl. 2

        
        
      

    Fl. 3

                  
     

    Fl. 1                
     
    87



               
     

      sempre


    Fl. 2

        
       
     
                
     3

    Fl. 3

     

    6
                          
    Fl. 1      
     
    91


    Fl. 2      
    3

      
    3 3 3

     
     3

     
               
    Fl. 3 
           
    3

     

           
    Fl. 1              
      
    95

                 
     
    3 3
    tranquillement

    Fl. 2

                 
        
     

    Fl. 3

       dolce espressivo
                   
    Fl. 1     
    98

       
                    
    3 3 3
     

    Fl. 2

                
    Fl. 3 
          
     



     
    
      

     
    Fl. 1       
    102

      
            
    


    Fl. 2


                    

    Fl. 3

    7
    Flauto 1 Pavane

         
    Op. 50

                              
    D. Woodfull-Harris G. Fauré (1845-1924)


    Allegretto molto moderato
     = 76-96

                 

                           
     

        
    
    7

                              
               
    

         
    13

                     
    3


      


               
    
    19

                    
                  
     

     
               
    28

              
       
     

                         


    33


      

                             
                   

    41

     
                  
             
     

      
    

                
    47

     
    

                                            
       



    56

                        
                       
     

       
    60

    3
     dolce espressivo 
                            
             
      
    66

      dolce 


                                        
       
    71

      

                              
            
               
    78

    
                    


            
                
    84

     dolce     sempre


                
         
       
                
     
    91

    3 3 3 3
     3

            dolce espressivo
                          
     
       
    96

    3 3 3 3 3


    tranquillement   

      

         
    103

    2
    Flauto 2 Pavane
    Op. 50

     = 76-96  
            
    G. Fauré (1845-1924)

    
    D. Woodfull-Harris

                
          
    

                             
            
    

     
    6

                      
     

                          
         
    15

                                           
     sempre

      
       
    20

                              
    3

     
    3
     

                
    3 3

     

    27

                             
       
     con grazia 

           
      
     
    33


                                      
    

          

    39

       
       

                         
     
             
    45

            
     
      

                    
    

            
        
      
    52

           
    

                          
    

         
    56

      
      
                                       
          
    64

    3    

                       
     sempre

             
      
    72

        espressivo

                       
         
                
    78

     

      
                                   
     
     
    83

      

            
            
     
            

    87

     

                  

                         
    96

       


       
    105

    2
    Flauto 3 Pavane
    Op. 50

            
    G. Fauré (1845-1924)

             
    D. Woodfull-Harris

       
                         
     = 76-96


                                      
     

           
    11

     
      

                             
               
    18

           
     
                                  
    

      
    24

                 

                            
      dolce 

        
    
    32

                         
    
            
     

          

    
    38

     
     
              
          
      

                  
          
    

        
    45

        
           
      

     
    

             
         
       
    54

            
      
    3

                                  
      


    

       
    62

             
    3

     
                                    
      3  

     
    69

     
     
                                
         
      
    74

       dolce

                                  
      
        

    79

      

                   
                         
     
    86 3
    3

        

           
                                    
    94

    

          
                     

    101

     

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