Professional Documents
Culture Documents
Student Exemplar
Art 101: Section 001W
3 October 2011
Abstract:
Throughout J. LeRoy Davidson’s article, The Riddle of the Bottle-Horn, he discusses the
different speculated representations of Chinese jade bottle horns. In this article, Davidson
reviews the theories of other scholars such as Florance Waterbury, Bernhard Karlgren, and Carl
Hentze. The similarity between the resemblance of the bottle horns shape and characteristics and
actual animals, Davidson also discusses the symbolism of these particular animals represented.
J. LeRoy Davidson begins his article regarding early Chinese ritual motives by stating,
“none has caused so much controversy or stimulated such diversified speculation as the so-called
bottle-horn.” (Davidson 15) As their name indicates, these artistically and intricately designed
and decorated “flask-shaped” bottle horns bring up much discussion amongst scholars. Many
different theories of the use of these objects have been speculated, as well as the symbolism of
Miss Florance Waterbury formed a rather conceivable theory, which linked the bottle
horn “with the capped horns of sacrificial bulls mentioned in some of the Chinese classics.”
(Davidson 15) However, Waterbury’s theory was put down with the theory of Bernhard
Karlgren. Kargren’s argument provided evidence, such as early writings of Mao Heng, that the
Chinese tests described the capping method as one that positions a cross piece of wood which
was tied to the horns. However Hentze’s most recent summaries on this topic indicate that this
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motive is a representation of a hut that was normally used for the entombment of the ancestral
corpse. Yet still other theories have been made, none that have been fully confirmed as the
“right” theory. However Davidson believes they have all inaccurately interpreted these motives
and he himself believes that they symbolize a particular animal, because of the specific horns on
the bottle horns. They speculate that the animal that is symbolized is a deer, specifically a
While discussing Waterbury’s theory, Davidson cites a Chinese classic in the second
paragraph, Early Chinese Symbols and Literature: Vestiges and Speculations.” (Early Chinese
Symbols and Literature: Vestiges and Speculations 1942) This source would be of helpful use
when arguing the interpretation of the bottle horns because one must first determine the symbolic
meaning of the horns, shapes, and designs on the object. Later on, Davidson also cites Karlgren’s
article “Some Ritual Objects of Prehistoric China” when reviewing different theories (Kargren
1942). After comparing the horns with the character “tzu”, he comes to the conclusion that the
phallus, the pointed shape of the pictograph differs greatly from the shape of the bottle horn. This
Works Cited
“Early Chinese Symbols and Literature: Vestiges and Speculations.” no. New York
(1942): 53-54.