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Tli'tlHOCT • • • • • • • • • • • • • • • • • • • • • • • • • • •. • • • • • • • • • • • • • • .18-38
HanonaynaHa n:~t~Teparrypa •••••••••••••••••••••••••••• 39-43
EKcuepn:~t~paH MaTepHan ••••••••••••••••••••••••••••••• 1-72
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11
;:tOpVI B 3aCTVIHaJl BVI.tt 11 ITOX(06Ha OIT03VI~VIH,CJle,n I<aTO B:CB
BCVItrim BpeMeHa H 9ITOXH C'l>ll(9CTByBa aaaJ1JI3a TOpCKB r..IVICJleHe, KOeTO He-
11
rrpeC_TaHHO pyum: aH8JlHTVItlH0 11 OCTap~Jllri rrapa,UVII'MVI,riOJiaraKKiti HOBVI
11
.UVIaJieKT~Itlii0 11 ? ~lMaMe -JIM rrpaBO HOMHHaJlHCTVItlHO .IJ;a rrpe-H M e H y B a -
11
Me HayKaTa 3a e3:vrKa,cne.n KaTo pa3-m :vr p H B a M e" pycnoTo Ha
H3Cne,nBruiHH o6eKT7? 0TI'OBOpVITe Ha T03VI c:cmeCTBeH B:CITpOC He Ca pe-
neBaHTHIII 3a Ha!lleTO MVICJieHe,OCBeH aKO He ITO.UXO.IJ;VIM 11
peaJIVICTHtlH0 11
I<:CM VI3CJie.I:(BaHHTe flBJleHHflS • H TaKa, OITHTBaMe ce ,na 11
CHeMeM 11 OT
e.ttHa CTpaHa rrpOTVIBOpetrHeTO o6no : ttaCTHO,KaTO 11
3a§paBHM 11 HflKOH
Ha.VIMeHOBaHHfl, ITOJIYtliiiJIIti j~:VIBOT 0'1' .UOI'IIa THtlHOTO MHCJleHe, B KOeTO tlOBeK
ttecTo :vr3rra.na, a O'l' .upyra - TpH6Ba .ua np:vr3HaeM,tte peanHOCTTa HH Ha-
nara .na 6opaB:vrM ITOtlTH VI3~flJIO C ng,parMeHTH 11 , 11 3aCBiti.UeTeJICTBY-
BaHH 11 y T03H nnn OH31il aHan:vr3a Top, a noruncora :vr c:cc 3arnaBHH rra rtr3-
e.ne;ttBaHHH, rropa,UH rrpaKTHtteCKaTa HeB:C3MOA<HOCT .tta .ttOCTHI'HeM .UO caMH-
Te rrpOH3Be,neHHH. He Hit! OCTaBa Hlii~O ,npyro OCB9H .tta ce IIpHMHPHM,tre
npoTitiBopettHeTo He cauo He ce cHeMa,Ho .nopH ce pa3rp:c~a.
Cne.nBantaTa 11
B'I:.JIHa 11 na 11
0TMeCTBaHe 11 OT e3HKa K'I:.M fiB-
nemmTa 11
0I(OJI0 11 H 11 0T:9'I:.)l 11 e3HKa e npe3 60Te ro.nHHH,Hape,g C'I:.C CH11-
9 M.Bierwisch.l980.Semantic structure and illocutionary force.In:
Speech act theory and Pragmatics.Dordrecht.Boston.London,j-35.
1
1 1/
°F.Poyatos.l983.Language and Nonverbal systems i~the structure
of face-to-face interaction:In:Language and Communication.'{_ola3k
. 129-~~v.
11 PHKOmeTHa HHTepTeKCTyaJIHOCT Hl-1 OTilpama K'bM COC!Op /CLQ. 1973,
ed.T.de Mauro.Paris,34/: ••• une science qui etudie la vie des
signes au s e i n de 1a v i e s o c i a 1 e.
12
cours de Linguistique generale.l973./ed.M.de Mauro/,Pari~.RaGo
robinsk1.II.l964.Les anagrammes de F.deS.:~Mercure de France' 3 50 c
delal957•Le~ sources manuscrites du Cours de Ling.genera1et ~ .st e
prriH, B ttllleTo noHo ce nopaY.C.na Kpa:~HoTo .ue3HHTerpMparre Ha 03HattaBamo:
.neiTCiriXOJIOl'Jri3a~Mfl Ha KOMyr-mKa TiriBHiriH 11 !Wriirip 11 no Monena
WYM B
b
0 c
-t---~---2 r· ······1
.D (\ ...
19
HaKoJIKo 9parMeHTa oT eTHMonorHtiHHTe petlHHilH Ha \valde/Hofmann
/Lateinisches etymologisches Worterbuch.l938.3.AufloHeidelberg/ u
Ernout/Meillet /Dictionnaire etymologique de la langue latineol985
~.edition.ParisoKlincksieck/ ca B "aKTHBeH 11 .u;Hanor npH "peKOHCTP:YH
paHeT0 11 Ha rpHJIOCOCi)CKaTa 8TVIMOJIOrmi Ha inter-action KaTO KOH!leHTpH-
paMe BHHM8HMeTO CH Ha MOp~eMaTa inter-.
inter "zwischen unter" ••• ; zur spatlat. und romoVermischung mit
intra s. Schmalzol928.Lat.Syntax u.Stylistiko5.Aufl.,510; aus idg.
~enter oder "ltter • tJ.anter "zwischen" m.Akk_ •. , "innerhalb
11
m.Abl. o. o
*idg. enter~~ter ist Komparativ zu en /s.2. in/
intra Adv. 11 innerhalb,innen,binnen": aus~intera,Abl.Sg.F. wie
·~su~ra, extra usw. Vgl. interius Adv. "mehr nach innen" ,letzteres mch
gr. ~crlfl-r;£pov .- intro "hinein; inwendig" Adv. u. Praev. ,spatlat./=
intr'a /. : Walde,lHofmann:So708,7ID2.
inter preverbe et preposition 11 entre 11 .Proprement dit ~~~ l'inte-
rieur de".S'emploie au sens local "entre,parmi" ou temporel 11 du-
rant ,dans 1 'espace d~f· .Comme preverbe inter a le sens de: l/ 11 entre'
2/ 11 par inter-u:alles ,ail temps en temps" 3/ ••• introdui t une idee de
prigation,de destruction,de mort.De intra derive sans doute: intro
~aller a l'interieur de,entrer dans".Une etymologie souvent adop-
tee le fait deriver de i:Jrl.l.tro, verbe h:'pothetique dont le participe
present serait conserve dans la preposition preverbe trans. :Er~
Meillet :p.312,313.
C.U.BOTIBaHeTO Ha .D;Ba OCHOBHH CeMaHTHtlHH pe.na: B'bHmHOTO /Mex.ny,oT-
B:&.Il,O~~!~! B:&Tpe H OTB:&H He e B:&Tpe - .u;oneiKna no caMopa3pymana~
TO Ha ~ction VI npenp:&maHeTo MY B cne.na Ha action.
6.
11
a OT CMCTeMaTa,KOriTO ro M3IlOJI3yBa 11 /R.BirdvJhistell.l971 /1967-8/
Kinesics: inter~ and intra-channel communication research.In:
Essays in Semiotics./J.Kristeva/J.Rey-Debove eds./ The Hague.Hou-
11
ton,533/ • B M tlpe3 KOJlOBM1.l BKT Ilp03Mpa 11 MHTepHaJIM38Il;klfl:Ta Ha CO-
n;MaJIHaTa CHCTeMa B paMKMTe Ha HHKilKBa KYJITypHa HOpMa ja shared
basis of normative order T.Parsons.l968.o~.cit.,437/. BceKm HH-
]J;MBM,ItyaJieH KOMy'HMKBTMBeH aKT HOCH C'l>C Ce6e CM 11
CEHKaTa 11 Ha npe~IlC
f
r CTaBeHa HJIH (popr.mpa~a ce con;HaJIHa napa.!tHI'Ma, npeBp':bli\aliKM ce B He~-
I
I
!
Ir.
Ha Cnena. ll"DJI60KO B CBOETa C'l>~HOCT TOBa e H8C'1>3HaTeJIHMHT CTpeMe%
aa participation mystique /L.Ikvy-Bruhl.l912.Les fonctions men-
tales dans les societes inferieures.Paris,78,79/B HnKaKBa tzoBemKa
06~HOCT OT e~a CTpaHa,a OT npyra- HBI!HPBIT\MHT CTpeMe~ 3adiffe-
ranee /Derrida.l967.De la Grammatologie,92/,"0TKJIOHstBaHe",oTrpaHM
11
'tlaBaHe OT I!pMC'l>DeHaTa 11 HB MHDHBM.Icy'BJIHOCTTa 11
ponst 11 /HeM3ri':bJIH8HMe-
TO Ha T.Hap. role-expectations :T.Parsons/E.Sbilsol95J,Toward a
general theory of action,l9 MJIM "e(teKT Ha H3JI':braHMTe otzaKBBHHH"/.
Ko"HMKBTMBHMTe CMCTeMI-! /K8TO .!I.MHaMH'tlHHE acneKT Ha COUHBJIHMTe CMC•
TeMH :R.Birdwhistell.l97l.op.cito ,539/ M T8XHHTe l!OD-CMCTeMM - B()-
20
KaJieH,I.CHHe3MtleH,IlpOKCeMMtleH,060:ariTeneH,OCe3aeM M T.H. - Ce CTpya-
TypMpaT ~O£P~D£T~O~ H ~azo KYJITypa /RoBirdwhistell.l97l.ebd./e
20 3a necpHHMpaHeTO Ha pa3JIH'tlHMTe IlO~-CHCT8MM HJIH KBHBJIH B~ aa6 • 27,
28,29 H 30 Ha CTp.13 H 14.
11: TaKa,npeA-UfHOBaDe K':hM pa3rJiejK~aHe Ha IU!KOH OT MO,IteJIHTe Ha I<O-
MYHBKaTHBHTtt.fi aKT, KOHTO "pa3tzyl1B8T 11 ~OrMaTa 3a e,nHOKSHSJli-IOTO KOI\-tyHH
KaTHDHO B3aHMOneJCTBlle /B~ CTp.3/. lle3aBHC:t1DO qe Ce IlO.fiB.fiBa OTHOCH
T;JJJIHO B no-HOBO BpeMe /198~.Speech Act Theory and Pragmatics./J.
t1c,A.e~Jl Ha.
Searle/F .Kiefer/N.Bierwisch eds ... ;'{ 11. EHpnum npeo~oJIRBa 11
orpam1:qeHH.fi..
Ta tt Ha HH~'iopMS~HOHHH.fi MO,!l;eJI, 6a3HpaJ!K:t1 Ce Ha H.fiKOH OT KOHD;enTyaJIHH-
I1p:t1HD;HllM Ha 6Hxe1BHopn3Ma /Niller/Galanter/Pribram.l960.Plans and
the stnucture o~ behavior.N.York : M.Bierwisch.l980.Semantic struc·
__. ~
ca 22 ca /communicative act/
/B~ 59:M.Bierwisch.l980.op.citf9
2
~
B 'l.)' All speech acts are to be explained in terms of J.ng
~ trRth conditions plus something else./M.B.l980.op.cit.,ll
· B 2) All explicit performative utterances must be explained in
terms of truth conditions plus conditions of,~ocial interaction.
/M.A~l980.op.cit.,l5/
{B 2'~ The communicative sense of all speech. acts must be explai-
ned in terms of denotation conditions plus the conditions o~ SI.
22 · /M..-B.l980.op.cit. ,18/
••• I will first define a communicative act as a meaningful acti
vity to which a communicative sense is assigned with respect to a
given interactional setting ias:
(D 4) ca= /ma,ias ,cs/ /N.B.l980.op .cit. ,6/
OTrryi< cne.nBa npe.nnonoACermeTo I-ra E~pB~lll sa B3a~Moo6B':bp3BaHe vr B3aH-
EJG
;13::K 60 : N.B.l980. op. cit. ,29/
Tio.no6eH TMn cxer.m Tvt3a~MH Mo::tee .na 6':b,rte vranonayBaH, aKo KOMyHHKa THBHa .
m m /utterance meaning/
u /utterance/
mu /meaningful utterance/
mu
/B~ 61 : M.B.l980.op.cit,,29/
mu
D 23
ca }3x 62:M.B.op .cit. ,30/
I.
e3HKOBO H IIee3:VrKODO HHBO Ha KOMYHHKaTHBHHH aKT • 0IIHTBaJtKH ce ,na H3Jle
3e OT e3HI<OBOTO HHBO Ha KOMYHHKaTHBHOTO C'DIIpHI<OCHOBei-me, aBTOP'DT 11
60K
cyBa 11 /He3aBHCHMO tie paarpaHHtzeriHeTO e3:V1KOB0 : nee3HKOI30 H:VIBO ,e .UOCT8
flCHO MapKHpaHO ( ua cxeMa GO c ttepBeH n;'JHKT:t-tp) I, KaTo
HeC'D3HaTeJIHO HalJieTO BHHMaHHe K'l>M e3HKOBOTO HHBO,.IJ;OKaTO . Hee3HKOBO-
TO HHBO 3ao6m<aJifl C M'DrJIHBa Heonpe.n;eneHOCT /BX M.B.l980.op.cit. ,20-21.
U 3a6.23j T• e • HeroBaTa IIOCTaHOBKa 3a KOMyHHKaTHBHHfl 8KT e OIIHT 3a '{e
11 11
He,UMCKpeTHOCT H T .H • B MMT0JlJ1JI'MqHaTa 06Bl>p3aHOCT A3 : ,Upyrrut • 0T-
11
TaTa, 11 ITO:Jl:VICmaTa KpHTMqHQCT Ha yqacTH:VIIUITe-Bl>Tpe-B-.UHa.UaTa H Hepene-
11 11
OTB'.hH,3a KOI'OTO KOMYHMKaTMBHOTO C'I>rrpHKOCHOBeHHe ce pa3rra,na aHanH-
pe,qe C TaB a 11
Hemo 11 ,HO He H ,na· ao pa3-T'I>JIKyBa a,neKBaTHO /B"AC CTp.1
11
HCKaMe ,na 0603HaqHM 11 rrporraCTTa Mei!.uy aHaJIH3aTOpa-C'I:l-yqacTHHK-B-KOMy'
H~ 5
o6eKT# ; : T.Parsons/E.Shils eds.l95loop.cito,5/.
Cnen KaTo MapK~paxMe enHa ocHoBHa opa3n~tl~Temra qepTa Ha KOMyH~
-
y~CT'l>n/ITo~aTOC,IlOpan~ ~aKTa,qe OT .UOCT'l>I1HHT8 H3CJie,UBaHVIR TeXH~Te
nose.neH~e
Time:
Channel 1 /audio-acoustic/
Chonnel 2 /~:inesthetic-visual/
Channel 3 /odor-producing-olfactory/_____
;,
Cqannel 4 /tactile/
efe ...
/:FIGURE 4 :R.Birdwhistell.op.cito,70/l
TyK aHaJIHCT'DT Ce ~3M'l>KBa OT KarHeT~3Ma Ha JIHHrBO~eHTp~3M~
12.
SENDER ~CEIVEE
..-----t Full interaction------------~. L---
CODING PECODING-
Obronemic relationship------------------~
Phronemics Phronemics
r--~----------- ( .• •' ....-~---------
Paralanguap;e Paralanguage
--------------
Lexico-
-------------
Lexico-
morphologico- Common culture --------------~ mgrphologico-
syntactical syntactical
complex. ,_ ________
complex _
----------
Kinesics ________ _
._Kinesics
---------
,_ ______ _
Chemical Chemical
Dif f e~t cultures • -------- '--+poo---;::-·--------...,-::-·-+-_.
Dermal Dermal
--------
Thermal , 1-Tneriiia~
r--------- r--------
l?roxemic:o Prox3mics
--- ----r----
Proxemic relationship
Costructuration Redundancy
Intensity ComplementarJ.ty
Duration
Reduced interaction
/Fig.l : F.Poyatosol983.opocit.,l30/
~27=6-.-.-.-v-e_r_b_a_l_l_a_n_g_u_a_g_e_i_s_t_h_e__;b__;a_s.:::i~c-s_y_s_t_e_m_ through which, along the vo-
cal-auditory channel,people carry out the most complete and sophisti-
cated form of interaction,that is,conversation /F.P.o~.cit.,l29/lan
guage had to be seen not only as part of the basic trJ.ple s~ructure,
but in the broader context of intersomatic conversation;F•.Ptop.cit ,129/
13
HO HCHI-1 11
ecTeCTBeHH 11 rpaHli:IJ;li • Jlopa.D;H CBOflTa B'DTpemHO-, C'D- H Melc.ny-
6HTli:~1.Ha C"DntHoc~ pa3mi'tllHiTe I~aHanH li!:MaT "paaM~tTH 11 rpaHli!:IJ;H. TaKa 'tle e
I13nHmHo .IJ;a ce cnopH Hanp. B"Dpxy Bep6anHaTa HnH HeBep6anHa c"Dm:aocT
Ha rrapae3HKa,KaKTO OT.IJ;enHHeTO B CaMOCTOHTenHH 3Ha'tle~H CHCTeMli XMMH-
2 7 The fi~st conscious effort to devise a system of notation for
paralangua.ge \vas \vorked out during the 1950s by George L.Trager,
Henrj: Lee Smith,Jr. ,Norman A.-Mcquown and Ray L.Birdwhistell,along
with Gregory Bateson,Henry W.Brosin and Charles F.Hockett at the
Center for Advanced Study in ·the Behavioral GciencGs I : G.L.Tra-
ger.l96L~./uell F~mes ed./ Language-in Culture and Society,275/.Tra
ger summarized the work and outlined paralinguistic features such
as voice set,voice gualities and vocalizations,which comprise vo-
cal characterizers ,vocal qualifiers and vocal segregates.T'iiJO stu-
dies /HcQuown.l957.Linguistic transcription and specification of
psychiatric intervie~ materials.In:Psychiatry 20:1,79-86; Pitten~
ger/Danehy/Hockett.l960.The first five minutes: A Sample of Micro-
scopic Interview Analysis.Ithcca.N.York•/ applied this and modi:-
fied notations to actual data.Sometimes earlie~ Pike /1945.The In-
tonation of American English (An etic system of voice quality,p.99
104}.Ann.Arbor.r1ichigan./ had recognized paralinguistic effects in
language and devised a simple notation for these "qualitative gra~;
dations", \vhich he noted were "socially significant" /IYI.R .Key .1977.
Nonverbal communication.The Scarecrow Press Inc.,57/.
P&relcmguage is constituted by the nonverbal voice qualities
/~itch,rhythm etc./,voice modifiers /pharyngeal control,lebial con
trol,articul0tory control etc./ and independent sounds /clicks,his
sing sounds,hesttation sounds,narial sounds etc./,and silences
with which,consciously or unconsciously ,we suppoiJt ,emphasize or c<n-
tradict the linguistic,kinesic and proxemix messages /F.Poyatos.
1975.Cross-cultural analysis of paralinguistic 'alternants' in fa-
ce-to-face interaction.In:Kendon/Harris/Key eds.Organization of be
havior in face-to-face interaction,285-314; F.P.l976.Man beyond
words :Theory and Nethodology of Nonverbal Communication./Chapter lJ#
/: F.Poyatos.l983.op.cit.,l38/o
28
The earliest work in kinesics attempted only the crudest corre-
lation of body motion and speech behavior /R.Birdwhistell.l952.In-
troduction of kinesics.!Photo-offset1 Foreign Service Institute.
Louisville./.I had yet to comprehend either the feasibility or ne-
cessity of sound film recording and was,in fact,resistant to the
idea early suggested by IVJc~uown /1951/ that the future of kinesic-
linguisic research as related to social processes depended upon in
tensive and parallel phonetic and microkinesic recording and analy
sing I : R.Birdwhistell.l970.Kinesics and Context,230/. Gilbert
Austin /1806oChironimia .Londoltl~Hepr o1966.South. Illinois Univ .Pres~
is thought to have provided the first system for notating gestures
in a field other than dance /:M.R.Key.l977.op.cit.,62,90/.See also
Hayes F.l957.Gestures:a working bibliography.In:Southern l~uaterly
21,218-317; J.I\risteva/M.Lacoste.l968.Bibliographie.In:Langages 10
Kinesics can be defined as the systematic study of psychomuscu~.
larily-based movements /gestures and manners/ and/or their resul-
ting positions /postures/,either learned or somatogenic,of visual,
14.
HVIBa ,:vm:n Me:.:\.Izy KOMJ'HHKa THBHH HHBa/, B VI qpe3 qlleTO aKTVIBHO B3aVIMO-
~elicTBvie ce "no.rt.n'l>p:lKa", "noTVICKa" HJIH "pymu" KorvtymntaTHBHHs=IT
CMMC'l>JI /HeroBa Ta rr'l>nnoanaqr-rocT/ 32 • Paa6urpa ce, ToBa npoTVIBOCTos=r<-me, I
BeHHe Te C a :S ~HCTBHTHB 11
IIyJ1C:ll!pama" C'l>-qeTaeMOCT,C'l:-BOKyiiJlflBB-
He HB npe~IIOCTaBeHVIeTe VI HenpeCTBHHO ~0-0~0pMflmH Ce CO~HOKYJITypHH
34
He-C ~-BMeCTHMOCT Ha C~-BMe~aBa~OTO Ce e n~nHaTa CTeneH Ha OC~-
T0.35
- -
3 4 Siegfried Kracauer /1963.Time and H~story.In:Zeugnisse - Theo-
dor Adorno zum 60.Geburtstag.Frankfurt,;50-64/ bestreitet den An-
spru~h ••• Eremgnisse aller Lebensbereiche in der chronologischen
Zeit als einen einheitlichen ••• konsistenten ProzeB begreifbar zu
machen. eoeimmer noch im Banne von Hegels Begriff des "objektiven
Geistes" stehend,setze voraus,daB alles,was sich gleichzeitig
ereignet,gleichermaBen vom Moment Gepr~gt sei,und verdecke die
fRktische Ungleichzeitigkeit des Gleichzeiti~en /:H.R.Jauss7lg67o
'ti~era~urgesch'icnte afs Provokati'on O:er 'ti~era-:rur\·lissenschaft oKon-
sta.nz,58~ s.w. Hegels De.utung der Zeit in der "Enzyklopadie".In:
M.Heidegger.Logik.l976,251-262.
35 Meaning is not to be conceived,fundamentally,as a state of con-
sciousness,or as a set of organized relations existing or subsis-
ting mentally outside of the field of experience into which they
enter; on the contrary,it should be conceived objectiyely as ha-
ving its existence entirely within this field itselfi~ •••• l3 Na-
ture has meaning and implication but not indication by symbols.
The symbol is distinguishable from the meaning it refers to. Mea-
nings are in nature,but symbols are the heritage of man /1924/
I :George I'-Iead.l934.r1ind ,Self and Society: from the Standpoint of
a Social Behaviorist.Chicago,78/
't~
CBORTa C'DmHOCTe 40 llOBaTa CTeiTeH Ha KOHBeHUHOHaJIHOCT Ha 0-UHCMeHa:sa;
38 EQ •••• £1tELOT]
, ' OE'1. e:nt.
, ' - 1 ~ .,. ' :
'tOt.~ yP~~!J.O:O"LV T]V,'to\ho uf,w ~a.crt.f..e:U,"t:O ll~{}T]-'
!l~,e:~TJ
, o1 9e:u&,ao~o,;fpou~ At.yun,; ' cou~ x~t.' IJ.VTJIJ.OVt.xw,;fpou~ na:pf~e:t.• IJ.V~-
1-lTJ~ ,;e: uap xa:t oo~ C:x~ ~cip!J.a:Mov e:vpf-&TJ. /PLATO!aS DIA!.OGI. ~CMIX.Vol. II
~AI~POE 274E/ 'tO'O'to yap 't~V !J.0:{}6v'twv \~{}T]v ;1tv tv ~uxa:t~ na:pt~e:t. !J.V~-
'
llTJ~ C~IJ.EAE'tT)u .<:. ca:,a:'te:
.. ut.a:J:. "\
n~..u'tt.V
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ypacp.,~ a.
"F:r~!Jlv£V
-r!
un
' ' O:A.A.O'tp
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Oo{}e:v O:V'tOD~ O~'a:D't~V aVO:!J.L~VT]GXO!J.fVOU~· ouxouv IJ.V~IJ.TJS a\f..'OnO!J.V~ae:os:
~ci~!laxov e:~pe:s. ao~Ca~ 6~ ,;ots !la.3TJ'ta:ts 66~a:v,ovx &r..~&e:t.a:v nopCCe:t.~ ·
/ibid., 275A/
39 •.. o'tt.
.. 1. - t J:. ' , \ ,.. ,
r 1 ~.1t.v TJ !J.ci-&T]ut.~ oux af..f\.O 'tt. ll a:v~~J.VTJO"t..S ,;uyx~ve:t. ouaa:,xca KC:f-
.,. \
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,;~ a~{}pwnCV<tJ e:i:6e:t. ye:vfcr-&at. /Platon.l934.<:euvres completes.Tome •IVo
Phedon 72e/
40 Le devenir-langage du cri est le mouvement par lequel la pleni-
tude parlee commence ~ devenir ce qu'elle est en se perdant,en se
creusant,en se brisant,en s'articulant 1Derrida.l967.De~a Gramma-
tologie,381/.Le progr~s comme regression est le devenir de la rai-
son comme ecriture •••• la necessite op~re a l'interieur de la lan-
GUe et de la societe ••• c'est le besoin et non la passion qui sub-
stitue la lumiere ~ la chaleur,la clarte au desir,la justesse ~ la
force,les idees au sentiment,la raison au coeur,l'articulation a
l'accent.Tel serait le temps etrange,l'indiscriptible trace de 1~
criture,le mouvement irrepresentable de ses forces et de ses mena-
ces.La langue s'ecrit,pro-regresse ~ mesure qu'elle mattrise ou .
efface en soi la figure libid. 1382/ ••• indem wir flir die Bildung 1
der Scrift diese~ organische instinctive Lautgefuhl nicht als hin-r
langlich anerkennen,sondern dazu noch die Erhebung dieses·. ·Ge:£iihls 1
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832,836,877,925,936
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ITOMMCJIHX 806
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• • •
Frankfurt am Jvlain.
LJ.O.
zum 60.Geburtstag.Frankfurt.
Leibniz G.l900.Geuvres philosophiques./par P.Janet/.Tome I.Paris. 1
I.