SEI

PICCOLI PRELUDII

       
          
J. S. BACH

          
 = 112

 
GUITARRA

             
  
    
1.

    
   
 
             
 
                
3

        

 
           
  

                            
5

               
               
    cresc. 
                     
   
 

                 
7

           
            
  
                 


                      
10


 

  
                      

                   
12

    

        
       
          
dim.

       
        
     
14

 
               
  
  
                     
  = 60

 
    
con moto

  
2.

  
16

   
    
transcripcion para guitarra leo gips
                      
2


    
            
    
21

  

  
      
                 
          
26

      
   
 
      
                         
cresc.

                    
32

    

   
                          


   
Espressivo

 
       
        
38

 

                          


        
            
43

 

 

                       
                      
48

   

       
               
a poco a poco

  
 dim.

                         
53 3.

  
  
  



                                
  = 76
59

     
vivace e deciso

  
    
      


                 


             
                 
 
65

        
             
   
transcripcion para guitarra leo gips
 
       
           
3

        
    
         
72

            
       
    
   
  
                           
      
78

    
     
     
 
                                   
  
          
84

         
     
       
                      
 
                             
90

       
           
   
    
          
                                       
96

      
     
   
                     
    


          
           
102 4.

  
   

  
    
Allegro quieto

  = 92
        
      

                              
    
108

       

 
                              


                     
115

     

transcripcion para guitarra leo gips

            

                           
4

           

 
120


        
                 
cresc. 

                     
     
125

 
 
dim. 
    
     
                   
        


 
131

          
 
                                  
           
136

 
 
     
                     
                                    
140



                           


              
   
145

   
      
                              
                    


150

 
      


     
 = 112

 5.    
dim. 

 
Allegretto giocoso

              
             
156

       
                                
    
     
                               
        
158

 
            

transcripcion para guitarra leo gips

    
       
                 
5


                     
  
160

          
 
         
       
                     
                  
162

       
      
   
 
                        
            
164

      
                     

cresc.

                           
        
 
166

               
           
         
                          
      

168

    
      
            
                


                         
                   
170

  
               
    dim.            
               
                        
172

   
        
        

       
cresc.

    
  = 80

    
                            
6.


Calmo espressivo

    
174

     
      
 


transcripcion para guitarra leo gips

    
  
                                 
6

            
         
178

    
          
      

                               
         
   
185







                      
1.

                         
          
191

   
2.    
 


                
    
                  
            
197

  
      


                          
                        
203


   
cresc. 

                     
        
           
                 
209

     
  
                    
dim.

         
   
                          
215

        
  
        
1. 2.

                                  
221

   
    

transcripcion para guitarra leo gips