crysis = ARTBOOK lotutichilitioh NANO EDITION Mea Ts Tre Tis adalah Ayvatualisitiaycrysis = 90 INTRODUCTION 02 Oo) ENVIRONMENTS: 06 Work in Progress ( Dennis Chan 1 14 The Artist specks [Dennis Chan 28 The Artist spake [ Vitor lonesan 28 The Artist specks [Frans Hewon 2 02 CHARACTERS: sa YQ f The Artie apaals (Can Walker | 53 es Nae 7 ARTBOOK The Artist apache oa la The cts: spa 10s Content (>) 04 PROPS m The Artist spooks ( Gragar Maple 28 o5 STORYROARDS 140 ‘he Artis: speaks: [Asti Castle ve The Arist specks (Trudi Coat | ua The Arise afesks (Bors Hiseicky] ve 05 COVER ART 154 07 MOTION GRAPHICS 164 The Artise speaks [ Andrew Booth 166 08 THANK YOU mm Biisliocbacholuvlibvlisboetatialdstibctbaliateestacbcbaabostastibochsalaatiartetaibiebsabvle eg areca nano eran localeorrsis= GETTING OFF ON by Peter Watts . There # certain beauty in deetruction im bosed ef caurse Ive geellly deocrbed the . earh throes cf the whale damn pleret mare then . feck in my oan wreng Sb you cent dery thar trecughaat the known inverse death ered ‘esrructian a whar ta al about Ertrony Freee fen: things Fal ape: the cerear cearot Pot Four Pent cosmologes! madels beer aut were baking ‘doin the barrel of timate anfltion at the ered of tire e derlfista vor where even protore dey ireo restirgress. ARMAGEDDON 4 inthe maarina herds Gyaa “This dk gta you wah mania Fur 5 cot igh sway on ones, or sured amay nan ‘Seon tala ar the bateorn eft postcards fran trey mare Wohin these pages youl saa ina shottorad starefrores, ‘whole aeyines fir (Even F we cant actualy nama toert for comyricht reaeone Ur boca fame omen wart to ae apentiarei ith Winlarce’ and Is realy Fang no ane brings up the rquiston ‘gan. But feégracal Lafipthtirstiibidiny“Those are tha artists wha Lckatart the Faure Theyre the era we First desired he Fiat showed us what Acar’ uni wee gong to lek Ike. There & thebeckin fpinct whch theunards die Thesis the cxerm Feuse utera teres ie tran abut ie ove, whore prisire stata of fldad badly boge stretch fn far ina the datance thay male er own horizon Theis where sian paractes ~ hatach, htiseue ~ dure mutersorg eee tenth a banter corpres end suck them dey. Noe exer the humans ere huren for the mas: pars embeded inthe ermorad chee of predatory eae with infrared eyes ar sterng cut ct the work threugh the ightberding cyclopeeyas of haart sue {The Fac that are or te of them mht cee sccessorized with rk pkardats doesst realy iarectalltrat much fram the anocs}ypse Nee ‘iy thawghl The very her of thepiece — Feet mss = what fe — ook the acting oo much ee gore Figfvtech goer flayed evn the muses mare = pradiet of opera robaticalabe then of eny ere flog heteen men ancl weman, These are Byers of hellCenke never imagined thane are shee tet shod mabe yaur shn eraed Ard yet comahavs tal ches — beo.eFul Thisis carnage rancered aa eile a crucx wih se muraliterioca shoricg @ heft of pala surlighe nth erty bau Arderelr church, rere Feemerl ty smple are! merore rts carne encore terpl froma inst corarent Sornahow teres ‘pean ave yhora h Manhattan froctured angers spit Sich Averue, maja: warerfells hurdler avr Broadaay. An efi buddng merphe int on scout erga, Fourteen series Hh CCrytis artets hem Fareed ertrepy ant thi chy core are turned tina on absurd anc gerious (pngle There may be olen behind the earrege bub the @ Nene’ Aemagecan Beauty destruction, Hl re te eure how they 16 that The quys tated these mages have oot tobe sor hod of ack geniuses,SLNAWNOYIANSAcRysis= FOREWORD MAGNUS LARBRANT Art Directorcorsis =ees a) heer Peete eet ceed Sleatetice eset erent eed leet tee ea ei ge aeee aed BS ee Far see sl el eee beter Seen pee iment ae setter cater tia « WORK IN PROGRESS 5 pe OL CO heeeseste teea eT CCE eee eee ee ee ee ee ee eeWis lbp ho hvdontinb giant Minh ees Semen ater ae s 64 Gee mitacRasis' WHERE ARE YOU FROM? 1 crow up nthe mast epi esha Harmallen), Gather, Sweden HOW LONG ARE YOU WORKING IN THE INDUSTRY AS A CONCEPT ARTIST? | edad en my Fret pb ee professionel Concest Artist ot Crys eet have een working here fer elmast wn ard ha years WHAT WAS YOUR FIRST CONTACT Wark ART? Since ight my firs par are pepe and rayne tnche cn since my parerts were ody thrking thee a bray wkd enyny ping area Fi oon ands woh aasiteres? I eritrereerben that moment but ti got the drawing. pene ‘hate y Fret contact wth at conernne ih fpomes certacn al =0.0n WHAT IS YOUR GIGGEST INSPIRATION? Lie tha my igest eration, He its apc, ts un lid bt vary inte, yeu can lesen Sa much Fron tot the same te nothing, we have soon b tbeen thre dane the. tcl yuu bk? WHICH ARTISTS INSPIRED AND INFLUENCED YOU? Every orto repinen me end rely ilgencan me ao ve prefesseral, unpre sal urnore, ariel evry style anything erie the way pers watts ere en dFFera. co unRUe, Unareeet bekanced qe Wb ore a petane > The Artist speaks WHEN YOU ORAW AN ENVIRONMENT FOR EXAMPLE , 9 YOU DD & LOT OF PRELIM! NARY SKETCHES, OF 18 THE WORK MOSTLY AFIRST IMPULSE? ‘The vay |wark i very ‘experimental {ekwaye change the wy | werk [Someeires Ian do ten thuréneie before | stare Most of tha tin | st start Fava an ieee. guess experimertra keeps me intrested fond cfelenged Sorchow the end recut ooh the aame reimetter what. Far work ea have 2 couple of dofned wey of werking. Far example there ise dffarence n the work flaw Ihave re dy i werk on 8 concept or thrae ar ive days I qlese the mere te | have the move tre can tener rw things IN THE SKETCHING WHAT IS YOUR FDC, FORM OR COLDA AND LIGHT OF jonny FEELING? Wher I chotch ind of hee very atrzract in the buginirg FI have dain Hid fF fink El londy wart 9 lt new shop sic Fara thet eon cormruncate something rere ine Maced ane! hf ala en irgertantheg her [sheen Bs | ry eo hoop & 2 open fer new is ard charges as posibleWHERE ARE YOU FROM? Sake a smn peaceful esburb ta Stockhaim in Sweden HOW LONG ARE YOU WORKING IN THE INDUSTRY AS A CONCEPT ARTIST? = baa ‘ove a year now that have keen working aa @ CCincepl Artct Bere fe worked about two yeora as an Hustrator WHAT WAS YOUR FIRST CONTACT WITH ART? Old grarhic novels ry del hed sever | cit rad Engen ot the in, but the hawinge cay feecinated me WHICH ARTISTS INSPIRED ANO INFLUENCED YOU? A tof araing artists are peer WHEN YOU DRAW AN ENVIRONMENT FOR EXAMPLE, 00 YOU 00 A LOT OF PRELIM NARY SKETCHES, OR I THE WORK MOSTLY AABRST IMPULSE? Io oth dsperes on whe ware werd up wth. oe o the ties 71 have chor aa in crs shetch | ual wore with ‘hat one Dang mary shetchos usualy to wer ‘sore pratlem fut then tras dane war to che | | VIKTOR JONSSON - | crysis= ipta pants, Thera vever just ore way taco things so sketches are quod Fired cxher engl INUTHE SHETO-NG WHAT 5 YOUR FOCUS, FORM OR COLOR ANG LIGHT OR MODD/ FEELING? When onl sketching on per focus manly en form nd compost pre. ight nce Fearests me reat | gp oe mad mind but anyway thaw tn be defined by thage other meen Pow weit yau Fel 7 you toad in the achiol enirermere youre peirting? Celera ore thing Irealy negeeo experment rere vith WHATS A BAD ANO WHAT 1S & GOOD PAINTING IN YOUR DPIMON? | fue partie thot cffer scree naw tothe wert. CRereimes fm Soa ingen by paintings thet are amazingly wll sre The best ashknge are those wo do beth inmy opirien. Werks of ar that teres yu to ‘work harder none dey come cose to parting lke thee yoursok ia the border oF good ert thet inspires yeu conekenly moves My de ere thet | ‘was pret of dante anymare Sa the qusstion bea et relative ta wha youre asking The Artist speaks (~) valisalocaliassafiaslatealiveloitiaclinliarlia oe srrecocwasn enoCUNO 46. O68 yycrersis= same VISUAL CHALLENGES FRANK KITSON Senior Art Director soyg | GHARACTERSorysis= 2 _ ALIENS AND HUMANS _) MAGNUS LARBRAND Art Director Same vant for the Huran characters bull yp @ y cf tory cheractera and combo “The goal was for the ples behave better ard thercreapsis2=i coasis= WHAT KINO OF PROUECTS HAVE YOU WORKED ON? Thus for Ive vere! cn over ‘wary Am a eefaision presser he ‘wa Chea Neen drerred! atren Rms, Qactar WHERE ARE YOU FROME Yorishire LEC (Whe, the Golden Compass, Robin Hend, Prince of Percio ard enay Piters ipcarng Jen Carte HOW LONG HAVE YOU BEEN CONCEPT ART of Mors to aames fos IST] PROQUCTION DESIGNER? Ive worked 2s 2 froreege artist nthe fim televeon ore gamns ARE THERE ANY LIVING OR DEAD ARTISTS incusery fr the past seven years “THAT HAD A PARTICULAR INFLUENCE DN YOUR WORK AND WHAT INSPIRES YOU IN WHAT NSPIRED YOU TO BECOME AN ARTIST? YOUR DAILY ARTISTIC WORK? Chie to my Irepration to became an artist? Vetualy always kur Dasign roots Fd thet Architees and warted tobe = deceser Happy he art are oper are sruch ofan rfkierca as arte Iuerretya srk har Plans haan an togral pert’ fact mare 2a Gucheinster Faden Arch Kear cfthe desen process A ecconcepe arts. ve —_Lebiss Wends Fin Muck, Tarren faurd thet the 2 hove complement ane ancther Ears Mathew Hiton The let perfectly Fagarding daly toprol proche! automotive devigners and cereapt are oom, Ore slnaya needa cmecre or to expire ta DAN WALHER ~( > The Artist speaks (SXcrysis =comRsis =j cory sis= 1 . ay \ ss 5 1 y ol ee) bade 4 if Vdoesise= | ennSpat oven Shab augerUS solder USE / men US soldier USFles » US soldier USE/ 0ARRASc—sis=ausé MON eM cmesise ea i pee ris fellas | Has RE wa at AVR ne | CAREERD = Comm) Oem NANO SUITcrysis2=ossis=TIMUR MUTSAEV The Artist specks WHERE ARE YOU FROM? | ar fram Cre Pa ip. ty SBI okrretars eauthvenuth woot ef \WHERE 00 YOULIVE AND WORK FIGHT NOW oo 2 Bes Vibel ene workin Fre am Main Birman, HOW LONG ARE YOU WORKING NV THE INQUSTRY A AN CONCEPT ARTIST? | vor ‘concent artis ans IG yoor | etartad my career when the reusiry was very srl HOW 01D YOU AND DIMA WORK TOGETH: ERP io olnen worhid ee iomese tv wwe changed everything together we dak eced erything ager twas fram the begrring ta the ard a coleberaten We shared aur experiance to rae sop the naroauk ene which yen ni eum asc (Oi task was it to pech the su ard redesen i matly Lue Leng & tl lacking he the nance WHAT IS YOUR BIGGEST INSPIRATION? [Artal ny daly bin Spc the art of the Ibis shoays iepaorg toon the perfctr nl lero ef tone ot painting fe baba ‘compcetin ard colar The macterl ensamical dd which dries and inspires my weeks heavy \WHCH ARTISTS INSPRED AND INFLUENCE? Atos le Lavrance ale tock, or Fuser masters the lan Hramsles snd lym Papin Thos sre ps Few ta mereon WHEN YOU DRAW A CHARACTER FOR EXAMPLE , 0 YOU 00 A LOT OF PRELIM! INARY SHETCHES, OF IS THE WORK VOSTLY AFIRST IMPULSE? & ckgereis Feny much research Jade, ard Ihave @ ceer von cf the ‘herectee sheady my mind LE mostly Flee burch of eferances end star draning When & comes Characters the Focus is ley the Face the cr trait ges you the best impression ofthe pereor beninstne miseYS WHERE ARE YoU FROM? os bom in ataktatan inthe farmer USSR, and oper my heli ingen, Than For ne wert ePrice \ WHERE DO YOU LIVE! AND WORK FIGHT NOW? Garyrary en) Pome today have Farly Siren hore Fgh | wor Cry HOW LONG ARE YOL WOFRONE IN THE INGUSTRY AS AN SQ ARTIST/DESIGNER? | ony fies professed jb working far Alten Foiretinii ebcat rire yours aga instil euch wth tha quys tidey Ido rk cover roa gern SD even tha.gh ve been invoked nk Beg 206i COB Ive always appreciated good etc eng) hen | wre chi OF ren | dt Fae when espe ectly wos buck then (eerped thot as lgpe ath ‘WHAT WAS YOUR FIRST CONTACT WITH ART ‘AND DESIGN? Probably ot 9 mack arcraft dub ‘when woe about gfe yoara, The dood of the Garren Liftweffe ercreft made a pet imares Gscncn ms ard las eens asap are creer fry aun versione, The euence of my schoo was “aco ington ete eaclinttai laa iilraliihnliatislvaenihi stantial orn sis DIMITRY GAIT The Artist speshs ( s Lea abl to ensors ta of ‘flerert rectum ere wea required to crest al ser rom scree | elon ramet my ather Brngry Pome an Bt coment grea & hte manta er | ocani completly mrerses ny Growing wath Rend een erecting gartao | woukd Heep the gare loylarophes/ocurcl ory Fo ther wn end averting Assembla Wi seve copies sway ta nerds are soon many pele A ee ee erate naa al ie ty oar Greeti loca wes pt hoy nf course, we her no pera tn corwnersiotz> ry our war sine that was fred san h the Bovet Unen WHAT IS YOUR BIGGEST INSPIRATION? My ggact naprotin comes from apy avg the wnerk Nolewa — ne resub WHICH ARTISTS INSPIRED ANG INFLUENCES YOU? Evory eth alo bnew his werk can impress melt cald aven ba chil nlarcerger tery realyWORH IN PROGRESS Dimitry Gaitorn sis =cutters cy anonise crysiscRysis= WHF bist aaGREGOR KOPKA (©) The Artist speaks [BUNS IN. GAMES USUALLY LOK, SOLINE AND [FEEL REALISTIC, BUT JUST HOW CLOSE TU ‘THE REAL THING ARE THE GUNS YOU DE SIGN/ADAPT FOR A GAME LHE CRYSIS? ARE WE LISTENING TO ACTUAL GUN SOUNDS, OF SUFFERING THE GAME AMOUNT OF RECOIL AS AREAL AK? fe cay were proty ch ‘We ca recording aeccin in a ert i utsce of Las Angeles ered mest of ou weap ‘lund es cose asthe esl cres wh sommes excep tans. The fling are pt earre exams of Oe wenger we recrded ithe srund deportes fctten we recorded a varity hard Zroigune Mane imprescive were the ch calbor vweagen are the mer HK MP7 — sub ractirespn FX Siar — sonal Mid Carte ssnault M2 Grown SU cel 127 mm heavy machinecpr Mit? Borrett Sriper Cal 0 ~ Shiner Re ‘Shoe our scereri ist nthe 202008 we have fsnre figuratic desired wpa Mos oF te wweeporein Crys 2 ere proectle based ened therefore eran sen tthe wenpares used rawerlays verfere, However te gemapay, he ccusomcable wearerry ard the Narosuit Ese wll ive the player the experience of inure warfare {WHATS MORE FUN, GESIGNING YOUF GWN. FANTASY” WEAPON OF SILDING & REP. LUCA OF ONE OF YOUR FAVOURITE REALLIFE IBLNE? | prefer a mis cf both Hs grat ta hen the freee to gout but on the cher eto te dat of real gins ta schieve 9 ecg thet fe van ec rely exit 1.20 years from Fy le fer wags to create reat [BO Fi veoaperes wiih fel tela, ya Pave to {gee te ployer on ort design that he can under ‘and are which i bseel on existing weapon PPoople cae gunain mewian al the tre ara they new row 2 un ks i. When yeure gong, cemplcly crazy a2. weapn design elk tly deta thet Fever erythng in eoreren with Peal weaperes you wlpily alo that dosent Fest reat Thats ory the case when yr howe such phlosophy end angraech for your gem (CF cause leauk whe sume ade view gootos oF rool wrapan and paste them together Eu than ie wenden ba chalenge are! rae nat howe fovn sje You alan have to vem the nigh ste ls Mader waapars Pave a lt hard plastic wich personaly te ches @ beauthu contrest onthe ‘assot CryENGNE hr the ere ga me al possi tiesto achieve this kn of ok(WHATS YOUR FAVOURITE GUN IN REAL LIFE? The ct geod m4 WHATS YOUR FAVOURITE FANTASY, VINED- GAME GUN? Ive sen seme ree spe! eres (Bed Dancony These guys arse aban haw the guna eel is ere eagerly he saul aappers the sey strony ue we wl go beyond he ‘WHATS YOUR FAVOUFITE WEAPON YOUVE OESGNER? The ew SCAR mock in Crysis 2 | WHIT HIND OF WORK BOES INTO OESGNING AND IMPLEMENTING & WEAPON FOR A GAME UME CRYSS OF CRYSIS 2? 00 YOU GO ANG, FARE ACTUAL WEAPONS HAVE REAL GUNS SITTING AROLND THE OFRCE, ETL? AND HOW {CONG DOES 17 TAME TH DESIGN ONE FROM BE- [GINNING TO END? Whar yadre lng end ware ingin Germany ite erly inpeesta get your Fula on weopans Sings iy chien im blot dete tathe dascr oF ieapona hi ont hens ‘uch ef the technica see ef theap. Forte have SHE cts gpert hem in he company by porp ho howe expertnca wih guna nd br every Slot Sinost i rerken fre nmpens rmsion ea that We spend anne tine on ating ranges eae Sururias ta git ree we Ie beter Ores thet © dore we days tart with sare quel hubs. After thal pre to oar wider fd esgper wth ae ubtebn adel to Frid ‘au thetiest gacbon forthe enmetions leyecsteer Sid shourin Ni ctapin afeak memprt by my Set ova concep ars thnk Ea important to tart with 9 whitabor a yeu can euch proc ael task Your idea wore wen sig frat person cena Dostion | can see meudetey wher priors there may oo The fist paroan camera postin can ba risky de: fern onthe fav and ere laoretin= wish foo Ebelcca wien characters ar eny char anne wich ie forced oe na huecieamens poston nut nthe athar herd Fave my nn acraon sone oe thats eraugh oferget al prcHlems which comes seth thei o tenke Dhar we Pave vcr cuttha ort case we srt Gods Haj ard loupe ons arate The {ine we neat tn co bia apes on with he sas the waner aceon Us andrei DUNS ARE GREAT FUN IN A VIDEO GAME. BUT INIMOST COUNTRIES ON EARTH, THEYRE SEEN AS CIANGEROUS ANE UNPLEASANT DEVICES. 00 YOU THINK THERES SOMETHING WRONG WITH GAMERS: FOR ENJOYING GUNS SU MUCH CONSDERING THEYRE OESGNED TORIL PEOPLE? Thera is natre rong wth cuit that are ploy Trot pergon choco k fy wth on ann ees | Eee poopie ho Fay gence can mele tre erence Delica wt fre ron gure OBVIOUSLY A BALANCE NEEDS TD BE STRLEK BETWEEN HOW AUN ACTUALLY BEHAVES {AND GAME DESIGN, ENENIES NEED 70 TAKE MORE THAN ONE ELLLET TO HLL, AND FE: LOADING WITH HALF A CUP OF AlN LEFT DOESNT COST YOU ANY BULLETS WHERE 100 YOU PERSONALLY UME TO ORAW THE LINE [BETWEEN REALISM AND FUN? “ctl tha cholenge to gat ery gare den frum the team fn to rarorm tha rea cool prc a ert. Pare scaly 6 ali for me when gare dese startato ‘re decsone tht crete or eer co iro grenmda At the erdthe whe packer males Ue exporter wen co fe way rprtane to work be cRysis= ‘team end ta be a bt of = gun rut Bure beng fest pornon stoctara an an sea tr mothe (games the cacpers acu deri care euch Shou f Gun ars coverng 2 be af serems weer tnd they od be ade rire eve’ rex treated a 2 arepin the va, CAN YOU TELL LS (OR SHOW US| ABOUT ANY (COOL WEAPONS Yau OR THE GUYS DESIGNED FOR ANY OF YOUR GAMES THAT NEVER MAGE FTINTO THE GAME? AND TELL US WHY THEY [ENOED UP ON THE CUTTING OOM FLOOR [his owe lft hs rd oF dasigns end ery avery tine when lapon the Felder Tht net re que raver nadet ro te gare bens oF ‘sgn changes | cant shay any of the sca ‘oo Hnvent Frihed the pnyess yx ord wha hows ‘shen c them might ees ent cur genes) picoe sis =cRysiseorysise= ta afliatiatiatallilindidiitnabict shaulutitishababalubitidusdubabatils ce amrenoxsanoecmen silicRysis2SOYVOsSAYOLScrysis=2 nie yt ts, ‘ting orate peer ook Uptosca two pln soak {tds merte posting ‘be cover ight the a 4 Th tre ok own Tregombinge ing ey 4 ite stanc igo rey. ‘Stpodee upware, ‘Te plays a about hep ‘ning when ears ‘cain una to ht Tepleerwnteen ate ‘soo pith ove Prepay was wa iy ‘The sound now vor loud {Biren ond ns wa aig fom he en fhe Stating setnas mannaepi apntete, ‘antiee acting ee Roe amuin ke ah.[TRUDICASTLE, Storyboord Artie J Vhenit sere of seal thet makes you feel ebeokraly tiny care to Drysia 2 we were desing with fret j earporieon There ia more of 9 Few to tee peraon storyboard wich have o completely jconea whot with be lack of outs oe dFerent GFforert tora and fedng than erthing yeul fied camara engin. Gt you aif need thet urgarcy, ina uml thr percin bierd You'are soe prt ard the Ferg oF ena jahing ewe TF rmeniy trearp the mys ofthe promgonet ofthe are uso hpping al the te. ca re (ge ond.2a have to foo the some sora of fee, spectect t loch at Lie ot the end of il Skreet ‘Wore rene thee he woudl be experereng Sia Crain ch reim berg be aay ina edict ch fbr i feling oor, feo seth eel of rare) lone segmr ie eon ext oF the ground chr CCertra, thas 2 bam huge veri have that’ wire gare to crest C) < et. | | REEF ¢ , ay alleereat | Regan 7 = = | oo ws falcMOTION GRAPHICScrysis= he ‘an |7 Eis Oo Min a O Q MOTION GRAPHICS SEQUENCES FOR THE MOTION GRAPHICS SEQUENCES CAN YOU DESCRIBE YOUR FAST STEPS? At ‘Bind we Fed eo oous italy en contere rather than ety or vin trata For the retan graphics sen ences. We beled thet the vsusl fly wetls Be depervere an the cance of the fetyences inthe game. Wie lag reecad ta Kea hw nace Crytek wertec eo beimtarme of the purpooe these sequences wail! serve, HOW Dio YOU DEFNE THE POESIGLE CON. ‘TEXT FOR THE SEQUENCES? We defn! the cf these serpermas by condctn extensive Feceerch We load at everythin relaton motion grephe sequences Frerface erachies ardin gure lous sorean movers Ws arsed ‘agery fran cermarces, art iibtirs musk (clos er draw igen ear estas linac fermen terface grephico fori We be the recarch down i the catagores thet would Feefure villi the seca, Chie Hin ince the folowing utjects neretach,mesieal scheme ica MA ‘ervots systars spore, teget map lostians ‘We cauld ges thet there coud us tires poset cont fer thea sequences KOO © Interview with Andrew Booth [ BLIND LTO LONDON } l e 1. Son fie: The a whore the viel reg ig tached from the game wer there by lffenng the grezteat crop for tha vane style fn fim mating rection However we hed ‘carcarne wth this epprosch cs to the lack fartent we cod vee wihin tase sey ences fatngwth te achekde are Letts oF precking the araunt & enetion requied Fer 17 bespche oaperces 2. Schematic fim These ara whers aaquereas separ berwoa lavas but are nck necessary level Erchrg. Thay ane clays of irformators vwaapers lel ramies and backepaurd tery The regired os symcrreniey vith the oome Ferrati,ond posebly opened up the seeps of the rojas aot B nul sl exist nthe Cryeis ‘oor 3 Ireerménion briefing The pro ofthis epareech ‘wa thar weak! be egreton wh the game ply xperiercr We nade a very tet coleratb feth Crgtelcto ensure the cerrertaterytellng, sve echiaveclta bref the player ecdetely ‘We hes ints concerns teling athe points ‘ously cathe may hove proved diel forthe [Scare of erwretic repre We ke the usvocecver would 2 auntie nad ko onl th tho veval Ergnge af the game (CAN YOU DESCRIBE THE NEXT STEPS? We Felnved enn ene brine o the hrebon ef ene Fin needes ta be adcrecees Crytch ws very penta berg fable They tustes ar be rerterd lew tha pare of work was someting LING ye! ri Thay cad one tee om ha Gienthe procs crest deal of thas. Crytek Svante tho sequant tan tha lve cF the fgrretagihen 8 eshoreke dota dar Fforming fhe pcyer of esr and cbcrver oF noch partinlor Exel “Thetefare we baleves thar the matin graphic apes cl ad tobe = combrsten oF he ‘ylaed schematic ond rtarmiascn brefing sures: we hal rly idertied rng or Elenoke research Ewect tortelng woud ba very Peady denercere on viceroy, ruse ard sound ofecsa ns tae vad has he praction tf he groper We bee tha wo cde ify the sequences oth a grephic lng.ece cf the user intrfaoe This gov us the Fesblty te me the ‘motion graghis eaqusncas an elective HOW OID YOU RATIONALIZE THE MOTION, [GRAPHICS SEQUENCES BEFORE STARTING? ‘We rareneleel the maton arash secuences by ting tha an the Nernst 2 tech are Cryret Syeters ide. The sequences ware deinen Forse wihntbe Crys 2 gore ta envy ery ‘pectic coreant Our goals ard chectves ince! ‘Svan ar pctaral research and arse oesis= respeaton boned an Crys nee [Ealsborsten vas entire wth Fichare Moreen rd Martn Lanoaste ta lock coun eorex ore! ‘ony pants Fr the eecerees. The resubeg, real ef concept was thn devatpad ard shown Fn Cyl for ther epproed Choe approved ve than iim tha leven dears rd eri tervaurnns 17 4Scccerd secinreee [WHAT WAS THE PINAL CONCERT AND IDEA? “Thelcorenre othe user inerface tous thay snlasghg in and ecoacehy the C-yret Syetrre: imate. Tm unqueress chs Design isthe Femina of the player the Neroait bi on fxtenson ef the in gre exgerionon We want tums eerensvn une oF the ST space tm pl che Payer ra Cyne Systema OE. 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