Professional Documents
Culture Documents
NETFLIX
ESSENTIALS
TEASE THEM AT THE LEAVE THEM
CHARACTER DRIVEN NARRATIVE DRIVE
START HANGING
Viewers develop The audience subconsciously Does not mean the pace of the Plot Cliffhangers are usually
relationships with decides whether they will show needs to be fast. dramatic events or plot twist.
characters not plot. watch your show in the first 5
seconds! Hero should be proactive in Emotional Cliffhangers are
Their engagement depends trying to obtain their goal. revelations to the hero that
on whether they relate to Overly reactive heroes are have an impact on their
the character and A good teaser will give the emotional arc. These can be
audience a taste of who the boring.
understand their small or big moments. But
motivation. character is, the central conflict always impactful.
and the world. Each scene should move
If they don’t find the emotional arc and/ or plot
character interesting, they forward. Viewers want new Sometimes the reveal can be
Every episode should have a information from their only to the viewer and not the
won’t care if the character teaser unless the start of the scenes. hero.
gets what they want. episode is picking up exactly
where the last episode ended. Needs to be compelling
Usually in the middle of a enough to drive viewer
dramatic plot twist. interest to the next episode.
NETFLIX
How To Create a
PITCH DOCUMENT
(5 to 10 pages)
1. The Story Questions
2. The Overview
3. The World
4. The Tone
5. Character Descriptions
6. Season Summaries
7. Potential Episodes
Who are these characters?
What do they want?
Why do they want it?
How do they go about getting it? STEP1: THE STORY QUESTIONS
What are the central conflicts? Answer these questions because they
What are the stakes? will be the dramatic pillars of your series.
What are the themes?
STEP TWO:
THE OVERVIEW
Includes:
● A short synopsis.
No Backstory.
● Is it personal?
ACT 1
Crisis
ACT 3
Denouement
D
(wrap-up)
es
Inciting
ce
Inciting
nd
Incident Cliff hanger
ion
in
Incident
g Act
g
Teaser ndin
Ac
Asce
t
io
n
Pilot 2 & 3 Episode 4 & 5 Episode 6 & 7 Episode 8
(Set-up) (Escalation) (Confrontation) (Resolution)
Season Map
ACT 2
Climax of Midpoint Climax of
Act One (a big twist) Act Two
Climax of
Act Three
ACT 1
Crisis
ACT 3
Denouement
D
(wrap-up)
es
ce
Inciting
nd
ion Cliff hanger
in
Incident
g Act
g
Teaser ndin
Ac
Asce
t
io
n
The viewer will watch the show for an average
of 10 minutes before they decide to watch or do
something
Pilot 2 & 3 else. If your4teaser
Episode &5 is strong enough
Episode 6 & 7 Episode 8
(Set-up) (Escalation)
they will stay for the (Confrontation)
inciting incident which (Resolution)
should happen in the first 20 pages of your
pilot.
Modern writers have adapted structured
models to define character
development and storylines.
Comedy’s version of Aristotle, writer Dan Harmon, has developed a
modern method for structuring the journey of TV and film characters.
Harmon’s Story Circle shows the evolution of characters.
Godfather I
STORY CIRCLE 1
CHANGE 8 NEED
Allows you to plot 2
from the Hero’s
emotional state.
New ORDER
Forces the Hero to ORDER You know
be proactive. RETURN GO!
7 3
Focuses on basic
human motivations, CHAOS
STORY CIRCLE
actions and
consequences.
SEASON ANALYSIS
SUFFER 6 4 STRUGGLE
5
FIND
Dan Harmon’s YOU
We meet our hero in a place they know.
STORY CIRCLE 1
Story Prompts
CHANGE 8 NEED
2
Having changed. They discover they want
or need something.
RETURN 7 3 GO!
They return bringing order They enter into an
back into their world. unfamiliar situation.
SUFFER 6 4 STRUGGLE
Then pay a heavy price for it. They adapt to new situation.
5
FIND
They get what they want.
THE PILOT
You Change
Need Go Struggle Find Suffer Return Want + Need
The hero in the place
they knows for this season