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Soundings: An Interdisciplinary Journal
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PHENOMENOLOGICAL CONCEPT VS.
PHENOMENOLOGICAL METHOD:
EUGENE T. GENDLIN
285
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286 SOUNDINGS
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PHENOMENOLOGICAL CONCEPT 287
among others" (p. 237). We are always "already 'out there' with
that which we encounter" (p. 237).
3. Boss's main interpretive concepts are themselves powerful,
and deserve to be adopted (among other concepts) as ways of
considering a dream. Boss chiefly uses two concepts: how one in
fact "bears" oneself toward others, toward the world and life;
one's as yet unlived "possibilities" of bearing oneself toward life
and others.
These concepts are not at all obvious. They deserve attention.
An ordinary person examining a dream might notice many
aspects of it without noticing, as such, the dreamer's bearing to-
wards others and the world. Similarly, an ordinary person might
not ask: is there in this dream something which is ahead of the
dreamer's present waking capacities, a possibility in life not yet
actualized?
Boss's contributions to dream interpretation, as I understand
them, are these three: the rejection of translations of dreams
into something other than human living; the interactional view
of humans; the two basic concepts themselves, "bearing" and
"possibility."
Now, what exactly makes these contributions phenomenolog-
ical? It is quite clear that they are. There is first the refusal to
reduce human experience, dreaming or being awake, to theoret-
ical constructs. There is, secondly, the phenomenological dis-
covery that we are always already in the world, thrown in situa-
tions with others, and not primarily subjectivities, like a thing
considered as a subject of traits. Thirdly, "bearing oneself to-
ward" and "possibilities" are Heideggerian concepts which point
to basic structural parameters of our actual living.
II
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288 SOUNDINGS
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PHENOMENOLOGICAL CONCEPT 289
It is disconcerting [that] ... in the dream the saving of the patient's life
was brought about through a transplant from another person. . . .
The patient in surgery remains purely passive" (p. 242).
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290 SOUNDINGS
instance? And how does Boss light upon just this dimension, this
pair of opposites, this issue?
Boss also provides us with no warrant for selecting his charac-
terization of the old man as one who is "selfless" and "mas-
culine." It is not clear that just these adjectives would be more
significant than many others. First there is "old" and "white-
haired," which the dreamer himself used. But one could also call
the old man's bearing courageous, insensitive to pain, coming in
uninvitedly, powerful, fatherly, insistant. Much else could be
said to characterize his bearing.
The Jungian analyst who published this dream also offers no
grounds (except the Jungian theory) for selecting the "higher
power" characterization of the old man, and for ignoring "self-
less" and "masculine" which Boss chooses. Both interpretations
equally impose upon the dream and the dreamer's experience.
For neither method is the interpretation integral to a quest for
something new, directly experienced, which would emerge for
the dreamer as a result of an interpretation.
As they are discussed by Boss, dream interpretations are free
floating. They have no phenomenological ground. Equally good
alternatives could in the same terms easily be multiplied. Take,
for example, the patient's supposed "passive" bearing, which
Boss derives from the fact that the patient is passive in surgery.
But surgery can also be said to be painful, bloody, unusual,
expensive, dangerous, usually done by men, and constituting an
emergency. There is much else one could say. The grafting of
the flesh is a magical solution, perhaps, or a bloody one, or a
guilt-provoking one. Any of these things might be said.
If we saw an old man actually appear in a hospital and put his
own flesh on a patient, the first thing we might remark upon,
perhaps, would not be that the patient is passive. And we might
not always think of passivity as disconcerting or negative, given
such an instance.
Boss's selections for the dreamer's bearing, and the old man's
bearing, are as good as any others. So are some of my alternatives.
But if the method of interpretation were phenomenological,
then we would have to characterize not only the words, but what
occurs when something new is lifted out. What exactly happens
to a patient when there is this lifting out? When does one or
another of these interpretations achieve its ground, and just
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PHENOMENOLOGICAL CONCEPT 291
... he began to kiss and fondle me on the street and say he would
love to have intercourse. ... we started to take our clothes off in the
street - it was dark. . . . Then I realized how inappropriate it was to
be naked in the street. I tried desperately to get away from this
public place where I was totally naked. I awoke feeling anxious." (p.
248).
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292 SOUNDINGS
a ... very close loved one." But Boss's values and his own good
fortune do not really offer a firm basis for interpreting May's
colleague's patient's issues or dream. Who knows, perhaps just
now she lacks a close loved one and also rejects impersonal
sexuality in her dream, just as Boss does. Or, a different vul-
nerability might be involved. Perhaps being more visible as a
sexual being might be an advance which she rejects in the dream.
Or, perhaps she has difficulty having love and sexuality with the
same man, or perhaps she is sexually trouble free and is using
sexual imagery to represent another issue, something she ex-
posed of herself in conversation or in some other interaction. Or
she might find that she longs to exhibit herself and show off, but
feels guilty about that. Or she may have a "bearing" of being
commanded, letting herself be ordered about, which she also
rejects. Perhaps she usually rejects all sexual overtures unless she
has herself initiated them, so that the dream might mark an
important unrealized possibility of responding, as a bearing. Or,
perhaps there is here a new possibility of getting herself out of
situations she has not chosen. All these alternatives, including
Boss's, are not really interpretations as much as they are at-
tempts. Only some phenomenological response from the
phenomenon could ground one or another of them.
Boss's way of using interpretive concepts is not different from
the ways used in other systems. Only the general concepts are
phenomenological; the interpretations are seemingly quite arbi-
trary. The general direction of looking (how one bears oneself in
life, or could bear oneself) is excellent and valuable. But no
methodological criteria are offered for establishing this or that
interpretation as the appropriate one. Boss's personal preoccu-
pations and values seem to be the guide.
Thus, in regard to method, Boss seems to operate like those he
criticizes. Again only one of the many alternative interpretations
possible in the system is given. Again the whole method of
interpretation consists of coming up with an interpretation.
There is no phenomenological showing of the phenomenon
itself.
Certainly we should consider Boss's examples in this paper as
mere illustrations of his general method. But if the patient were
present, Boss would still seem not to need a phenomenological
grounding. Certainly Boss could try his interpretations, and
when they fail to lift out anything new in the patient's experi-
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PHENOMENOLOGICAL CONCEPT 293
Only if the patient were very hardy could she brush off such
"questions" should they happen to lift out nothing new, and be
able to attempt other statements that might lift out relevant and
important aspects of her living. But phenomenology in a
therapeutic context is difficult to learn, and she is unlikely to
know of it. Without looking for new aspects to be lifted out, she is
likely to impose some interpretation on her dreams, Boss's or
some other. My point is the same whether a merely imposed
interpretation were her own or Boss's.
Boss continues: "With these questions, the patient would
perhaps, for the first time in her life, become aware of the
possibility for an entirely different bearing. . ." (p. 252). As we
just saw, many different new possible bearings could be deduced
from the dream, and pushed on her. It is difficult not to con-
clude that Boss might push the same - to him desirable - ways of
being on the patient, dream or no dream. Certainly one cannot
claim that it is the dream itself which unequivocally poses just
these values and changed bearings. They far exceed the dream.
Boss wishes to stay with the dream itself. He does not even
wish to use associations, and almost never mentions them either
here or in his book on dreams (cf. 2). But it is one thing not to
"re-interpret" a dream, "transforming the dream into our sym-
bols" (p. 247), something Boss rightly eschews. It is quite another
thing to exclude from consideration the dreamer's own associa-
tions and further experiences in response to interpretive at-
tempts. This approach makes the dreamer's phenomenological
responses "extraneous," as if they were an alien addition to the
dream; yet it treats Boss's additions and interpolations as if they
were just the dream itself.
If we are to consider this a phenomenological method, we
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294 SOUNDINGS
Ill
Boss says that beyond the dream is only the dreamer's waking
life. We must therefore put the dream into contact with that
waking life. There something new is shown. Boss also says that we
are dealing not only with how the dreamer now lives life, but also
with unrealized possibilities. We must therefore think of human
life and experience not as finite things, factors, entities, finished
defined patternings, but as containing unseen possibilities. It
follows that Boss asks us to put the dream into contact with the
dreamer's waking life, considered not as a collection of facts but
as a complex of implicit possibilities. And this account hints that
such possibilities could emerge for the dreamer much as in any
hermeneutic: what was implicit suddenly stands out. Boss wants
to move from the dream not to an internal realm down and back
from the dream, but forward into the dreamer's life considered
as capable of further possibilities and as capable of having as-
pects lifted out in it which are as yet unseen. Boss does not want
to add something, but to find what is there, not yet seen.
Heidegger wrote: " 'Behind' the phenomenon of phe-
nomenology essentially nothing else stands, however that
which is to become phenomenon may be hidden. And just there-
fore, because the phenomena are at first mostly not given, there
is need for phenomenology." (5, p. 36). The statement from
Heidegger concerns ontology, but the method of phenomenology,
if applied to dreams, could similarly require lifting out some-
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PHENOMENOLOGICAL CONCEPT 295
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296 SOUNDINGS
tion pointed to, and the further steps that ensued. These are
now not just ideas, but experience. They are not just descrip-
tions, but are themselves livings, "bearings" which have already
changed the way in which the patient lives in the situations
dreamt about. If the experts have other interpretations, perhaps
these too can lift out something, but it would be something else,
and additional.
This relation of lifting out can be described in Heidegger's
terms: Befindlichkeit (the sense of how one is situated), Verste-
hen (understanding), and Rede (speech). These notions are
implicit in each other such that the hermeneutical talk lays out
that understanding which was already implicit in Befindlichkeit.
The continuity is that which holds between something implicit
and its explication, and it is retrospective in time: one feels that
what is now said explicitly was already there in how one felt one's
being-in a situation, although one had not yet reflected upon it.
In this part of my paper I do not insist that what I am saying
explicates what Boss really means, or what Heidegger really
meant in the statements I cited. But I do believe that if we take
what they have said along the lines of a phenomenological
method (or way of using concepts) and apply it to dreams, we lift
out some experience of our living, and in a way which permits
new aspects and possibilities to emerge from this living. Dream
interpretations could be grounded by this approach.
When dreaming and waking experiences come together in
this way and an interpretation is successful with a dream, there is
a distinct and impactful emergence. Outwardly one can see the
person's face come alive. There may be a large breath. As ex-
perienced by oneself with a dream of one's own, there is a flood,
an opening and unfolding, an emergence. This distinct experi-
ence diffères markedly from the merely cognitive sense that
some interpretation "could fit," or "is interesting," or gives one
some glimmer of sense, or intrigues one. The difference is the
emergence of (or lifting out of) what is then a concrete aspect of
one's living which cannot be made to disappear again (though
it will lead to various further differentiations).
Such an emergence may occur right after awakening. Or it
may occur as one tells one's associations to the dream. Or it may
occur later on, in answer to the many questions which can be
asked of the dreamer in regard to the dream. Once it occurs, one
knows beyond any question what the dream is about, or at least
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PHENOMENOLOGICAL CONCEPT 297
one knows one aspect of life that it is about. Sometimes one such
emergence is not sufficient and still leaves much of the dream
puzzling. Another is required. Sometimes such an emergence
leaves one in no doubt at all concerning what the dream is about,
but one has not learned anything new. The dream seems to be a
metaphor for what one knew already. Further questions may
lead to a further emergence which does let something new leap
out.
If the lifting out is made the basic criterion, then the more
different ways in which one can illuminate a dream, the more the
likelihood of an emergence. While Boss's concepts of "bearing"
and "possibility" are excellent, and directly connect the dream
with waking life, Jungian and Freudian concepts too can be used
in the same way. Every aspect of the dream can be taken up with
the question: "What in your life is like that?" The feelings in the
dream can be pursued: "What in your life feels like that?" The
plot structure can be phrased in various ways, not once but
several times: "first you let yourself in for it, then it doesn't feel
appropriate and you run away. What in your life is like that?"
And then, perhaps, "You expose yourself in public, then it feels
wrong. What in your life is like that?" the figures can be taken
externally: "This man, what was he like? . . . Who is like that?"
They can be taken as part of the dreamer: "Is there a way in
which you are, perhaps not with much awareness, that is like
that?" (In this last question I have translated Jung's notion of
part-souls within into aspects of our living. If used
phenomenologically, it comes to the same thing because what is
lifted out will determine what we make of it, not the initial
statement and its logical implications.) The place also can be
examined: "What was that spot on the street like, have you ever
been there?" One can even ask her: "Stand up and pretend for a
moment that you are this man. What does he feel and act like?"
With any of these questions, or none, something may emerge for
the dreamer, more than just a thought or an interpretation, but a
directly experienced aspect of living which can ground interpre-
tation.
I am not here talking about a feeling of conviction, or any
other affective accompaniment of some interpretation. I am
talking about the aspects of living which may emerge. Only the
latter ground an interpretation phenomenologically. Thus a
phenomenological method cannot interpret a dream in one
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298 SOUNDINGS
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PHENOMENOLOGICAL CONCEPT 299
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300 SOUNDINGS
REFERENCES
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