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    4 views39 pages

    Eimert Die Reihe-I

    Uploaded by

    carlos puga

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    of 39
    THEODORE PRESSER CO Jn exocition with UNIVERSAL EDITION die Reihe A periodical devoted to developments in contemporary music ited by Herbert imert and Karlheinz Stockhausen Electronic Music THEODORE PRESSER COMPANY UNIVERSAL EDITION © rival Gem ein copriht 1985 by. ies) Elton 4. G, ten Engh con epprigh 988 bp Theodore Prser Co, Pomnan rehire ‘seven al cous. No part of Bis eras may be “ranted o produced woth coment of ‘he pub, Cover eso: Wi Baer, Yea Pred in England by Th Sellar Pres Ld, Beret (dst in Times Roman, iM. (£43 Tis ond all sequen ies may be oan rough ‘2 200d mse o book stop or trey fom THEODORE PRESSER CO. Bom Mawr, Femlenia 24 1. PaleneyStect Lonon, UNIVERSAL epee Kips 6, Vir 1 0 Pandas Jecitn, Psu, Zirh, RECORDS OF ELECTRONIC MUSIC Univesal Esion bas ready released dee Tone peng secure of elecrnie mas produced atte Cologne Stu. These ects Wl be aval very shady i he US.A. and (Cena, wel tn Grex Brinn nthe pub wl be ‘ado ee fl deta on applion, Tensor’ Preface Henaeer Enesar HH Sruckexscmapr uerenex Kees axa! Pousseox Kanee Goevvaenrs Kantnnivs Srocmavste GorrrareD Weawen Meven-Errirn ‘Wat lotnie musi? ‘The Third Stage A glans oer the shoulders ofthe young Fist practal work “Atha ends of raflan..? Formal eects iw new comporions manera “Te sound mail of elton msi Seria techigue ‘Acton Stisicand psychologic problems of sound To be pubed sont Mumber2_ Anton Webern [Numer Miwa Craftsman Number ¢ Young Compote For fl deals of hse mums sc page 62 0 » x 2 TRANSLATORS PREFACE ‘Die Rate I orinaly poise in Gena in 1955, il introduce Engh spain ‘readers othe ist tine to some of the problem of leone Misi: These pbs ‘he writers of the various rie cm, ae ane eer tan te gee oder, ‘tng to te composin af muse oun, fos De Ener rit, the Cet ‘meas fly corespond to the comporionlsituon’ The problems ae aes nd varioutly described in ths rls by Herbert Elst oo has specly ete is arise forthe Enash eatin), HLH. Stskenchmi and Etat Rese, wit ep to relate tbe very plmometon of Cron use os carl backround Other aris by Kacel Geeyaets, Paul Greingr and Henri Pour not oly re wie aspecs of tana! history ef mis rom anew angle but expan song {he autor” pectoral ates tothe word of sound. Arete by Chater Kish. (Gotied Mice! Koenig and Karns Stockh itodice renders tote stud ‘nd decibe actul wor is progess- Pere Dowsing a wider view of he whol of eontempornrymasa, trp en of aconperatie sper totes aseanos {aland deewoniscomposton Fal, Prt Mapes he User of Bonk ‘Sucuses probes of scouts wch throw ures ig on eetronic mae [No apology net be mide for dscrepancie of viewpoint and dein on be Dar: of te varios incvcul eontstrs There cannot atthe oit be tay dee ‘exminlogy inthe Engh language, o 20 seul work on elton mote hs a ‘een dove m an Engl peaking county” Where posite esna!vricioy esponds to previous ars, becadcass nd boks wen i he Engh ange Ehenhee the esr s refered othe Standard Acosta Terminology. Te ats Intor bas dalgence for any ons cated, Lonpon; December, 1957 Ste eeet eee pw) or deta fi WHAT IS ELECTRONIC MUSIC? 1 tb ity ofthe "Mori of oe Tne laconic ms might beep as inn {op or even ab «poste sums apart fom te mala seam of develope i (fe cute of olen controversy ana it smbisouy st aythag Wich sodden (ade nf uninvited on an aledy pelenatestuaSon. At he same time it {fedy of sce impor fo have come to te atenon of scaemlc study and scsi. To ts ergary mas lover who Isis fo contemporary mse, ‘Seana, Bartok so Hinder at tek Srey Beting them stand Schoes™ fr. Bere and Weta suzounded bya teroatonl oop of tele not ita ‘sons nse een rt enigma exteme development One tang al cla Stoter ibe approved cr codemne,eeannet be igor nylons ot let us sete ston aneter nay with elon mise atthe al pl of « poprstiv developmen, connesed ah he mest rece! nsuectal shoo oi Ea. Nex cones the cl een dscovered muse of Anton Webra, apo of de arts the rn ay competes hen Schoen’ weve-aie mean Sally THevocaled'modera csc Intasarapgomest weaved ast x cern inevitably (human protest was ssn «pose now sos ke cur pres ‘evn tbe fact tat eleonie mre ithe outcome of Scdes of tcl evelopment, oly tn most eet ines that as enced a Sage at which it may ‘Stoned par fh pirate mk eer. The mero eb mst ‘Say reece dined fom al oer besonngs which we have udestood ‘0 {Rata denlopments Here thre hs benno eension of tad! prose By ‘here nar of esc appre, slewons mae ecompele del with ‘end phenomens unown to musician of ere tines. The espn ty the eee tons menos of he ound word a we ae own ans to ae musa posi, the uate consequences of which can Lal yet be apprecned “onthe ther bao thre sua ect eanship ame tronic mic end tie mations world of oud, teal la ths fc tat mal elements ae defined typi, duration an ino, bet lo bse ofthe conection been ad he ‘st coctenporary develope of ssa thought. Eketonc ru and emis, ‘ut of muni nr rest eal more then mee tcclogy Bu the at tai ‘hot be expected eer (otk over oro iat the oneson of atonal mse ‘testy shown bythe anecvoca ference of material fos tat of ution Is. Wa peer to sos poses asthe otetalies of oud ise. No postion ‘achat oul be reached by a mere teense of he atonal fo eet fee ean make musi adsonal with eesvonc zat. Of course oe “a but ‘hetonis concn intrest wil ays ena aatet ob The fc a recy noms wih can be ten rerio aicaly, as bn wlan for lo ‘oui concer inrurents doe pact he fact tit rm a er ss Sees eeesseessEEEEeEEaCEeEESEEE ESE ESESREE REE eRESEEIEESEEEE ESTEE See leet ORE EeSe See eg eee eee eeeeaa SIRE een eeSeaEEE EE eeSSaE eae eeSeeaPESSEEEES xsemblelsrument doesnot rans the ld metas of performace. New wip ‘zorting found spuste new compostinal eas thse ay oly be deed os ‘ua ise eh yen dee the ere tera "Elstronic music is bused onthe composition of etal generated sounds ra sie by a guerre. corde on tape tou couse oan faut ‘mre. leone mic enst oly tape (or on reso) sid can nly rele in sound y means of loupeaer system, Tht lstoni mse cnet Pysformed om instruments is doe tothe fact tat the sun of uve so eens ore ony stenpo fd ens tame alan dot “Thre has been mich bovaing onthe ar of “etn he leet o p00 ‘aneous mosiomaling which sid to belo in eletrnic msc: tw pentane eovealal forget tat mach of wha is ext and pres ine Hirt of me ‘om Bach to Schoenberg wil alas eosin oud he reach of tesa ‘momling. To say thatthe st makes thai on a pao jt shou as toe ‘styng hat an Obmpic champion win golf el, witout tenoning th ot ‘repartos, the gaasic execs tt had to fines Infact "Mpontanrs se ‘aking represents something pace! thotand tina, cordate fr eed rehearsal, something wb silts wal abet, yperrepu cis ‘an amos unique mecha prodardon in whi i did pecon i nee to 8 proectod elton synehronsation tan 'spootancts meee” Ti ‘not ileant to point ou bere tat in a0 way te sim of Caco me te ‘epic isrumentl mai. On te conta, a deny Knhip say be cbse betes ‘estrumental mus fee date end elton me nthe there epi 'n he eleentry properties of sound peso which have been pat ot Be ‘Sanna of eletone muse Hate nt teen without ter infarnce a the ates bere ‘The invesion of he vale In 199 mar the belaning of the development of tx Bisnomenon of elton musi, tough natural te intettion ha nothing ow ‘i, Jes caneidese, yet in aie ese perape no colnenc tht at {85 te Boson and Schoenberg were fist inereing thts nthe ef ts “nteropidcotity’of msl strat owing the les of ata tecniqu. Boson dscused the arte of sod matress knowin, nd Schoenberg vented the Klaine Hatt at tht tine rected Canis esi gan whic, for te fest tne, ened composer sterpt {9 Schenteg not pus the tea of Klagarbermele ha store Be ‘Weber waa tinct idea of sre of proportion wich soba barbnt sp melody toa common deecminsor of intervie proportion, Weber wats soe {0 extend the sri penile oll lel dnesions bu i at lean aches soe seuctres anette scoring to the permutation pail ofthe ser —In s ‘ome ao lta ma, which takes up his rest en od oat ating transect he toa rpniiin ofthe eet pare ‘Detelopmens inthe bling of electons cone intent began fer 120 The ‘les always attempted o imcat achionl sound, wth tie curpn of Jon ‘Mager, who sae, storing to Buss i, tht i out wo be pone ws nals ‘rule oats ofthe future al fequencis,eldily wel at harmony ets the prt fonts whlch determine he ine’. Bat he dive meas of mn iit tnd ope soundly trae svelae some ety ys ner With ‘above of he nso cording oon pe *iealy oe! sound sid cat be siied sex genie compton cuneate htc fad Yen vested Tn he inary way the tape ecard ‘Meter hemeansof payne bck apes Bul he ew ape tecnige which 20a ‘ed wit mre Saybac of the ete pence ve Te ore Soo ‘Caetano cet mea ae are ‘SSSlousapeair anno long pase tates hey become ce cto in he ‘ei rnton of te ape, Ths she neil eet crosman chi, One ign ht uiy we ave pees a Seybourd of i eborteaed terete ‘ef taio unseat, now wack yh ima to mater espe gupment consis erat aout tapeccrGer soir a serie #0 i el eda tt ‘Sra epee eget sega a een eel gs a inst Sheil a ron ny conc tun shld not be podued in say normaly Su! cn san he comps tome echt Up, ution aed Stent. lye no longer bat ony 70-8 pcb lees hs pol (is he Seas nee sied itonenal ese) Bach Wobhenperletes Kier Ser 05 itn yey 67min oo Fd ot {Extended an aco vale He now hart a dps he ee Stor of Suc or 3015000 cpa 4 or moe pcs tse rae {5% and an ne sume of arta vlses, metic certs on pe ‘Sous ati can be adeguny ane Uaioa ann The ollowng msn nine woofer ica rebar ‘Sey msn hnar wih Ge noses’ sa Gps Tsar woo shove {Gieps). Witia he mr town 610, we ae ato geet 5 beet fics of which, when onder scl atest ech fourth lel beards & Sec = “he mulguny of forms of een ments fr eets the ponies of tlc natin hu taoay to anemone nov © ‘cEssoal mu, ina wny nich conepondsto snail phenoera, Ts eat be {ihc ty en eve adsl Staten; bene to reenter ‘rows ofectrone mus gapbizay fn te fom ofan aco ing Tees ‘Sooo fen comportos see pei svar Sagas wth et isi, acy Gol per cond, ion level ease etl) a ie (Gaps) Theconpow segues totus cra sunt of coo oe Inlet ste obvered ta acu conrpon dono alvae compan {tho ef mel ney. sro ound Candee oe he oe, he noe ‘Str, noun sound cope and ingles 1. Te fone: unknow t wana mse i witout ovrtons i pare ot local sound phenomena may be reduced to ie No nal seem inthe ‘enteral ese may’ be corset of snus tones; fey ave no tons ‘aco sata, no tonal shreter. Ths he sala one system. can aly | _ |, ___-=_ _=_ = _—_—=_«C | bea theoreti ste of eee: the composes may ball stustrs out of 2 The now: is what very msaa knows atone Itisbultup fom ase cotharmonis overtones put, si reguense). Thy he oe ofan er ‘enti not he tone tthe nov which tae ne capone, whch mines nts Tas pal eomponene yon be are’ by esac 5. athe nite mice the equnce of the paral ae not orded harmon Jelly a they cannot be egress in om f spe sumer! proportions ‘Noe mus re va sn tone tre an are ot the ae shod ‘heyhave a hie dpe of internal sono onpooete and canbe repre ‘tats enor snr in catagory tothe nie noe hn fo he iettmetal ‘hora. Not mints aly extn insvunestl mse were anatack alowed by long reterberaton ell, pis, ples, rd, cum) In electronic muss, ‘now mires may be vase witout acu ia any dame form (=e (ede, dminuende anni). 4 Nowe: gene by speci sound character and approsinate pitch el. ‘oni "ank oie which Als sm cout reion my be dteroed a pouon Fired prs of snk nos’ ee cll “soured ae’ er "nose clo ‘The lod (te comple) ens! scoala trail et ‘be cbse tt the now and the chord ate ery erent nineteen ‘sin lecrons msi the note mire nerves beeen te to ith Darcie of iio of ts eozstiuant par. Nowe and fone mitre ecrnialy‘cmpoved” not according to an meal or satura ts Su cording oa componrs prestrmined dens "Impax plaion lo Known 4 Bots oe Clk (ep o ai) st high dimamie els cerspon 0 detonation ‘Uncontolable sounds telong to tho acoustical but not to the museal oma, Thu can nea te produced by eerie experimentton ot ik recording nod vague abd “atmosphere ees canbe obane by ctl {nd sem taper To demonstrate th, fakes two or tre hos 0 cone Seact a mite of good etmeepere mus, after Ure o four weeks Tor inte of eal st uoaton with inet mt or no ati, 8 Worth mentioning tat no compose Who intends himself to te ke seul ‘Wouldhave vert inalin or eeronc mss its ene revues contd ‘faze experiment with es nd if at ould be produced wer taper of Sunospacesourd. Whowter ie scat by te ies of the machine whi ‘mas things ease” an simples composition i fact it makes compoaon siderably oe diel) only comparable to the mediowe pant who SPER Rwy ro teat seam fcr nd pny ‘The serephoni Sibson of ound raster ea furber elect of he form of electronic music. The various loudspeaier ses around the bal ae the come ecing trumerte = Soncention iia ote dnvibton of orchestral an eheral i ae aces in church coal Thi speci dimension i icosported int the vey "le conpenivon. Muschane anion ssn oly Deeded i maple Panfipe corer. At present aso tansmislon I aly sage chanel (Sigler "ek lc choel son of secon pero Sepending on th purpose or ‘225 fo ae inended) This spat projects ito the concer al seen ban a for in production of tronic muse were worked ou in the Stati for ramos Muse of te Westdeutcher Ronsfnk, Close under th ein of he sr of ts are, Theft dns were roadas in an evening rosa of ate Radon 1951 and nee pean the Tntratioa!"Feratuse fOr Cea ix Darmaatln 1989 thre wat «publ demonstatn In comection ‘SES rms etl inthe Coast Hallo he Cope Radi The frelon we ellos were perforin conser be Calogee Radio on te 19th Octobe, ‘So there mee sre ns, nl ey mints of msi the sco hal of Beat beng deve! to them The compours were H- Elna, K. Goer de foe td RS Ofer bt Sn (tach te at Sek’ by Eimer, "Klngguen IP y G. M, Koenig he ‘Ore ‘er Pecos by E. Krenek and te ‘Guan de sala” by Kh, Stockhausen sae en the ft peinmancen The lt sontioned woke ve he tne ere inued a tee lng-uying recor by the Device Gramophon Geslsca {SS hs se several snl peer have bom compose by F. Evangel, Lige, GM Koag and B. Nsom ‘ous was the bin of eetoni moss Te wens to lack completely hat suit of ‘idan vay which so ofn characte new movement. Nowe Would ave (hen he sites note i afer th Pst Wena Was, he younger generation had ‘in by producing ena ow tole sedis, Bot there ae oterbgiaaings. Tey (one ntl and a) dnbede, Ikea slog asformation wishes ie death oe ike hein wich the eet pts sles into theese of new ‘ovr blest. The bsg of elosronic mim bese os ling is hi tie (Gvenn, Th composer conceror iel wid astral owe the wood el rove wage of ht at do not app. To bein to compo elton meses 0 ‘heck one tg eeneat rom the les ange of pssbites ofthe tony omnipted tral ane toes en compecisonalmaner enous wth the ‘unin of plytion inthe man of the Male Ages whit is practi he. bite dat, dept te pparest modesty of the prelmines of leone mi, ie Fh brunt fan experent ie Rome hat sale crete seleton and aco ration cn ng facet fate wth the shoe matre of mae Fors eon eran be po se forsee masa the ease of taal thor n= ‘seston of use; fh wish somal Belonr within We sope of tory bere ‘eos bound up withthe neil bjt. Theay presents msi! pouty” this [Praline aio ttn ites deret censtaon in tat isn longs Dei ‘eto il ot ites formal cbemes. “Tee ty begnings and tents perspectives of etronis muse casa im ‘ghon ers who would inn tat whereas tere were “pest fs eetonk seas, ti preset tage it had noting to do with si’. Wheter hs wpe {he ret of mimndestaning or wheter exreing te sentiments of gener vanes dhs a waste of neo arg apn Woald on tbe force {he aur conron tht corpo mete cece withthe compotion of sone ‘nga was noma? Wease not sted in atackingtheathoy of he compo ‘hem this pot of vw Tis cern that cans of mse cotot could have etn eal ov _gecrons material ha not been forthe Tevestionary tosh of Anton Weber Nevereles, the compottonal equgmet of ctrl muse mast te mare th ‘xesion of tweet einige. Tee ae o radu tastons fom the ty) "sige bow; weno longer sz rer cuss bat rhe te pote, a sounding Sr costing a se nae components Ismet ander asi ermiy fleneat Is esenal have experioced and to know tht te ate and pereptex (of sole cnt be reatied by sale pial devices of messurenect, re Digs and pychopheia! quale av ool dere ty the ene infest ‘Esason he wap pur are on leading tomate, the har 10m ‘ce ofthe mest characteristic and prevent misundetstndings of proses minded teacher and res sine te tat mae today has a dal expe! on ‘ns tand estan, on the ther the ving Ns end Wood. There at, se er, ‘imation. We mut pot out these cls tat he Safle net In form of the ote sn the element of somtrscton sre dered rectly from ‘Tradtoal weteeetecelguecanotsufce fr this Io ts contin the fe ‘tat note belt om hk hl pats and the hope ths hs newbs roe hy ‘sce pestclaton, When the fundamental assomplons of the compose are nae! {nd prin be Seema ivae in tragie-demnns ‘espera me hae hy ‘Supe images and ued seston of Expesonsn, From e erro veo han ‘it thowe wh are tale fo value marie as anything at ‘phoerahia# ‘oil We of nese to cond sar txts Macha, ous and Pesta, Onc {nd fra wits eons sie we lene this‘eyehoeraptica coma ‘Alone among the trehetone composts, Anton Webern costed th 30m sje soshatto acorn een fnedoned erly. Sean frm Schoenbes ‘espout dis woul eke cling he heads of em mune shoe, a duos ‘vend In rth, tied i our being If hse procedures ae mage abi ‘ot ical to dices 8 neat oul ie ap Adorno Bas done It dos no set ‘ou of lace here to gueston te pose obey of musi. Cary thee can be | Brae seeprtraye entiing Unt with Ast wii he only ‘ci’ hora Souert of mae and of masters of noose mus; tee can be nous of patti touroos' pose whic aoc abd presets Ars aan, eege-damon isacane "We kno tte o how motion bce involve inthe pact of mc kings ‘re es of inten, which nae obo forte Stine ine an rea, ‘ound 1590 These questions cannot be parted int separate pigeon oles, Weal {sk has not msi says ben ade yen? ren Pytbagora mu of te spheres ‘rs the wor of human fats. selec lume cone! sything ee Bt he oe ak! hw den ofp selina pve serie Weatalcte et tapee tae ts poe ca hl oan Wa ese et ae ites Se eae tahoe) Geta tar ce ae nan tat ie ec tone sie vena of gard tore, pexpeste mest appa to te See aes ee iy ata tana To eae ea ee See sna aan tere oan Seo Ppa ike wen eed ey mdr oe Tera a es ni ee tain tae eee iat state wane eo coed serie Sirs etitnanss tues es saa Teng Uy toe ily any ogec ae tes pesatien pace sneer oe een aes andar sane oe SSTREwE Gtote Ai aeons hw hte nega Sal su np cps et Oh at aly ore Pisce cs etal eae aa pea he ih ete Cadac ce Mapes ae see i tcc sting Orting cst sre tosses isan olor oy at eat Soar Ruel pu netesremecs veered iene cencetar ou ea titan dees ne baoen creams renee aes tee ne a aon ae nce ae cette tee se ae el epler Ne dspant toiented anes noe ropes See aac, be no Ai ten see ch ee Sey Cette moe oor ae SE Si Ws ned te nan pnts ee aaa eaten te atonal goa Tacit der "as nips Gdn foe pce ee oe ee ee! ola eae ce el ef id ytd ee tect {eee cea er untau enact ng ng nes SUS SY Jamin ups t gee ner ‘icyinc crop tes ol ee atl poo serine tanta an bay tea bmn toed Sua iieisass cies nies raat rat Seer So as cane sre ee eee os SEIUMiaant Gemnet en tb as me eny ars PonCEiiSeed iy wows cian ma He tase SEESTSSI Ss Shp cee pn oe ey. suf Soer be as tas cme aby patie nl A ts bo as edo a Ted anspor notes, an through it relaoashps to eason within he srt ‘tachod the Icey cd no a nha nar ante, bt oly ow ait nei {tosh rs ail que to fant, Cough tp Fonge ea, and th is funton sno toner messed by any pone aberet ie as, bat bY alog of eet. "Webein asthe Sia composer to move on fom te snl ee coaception of vsveuteecnigue; namely ato seals ergassng Dich eels In his Wor {De the hs tanm we su the Legions of te meno! ow tenia wh {shots we know avril secu. Weben ested is mse to terval nin ot, ad composed srs which ae nota te radtonal sae developed ‘Coit but whch rose by tons leap ap ich nthe pelo Sag could acheve everyting Bot that al ep from te ound of israel {enpred ound: Onin elesonic mas as tha eal ease of tse developments rele, “Ta elisonship of note 0 row coy Enown a pial of ed consent telvonote mass. eecconesela ase, onthe oes nd everyting to the ‘Seva oft snl ote subjected to sal peutatio, resin int comple ‘we way of comping sound th oot of Sound, a the eine theorist WOU ‘ve called Exaninuion of material neal ens oe to srl dete co pion; ao choi exts othe erring of simustones win rte, snd thi ex Sree meni ae ee ok {Sid toe whee ements of ue, ph abd inlay met this fonda: ‘roe see at every evel of the sev atwerk wich ogunies tt Oe Parts reed ot The oc ta on, duton and movement are sino tao ‘aes fo the prclecce ofthe tne proce. The note sbjected to ime fr [Bic vl and itennig = We neal the ona” feet msi "in radtonat telvoote mi the To ie ready omaspeeat ye dca] ‘npecptile ad oly determinate with fees to base ape, Ths exis Tern incor apie ony in oe mension ans oly hove it ee! | the snulaton of emotion. The prosolures of exons mse cangot be undersio@ fom this ptt of ew atom bee sem the eosin and eric of ck ‘mutes! Soanection’ and the fueaie or malevolent misundesandinss tat | ‘Povtoning of ene ad pth be othng bu clung gue in whch te compos ‘Ee bout mt forel pobre and bude pa amen framework which trunnions. Waat can obey rou bout soc marble putes I reas ‘egldcance, Bowever, hatte dzone male as ¢ musal steal compe) howe fo he cones conposonl station. ent that mac an te on od by etic means "on the contemporary pase of mas oal oe aye seen of determining the compostonl statin, hat les Webern tei ‘oating om the daconey of he sel 0 ‘oie who ve found ths poston Indequate have found plenty of points ics tose, Two ofthe mo porn ar, sty hat mus langage 2 fiat exci in this post Weber detelopent of sia pon and elec ‘isis a0 lage spoken; ané sol, that he ius tones wot fandamen ‘ment of mex! pce "Toe ngs ort of sido not refer to what gery meant by ase il rpg They tn someting ee which bas ten taken out of i aro content [eSSttsine Thy mean kind of words econ ih ie osenton poh sso oe expect iy wf 1 infor and eae of ting, be Sie of sch inborn contro, wi alse sere ones a ‘Renee itd tat er by to pros cece commons ito nay eed oe nique ofeach onan Tanto ay ae set Goencony niet pg Say omen der ta at on ‘ESfomltd pet orang ts century cotsponei ofa ste eed ree ee ea gear ertne eae tSearost doseage ar dnc eat apf tt on te coo Sean te coupe uve te han dyed on fod enn re ‘Pari poen of ppopiton sd common ale iy eco in [isa noone ene otf be sve One suntan een ‘Sse edia te peseplon of Goat ce edt Son oe ‘isatirgn ancl npg. Ts bok tie to eat a tc be ated sod ‘sg apoken by some ‘ston secumon, tate sie tone no fede leet of as rapier hepato il UasLng an fowl and dos ot ‘inv upto ay pcan horetal eminent ale he pro Dern nC noth on han ar i rent on Oe oo ‘Seu pesomenon, tha long bc ee ht he th frag ed a enptlion= wich mens nis fone composton ix peel masa Is ‘She Eceoals mia ir om ace elton of seni ven ‘se contol of sien) an inten ap wel min ll meaty eect Tenyody i single minded ao agin robot sr peterag Hans Tagywith stacy sic on, be wil tne be compa to ee tat ‘cingu wil only pond th hon wih a ic penal Tie ‘ESvonc muss moe tothe’ ms, tec moss. And bose, he see tu oncaiy te ald upon to etre te ely melee eters ‘hina and he modes note hyper ago nei, as fbinable to const posto sirname penamana foun yn snd poste owt. irra woo esi of focer, mre nt pots etwas ‘mora hough as oor abet er man, art wer ow tn ody SS plea mapaiienoca sf «sound ls Kaw, se spr fom Sy sania ee reson polo, ar rac enti eI anos, howe be te stn of ‘Scone ms tose tse toe te he Sing par fg ety ‘ere cape Tet of mann” econ sunday et tag ‘hese ales, T paras Lora when ner int oak we co tte wih aloe modsndon, which bem tet ree or se Sor ase to il and wich Holy Sgt when bet fo com Deon ring Smyth amin ty pero pa ans wih, tae event, Strat! inseam ea ple by Mos mich ade oP tut of eo our notated dare) wi when corde eter a eat 30 {Sates copes of uct cont nds fencld pointes ‘Se eam but fhe pet sins ore ase “Tis ads ue to an endentunding ofthe composional mierestsetie. I ig parade to natural sound not inthe manner of sored imation, Dut a Eifel prosodre of oder. Everything dessa ao To eepe frm he mtu ‘Setonis sound, but ogo fer ot No compoer would st Rims thi at Sere he not cernin ta he en of de rung purall wih Naar as soeth| ‘Oe frei pts of eecrnic mse ron he Cologae Sedo mee cope thi ape of fly They ave not expeviments, stich as expernen ornee ies. Nor are thy mare produc of tuchlogy oof the ‘echoes spt ‘herenee beso Song and anc, ao fashionable nowadays, about the uaa xy Incard in the atinng of tesriel proses, There 00 more to t than tha sew vay of ooh as fund es, autor msl teal Sula tt Soungconpoer are fiat a commited othe great covery of "he Bh ‘Wee. No longus Weter soe at be cane of casa eaten teckugue ‘Although he was ot ofete the posi of thinking eri in ers of ierotoee eros stands at the cutemos ts of nsvumetal mara if he at bicny ctof th prone fhe ps pd ms on he pi of movin on "The ue ofthe younger craton sfc Ween bas en the lags ocean ot his work For he second tine in ou entry afer Schoener, tbe pill “i> Deshi’ has Hon reine. Kina be at “pou intent mae ose te (En, but only in coming to sectors rac can we talk of el mal onl | ‘etre. ts dependance or reproduction on the loupe, ich has sls pecepilyevohtensed ou ray of beating lt sto eect whether peas it ot the rpony seconde on tape od that isthe pate, and electronic me ‘he enue arte Fr in he ate, we ray fd te geaune musical ores. | ‘THE THIRD STAGE Some Otservatos oo the Aeshtis of Fetole Muse Form terete of Neesy (WW Kandy) tro tesa of mato sive ste sd nt nahags nd cas, isu turf bate cf contour ener. ote 8 SWsoft te Papas bso ery ese, Te than confit thine rene ee ton hund neste onal ie ore out eae one doen ening nce coving eso wound sgn 8 en Sits ete ous ts vpeon. Th yovem maybe compare toast We ‘ohtst immune tapes conn to maleate Toman orm oe verition Satchel ft mecpr of them to forces the erent a he ‘peo of oc he pce of epeiton nt, obvious be prec ynventions tere thee ‘at noting o repent Thos oe nay ya coacion om noting Be Tsaog mort unperatt pac nth eon fn om ound mater “out ol ofconpostns wince nam ave en vate for few It geet be send tht‘ ae no concer wth ork fr he ‘Fru oe Ones Mare ost rue, St oan consoed pie [ie coon touad pris se which for eel oe no eure eed ‘acs nn npn Toe xprmne hve be conse pal athe Shan ef Wert Geran Raton Colo, which ised by ere Et ad Stowe seat proming come Racy Sathase:Auseted whe work {Ets ft State ar tnogr tes, Pe Boles Par), si Noo (Wea Fins Posen (Spe) Ger Kit re. “ecpeiecnan fo pp, Em has reper ren stint be ete sons ef cecealyaected sound, bot has dnote nel om he Fehon snd seat ue Cone pods we Ci Ft ners, {ry ndnal manips or SarSoo aphasly put tober fra, imo ene mnt, He upon oll meagre mest rerpeston tats bes oppsed othe te of cpsen se mupencn by anocaton a eee ti undersing oft now nc nine yh ate conte ® source ft soan othe ea receiving It and so can chases overt of nots ‘rane mistress toma oo om the pinto al perception, One move ‘ex suc note nothings pred as stalonary he measure ol pt ‘gptect in atone aouialpheoceaoncverap anche, Toe ral Ol mae ie ft in the frm of a abet experience’ The evento eaten the ctl pitch evel athe bet vest wich deters te chara ‘While te somewhat scheme dednon oft an ines se ute inut, seca and objet eal to rst exten spose the th ofthe ater, Wee ‘unable fo define tie and drain s beg eter te one, te oe, ema. of th tro or even within without the scope of her Iwo cal rates, Word ‘on the obe and feo limiting, on tbe othe too peal, to ere certain compe “sion, Making vite of secs, La dt rele rege tr Impose to fad en comparison efecto dein othe ide f dara. The form te ers within the drain of spe te ovement and Intent senda, and vo my uty be coneved a nga, ate stn ing | {Ei te ren of he sper ppatin of slg propria eb | sSnglar surest, tose. The vere Seria usin th evra m9 the smal Sts replted ty proportion, sod all desis and ooeeqent a! | cexpescns of oe nid. Procedures of tas fps fo ing one oer tte | ‘res of Naty, n hatte, as mee, Botnm outwards Allele lle Dates sre bamsoied and wind win the ee proportions ‘So we rer fo out quotation from Le Corbusier the begining. Itisno ace | that every quotation we fave chown can be tiken st fering to me. OF al te | [gaphiartyarctece ithe one whi as ot in commen with mosis. “arcee- | ‘Bre ota Suchronlaing phenomenon, ba a gradual unlit cones | Sequence of taba, anos! in tine snd race Tie mast ata of contin a tine ‘With is Modslo, Le Corser has podiced a measus bt on hua popes tin, a seks of harmon uaniis based one Goien Mean. Tir masa nd the greet infoeoe ons practical work, bough ts only paral connected wie eval pipe, Never ipa ine work suficety important nabs {0 concee ofan architecture bse on sel permuted proportions. Uafortnataly ‘sms vr heoreteal ses In prac he acc conerned 38 ih ‘enands of «pectinases bot with te contions ofa, wih ie fom tose of st I would not be f any pnt! adeantage i's door were ems 0 1: toe tated te ceiing ofa oom. To his exe ects cn ore al in alls eaten; de atione sa what cannot te cned atx pear ae bra ‘bvious for sometime. Sevinlism has a erin place lathe pase a, though Ta fo emp of Thee ae, howeve, seasons ht may come ost Ii Srpriing that here re as yt no examples, when oe rerabes hat mc has on ten concerned wih te mil os fort sor tne ad tat een Bee tee ae tye ry few examples Siar she stato nthe wend of patng. Here tsa ae 'Sthe youngest nd bas harly et then rate. We ce reat oni for when ‘eee at inthe pew se we ls colo an i to ie wnderstnding oo {ants and operon, Let ur tnd and wath. At we mai the work B® om ACTUALIA, ‘over he soar of mo yer the elementary sondtons ecesry fr composition with ‘Stscoic mana have ben worked oot, We ve ested procetiesin sound; we ve (Jel eco of wht to be lan fom these prototype. Now we an Me Sine acsouat of the aor compotion on Wh We ze ene ‘Up tis ine our ase il ne lyn toe. ae now compotion sme maga © combed wih decane oun. Sang mesh poo pu of th eae, ove eed hn ty sent ‘GEnwlacompufon up hi nee smnstion the ga pos ond he ‘Sparel cco sours sod Be qe nua ‘Onbty-sbctsing erg spech pons, Le oben then to anal p= ces od tns wanging em ws eprom soucan beteiee. ein ay conn wh ing tite or snr, wh wed boca “Te poe inet in th conn pr of nis ma ext ms som oer rey one charred by «Gd none fama proper, Tope thy come fom, 1 Sain canbe of pons oto make wy th ex we use le for our com poston Some of eae cowl tad ate sit ft te, tes ae ‘Rien carrer cmon yt oes ave ay nyo ao lets Seana The dees of atop sound bovec lth ns tte ‘Rie nn daa) ln Wa jonny cach Se Ti of come teow Langage fst ov poms "owe en doe ot up epee laonshipwch ae necessary er te emporio tn sapped by cesroialy gtd su O ahead, he Shon te opal nna! athe oe of eto ire, "Tun we may cont eve ne ove stone penton rete of the uta Sota wn val for Ge ove scr The cmbnon of pans nto words and cf ots nt sectns pron tc of et Sony oe eton oun ig Pom a composton se ubited wo peel of mal sacar. ‘We ie ous fa wore emt tt on of ow ed eas the poms at gl rds thy apps nth tex. Th pret ese Sf pbone pmiaion sin mer crs sung aoe ats no wort Pluses: ele th et). "The utes esd we ste coda vr he see ae sy a i the seltoship bermeen ound an phones; certain pemmuaios AoW the ‘ens ofthe weds to come troup, ern hough crn pone be inerchaned ang Se bot in thir mow mean potion. Thre ae aos lv fol con, Prec. ‘Whatever we may compose the anfomation remains mast. “Thissinpleieakesnecessry adegute mths forthe lecton sn om poKtog Al indian phones or permutations of phones whic ee required, sma the the neds of the eign eat are executed bya boy's vie Silat th eltone ‘ns, they ae earde on ge fo roe Whe pose the pics lee dog naam ins ded forthe ging ofthe pone Sequences of em te ‘ene th boy athe resrding Other, the sung ound re ansposed to ee Soa pich tel, duraons and dynamics daring the ontagy The i sf 1 possible, derrined drag te recog "Tae bascslements of he tron sounds mst he dierent i & way similar tothe meas of the varous ech poste and nee reas Only thi ino can we ensier el person and ly then cana conan fini be perce “Te vowel thesia let inthe wei of spectao RarmonicTomants he spe vies consonant sage element nthe ser of lee The vou ruts of mice and combutios cos betwen thee we ec ‘Each mie, Hk the phone fem, mee aval to compotion ia forms at regular “erode elemeatary suucturs. AU perceptible proper of ‘periods ead "Rata srasare mt be acl othe compose ope coll aod ms te scent varie acoring 1s es. "Forouromporton te choke of even basil ensures sucin mber ot sound selaoashigs beeen ll led cetrni sounds an phones. "Tse even forms reconsidered a omental af ad ace ed ke the sions tens whch had pelo bee cur nly mest A bss lee one Wed ‘inno erased to eter rare petal erapnest eis by det bene o ‘Deus of aay seh of pracicalacouscal anu and which may be ules ‘ry pi evel, darston and syramic Tafet, ou the sound world ofthe ete wtize ound continsum, ach ofthese seven elements eins an area hic, esata sof sof suture: Onelppig ‘eas merely sutstanate ca des of stunt etn. Each ent Gt 5 own appropriate factional apeaton snd eon ed tae of fnchon ‘st. Us posable with some fal to prodoe2ecoured no fem sus tones, ‘This, boweter sno fons proce, "The leven snment re Sno, 2 Su tne in which he eqpeny modulates ‘patdially” or 3 Staal; Sino toer in which th ampiade oles ‘Duvall or, $. Sata’: & “Paro r,7.'Sai’ combination of Both sino one mataltions; 8. Coloured noe wih constant danty or, 9. Wit "sat Sally vaned easy 10, "Pesode” or, 11 “State sequences of feed “best! ose) "These basic amet are coat al hee paraneters and may efi vated thin he mason of oar compositional metic, “6 | Tue ranges of modultion andre tan wis rine by the intervals of | rit of pit ve and dation seen | Psoralea ane bean nonpolar colur. They ae ent nin he St of he misoine sac. "The varou rege or: an andes of oud, toe mixes and nies 83 alles teins of tine eration ss hy sv consved for tis WOrK. ae oly Sane by he muanessconpodten of hove denen ‘the seton and composition fates one indivi conception. Si sats were [Bean for the pitch tel sem, At im ever work they reprseot the inieal ‘nlashie ecwen ments heer they be harmon o od ais, those ‘tween wound and phous sound groups or Pichon "Hiamoniebbsmons tnd crenata sales dts combination fal thse ust “Ta we may understand why sung sequences of phon, jn which se bas pth sey have been vase aceardeg to thelrcontexs, cant be deftly epee OY {ie singer one “The vom of ith levels which i wed reguies matress which combine tarmeizysubamoni and chemi pic tervals ang in whch the step of the ‘Suc must lent cent. Tes itera cannot be sug ees. Te sine Sing an ppronnation ofthe rege pc wich seid onlin tecouse othe Th Sind Hf, Yonpeed pitch rales were wed to dicate te ren betetn one sstres and noes The cowtat of eps vaed the deges of rights’, but eof coune of ‘sour, whieh reels fom the ste of te elements and the po oto of pris ang innate, Thay bse nh sation fon page ofthe ‘Sore of Stati I Tie preset compotion he the hs fiche andthe tre pes hr omninnons eos, with rapid a0 only to te seca composton bat ao 10 Soay abd telogy an adoqste vay of ne-andbandspect. The interval ato [SThannone sb-atsons chromate ane combine ser seales ae age ved ‘theses o cle, Addons, fe pestsone racers of the ang phones ae orn aransed ihn in tral contin "To ensure sulcus ofthe regions ming elements manera or a soups up fo sit of fee repons each an octave insane ned. ‘Ditton of te iatnded prmoton of tnbres cblabe fom the eo lex taulg from the smstzneous combination of the sx formant repans within Ute sound poses om th eying of the ements or aoups of een nal ei ‘Sinpenent sssordng tthe srs ano cotcasing a speci interval sale of Sarno of meu egy with ro im each formant ccve- “The methods by which we dierent and sect elements ea sto the follwing Chostsones our pot € dear ix abyss sttze of Curation; all other Faraone Sound ave Gene from To lasses we wil dsb elements mbes 10 and I eed periodic an ttt sguracs of beats. ® a A soqoenz of isk’ ata peli ao teria byte mum of cls pr second, The clk ave produced by a special genertr. fa sequen: st 20 Hee in with ered at ny psn lel ~et us take for eae 960,000 Here tt fenstnt rate offer example every 10 cad — we at let te fd i temeen S80 and 1,000 Here wih rp bate ten ines a ecm, . 1 the ute of beat ral inated to ene te ne conta” Ehchuig, zx) ofthe le nus (Us depends on the Fagen) andthe limite bend wth the ar can no loner diferent, what sired ar ythnlealy pened nog ‘ecomes conlauous Ion te ober and, the ate beat end toma seo regu scucre ofthe tones bxomes iicessagly more apparent. Sl, a ‘tartrate ot asad into aseguovo inion fice pith and drain. To the present wok, 20 beats per second bakes he te pec, “hose lis are Sted for a good rasa! if he beats eco any fasten he ‘roqsne of Bat sed aa acne pic vel sil pout fe otter bees he ‘ered pitch, The een! would then o loner tes snple fone ad, therefore na Jonge a ‘men according fo cur bs premise "Te tsomtip tetanic and tine suc wich bas ane bien of pr ‘car terest see psd. ‘Sims, we sb consnunus tation Betray what maybe cis dations iris which ave cbancterseé as vigthmc interval, sad darsonal ites ‘arated pich eves, On th sverage he transition fom one oh ther oa ‘tea 20 bets (or oscllatons) per scond ands continuo, [A tectum composed of timc proce tone of vabng ich lve,

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