HARTMAN SCALE SYSTEM DAY 13 -C Natural Minor (Aeolian) Metronome on 4=60 with open Sth drone sounding (C & G today) use activitated tuner that you can easily see to tune every note at least through measure 100 Scott Hartman ‘oon bore continuous brick of sound; molto sostenuto with no accents > 7 ‘nf oF any comfortable dynamic zn I-17 comes ro sabi a SF for example (different dynamic from mm 2-9) cz mo 19.25 n correct, 18) cine bere playin rz ae ‘™p for example (different dynamic from mm 11-17) 9 Saeki = vo Fadl cen 3642incores Sate dynamic as mm 2-9 ‘sue before pling 8 oi same dynamic asmm 11-17 cz nm 4.50 in cores, ‘cc before paying “a a meet ee som 2.9 fred same dynamic as mam 19-25 intone eb : = paneer a feng HEE ameter eee i same dynamic as mm 2-9 emcee (ez 61.57 eo Mire plying is a. €y EX EN AV same dynamic as mm 11-17 Buz 62.75. (at ae ee ff same dynamic as mm 19-252 HARTMAN ‘more canoe oane® SYSTEM s = same dynamic as mm 2-9 ee te FNS 93 Pere payng a 4 AF 2? 3% 87 GY BY 4/ same dynamic as mm 19-25 errr or CasnanS: | np RST oa @ ait at 106 Gifferent dynamic and ariculation from mm 101-105 (for example mp and staccato) ‘uz mn 12-120 with mou plugged into 1 brace ays heping the ball et the any dynamic and articulation, just keep the dynamic ad articulation all consistently uniform from mm 112-140 within a particular day (change style each day as you go Unrough all keys but keep it the same within each individual key)3 HARTMAN SCALE SYSTEM ‘cz mm 122-130 wth mowhpece paged nso breatbuler way kepig the bala thf a cz mm 132-140 with mouthpiece paged into Breau elweysheeping the all a he op ny a same dynamic and articulation as mm 112-120 Bs otha high and ow you possibly s Sine apes afte ays hoy a ¥ E> any dynamic and articulation, just make the style and dynamic of * 9 2 the ascending arpeggios different from the descending arpeggios NOTES ‘Start the first 108 day scale system at = 60 or slower, then bump up 5-10bpm once you start next 108 day cycle ‘You go through the 108 day scale system chart from left to right (around circle of Sths) then to new scale or mode (next line down) ‘As you go through each complete cycle ofthe cirle of Sths use many varied dynamics and anicultions; change e ‘the dynamics, style, and articulations of each section from one day tote next Don't use drastically extreme dynamics if this is used as a warm up, Keep it generally between p and /7