(CIO BOR A N D— PUBLISHERS ANGEL OF THE NORTH Michael Brand Angel of the North tukes its ile and tion from the hage public sculprare next 10 the Al road in Gateshead ial Northeact England. Its wings are $1 mettes wide, larger span than a jumbo jer ani che stave stands higher than a five storey builing ‘he sealptars Ra 9 that dhe Hill top site Gar which ii sits ic mound. quite took my oi cath away "JE wrned ured to tex pi, Tinea what the angel might ste frou that height, anc! ballet scenes came snto my head. cal fol: song - ‘Dance to yor Daildy’- and comprises four comming as a village awakes for a miners’ holiday, she local nel matching past, a lime diet and adance ‘The Fall Fall: al fragments of each scene compere for the Angel’s ——— CONCERT BAND SERIES ‘Catalogue No: Full Score Set tnel score): 10257 Score only: 1257| G&MBRAND PUBLICATIO announceANGEL OF THE NORTH Michael Brand, set ute 2nd Flute ‘st 8 Ciarinat 2nd Bt Clarinet ‘3rd B Clarinet ‘Bass Clarinet Bassoon Alto Saxophones | w A Tanor Saxophane 1B Baritone Saxophone Trumpets F How (i Trombones | a ‘eupnonium Tuna oftooseCymb, Percussion 2 © Copyright 2004 G. & M, Brand Publications Ltd., Wingrave, Bucks., England.— Le softsiektotre é ee fete get , Bod FL terrier 2nd B Ciar. fi 3rd 8 Cle. By Base Clee, Ban, Ake Some.t Ten. Sax. erpan sox [ft Euph, Tha, Porc. Pore. 2 |itebe che ‘2nd B> Car. ‘3rd B Cla. B. Bate Char E Alto Sars. (if W By Ton. San Berit Sax Be This. i" rims. iv ‘Tons. i Euph. tea. (9Ala swan J 12 9g) ath 2nd Fl bee ‘tot Be Car, 2nd 8 Cla. ord Ble Bi Bass Clar Esa Senet it 8: Ton. Sax. East Can. Thee. iv Fine.) i ‘Tons. W Cuph. Toa Pare.2str. and FL. Oboe, ‘tor Bsclar, 2nd 8} Cia, 3rd Bb Gia. BrBass Clar FL Alte Save t fi Bi Ten. Sax. | SB Rant Sax. Depts. G Fins. fy t “Thnet Euph To. Timp.2nd Bi iar. 12 Ree ctor, Ato Sars. it Ton. Sax,stb can, ‘and By Cla. 3rd B Cla. Peete cee, Fi Ale Sau. Bi Ten. Sax E-Barit. Sox Bh Tpts.t i"ste 2nd Fi. 1st BClar, 2a 8 Gar, 3rd Bs Cla 1B. Ose8 Glen, EvAlto Saxe.t it Be Ten. Sax. E: Rant Sa, BTpts.1 iv F Hine. u ‘tine. i Tip. Porc. 1[68] stow Wars Jers set Clan 2nd B» Cla. 3rd & Gla. Be Dare Glet. Alt Gare. iu B Yen. Sax. Bari Sax. ee tye! i(76) tet Gie, ‘2nd 6» Cla. Ard B Gla. Bo Bass Gia. Ate Cane.t it Ten. Sax. Barth Sa pte:st 2 se1Bscien 2nd Bi Car. ‘art B Cher. 1B. Bass Cier, E.Alto Saxe. o B. Ton, Sa. 5 Barit Sax. Bs Tots. 4 Fine. ‘i Tome.1 a uph, Perc.2sat 2nd Fl. Oboe terse 2nd B+ Cae ‘rd Bs Cla. By Bass Cla BrAlto Saxs.1 i Bs Ton, Sax E)Basit San. Tote, W F Hs, is Toa! i Euph. Pore.7 Pere.2‘sat B ce, 2nd Bar, ‘rd Cla, 1B Bass Cian, Ton. Sax. Rest See © Tots. iseer, 2nd Ft Oboe 4s1Bi lar, ana 8+ cia, ‘3rd Br Cite, Br Bese cier, Bs Ton. Sax. Beatin 6 J=120 5460 ‘ut Gay 2 ie ory) Beat in 6 4120-60 _ Play 2a tine ony Te. tiv OREN,ard Cla,‘tot Be Cla, 2nd B+ Car. ard 8 Clo By Bass Char Es Allo Saxs.t Bs Ton. Sax B Bart Sax. BostBeBase Clar, ErAla Sans! i By Ten. Sax. Bart sax Be Tote. wv Fine. iv Tons.1 fysath 2nd Oboe rete cir 2nd Bs Cae 3rd B Chae Pe Ras Cla, BrAlto Saxs.t W Ep Baril Sax Bs Tots. i F tee: “as. it Euph. Tha, Tien. Pore. 4u tet, and Ft Oboe ‘tat Bs Clr. 2 Bs Cae ard Bs Cla Ben. Fr Alt Save. f By Ton, Sax. E Barit Sax, Timp. Pave Pors.22 tat, and Fl. ‘oboe tarps 2nd Bs har, ras cur. B-Bass Cur, Bs Tan. Sax E Bart. Sax Bete it F Hs. iw Tons. it Euph. Tie. Pore. Pere.2allargando seer, anal. 2d B Clan 2rd B: Clan Bale Sass. artes eit en, omy rm i Tons. iu Timp. Pae.2ANGEL OF THE NORTH FULL SCORE 1ST Bb TRUMPET IST FLUTE 2ND Bb TRUMPET 2ND FLUTE 18ST F HORN OBOE* IST Bb CLARINET 2ND Bb CLARINET 3RD Bb CLARINET Bb BASS CLARINET* BASSOON* 1ST TROMBONE ¢ 1ST Eb ALTO SAXOPHONE* 2 2ND TROMBONE § 2ND Eb ALTO SAXOPHONE* 2 EUPHONIUM (Baritone) Bb TENOR SAXOPHONE* 2“), EUPHONIUM § Baritone) E> BARITONE SAXOPHONE*1 : NNR ee N ee BR NNN THe NN NYRR KHNKHN NW All sets sold outside USA Bb Trombones 4 B Canada include transposed parts for Eb Horns, All sets sold on he continent of Europe also inchide transposed parts for Bb Trombones ),B> es (Tubas) ® and Eb Basses (4) and (°). Parts marked tittle qn Asterisk (*) are NOT ESSENTIAL, although their presence will obviously enable a fuller realisation of the composer's intentions to be achieved, Catalogue No, 10257