SEVCIK VIOLIN STUDIES STUDIES PREPARATORY TO THE SHAKE & DEVELOPMENT IN DOUBLE-STOPPING TRILLER-VORSTUDIEN EXERCICES POUR PREPARER ET DEVELOPPER LE TRILLE Op. 7 Part 1 BOSWORTHTriller Uebungen Exercices de trille Trill exercises inder 1.Lage. dans la #2 position. in the first position. ESEROIZI SUL TRILLO Trilkova cvigep* YOPARHEHIA Bb TPEAN ‘nella {2 posisione. v1. poloze. ‘Bs 1% goaunin, ‘Tradusoae italiana dt M. PELISSIBR. 1 Halbton: 1- 2 Fing Pilton: £- 2. prst. osyroms:1-2 nasems. ung ist auf folgende sechs Ar-| Cviéeni te hrdno nésledujicimi | dro ympaxuenie xexano 6urs 1 zpiisoby: ‘exbAymmUMn mech caocobaxt Semitono: 1-2 dito Demi- ton: 1.-2. Semitone: 1-2. finger. Studiare questo esercisto nelle sei ma- | On rovaillera cet exercice des siz manie- | Practise this exercise inthe six following icra seguenth: res sutvantes: ways: Edited by H. Brett. +) ben Finger hoch heben und denselbeh krdftg | +) Bion ever le dotet ete faisser tomber sur la UDEEMELAEGME GC Rare aien nanens | Conde vee force ef ence eget. iisae legis e lacirte cater sas cords | ©) Gaer prot vysonesvecnetpho, asi Ws on forzwed egueqliense sj 2 tajnomeras co) buePrer bleiben en der Saitetiegen, | 2) Laser les doigts en place Ses Locetore ta ferme ‘oy Prot Eesaval nn ate eworth & C2 Ba coazes Cconymigi 908 byWosyrous: 2-8 nazeus. Halbton; 2-3. Finger. Semttono: 2-3 dito. — *) Lancione eta forme vedi BP ‘Viegen lassen, *) The fingers to be kept down. see Ne 1. 9) Masanu ocramtes au wtert,00 X04 | 2hermsevensees *) Dainer len dois x place. oir °F 7 8 ‘+ Die Fingerwe es Semitono: 0- , re Tosyrouu: 0-1 u 8-4 maxems. Halbténe: 0-1, 3.4. ‘tons: 0-1, | Semitones: 0-1 3.-4.finger.ai ¢ ay zeal aie = SEea ae ae é ——— Chromaticka stupnice i de deplacement. Gs dirohtigue Aooidents. ‘Scala oromatica Vorsetzungszeichen. Chromatische ‘Tonfolge.ag i 1 maxgiore. @ dur.— Coxe wasops. Gdur.— Sol majew cs Fa majeur. — ta mogsiore.— r— daG moll... Sol mineur, — sol minore._G moll =e ~ Frmoll.- Fe mineur.— te minora —Emoll 0a 0794 9 Lape = For ee Ses Des dur... Reb majeur. — rob maggiore—Des dur Peb a & Sees Ziges & fs ee ae =o aa a =D 7 sib minore._Baoll_Cubuaxops jore —_H dur_Cu waxops, Hi dur. $4 majeur. — si waeni a ~ H moll. S¥ minewr. — si minore moll Cu8 6. Accorét perfeth magriori ‘Trojavuky tvrdé. Maxopuus speanysia. Dur-Dreiklange. | Des accords parfaits majeurs. | Major triads. ta. re Steon # s ~ 2 ogeetrtetes) 4 ae. ae ae. Edur.— AW majeur, — mi maggiore.— E dur Mu waxops. a et oo Sys HO fn r magsiore— A dur — Ia xaxops. Seeiaeee Gi dur.— Sot majeur: — wot maggiore— G dur Core wysop>. a an PS Volt t oy a SZ. Caur._ Ut majeur. — do ma Cur lo xaxops. a 2 = 2s we 2 ww S . Pdur.. Fa majeur. — ta maggiore.— Fdur_ a xaxops. a Se fe i =: 2 wo wo es ws Fars gba bs, gia cba 2 — oP 1 tab maggiore— As dur, Ib uaxops. As dur. La bmajeur. — bee ber SS Pp cy aaseAccordh perfetti minors. iz. Munopunin tpeanysia vin tumentte'e punrtadinnaita. | 9... Trojavuky maKKE Teunene Pe ae yd nies ‘Moll -Dretklinge. Ucbermissige Quinte und verminder. | Desacconds parfaite minowrs. Minor triads. te Quarte. Laquinte ougmentée et 1a quarte di- | The ate {fifth and thowimi- ninuce ished fs a i 2 mtn Hmoll.. Si minewr,— si ainore— oo ee Emoll... Mé minewr. — mi minore.E moll Mx satnop. Ye ot ek GD . _— =o oS A moll.— La minew 75 Doll. Pe 2207... es = * Doll. Re' minewr.— re mint 1 oF oF fo a =a ~ ap HOP, mol. Sol mingur.— sot mire. mell—— hey 2 oll. Jo xxxops. —= ae y Cmoll. . U4 mineur — do minore.—! z eer =e Ce 3? : moll. Fa méneur.— fa minore—F molt_Os wuuop>. iF ae oben So te _ i= = sib minore.~ B moll_Cxb Minop>. ga. bo moll. Si mineur. — rats Es moll.— Mib minewr ib minore—Es vo oeAs moll._.Uxb yxuop. . ‘Tpernysie no nebxs waxopanies x aH openies ronatuuocraxs. ‘The triad in all major and minor sch tvrdych o mél Accord parfait dans tous les tons ‘najours & minors. fork ¢ minort. reikiang in allen Dur-und Moll- Accordo perfetio in tuttt s-tont mag. tonarten. iru ‘Scale minort armoniche. Makké stuy sire laws. Tapuoumueckia munopiiia raMMa Harmoniseho Molitonleitera. | 5 ireland — Nae cruiser aoaien Usbermissige Secunde. oe ‘The augmented seoond. ‘a seconde augment. G moll... Sol méxeur, — tol mipore.Gmoll._Cors xuuops. C moll. Zt mizeur. — do mlnoreCmoll._Ko uunops. ops. is Poll... Fa mineur.—ta ‘Math waexops. Es moll. Mib minewr, — mibminore.-Es moll. be = W's a — x Lis “Goss minops. Lab wineur.— 1a» minore-As moll_Uabaamops. Gig moll... So/¥ mineur.—yso! | minora Gis mall. As moll. re.Fis moll. Oa 4xunops.12 Z 410. > Centtaxkopxe SoH ry “iecordo di settina su 5° grado. ekord 6. stupnd. | Yuewsuennan wewits 3 ya nti te wi | Sen eat re, | Mite an Septitnenaccotd der B.S eae ie ne du Gacdegré | Chord of the seveuthotthe degree i ‘ate tod tached i ‘ nd the augmen- Yerminderte Quinte und tibermassige inte diminuce et la quarte aug: | Tbe diminished fifth a Quite. La guinte dimi que Ted fearnu. Pichmat 4. pata, Extension du 4# doigt. Uporaaente 4 massna. Extension of the fourth finger- Estensione det 4° dito. Ausdehnung des 4. Fingers.a Tpexs Gexs saxaorexi Tritio senza le terminastone. | ‘Trill without aftertone. Triller ohne Nachschlag. |pes cy raxamrenions Trill with aftertone. Trilto con ta terminasione. ‘Triller mit Nachschlag. ate p fordra er te.Reco arenBim coaese nei’19. Bw cee:= 20. Baereisio di doppie corde. Cvideni v dvojhmatech. Yapamuenie ws znolluwx noraxt. ‘Accord perfet ‘Trojavaky. Tpessysis. Vebung in Doppelgriffen. Enercice en doubles notes. Exercise in double notes. Dreiklinge. Des accords parfuits. Triads, Ba co aceeae a4. Accordo di settima sul 5° grade. Septimovy akkord 5 stupné. Conraxxopxs 5% crynexr. Soptimenacoord der5.Stufe. | Accord de sepiieme du 5. degré. | Chord of the seventh of the 5 jegree. Ba Coane