Under the Skin (2013 film)

Under the Skin is a 2013 science fiction film directed and a red mass empties through a trough.
co-written by Jonathan Glazer loosely based on Michel The woman seduces a lonely man with facial disfigure-
Faber's 2000 novel of the same name. The film stars
ment (Adam Pearson) but lets him leave after examining
Scarlett Johansson as an otherworldly woman who preys herself in a mirror. The motorcyclist intercepts the man
on men in Scotland.
and bundles him into a car, then sets out in pursuit of the
Glazer and cowriter Walter Campbell developed Under woman with three other motorcyclists.
the Skin for a decade, settling on a film that takes an alien In the Scottish Highlands, the woman abandons the van
perspective of the human world. Most of the characters in the fog. She walks to a restaurant and attempts to eat
were played by non-actors, including road racer Jeremy cake, but retches and spits it out. At a bus stop, she meets
McWilliams; many scenes were unscripted conversations a man (Michael Moreland) who offers to help her. At his
filmed with hidden cameras on the street. It competed house, they watch television and eat, and she attempts to
for the Golden Lion at the 70th Venice International Film tap her finger to music. Alone in her room, she examines
Festival in 2013, and was released in the United States on her body in a mirror. They visit a ruined castle, where the
April 4, 2014. man carries her over a puddle and helps her down some
Though Under the Skin was a box office failure, it re- steps. At his house, they kiss and begin to have sex, but
ceived positive reviews, particularly for Johansson’s per- the woman stops and examines her genitals.
formance, Glazer’s direction, and Mica Levi's score. It Wandering in a forest, the woman meets a commercial
received multiple awards and was named one of 2014’s
logger (Dave Acton) and shelters in a bothy. She awakes
best films by several publications. to find the logger molesting her. She runs into the wilder-
ness but he catches and attempts to rape her; he tears her
skin, revealing a black, featureless body. As the woman
1 Plot extricates herself from her skin, the man douses her in
fuel and burns her alive.
In Glasgow, a motorcyclist (Jeremy McWilliams) re-
trieves an inert young woman (Lynsey Taylor Mackay)
from the roadside and places her in the back of a van, 2 Development
where a naked woman (Scarlett Johansson) dons her
clothes. After buying clothes and make-up at a shopping
Director Jonathan Glazer decided to adapt Michel Faber's
mall, the woman drives the van around Scotland, picking novel Under the Skin (2000) after finishing his debut film
up men. She lures a man (Joe Szula) into a dilapidated
Sexy Beast (2000), but work did not begin until he had fin-
house. As he undresses, following the woman into a void, ished his second film, Birth (2004). Glazer’s producer Jim
he is submerged in a liquid abyss.
Wilson sent him a script that closely adapted the novel;
At a beach, the woman attempts to pick up a swim- Glazer admired the script but had no interest in filming it,
mer (Kryštof Hádek), but is interrupted by the cries of saying: “I knew then that I absolutely didn't want to film
a drowning couple. The swimmer rescues the husband, the book. But I still wanted to make the book a film.”[4]
but he rushes back into the water to save the wife. The Glazer and cowriter Milo Addica, later replaced by Wal-
woman strikes the swimmer’s head with a rock, drags him ter Campbell, spent several years writing and rewriting
to the van, and drives away, ignoring the couple’s dis- the story. They initially conceived an elaborate high-
traught baby. Later that night, the motorcyclist retrieves budget film, and produced a script about two aliens dis-
the swimmer’s belongings, ignoring the baby, who is still guised as husband-and-wife farmers. Brad Pitt was cast as
on the beach. The next day, the woman listens to a radio the husband, but progress was slow. Glazer eventually de-
report about the missing family. cided to make a film that represented an alien perspective
The woman visits a nightclub and picks up another man of the human world and focused only on the female char-
(Paul Brannigan). At the house, he follows her into the acter. He and Campbell deleted every scene in their script
void and is submerged in the liquid. Suspended beneath that did not involve her and removed the elaborate spe-
the surface, he sees the swimmer floating naked beside cial effects sequences, a process Glazer likened to “a big,
him, alive but bloated and almost immobile. When he extravagant rock band turning into PJ Harvey.”[4] Glazer
reaches to touch him, the swimmer’s body collapses and shot commercials while the film was in preproduction,

1
2 4 SOUNDTRACK

which he used to “sketch” ideas and test equipment.[5]

2.1 Casting

Gemma Arterton,[6] Eva Green, January Jones, Abbie

Cornish and Olivia Wilde were considered for the lead.[7]
In 2015, Arterton stated that she had been Glazer’s first
choice but the film had needed a bigger star to get
funding.[6] The role went to Scarlett Johansson, who re-
mained committed to the project for four years before
it reached completion.[5] For the role she learnt to drive
a van and mimic an English accent.[4] Johansson was
well known for her roles in blockbuster films such as the
Marvel Cinematic Universe franchise. Glazer said: “It
made a great deal of sense to cast somebody very well
known out of context. I remember seeing her walking
along the street in a pink jumper on a long lens and she
looks like an exotic insect on the wrong continent.”[7] De-
spite her fame, Johansson was rarely recognised, as mem-
bers of the public did not believe it could be her.[7]
As Glazer wanted the film to feel realistic,[4] most char-
acters were played by non-actors; many scenes where Jo-
hansson’s character picks up men were unscripted con- Parts of Under the Skin were shot at Tantallon Castle in East
versations with men on the street filmed with hidden cam- Lothian, Scotland.[10]
eras. Glazer said the men were “talked through what
extremes they would have to go to if they agreed to
take part in the film once they understood what we were 4 Soundtrack
doing.”[8] Championship motorcycle road racer Jeremy
McWilliams was cast as the motorcyclist, as the film
required a “world-class” motorcyclist who could ride
through the Scottish Highlands at high speeds in bad
weather. The logger was played by the owner of a lo-
cation researched for the film.[9] For the man with dis-
figurement, Glazer did not want to use prosthetics. To
cast the role, the production team contacted the charity
Changing Faces, which supports people with facial dis-
figurements. The role went to Adam Pearson, who has
neurofibromatosis and had worked in television produc-
tion. Pearson’s suggestions about how Johansson’s char-
acter could lure his character were used in the script.[9]

3 Production

Under the Skin was jointly financed by Film4 Produc-

tions, the British Film Institute, Scottish Screen, Silver
Reel, and FilmNation Entertainment. Glazer secured
final backing after cutting the elaborate special effects
scenes from the script.[5] The crew built their own cam-
eras to shoot some scenes.[5] To create the black room in
which the character traps men, the crew built a bespoke
set with a reflective floor, blackout, and custom lighting. Mica Levi performing with Micachu and the Shapes in 2009
The actors were filmed walking into a pool whose floor
sank as they walked, submerging them. The scenes were Under the Skin’s soundtrack was composed by Mica
finished with computer graphics.[5] Levi[11][12] and produced by Peter Raeburn.[13] Raeburn
5.2 Critical reception
suggested Levi to Glazer, who contacted her after hearing
Chopped and Screwed, her collaboration with the London
Sinfonietta. Glazer wanted the music to express the pro-
tagonist’s feelings as she experienced things like food and
sex for the first time, and directed Levi with prompts such
as “What does it sound like to be on fire?" or “Imagine
when you tell somebody a joke and it’s not very good and
their reaction’s a bit stilted.”[14] Later scenes use less mu-
sic, to emphasise the sounds of the natural world that Jo-
hansson’s character experiences.[15]
Levi used mainly a viola to write and record over ten
months, taking inspiration from Giacinto Scelsi, Iannis
Xenakis, John Cage and music played in strip clubs. She
looked for the natural and “identifiably human” sounds
in the instrument, then altered the pitch or tempo of
her recordings to “make it feel uncomfortable.”[13] In
an article for the Guardian, Levi wrote: “Some parts
are intended to be quite difficult. If your life force
is being distilled by an alien, it’s not necessarily go-
ing to sound very nice. It’s supposed to be physical,
alarming, hot.”[13] According to Pitchfork, “the strings
sometimes resemble nails going down a universe-sized
chalkboard, screaming with a Ligeti-like sense of hor-
ror; elsewhere, they endlessly drone in a gaping vor-
tex, like Vangelis' iconic Blade Runner score dipped in
turpentine.”[16] The Guardian wrote that Levi’s “score
brings together strings, percussion, distortions in speed
and clashing microphones to create sounds that are se-
ductive, perverted and compassionate.”[14]
5 Release
Under the Skin premiered on 29 August 2013 at the
Telluride Film Festival. It was screened at the 70th
Venice International Film Festival and the 2013 Toronto
International Film Festival.[17][18] It was released in the
United Kingdom on 14 March 2014[19] and the United
States on 4 April 2014.[20]
5.1 Box office
Under the Skin was a box office failure,[21] gross-
ing $2,614,251 in the United States and Canada[22]
and $4,615,682 in other countries for a worldwide to-
tal of $7,229,933,[3] against a production budget of
$13.3 million.[2] In the United States, it opened with
$140,000 in four theatres; despite earning the highest per-
theatre average of all films playing that weekend, above
Captain America: The Winter Soldier (which also stars
Johansson),[23] it failed to make the list of top-grossing
films in the United States speciality box office.[24] In the
United Kingdom, it opened with a gross of £239,000.[25]
According to the Guardian, the film’s budget was in “the
danger zone: not in the ultra-low bracket that can make a
sharply executed future vision ultra-profitable ... [nor] the
3
$30m-plus range where marketing begins to snag mass
audiences.”[21]
5.2 Critical reception
See also: List of accolades received by Under the Skin
The review aggregator website Rotten Tomatoes gives
Under the Skin an approval rating of 85% based on re-
views from 212 critics and an average rating of 7.8/10.
The site’s consensus states: “Its message may prove elu-
sive for some, but with absorbing imagery and a mesmer-
izing performance from Scarlett Johansson, Under the
Skin is a haunting viewing experience.”[26] On Metacritic,
which assigns a rating out of 100 top reviews from
mainstream critics, the film has a score of 78 out of
100 based on 42 reviews, indicating “generally favorable
reviews”.[27] Metacritic also listed the film as the fourth
best of 2014 based on its appearance in critics’ top-ten
lists.[28]
Xan Brooks of the Guardian gave Under the Skin five
out of five and called it “far and away the best picture”
in the Venice Film Festival.[29] Peter Bradshaw, also of
the Guardian, said the film was “visually stunning and
deeply disturbing” and also awarded it five out of five.[30]
Robbie Collin of The Daily Telegraph wrote: “If my legs
hadn't been so wobbly and my mouth so dry, I would have
climbed up on my seat and cheered.”[31] Matt Zoller Seitz
gave the film four out of four, describing it as “hideously
beautiful. Its life force is overwhelming.”[32] Richard
Roeper gave the film an A+[33] and four out of four, stat-
ing: “This is what we talk about when we talk about film
as art.”[34] Christy Lemire gave it four out of four, call-
ing it an “undeniably haunting, singular experience” and
one of the best films of 2014.[35] Jon Espino of the Young
Folks gave it nine out of ten and called it “easily one of the
most visually haunting films of 2014.”[36] Andrew Lowry
of Total Film,[37] Dave Calhoun of Time Out,[38] and Kate
Muir of The Times[39] and Robbie Collin of The Daily
Telegraph[31] each gave the film five out of five.
However, Todd McCarthy of The Hollywood Reporter
said that “the film provides too little for even relatively
adventurous specialized audiences to latch onto.”[40]
Kaleem Aftab of The Independent stated in his review
that “Glazer simply gave up on trying to find a cohe-
sive story.”[41] Henry Fitzherbert of The Daily Express
awarded it two out of five and wrote: “it didn't get un-
der my skin, just on my nerves.”[42]
Under the Skin was named the best film of 2014 by 20
critics and publications.[28] In 2015, the Guardian named
it one of the top 50 films of the decade so far.[43] It
received multiple accolades, including the London Film
Critics Circle award for British Film of the Year[44] and
a European Film Award for best soundtrack.[14]
4 6
5.3 Themes and analysis
Writing for the Milwaukee Journal Sentinel, Duane
Dudek speculated that Johansson’s character assumes a
human identity to collect information about humans as an
alien intelligence might, inducing an identity crisis caus-
ing her to “spin out of control like a broken machine”. He
wrote that the motorcyclist can be interpreted as a com-
panion, enabler, or pursuer, and that the “tar-dark world”
where the woman submerges her victims may be a nest, a
web, another planet or dimension, or a visual representa-
tion of how sex feels to her or them.[45] In the Guardian,
Leo Robson wrote that Under the Skin deals with issues
of race and immigration, interpreting Johansson’s char-
acter as a “kind of immigrant”, and that the film’s title
“seems like part of an anti-racial slogan, a reminder that
despite our racial or ethnic differences we share some ba-
sic components”.[46]
Though Glazer said he wanted to make a film “more about
a human experience than a gender experience”,[47] sev-
eral critics identified feminist and gender themes. The
Economist wrote that “there is some aggressive sexual-
ity in the film: women seem very vulnerable but then
men’s desires are punished.”[47] In The Mary Sue, Kristy
Puchko wrote that Under the Skin “creates a reverse of
contemporary rape culture where violence against women
is so common that women are casually warned to be ever
alert for those who might harm them [...] By and large
men don't worry about their safety in the same way when
walking home late at night. But in the world of Under the
Skin, they absolutely should.”[48]
Robson wrote that Johansson’s character is “both a
watcher and predator of men. In the society she enters,
and to which she brings nothing besides a body, [she] is a
sex object, in dress and demeanour a kind of sex toy; she
might have come to Earth to prove a point about male
expectations of women [...] If Under the Skin commu-
nicates any gender-politics message, it does so through
the disparity in excitement between the male charac-
ters’ reaction to [Johansson] and that of the camera.”[46]
Noah Gitell, discussing in The Atlantic the scene in which
Johansson’s character undresses before a mirror, wrote:
“You would think the first nude scene by a Hollywood star
whose body has been the subject of such intense scrutiny
would be big news. But the way the film frames it—
with Johansson having removed almost all of her person-
ality from the character—it doesn’t play as even remotely
sexual, and the scene, remarkably, barely attracted any
hype.”[49]
6 References
[1] "UNDER THE SKIN (15)". British Board of Film Classifi-
cation. 3 January 2014. Retrieved 11 April 2014.
[2] Wiseman, Andreas (24 March 2014). “Under The Skin:
at any cost | Features | Screen”. Screen Daily. Retrieved
REFERENCES
14 April 2014.
[3] "Under the Skin (2014)". The Numbers. Nash Information
Services, LLC. Retrieved 13 November 2016.
[4] Leigh, Danna (6 March 2014). “Under the Skin: why did
this chilling masterpiece take a decade?". The Guardian.
Retrieved 29 April 2014.
[5] Thompson, Anne (23 October 2014). “Why Jonathan
Glazer’s 'Under the Skin' Took a Decade to Make
(VIDEOS)". IndieWire. Retrieved 3 November 2016.
[6] Aftab, Kaleem (17 March 2015). “Gemma Arterton on
black comedy The Voices and why she’s turned her back
on Hollywood”. The Independent. London. Retrieved 1
April 2015.
[7] “Jonathan Glazer: the joy of division”. The Irish Times.
Retrieved 2016-11-03.
[8] Jones, Emma (16 March 2014). “Scarlett Johansson on
playing 'unscripted' scavenging alien”. BBC News. BBC.
Retrieved 17 March 2014.
[9] “Under The Skin: Casting”. Film 4. Retrieved 28 June
2014.
[10] (2015) Filmed here - 2012, Under The Skin, Jonathan
Glazer Film Edinburgh, Retrieved 20 February 2015
[11] Under the Skin [Original Motion Picture Soundtrack] at
AllMusic (rating 4/5).
[12] Under the Skin at Discogs (list of releases).
[13] Levi, Mica (March 15, 2014). “How Mica Levi got Un-
der The Skin of her first film soundtrack”. The Guardian.
Retrieved March 1, 2015.
[14] Khomami, Nadia (27 December 2014). “Making music
for Scarlett: how an indie composer hit the big time”. The
Guardian. Retrieved March 1, 2015.
[15] “Best Films of 2014”. Film Ireland. 23 December 2014.
Retrieved 23 December 2014.
[16] Fitzmaurice, Larry (31 March 2014). “Jonathan Glazer
and Mica Levi”. Pitchfork Media. Retrieved 7 March
2015.
[17] Punter, Jessie (23 July 2013). “Toronto Intl. Film Festival
Unveils First Batch of Films”. Variety. Reed Business
Information. Retrieved 16 August 2013.
[18] “Under the Skin”. Toronto International Film Festival.
Retrieved 16 August 2013.
[19] “Scarlett Johansson’s 'Under the Skin' announces UK re-
lease date – Movies News”. Digital Spy. Retrieved 14
April 2014.
[20] ""Under the Skin” Scarlett Johansson Alien Movie Re-
lease Date”. Complex. 7 January 2014. Retrieved 14
April 2014.
[21] Hoad, Phil. “Avengers assemble a potential record-
breaker as the Age of Ultron hits”. the Guardian. Re-
trieved 2015-05-06.

[22] "Under the Skin (2014)". Box Office Mojo. Amazon. Re-
trieved 29 December 2014.
[23] “Weekend Box Office Results for April 4–6, 2014”. Box
Office Mojo. Retrieved 14 April 2014.
[24] “The 30 Highest Grossing Indies of 2014 (A Running
List)". Indiewire. Retrieved 2014-12-29.
[25] Gant, Charles (19 March 2014). “Need for Speed in pole
position at UK box office but Under the Skin infectious |
Film”. The Guardian. Retrieved 14 April 2014.
[26] "Under the Skin (2013)". Rotten Tomatoes. Fandango.
Retrieved 11 January 2017.
[27] "Under the Skin Reviews”. Metacritic. CBS Interactive.
Retrieved 20 April 2014.
[28] Dietz, Jason (6 December 2014). “Film Critic Top 10
Lists - Best Movies of 2014”. Metacritic. Retrieved 8 Jan-
uary 2015.
[29] Brooks, Xan (9 February 2013). “Under the Skin – Venice
2013: first look review”. The Guardian. London. Re-
trieved 4 September 2013.
[30] “Under the Skin review – 'Very erotic, very scary'". The
Guardian. London. 13 March 2014. Retrieved 15 March
2014.
[31] “Under the Skin, Venice Film Festival, review”. The Daily
Telegraph. London. 9 April 2013. Archived from the
original on 6 September 2013. Retrieved 4 September
2013.
[32] Zoller Seitz, Matt (23 April 2014). “Under the Skin”.
rogerebert.com. Retrieved 7 January 2015.
[33] Under the Skin Review. RichardRoeper.com. Retrieved
on 2014-05-22.
[34] ‘Under the Skin’: Brilliant mood piece about a fascinat-
ing femme fatale - Chicago Sun-Times. Suntimes.com.
Retrieved on 2014-05-22.
[35] Under the Skin. Christy Lemire. Retrieved on 2014-05-
22.
[36] Estrada, Stephanie (2014-04-05). “Jon’s Movie Review:
'Under The Skin' Penetrates Deeper Than Just The Skin”.
The Young Folks. Retrieved 2014-08-21.
[37] “Under the Skin”. Total Film. Retrieved 15 March 2014.
[38] “Under the Skin”. Time Out. 12 March 2014. Retrieved
15 March 2014.
[39] “Under the Skin”. The Times. 14 March 2014. Retrieved
15 March 2014.
[40] McCarthy, Todd. “Under The Skin (2014)". The Holly-
wood Reporter. Retrieved 15 March 2014.
[41] Aftab, Kaleem (29 July 2013). “Review: Under the Skin
– Even Scarlett Johansson can't save Jonathan Glazer’s
laughably bad alien hitchhiker movie”. The Independent.
London. Retrieved 4 September 2013.
5
[42] “Under The Skin — review and trailer”. The Daily Ex-
press. 12 March 2014. Retrieved 15 March 2014.
[43] Bradshaw, Peter (5 January 2015). “Peter Bradshaw’s top
50 films of the demi-decade”. The Guardian. Retrieved
29 April 2015.
[44] White, White (18 January 2015). “Boyhood Takes Three
At The London Critics’ Circle Film Awards”. Empire. Re-
trieved 11 April 2015.
[45] Dudek, Duane (15 May 2014). "'Under the Skin,' with
Scarlett Johansson, confounding, captivating”. Milwaukee
Journal Sentinel. Retrieved 29 July 2015.
[46] Robson, Leo. “Scarlett Johansson in Under the Skin:
'prick her and she doesn't bleed'". the Guardian. Re-
trieved 2015-07-29.
[47] “Under his skin”. The Economist. 13 March 2014. ISSN
0013-0613. Retrieved 2015-07-29.
[48] Puchko, Kristy (April 4, 2014). “Review: Scarlett Johans-
son’s Under the Skin has a special message for men”. The-
MarySue.com. Retrieved April 6, 2010.
[49] “What in the World Is Scarlett Johansson Up To?". Re-
trieved 2015-07-31.
7 External links
• Official website (UK)
• Official website (US)
• Under the Skin at the Internet Movie Database
(IMDb)
• Under the Skin at Box Office Mojo
• Under the Skin at Rotten Tomatoes
• Under the Skin at Metacritic
• Under the Skin review at AllMovie by Nathan South-
ern (rating 4/5)
• Jones, Emma (16 March 2014). “Scarlett Johansson
on playing 'unscripted' scavenging alien”. Entertain-
ment & Art. BBC.
6 8 TEXT AND IMAGE SOURCES, CONTRIBUTORS, AND LICENSES

8 Text and image sources, contributors, and licenses

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• Under the Skin (2013 film) Source: https://en.wikipedia.org/wiki/Under_the_Skin_(2013_film)?oldid=774513075 Contributors: Gabbe,
DavidWBrooks, Wjhonson, Mervyn, DocWatson42, Angry candy, Jorm, Ham II, Bender235, Deathawk, Geke, Ashley Pomeroy, Yamla,
SidP, Larry Dunn, BD2412, Drbogdan, Nightscream, Lsloan, Rsrikanth05, Rwalker, Onion Terror, Paul Magnussen, Arthur Rubin,
Spin2Win, Gilliam, John Reaves, Ser Amantio di Nicolao, Valoem, Mattbuck, Treybien, Lugnuts, Ss112, NorthernThunder, Jmg38, Quasy-
Boy, Nicholas0, Centrepull, Schussler, Mutt Lunker, Jessicapierce, Valerius Tygart, Notreallydavid, 97198, Donmike10, Kellydcarter, In-
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Jerems0410, ImageRemovalBot, WurmWoode, Plastikspork, RODERICKMOLASAR, TheOldJacobite, Ktr101, Holothurion, Schreiber-
Bike, DanteLectro, CapnZapp, The Shadow-Fighter, Jeromebeckett, Ilikedietcola, Totorotroll, Yobot, BKMastah, RomanLady, Body-
Head, AnomieBOT, Mauro Lanari, Aquila89, Tiller54, AbigailAbernathy, Arsia Mons, Drown Soda, FrescoBot, Sock, Fortdj33, Ratim,
SJJM4EVER, Hessamnia, Arbero, Typhoon966, Film Fan, Cowlibob, Onel5969, RjwilmsiBot, The Stick Man, STATicVapor, GoingBatty,
Lacon432, Ὁ οἶστρος, Unreal7, AndrewOne, Filmested, Captain Assassin!, Status, Rusted AutoParts, Capuchinpilates, Narconarco1,
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