GI71atus Gua MR Cae Ou Cams een ao el San Noa Cora renee Ka ctl ryGIFU Guo ROCK ’TILYOUu DROP LiKE A ZomBIE 2 BRING IT ON HOME TO ME 30 ALL WE REALLY WANNA Do (PoLty) 6 No PROBLEMS 32 FAKIN’ THE BLUES 9 @00p SIGN 37 ONE MAN BAND 12 Tommy 44 ROCK ‘TH You DROP 16 NOTHING COMES EASY 40 CAN'T GIVE You MoRE 22 FAME OR MONEY 47 WARNING SHOT 26 THE PRICE OF LOVE So LET'S WORK TOGETHER 19 FORTY FIVE HUNDRED TIMES 53 WISE PUBLICATIONS LONDON / NEW YORK / SYONEYLIKE A ZOMBIE Isic BY FRANCIS ROSSI & BERNARD FROST worDs & MUS (1) Could n't see my fun -ny side as far as 1 re-call but it did-n't mean much 19 Car -tied on mess-ing round and get -ting nowhere . a2 run a-round like ao mad - nan, run yourself of sr feet. Walk a-bout like yourself off your fe KE a tom bie, — runabout like a freak, ny ry week. run a-round like ama = oni-ae— flippin’ out ev — (2.).Well F just(Soto ad 1.) @)Now 1 been Repeat to Fade ~~ px VERSE 2, Well just gotta get away As far as Lean go ‘And as long as I don't see you there Tur around, look again What is happening to me. Well am I getting paranoid, Or maybe superstition Is making me feel this way Checking in, checking out Tsuem to do it every day. VERSE 3: ‘Now I been working on the road As long as I recall ‘And it's feeling like yesterday Giggling, travelling And getting better every day. Well I was getting paranoid Or maybe superstition ‘Was making me feel this way Checking in, checking out {seem to do it every dayALL WE REALLY WANNA DO (POLLY) WORDS & HUSIC BY FRANCIS ROSSI BERNARD FROST Rock tempo (d= JD) ¥ oe A (1) Thought it ov-er in a qui-et room, What a - bout it, what a- bout the dream 1 ras) of the fu - ture, look ing much bet «tt wonder what is on the oth- er side. When we get 8 [| if we do make it, bet -ter than it’s been be = fore. " 2H W808) ARS RD ONION COP HANDatl) real No there won't ly wanna do is what we But we ev-er think 2-bout st, way. Haan! a ~ head and does be a -ny Hdd) wan-na do and do it time atl “Cause all we all the day life {goes on and on, gets in the By y bbo-dy does the same old thing and Ht (Solo ad lib.)1 ei 8 Haat DS. al Coda @)CODA xt) Cs ora BF] —S SS Write a reably wan-na dois what we wan-ne do and do ital he A Asust Freel = (Vocal day. But we ans life goes on and on, gets in the way. Think about it Would we be the same Working at it Will we fall again For the same lines And the same reasons ‘Would we let them take us for a ride By the next time And the time after Won't be any time at all No there won’t be any time at al ne-ver ev- er think —a-hout it yy il yh Al we VERSE 3: Write a letter ‘Toa magazine Talk about it Talk about the dreams OF the future Looking much better Wonder what is on the other side By the next time And the time after Won't be any time at all No there won't be any time at al,FAKIN’ THE BLUES WORDS & MUSIC BY FRANCIS ROSSI & BERNARD FROST (1) Waiting around — fora mi-ra- cle, looking at me for a clue, Tm mov ing on if it's the same tm you, too late for me, too late for you, On and on,chang - ing. like the wea + Fim ther, close your eyes, no surprise Fim Look me straight in the eye ‘when you tell me that le, CHORUS can't have it though, Film 1 can’t take it no, Who's fak- ing the To Coda@ who's break -ing— the rules, $0 fak-in’ the blues, while blues, —___ Fim a Sr E try - ing— ©bles, (Instrumental) (Solo ad lib.) Who's fak - ing the Dblues,—_ who's break -ing— the rules, who's fak = ing the blues, ____ fakin’ the blues VERSE 2 VERSE 3: Isn't it time Maybe by now For a turn around You'll be satisfied Isn't it time Lookin’ to me That you knew Like you do never thought What do you feel ‘That [could say to you Burning inside of you You carry on Livin’ a tie Til survive Don't have to tryONE MAN _ BAND WORDS & MUSIC BY RICHARD PARFITT & PIP WILLIAMS Up beat rock, sing tempo S Bb (1) When Pm r talk - ing, nothing'sget ~ ting through, if I'm seream-ing, it’s ne-ver clear to you.— Can you hear me, am 1 wast -ing-my time, = am 1 work-ing in a one man band? i (2) When Pm Jone- ly in a one man band. Words out of E 2a oe 3— line don't ev- er hurt you. For = ev - er crying, ty - ing to tum. you a = round,Woh oh oh oh, woh oh oh oh, Woh oh oh. of Instrumental 33Hes lonely ina one man band. — oath VERSE 2: When I'm looking Straight into your eyes Is there anyone home You're telling me lies Listen to me ‘Are you wasting my time It’s lonely in a one man band. val VERSE 3: (D.S.) Anticipating What you're gonna do Still awaiting. For a sign from you Come togetiver Or we're wasting our time ‘And I'l always be @ one man band Tlalways be a one man bandROCK ’TIL YOU DROP WORDS & MUSIC BY ANDREW BOWN E AVE Don't hang up a8 (2° Instrumer al) is AB 8 A a8 H rE ; rae 3 7H 7 shoes, just kick out the — blues and rock till you drop to - E AE a fi 2. He night. i we i e- pends up-on you, so rock till you drorspots, the star stud - ded bills andthe —_mir-ror balls. Half of the time we were play-ing_—_ a ey {ak} game, — half of the time T could hardly re - mem-ber my Ae E AB St 4 So stay with us now, hhang in some - f E/Gh how and rock till you drop to. = night.ce E/GE rok til you drop = tO - Might reek ror. Al All we do de - pends up-on you, $0 rock til you drop to. = night, Rock till you drop eS a night, rock till you drop * _ rock till you drop to-night.LET’S WORK TOGETHER ee-ther we stand, di -vi-ded we fall, _ come on now peo-ple, let's =" a = on the ball and work to ~ gether, come on,come on It's work to E aA H tt gether now now peorple, ‘cause to gether we will stand ev-"ryitt Seo ooo boy. ev='ry gil and a man.— (2.) Be - fore when GB.) Anstrumental) (4) Oh well now (S.)Oh well (Solo) Because to = ge-ther wewillstand,ev-'ry boy, girl, woman and 4 man.— Well to = 1A_1GKIA_1ag taalLet's work to - ee ther, come on, come on, let's work to = Ad lib, to Fade ee ther, come on, come on, let's work to - VERSE 2: Before when things go wrong as they sometimes will ‘And the road that you travel it stays all uphill Let’s work together, come on, come on Let’s work together, now now people You know together we will stand, every boy, girl, woman and a’ man. VERSE 8: (Instrumental) VERSE 4: ‘Oh well now, two or three minutes, two or three hours What does it matter now if this time go round Let's work together, come on, come on Let’s work together, now now people “Cause together we will stand, every boy, every woman and a” man, VERSE 5 Oh well, make someone happy, make someone smile Les all work together and make life worthwhile Let’s work together, come on, come on Let’s work together, now now people "Cause together we will stand, every boy, etl, won 19 and a" man,CAN’T GIVE YOU MORE WORDS & MUSIC BY FRANCIS ROSSI & BOB YOUNG Fast rock c F wo Ce tf. © og fe Fie Oa I can’t give you mor, = I can't give a - ay more, OF it i a ae to z a= I can’t give you more, —_ 1 ain't got 8(.)Now you know— this ain't the kindof for you, F ie i's not the way you thought that it__ would be Am Freee if 1 could ‘change my = way for_you. ir 1 could change, it would-n't_be me,— and you see, a1 know 1 ne when tried time ‘things ale ways ass - by. to do, the things_ I've done be - fore 0 igh, yet you ery when 1 saycoma , 1 can't give you more, — 1.29 1 can't give G) 1 aint got Repeat ad lib, to Fade VERSE 2 VERSE 3: First you said you'd never try to slow medown —_Did you figure ours would be an easy thing ‘That everything would work out realy Like lazy days of lying in the sun But as those walls closed in on us told you if you wanted me Your words just fell right out of line ‘That every day just wouldn't be fun ‘And behind, Now it’s done.WARNING SHOT WORDS & MUSIC BY ANDREW BOWN & JOHN EDWARDS. — trade or an: Hey Ys now it how ‘bout you? burn me «YP wm vu Ann Any the : ra dream has all pone, good clean fu, this Tl take home, af + ter you If we're luck - y well ne + ver be called to. stand a gain, de = fend - ers of — the peace 6” “tg with all we've shot (instrumental)‘Teach all YOmn cle child -ren to fol - low the lead - er and do ashe says with - out mich ques +tion or rea = son Fight for the flag, and to hell with the cle He t rest, sur ren - der your free- dom to servewith the best DS a Code copa c cle * ral VERSE 2: Masters of the air Rulers of the sea Hey, hey ... our turn today Victory. Nothing you can lose Everything to gain Hoy, guys... try it for size ‘This ball and chaiBRING IT ON HOME TO ME worps & Musi sam COOKE mpl 7 F leavin’, Keay = in’ me be = hind, oh bring it to me, bring your sweet lov bring it on home— to z c me, yeah. (2) You know — 1 G) 1 give you () tf you »IME / ‘ Sey © (solo) yeah, bring your_ sweet lov - in’ re bring VERSE 2: ‘You know I laughed when you left But now I know I only hurt myself Oh... bringit to me, bring your sweet lovin’ Bring it on home to me, yeah, yeah, yeah. VERSE 8: I give you jewellery, money too ‘And that's not all, all Ido for you (Oh... bring it to:me, bring your sweet lovin’ Bring it on home to me, yeah, yeah, yeah. VERSE 4 You know Plalways be your slave ‘Til 'm dead and buried in my grave Oh. .. bring it to me, bring your sweet lovin’ Bring it on home to me, yeah, yeah, yeah. VERSE 6. If you ever change your mind ‘About leavin’, leavin’ me behind (Oh... bring it to me, bring your sweet lovin’ Bring it on home to me, yeah (Repeat to Fade) (4) You know I'l Ad lib, to Fade on home— to~ NO PROBLEMS WORDS & MUSIC BY FRANCIS ROSSI & RICHARD PARFITT ———~~ Bright rock, with swing y atempo ee 3 (2) Sitting on a corner watching — babe! half the world go by, thinking some-thing SHlonsthelines of whisky and we Fall-ing to the left, a a= ny- bo. Pull-ing to the right, dont a Y out there wan- na' * help me, Looking at a picture of the trou-ble and strife, Bh? ev-en got a picture of the queen, se-eret of life, Got-ting back to thinking "bout the will I ev-er find it out and know it's just a first in line. Ba-by ba-by ba-by what the hell on earth is wrong with & you? Bu - by ba-by ba- by »what the hell am 1 supposed to do. tHe E Smi/F ADE Baby baby ba: by What the hell on earth is wion8 & sy Ba-by ba - by ba - by ”What the nell am I sup-posed to do? Bb cons Fe black and white. Sit - ting here a - lone is how it's Fic atl gon-nabe— for will my luckey star_ev- er shine for me. I uessit’s not a problem if that's the way it's meant_to be. o7 er 7 Its me-ver been a problem, it’s been a problem to a tompo Ba-by ba- by ba-byHe ou? what the hell on earth is wrong with s a ie Ba-by ba - by ba -by what the hell am I supposed to do? 3 Fes ‘Ad t,t Foe What the hell am I sup-posed to do? VERSE 2: - Walking round in circles, oh I must have walked a mile ‘Tryin’ to imagine I was puttin’ on the style Falling to the left, falling to the right Can't you see I'm going along the wrong lines? ‘Searching for the person with the shoulder to cry on Calling out to almost anyone Have you got a secondary bed I could lie on? Better watch your step or you'll be the first in line. VERSE 3:(D.s.) Cutting back to visions taken from the silver screen, Believing I was someone I had never been Falling to my let, pulling tomy right ‘The past emotion picture is in black and white.GOOD SIGN WORDS & MUSIC BY RICHARD PARFITT & PIP WILLIAMS Moderately’ Nice to seeyou, ve been feel-ing so blue,.own-ing up now, “eause you've changed my point of It’s fun ny how you do what you do,— real 7 - here with me.— “Cause you're won = ‘Ohit's a an F c { oH} Z PH Ado. to Fade 7 d 2 a ve- ty good time, ‘oh yeah a very good time, Yeah it’s a ve-1y good sign, cd li, Yeah a VERSE ON REPEAT Let me tell you, you're a woman of style ve been waiting but you made it all worthwhile ‘And all you had to do was to smile You're s very good sign, and everythings fine n child. »NOTHING COMES EASY WORDS & MUSIC BY FRANCIS ROSS RICHARD PARFITT, ANOREW BOWN, JOHN EDWARDS & GEOFF nici, s=5 (instrumental) ‘a tempo ~ faster beat pat D DsusML LLL wut ON SASK On D.C. Segue ® 3 a 3 (1) Fuss - ing and ing a= Jong with our friends, oF Slike hold ine our breath Ws been and 3— t hop - ing it ne - ver would end. long, lone, haul. We would be I 3 rise their a fall, pre - tend-ing the ups and the downs did ter at all We got itpyc c cI ——_ si, al most right, where there were hun = dreds and hundreds of Deus D _Dsusa + ER Ey ie al-ways a por-son-al rea- son to cop of smile, now there’sa green light. (Unstrumentl E Ht 3 a ee a+H mos yy Hatt De. Repeat tinsand tect CODA Fo : VERSE 2. We came and we went We went then we came Slowly but surely we learned ‘That it wasn't a game But it was good clean fun ‘We were just secondhand cars ‘Along with the rest Hol ‘And hanging oF Nothing comes easy. We Repeat to Fode 6 VERSE 3: Drinking and thinking What we'd rather do Nothing of any real interest Is coming on through Maybe we're alright now But in the end does it matter Matter at all We're scratching a living wl having one hell of a ball NothinTommy WORDS & MUSIC BY FRANCIS ROSSI A BERNARD FROST Heavens @ - bove—— his mo ther would say my Tom-my’s in love he’s mood-y all dy. Film D ° at He’s out of his mind — su-penvded in dime. =D “~ bis and he tries to ex = plain, say ~ ing, Jet me go, let me, let _me go,let_me go, let me go,let_me g0.— And he tries lit = the lies then he tries tore fraim, say - ing, ~? Tet me go, let me, let _me go,let_me 0, let me go, let me go (instrumental) DIADIA E A ad lib. tof VERSE 2: Listen to me Heaouies VERSE 8:(DS) You’ sarllbgae land Tommy's in love tt ‘won! young and in Jove He always that waY Youn tas that way Whatever he does ure only a bo You'l ye If only he'd sty. 1 row up in time, He's feeling s0 fine She's looking 098°"FAME OR MONEY WORDS & MUSIC BY FRANCIS ROSSI & ANDREW BOWN ° (1) He showed you mo in - terest he gave you no love, — from ti ye— he was fun = ay, he loved on -ly twothings but af r cuorus fone was ¢-nough— for him, Was it the fame— or the mo - ney? Was it fame le -thal vice, — cold ~ or mo - ney, jo . was it, fame — or mo ~ ney,hhold = ing tight ti evs *ry-thing is alright, & Ev-‘y- thing is Ev-‘ry-thing is al - right pNot 8.Were take att____ love the —-mo- ney, ‘Ds. (Repeat Chorus) over and ov-er a = gain VERSE 2. Up to his eyeballs Always in debt He's suddenly off and running So what motivation Lay at the heart of it Was it the fame or the money? CHORUS... VERSE 3: (D.S.) Back in his schooldays. Four eyes and zits No good at games and skinny Locked in‘the boys' room Left him no choice at all Ithad to be fame und money. CHORUS: (DS) So it's fame and money Lethal vice Cold as ice So it’s fame and money tight thing is arightTHE PRICE OF LOVE WORDS & MUSIC BY DON & PHIL EVERLY (Instrumental) (1) Wine is sweet and sin is bit = ter, z you drink all you can but you —_ won't for - get her. kiss one girl, __ you kiss an = oth ehkiss them ait you the price of love, — the price of love, debt you pay with tears and The ice of Jove, the of love, — costs you more whe:(ast?) Ty. you're to blame, Fs: Repeat Cine QcoD4 [ERED ad lb. to Coda @ That's the price of love, That's the Price of love, Verse 9: YOU dancing slow, you're dancing fast cule happy now but that won't Lat YoU tak too much you taught You se her teen every ehFORTY FIVE HUNDRED TIMES WORDS & MUSIC BY FRANCIS ROSS! & RICHARD PARFITT (L) There's no - bo- dy on the end of my line @) Tt gets tone-ly on ata ble for two (B) Take me high ike high up a = bove— Tm in time but some - bo - dy's miss ing. laugh - ing on your own can be n0. fun, lots of peo- ple wish - ing they've besa there. May - be 1 can find. a hand for my hand Ey = en peo -ple that are talk - ing to. you we - No one —know-ing just how long it’ will last___ 7 8 if 1 find well foro my wish ing mind you that you're real - ly with no o ‘but Tm sit - ting still here im my. chair Be my friend_— °For - ty -five hun- dred times 1 tok you how I ‘much cou! a For = ty -five hun- dred times 1 told you you= For - ty-five —hun-dred times 1 - For - ty-five —hun-dred times 1 told you how much T care told you you could lean on me, A E 8 es tH: taebo] ® E White lies in our eyes, to- gether not real -ly there, — Where we're at isthe’ right place for us to ben > (Guitar break)1 Tisha) sure We wan - na stay here, it sure feels fine; __ came a long way, «a slow = way too; __ ————$————"| 1 feel up could be here a tong, longtime. from the down way and back = to you that we'vemade it, now that I've made it with you, “TOP LINE ARRANGEHENTS OF EACH TRACK FROM STATUS QUO'S ROCK ‘TIL YOU OROP ALauM INCLUDES GUITAR CHORD BOXES AND LyRIcs