María

Landó

 
Adaptación Román Lacrouts Chabuca Granda / César Calvo

   
 = 120
Voz

   

                   
Flauta

                   
Trompeta en Si♭      
       
     
           
Saxofón contralto

       
     

          
Guitarra

  
                  
  
 
Bajo

Cajón   
   

3

Vo.

      
Fl.                

          
Tpt. Si♭             


 
      
    
          
Sax. Ctrl.

 
     
    
          
Guit

                   
   
Baj

Caj   

  

5

    
Vo.

         


    
Fl.

     
Tpt. Si♭     


     
           
                     
Sax. Ctrl.

            

   
Guit

             
Baj
 
Caj                 

2
   

7

Vo.

       
       
Fl.

          
Tpt. Si♭      


       
      
                     
Sax. Ctrl.

            
  
 
Guit

             
Baj
 
Caj                 

  

9

Vo.

               
Fl.   
            
Tpt. Si♭    



        
 
     

       
Sax. Ctrl.

      
    
        
        
     
Guit

             
Baj
 
Caj                 

3
   

11

           
Vo.

 
 

              
Fl.

Tpt. Si♭  

 
        
 

     
Sax. Ctrl.

      
    
               
       
Guit

             
Baj
 
Caj                 

                   

13 Entra la voz

Vo.

  

la ma dru ga daes ta lla co mou naes ta tua

Fl.

  
Tpt. Si♭  
  
 
   
Sax. Ctrl.

      
               
   
      
Guit

             
Baj
 
Caj                 

4
                    
  
15

Vo.

    
  
co mou naes ta tua dea las que se dis per san por la ciu

Fl.

    
Tpt. Si♭    
  
    
 
  
Sax. Ctrl.

   
 
             

  
    
 
Guit

        
     
 
Baj

              
 
Caj

   
                

17

Vo.

   
 
dad yel me dio dí a can ta cam pa na

Fl.

   
Tpt. Si♭   
   
  
 
Sax. Ctrl.

      
 
              

Guit

  
            
 
Baj

Caj                 

5
              
       
19

Vo.

   
 
dea gua cam pa na dea gua deo ro que nos pro

Fl.

   
Tpt. Si♭   
  
Sax. Ctrl.   
    
         
     
      
Guit

    
     

Baj

Caj              

             
   
21

Vo.

    
  
hi be la so le dad

Fl.

 
Tpt. Si♭      

 
     

     
Sax. Ctrl.


        
 
      
    

Guit

         
   
     
Baj

         
 
Caj

6
             
     

23

Vo.

  

y la no che le van ta su co pa lar ga

Fl.

  
Tpt. Si♭  
  
Sax. Ctrl.  
      
              
    
Guit

       
Baj    
Caj                 

             
        

25

Vo.

  


 
su lar ga co pa lar ga lu na tem pra na por so breel

Fl.

  
Tpt. Si♭     
  
    

  
Sax. Ctrl.

  
   
           

     

Guit

   
        

  
Baj

           
 
Caj

7
       
 
 mar
27

Vo.

       
Fl.                 

           
Tpt. Si♭              


  
       
               
Sax. Ctrl.

  
      
               
Guit

  
                  
   
 
Baj

Caj                 

  

29

Vo.

                  
Fl.     
          
Tpt. Si♭             


 
       
    
         
Sax. Ctrl.

 
     
    
          
Guit

                   
Baj
   
Caj                 

8
                  
 
31

Vo.

  

pe ro pa ra Ma rí a nohay ma dru ga da

Fl.

  
Tpt. Si♭ 
  
Sax. Ctrl. 
     
               
      
Guit

     
Baj
 
Caj                 

                 
 
33

Vo.

  

pe ro pa ra Ma rí a nohay me dio dí a

Fl.

  
Tpt. Si♭  
  
 

Sax. Ctrl.

       
                
  
Guit

Baj
           

Caj                 

9
                  
 
35

Vo.

  

pe ro pa ra Ma rí a nin gu na lu na

Fl.

  
Tpt. Si♭  
  
 

Sax. Ctrl.

       
                
  
Guit

Baj
           

Caj                 

                
   
37

Vo.

  

Al za su co pa ro ja so bre las a guas Ma

Fl.

  
Tpt. Si♭ 
  
Sax. Ctrl.  

             
             
     
Guit

  
       

Baj

Caj                 

10
             
  
39 x5
Vo.

rí a no tie ne tiem po Ma ria lan dó

ri a deal zar los jo jos Ma ría lan dó
rí a ro tos de sue ño Ma ría lan dó

  
rí a dean dar su frien do Ma ría lan dó

 
rí a so lo tra ba ja so lo tra baja

Fl.

  
Tpt. Si♭  
 
Sax. Ctrl.   
   
      
 

      

     
 
Guit

        
Baj  
Caj          

11
         
  
 
40

Vo.

deal zar los o jos Ma

ro tos de sue ño Ma
dean dar su frien do Ma

 
  
só lo tra ba ja Ma
só lo tra ba ja Ma

Fl.

  
Tpt. Si♭ 
  
Sax. Ctrl. 
  
        
    
Guit

     
Baj
 

Caj          

12
                  
  

41

Vo.

  
   
rí a so lo tra ba ja y su tra ba joes a

Fl.

    
Tpt. Si♭   
    
  

Sax. Ctrl.

         
 
 
             
    
Guit

    
  
    
 
  
Baj

Caj          

     
 
43

Vo.

                   
     
je no

Fl.

           
Tpt. Si♭              


  
       
  
    
       
Sax. Ctrl.

    
    
   
 
          
Guit

  
                  
   
 
Baj

Caj                 

13
    

45

   
Vo.

  
                   

Fl.

              
Tpt. Si♭            
 
             
       
  
Sax. Ctrl.

  
     

               
 
Guit

                     
   

Baj

Caj                 

14
Melódicos
María Landó

                            
Adaptación Román Lacrouts Chabuca Granda / César Calvo

     
 = 120

 
Flauta

Cajón   


                

4

Fl.

Caj          

        
      

 

7

Fl.

Caj             


  
  
               

10

Fl.

Caj             

   
 
13 Entra la voz

        
Fl.

Caj         


    

 
16

    

Fl.

                
 
Caj

  
   

19

    

Fl.

                 
 
Caj
     
 
22


Fl.

Caj              

            
     
25

       
    
Fl.

          
 
Caj

                              
 
28

Fl.

Caj             

   
 
31

Fl.

Caj                         

   

34

Fl.

Caj                         

   
 
37 x5
Fl.

Caj                  

  
  
40


Fl.

Caj                  

2
            
     
42

 
   
Fl.

Caj         

       
         
  
44

Fl.

Caj             

 
 
47


Fl.

Caj 

3
Cuerdas
María Landó

  
Adaptación Román Lacrouts


Chabuca Granda / César Calvo

         
       
 
 = 120

   
Guitarra

              
      

Bajo

Cajón     

 
                      
             
 
       
4

Guit

                 
Baj
  
Caj            

 
             
                    
  
           
7

 
Guit

       

Baj      
Caj                

      
 
    
    
  
   
           
10

     
Guit

       

Baj
  
Caj             
      
         
   
     
     
   
     
13 Entra la voz

     
Guit

     

      
 
Baj

Caj            

           
                 
          
16


Guit

           
     
 
Baj

                   
 
Caj

 
              
                 
 
19

   
Guit

  
              


    

Baj

                 
 
Caj

         
             
       
22

  
Guit

             
  

Baj

Caj               

2
              

 
           
    
   
25

   
Guit

          
            
        
    
Baj

         
 
Caj

  
       
   
      
28

Guit

                       
Baj
   
Caj             

       
                            

31

   
Guit

  
Baj       

Caj             

 
          
                         
34

    
Guit

Baj
              

Caj                  

3
    
             

      
37

     
Guit

  
       

Baj

Caj                 

  x5
                   
      
       
   
39

       
Guit

          
Baj     

Caj                   

                
    
              
     
41

       
Guit

             
         
                  
Baj

Caj    

   
         
         
44

   
Guit

                       
        
                        
Baj

Caj 

4
 Voz María Landó

                 
Adaptación Román Lacrouts Chabuca Granda / César Calvo

 
 = 120 Entra la voz

                  
        
la ma dru ga daes ta lla co mou naes ta tua

 
15

                        

co mou naes ta tua dea las que se dis per san por la ciu dad

       
18

           
                       
yel me dio dí a can ta cam pa na dea gua cam pa na dea gua deo ro que nos pro


21

             
      
     
hi be la so le dad y la no che le van ta su co pa lar ga

  
25

                            
su lar ga co pa lar ga lu na tem pra na por so breel mar

  
31

                          
 
pe ro pa ra Ma rí a nohay ma dru ga da pe ro pa ra Ma rí a nohay me dio
34

                   
dí a pe ro pa ra Ma rí a nin gu na lu na

          
 
x5

 
37

Al za su co pa ro ja so bre las a guas Ma rí a no tie ne tiem po Ma ria lan dó

ri a deal zar los jo jos Ma ría lan dó
rí a ro tos de sue ño Ma ría lan dó

           
   
rí a dean dar su frien do Ma ría lan dó

          
rí a so lo tra ba ja so lo tra baja

    
  
40

deal zar los o jos Ma rí a so lo tra ba ja y su tra ba joes a je no

ro tos de sue ño Ma
dean dar su frien do Ma
só lo tra ba ja Ma
só lo tra ba ja Ma
  

44

2
 Flauta María Landó

                  

Adaptación Román Lacrouts Chabuca Granda / César Calvo

         
     
 = 120


             

5

                               
    
9

  
 
      
13 Entra la voz

   
                 
      
22

  x5 
     
           

  
29

                     
     
42

             
         
  
45
 Trompeta en Si♭ María Landó

                  

Adaptación Román Lacrouts Chabuca Granda / César Calvo

     
       
 = 120

                

 
 
5

                               
    
9

   
  
         
Entra la voz
13

                     
              
27

  
 
     
31 x5

              

   
    
43

             
            
45
Saxofón Alto María Landó

     
Adaptación Román Lacrouts Chabuca Granda / César Calvo

                                     
   
 = 120


       
 
    
 
    
    
5


                   
 
9

   
  
          
Entra la voz
13

 
                                        
   
27

  x5 
 
                          
 
31

         
           
    
45
Guitarra clásica María Landó

  
Adaptación Román Lacrouts


Chabuca Granda / César Calvo

         

        
 
 = 120

     
                  
       
       
      
4

  
                        
                

        
7

 
      
       
 
 
  
   
              
10

     
     
     
 
 
        
                            
  
   
13 Entra la voz

       
        
        

       
 
     

17

  
           
     
   
 
   
 
   
     
    
 
     
 
20

  
            
           
  
              
24

   
          
  
        
27

        
              
        
30

 
 
        
                          
33

   


  
                
 
             
  
36

      

   
  

                  
            
x5

     
39

   

   
       
     
  
      
   
41

    

    
       
        
43

   

  
       
   
46

2
 Bajo eléctrico María Landó
Adaptación Román Lacrouts Chabuca Granda / César Calvo

  
                                      
   
 = 120

      
              
5

               

    
10 Entra la voz

                    
               
15

         
                           
21

  
                                        
27

                       
 
31

                               

    
x5

 
37

           
   
                    
   
  
43

   
47
Set de percusión María Landó

                  

Adaptación Román Lacrouts Chabuca Granda / César Calvo


 = 120

                    

9 Entra la voz

                      
        
 
14

                      
        
 
19

                      
        
 
24

                    

29

                    

34

                              
  x5     
39

             

44