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characters believes that human has no control over destiny while some argue that they can
control their destiny, but each character accepts the opinion of other. Another argument in the
story is focused on how a man sees his destiny, which also illustrates the persuasive approach of
logos. Destiny is one of the key factors of life that dictates what happens next. Is it nice and bad?
Will it be bad? Similarly, people's views differ from person to person for such element (Marshall
4). Some on one hand believe that all occurs by Christ's will alone and that nothing could be
done to change it. There are some on the other side who think that destiny is like a working
When developing Dr. Manhattan's nature, the authors used the ethos method. They say
Rorschach was shown as a highly violent superhero, so obsessive on protecting the world at any
costs. That allows the viewers to get emotional, since the author employed the pathological
approach to construct the personality of Rorschach. It shows that American culture compels
humanity to protect the people from evil and remove the criminality from the world. It also
breaks the male oriented superheroes Laurie Juspeczyk's depiction that she feels she is an innate
guard and has an obligation to stop atrocities and bring the perpetrators before the courts
represents the rhetorical logos technique, since the author argues that she has logically acquired
this skill from her family (Isekeije 3). In sum, throughout the writing of this work, the authors
tried all the tactics to create it a huge collection of feeling, sentiments, silence and aggression.
Watchmen create a completely different women personality and let them participate with the
society just like any fully conceived male character would. There is something refreshing, and
perhaps just as feminist. For instance, Lady Trieu does not have to be a woman in order to keep
the furnace of ethical nobility that is captivating for her; she happens to be a woman as
unscrupulously merciless as Adrian Veidt, the ex-centric mastermind of the play stated, whose
firm she owns. Although it is a great part through her own personality in her very own traumatic
experiences, it is not always — and must not be — man by choice, since she may so quickly turn
Angela's sarcastic and stern, tough and compassionate, as all of us knew she was and saw her as
guardian of her spouse (She pushed him off the explosion during the White Night raid on her
house before discharging a few of the Seventh Kalvary firearms). As a consequence, Dr.
Manhattan's admission of Cal as one of the most important examples in the universe, actually
makes him appear more equitable (Van Ness 7). If something, the late stage indicates that the
syphoning his capabilities to his commander. He tells them it's when he really understands he
adores her at this time, when they slip on a military jacket and grab two weapons from the
concealing area behind a part of their wall and become an army of one lady in a quest rescue
him.
The following discussion in this show relates to a women's personality defects and shortcomings.
They say no one in this earth is faultless, indicating that pathos is used as a rhetoric approach.
fact that at a certain time in life a woman displays his negative side. So here we are talking of the
fact that the darker side doesn't indicate negative automatically (Marshall 5). Also, the list of
shortcomings includes even the least faults such as fury, possessively or rage. Lastly, time is
regarded as the meaningful argument in which the participants argue that the topic must be
examined from any perspective but never negatively. Most individuals now lives and care
exclusively about it. What occurred in the previous or what will happen tomorrow doesn't matter
to them?
Hence it is concluded that superheroes in the movies and tv shows are highlighting the positive
image of the American society. They are also raising social issues and compelling people to
change their mind set. In the show Watchmen, it is depicted that women have strength to deal
References
Van Ness, Sara J. Watchmen as literature: A critical study of the graphic novel. McFarland,
2014.