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  • Despedida

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    Matthieu Medina
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    This document is a musical composition titled "Despedida" or "Farewell". It consists of musical notation and symbols laid out over several pages. The composition has multiple sections marked by numbers and directions for tempo, volume, and emotion. It builds to a climax and slows at the end with a direction for a gradual slowdown of tempo.

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    This document is a musical composition titled "Despedida" or "Farewell". It consists of musical notation and symbols laid out over several pages. The composition has multiple sections marked by numbers and directions for tempo, volume, and emotion. It builds to a climax and slows at the end with a direction for a gradual slowdown of tempo.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    9 views2 pages

    Despedida

    Uploaded by

    Matthieu Medina
    This document is a musical composition titled "Despedida" or "Farewell". It consists of musical notation and symbols laid out over several pages. The composition has multiple sections marked by numbers and directions for tempo, volume, and emotion. It builds to a climax and slows at the end with a direction for a gradual slowdown of tempo.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Despedida


     
           
    Gerardo Guevara

                 

                 

    Adagio


    1. 2.

     
        
                
     
              
       



    
          
            
     
                       

    7

          
                       
      
         


             
      
                  
         
    13

       
                       
             
     


              
            

           
          
         
       
    19 1. 2.

     
            
                      
          


               

            
              
    25

        
          
              
               


           
             
                
       


    31


           
       
    
       
       
            
        


     
     
         
    
                
            

        
    37

             
                     
          
         


              D.S. al Coda

      
     To Coda
          
              

    43

       
                          
          
      


                  

             
             
    49

     
          
             
         
          


    
                   
    1. 2.


            
    ritardando...

     
    54

           
       
            
      

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