Professional Documents
Culture Documents
Background
Influences – Cuban son and big band jazz
Energetic and lively Latin American dance
Cuban Son
Formed from Spanish and African music.
The Spanish colonised Cuba and brought African slaves to work on the sugar
plantations.
Son was formed from these two cultures.
Characteristics
Cuban Son Music
Basic repeated rhythm pattern (clave –clah vey) played on
claves
Repeated rhythm patterns on percussion (maracas, bongos).
These are often syncopated. Cross rhythms are formed
against the clave part.
Call and response between sonero (lead vocalist) and choro
(chorus)
Primary chords in harmony (I, IV, V)
Harmonies in 3rds and 6ths
Last note of the bar in the bass part usually sets up the
harmony for the next bar.
Big band jazz
Syncopation
Jazz chords (7ths, 9ths and other chords with added or
altered notes)
Imitation – one section of the band repeats a part just
played by another section
Walking bass line –
bass part that move
in crotchets, playing
the notes of the
chord with the odd
passing note to fill
in the gaps
Comping – playing
rhythmic chords on
piano or guitar to
accompany the tune
Vocals
One or two soneros (lead vocalists) and choro (the chorus)
Rhythm Section
Piano
Guitar
Bass
Standard drum kit
Claves Bongos
Structure
3 main chunks
These can appear in any order
Can all be used more than once