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w ‘Designment Nor OL nique nos 615997 bok . 24 May 2024 — “Table of Contents — \ Averbcment S emobs Aaaigs's Me ne Bien 4 sles eotypca) moscuiin | fermes = igns Levels eit eae . SB fase Deeg ee INTRODUCTION The trouble about alway's trying to preserve the health of the body is that it is so difficult to do without destroying the health of the mind. - C.K. Cheteron “On the Classics,” Come to think of it (1930) Mass media are alluring to many people and it would take a great deal of effort fo remain unaffected by their omnipresence. Often without question or scrutiny, people turn on the television, surf the net, and pick up the latest edition of their favorite magazine, Some people are thirsting for knowledge, while others seek an avenue to unwind ina relatively effortless manner. Regardless of individuals’ intentions, or choice of medium, they are entering a pervasive sphere of influence. In this nearly unavoidable domain, they constantly receive new messages about societal norms, whether or not they consciously attend to and acknowledge these directives. Frequent use of any mass medium can make it “transparent” to the user, and when the medium becomes “transparent,” it is more likely to accomplish its primary goal of persuading its audience to consume (Chandler, 2002). People can become so familiar with a particular medium that they are unconsciously influenced by its messages. Because of the mass media's pervasiveness, much of what we learn about society is conveyed through its channels of communication, including our @ Ln my esSoy vu be discuss" q ene ral overves of te feld of veual cut e. Law we cliscustme Gee touching on te Khree themes que a” bead otine 4 how Ot eld ACS GCaMn images cand har lev pele te dvevse meanings comoget'. Question | Theme $ : Rebroducing the dominant world wew and bower relations ha overaching of aa histoy and wsual Caltuce Is He retoqmibon (hak “renege s ue newer Econc parent windows on to the wen wef Wier prele OL word 5 En dis slay ie om vel ures cous” (Roce 2001:6). In otter words, TNages are newer a neutral of abjechie cepresent- ahon of clalty, but rather mediale reahty 19 terms of producing, mosk 1athan es , docteaik Wordvieds ond ey relubow. Inc, Oe feel Vital Catttrre §— Seane b0 inter ale Row mages estabk shy ond mamiain race, gender and dass: 4 Stereotypes and! power relabunrs aiton wuiews” (Rogoff 2002 :24): Vsual Caateuce Scholar Gitan Rose calls fo us te — taveshygake mages thinking about how offer “ bar ws lar vistons Of Sodia) Categones Such OF clads, Gender, rag, apaNaNe ye able- budiedaces ek: (Rave 2a ee The fororang 7 mone cle picts Mc. Theme 8: Uightighting moments Of resistance tk whould be om yitwenss, OF Gudene’ Content to an Purves S ne Seoutw a he discphae or fed A ad hictoy , bu also clyde otter Felds re sag dean advercing €O | Commun cater Ctaiaies ,media stusties Gad Silm ckadies: - Dn exonbie wcacl be mk more famous Ka in du ond. “Te mona bisa by heonardo da Wc fasunaha on DL Gk Nome HS in — chout what be wok meang wo Conkempay . oc as uhol if tal w abut as wel Nelurs ... @) Defriter of Concepts } Signs ced wm Stmo Beg. > 2 SEmoKst Can be defined os MH 6 af Signs ( Rese 2001: 64) wnage ~ ubetur an atknork , adver bcemek y Poser of ilustahow is mode up of Vanuc Slang, Sucde as Glory, objects, Subects clepicled”, text cind Getting: ‘ TE helps 09 gam Cribced thinking eit “and Cxamme and uecbanr reprecentarder moa, Class, gender and” Cenudity Creat are negative and Kindew Eradsormathon Sociely. Tt | provides” wh absh to be htfeu) C20 as Naamet CMand lee (2007 :10-) stated. | Colour: Te dominant Colas J rrage Sekorsy 5 lndeos ond Curdeut ~“ Domesbe Coa@nisable tandmat. Obyeus = Pinineds : feed cul Pronrs Ulercilc, tools, machines « Ase rue ae Lenie, Tadex onl Symbol kyrs 4 Signs Content A rodlagis q Pepasentat—d Content ar haw wore ore represented aclvePsements. Daderton enc! Di femen, : wr Magazines : f1ae2 Excanned ~o pe pate mogern y foun d Ave acs re prerent WOMEN. duferenty : . a. . Qucsne aa Ndueis emart Ler Semioke drolq dis Examble 1 “Ideal” femajg loody ‘ype Geadey dorms frequently ywdve mate or female physical ideals Gad mony Scholas = £1 est that body Image It witnior by the mass mecha S pos kay al ofa while , thin thal body type. ESPEalY — Peputerr eneagadmnen (Bokka, 2003; Cusymaro and Thempson / Today tu agcal ce be min if disployed yy Media mages, belevicior, mag crines d bithcards- Niveox and boied 2000) fonsumphen bos bean fend to hove M Quake a. enicty q effectt on anor, —— disocde d eciany, jalernadi zahen gf. fe ti Canigt Larger ond Maree, 2004 ) and een Cafy- bo hat @ healt bedy 8 Supposed Swan as bo lek me (Martuta, 20k: Tase — cmalysis oe that Gitness m controdicd ems by fremoting G Paalthy body dnd mind in Oeir cukcles ond adveicmmls » while Coa Cumen big models « ore what Cie ree veer Ham sen eral Coker 1001) azines often ded nen pencil - Hon & OR cogs eu Th ia h tae — Shoe” wsomen— Conbh quailty dea! 1 on an reals fhe oie ond ou Cultut lat Was breed Henely t fey (ee i nificant ¢ pe men leoks, but Cheanayes are Kaus plea: men § ae nae een here. 0° ear & ie eacur€ , and is Su ested by Ae kyo ; ‘ moet, kuat obyech fy Lia : Womer men ao lomer Kron mmo You ore. ney we | Tt ely in nec o a new imoge fo telb Grand Gad thei. idenhty- ' The Sten ravtateny faclucles + << worm is Shonda, © iA | hile Gkamned roman « Wem i bierde ' Ln a bikias . e Sexy ind Conhdent e Mette! ee fecaburts On ty wemess bedy or ty fle-z Ss gia «htt rror™ ate. 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For this reason, many scholarly analyses of gender in media have focused on representations of the bady (Grogan, 1999). In various i ways, these representations of physical ideals function as social control, Budgeon (1994) asserts that meanings of femininity and masculinity are constructed in media representations of men’s and women's appearance: “Media representations work to constitute gender differences rather than simply reflect or represent that difference” (Budgeon, p. 56). These representations affect how women and men view their own bodies —and those of the opposite gender. For example, Spitzack (1990) discusses the many pressures women face in society, and in turn, from the media. In Confessing Exorss she argues, "Women comprehend outward appearance as a primary factor in societal evaluations of feminine worth; women who conform to beauty ideals seem to be valued highly” 13

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