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The connections between some of the major concepts in Nishida Kitarō’s philosophy and
those of Mahāyāna Buddhism have often been noted. Throughout the oeuvre of what is
called “Nishida philosophy,” from the late 1920s onward, we find plenty of motifs that
suggest Mahāhāyana origins although it is only in the late 1930s and 1940s that he makes
conception of the nothingness of the absolute and its self-negation that he designated
absolute nothing (zettai mu) on the one hand, and the Mahāyāna notion of the emptiness
of emptiness on the other hand. As another very conspicuous example, we may mention
Therein one observes a theme also found in Mahāyāna Buddhism: its various
Such ideas are traceable to the Prajñāpāramitā sūtras, exemplified in the well-known
statement in The Heart Sūtra: “form is emptiness, emptiness as such is form.” The
collapsing of opposites in both treads a middle path that avoids the reification of being on
the one hand and its utter annihilation on the other hand. Nishida’s friend D.T. Suzuki
has characterized that mode of thinking that he traces to the Prajñāpāramitā sūtras, as a
Nishida’s final essay of 1945, Bashoteki ronri to shūkyōteki sekaikan (“The Logic of
Place and the Religious Worldview”), wherein he frequently refers to the “logic of soku-
hi” of the Prajñāpāramitās. In the following I would like to discuss the possible
connections between Nishida’s dialectical ideas and Suzuki’s logic of soku-hi in light of
conditionals rather than resolving them conceptually. The point of Mahāyāna practice is
sublational dialectic, Nishida’s dialectic, developed during the 1930s, is closer in intent to
Mahāyāna. He declares his dialectic of the concrete to be neither monism nor pluralism,
neither idealism nor materialism, neither teleology nor mechanism, neither universalism
nor individualism. He rejects both the Aristotelian reduction of reality to the individual
substance and the Platonist subordination of individuals under a universal idea. The
dialectical matrix is neither simply being nor utterly non-being. Each position in its own
is an abstraction from the inter-relational complexity of the concrete that Nishida seeks to
express. The positionless position of Mahāyāna likewise avoids the reductive extremes
Nishida subsequently turns his attention more directly to his religious concerns in the
1940s. He comes to make explicit textual references to religious, especially Buddhist but
also Christian, sources. And on the basis of these references, we can see his dialectic of
been calling the contradictory self-identity between many and one to be the very logic
that has been operative behind “the religion of eastern nothing,” whereby “mind is
Buddha.” He makes the claim that through that absolutely contradictory self-identity of
the world as one and many, each individual self faces the absolute in the present. He
understanding that “mind is Buddha” entails that we penetrate this principle of “all is
one” by dying to the ego in the depths of self-contradiction. (Z8 421) With this stance
Nishida sees himself moving in a direction opposite to that of the object-logic, i.e., an
epistemological stance that focuses its attention upon the object as its subject of assertion.
instead to be found in the Buddhist doctrine of the Prajñāpāramitā sūtras that gives
expression to the intuitive wisdom (prajñā) of the emptiness of all. (Z10 317, 399)
Suzuki’s influence is evident here and Nishida approvingly quotes Suzuki’s explanation
109) Nishida thus comes to detect a connection between his dialectic of contradictory
self-identity and the prajñā stance of the Prajñāpāramitā sūtras that his friend Suzuki
calls the “logic of soku-hi” (sokuhi no ronri). In his final essay Nishida looks to that
literature of the Prajñāpāramitās and its so-called logic of soku-hi, to which we now turn.
We cannot ignore here the close relationship between Nishida and his friend from
his student days, the Zen scholar D.T. Suzuki. Mutai Risaku, who knew them both and
witnessed their friendship, noted that their intellectual exchange was one of mutual
influence in each other’s scholarships and that they held in common the view concerning
the contradictory nature of reality. While on the one hand Suzuki with his expertise on
Buddhism shaped Nishida’s understanding of that topic, it has also been suggested that
Suzuki had initially stressed the a-rational and experiential dimensions of Zen Buddhism.
But by the late 1930s, realizing the importance of its philosophical and doctrinal
dimensions, Suzuki came to emphasize — perhaps under the influence of Nishida’s logic
found in the Prajñāpāramitā sūtras, especially The Diamond Sūtra. The logical structure
non-A, therefore A is A.” This is the logical structure that Suzuki designates as “the
logic of soku-hi [is and is-not].” But just as Nishida’s logic may have been a catalyst that
formed Suzuki’s own reading of Mahāyāna doctrines, Nishida on his part repeatedly
Buddhism, and came to incorporate them into his own works. Mutai believes that
Nishida’s philosophy of religion in his final 1945 essay was influenced by his exposure to
Suzuki’s ideas from the late 1930s to the early 1940s. Through his intellectual exchanges
with Suzuki, Nishida was stimulated to pay more direct attention to the affinity of his
own thinking with Mahāyāna thought. In a 1938 lecture, for example, while claiming
that he did not directly derive his dialectical notion that “one is many and many is one”
from Buddhist doctrines per se, Nishida acknowledges a deep commensurability between
the two ways of thinking, his and Mahāyāna. (Z13 22) Having developed his dialectics
along his own philosophical path, Nishida in his later years came to feel that some deep
source common to both had been at work within his own thinking as well, irrespective of
whether he had intentionally or unintentionally drawn inspiration from Mahāyāna sources
in his earlier works. But in his final 1945 essay, Nishida himself, repeatedly makes use
of Suzuki’s reading of the Prajñāpāramitās in terms of a logic of soku-hi that Suzuki had
developed in his Nihonteki reisei (Japanese Spirituality). But if Suzuki’s logic had
those Buddhist scriptures. If Mutai’s observation is correct it appears that the exchange
of ideas between Suzuki and Nishida was truly reciprocal. But to make such reciprocity
possible in the first place there must have been something commensurable between
Nishida’s dialectic and Mahāyāna doctrines to begin with. In a letter to Suzuki (May 11,
1945), Nishida writes that he takes his own logic of absolutely contradictory self-identity
that he thinks that something unique and distinct emerges in its determination as the
contradictory self-identity of one and many. (Z23 386) In any case, Nishida during the
1940s begins employing the term soku-hi in explicating his own notion of contradictory
self-identity.
By the 1940s we find Nishida fully incorporating the discourse of soku-hi logic
into his dialectical philosophy of religion. In elucidating his own concepts of basho vis-
Suzuki’s logic of soku-hi while employing passages from Buddhist texts, especially the
Prajñāpāramitā sūtras. For example, after discussing the absolutely contradictory self-
identity between absolute and relative, between the absolute’s holistic oneness and the
of The Diamond Sūtra as expressing the same paradox in soku-hi logical terms. He
quotes the famous passage from the Diamond Sūtra: “Because all dharmas are not all
dharmas, therefore they are called all dharmas. Because the Buddha is no Buddha, he is
the Buddha; Because sentient beings are not sentient beings, they are sentient beings.”
(Z10 316-17) The point of the Diamond Sūtra is that nothing, even the Buddha, exists in
virtue of itself; everything is what it is due to its relationship to what it is not. For
Nishida takes that soku-hi logic and applies it to God to explain what he means by
conceived in such terms as a substance. Just like the dharmas in the Diamond Sūtra are
dharmas in their emptiness, God must empty Himself in order to be God. The absolute
must contain self-negation whereby it inverts itself into the relative. The holistic one
maintains itself thus in the plurality of individuals. The creativity of the absolute is in the
absolute negation in terms of the Prajñāpāramitā soku-hi logic. (Z10 333) Nishida’s
God then is a dialectical God who is both transcendent and immanent; an absolute that
movement.” (Z10 335) And Nishida finds this dialectic to be best expressed by the
Nishida applies the same soku-hi formulation to the human self or mind that is in inverse
correspondence with God as well. In the previous year (1944), in order to explain his
from the self-affirmative stance of the Cartesian cogito, Nishida quotes another passage
from that Diamond Sūtra: “Because all minds are not minds, they are called mind.” (Z10
109)
The two, man and God, finite and absolute, thus meet in the inverse
self-identity. To show this, Nishida makes use of a Buddhist saying taken from Zen
master Myōchō (Daitō Kokushi): “Buddha and I, separate through a billion kalpas of
time, yet not separate for an instant; encountering each other the whole day through, yet
not encountering each other for an instant.” (Z10 104) Nishida seems to understand this
passage to mean that when one feels one’s separation from God or Buddha, at that
moment of utter despair, one in fact is in contact with God/Buddha; and in reverse that
when one feels confident that one is in contact with the absolute, one is infinitely
separated from it. It illustrates the inverse correspondence of mutual self-negation: one
meets God only in dying to one’s ego. Nishida returns to this passage several times in
order to exhibit the dialectic of religiosity. What makes such a dialectic possible,
according to Nishida, is not Aristotle’s substance logic but rather the Prajñāpāramitā
logic of soku-hi.
within Mahāyāna. This Mādhyamika school further developed what Suzuki and Nishida
is and is-not, and neither is nor is-not) and the concomitant theory of the two truths of the
The tetralemma is meant to disclose the provisional nature (samvrti) of all truth-claims
provisionally true, is ultimately empty in virtue of its provisional nature. And yet
itself does not point to anything separate and beyond the provisional: “…whatever is
dependently arisen, that is emptiness.” Both truths, provisional and ultimate, thus refer to
the same reality that things are conventionally real but substantially unreal. Hence
Nāgārjuna’s theory of two truths takes samsāra and nirvāņa to be not two distinct realms
but rather alternative perspectives to the same reality of empty phenomena, with neither
standpoint of the middle way that collapses the distinction between opposites such as
being and nothing, or many and one, via their emptiness, without reifying or annihilating
either for the sake of the other. On the basis of emptiness, reality is “one yet many, many
yet one.” We find this non-dualistic collapsing of opposites developed in later Far
Eastern Mahāyāna as well, and this is precisely the standpoint that Nishida — whether
commentators (like Masao Matsumoto) have suggested that Nishida’s own concept of
basho vis-à-vis nothing that negates mere affirmation and mere negation, being and non-
being, corresponds to, or may have taken a hint from, Mādhyamika thought. Nishida
claims that Nāgārjuna’s “negative theology” and his “eightfold negations” (happu) — the
systematic denial of all reifying assertions: “neither ceasing nor arising, neither
annihilation nor permanence, neither identity nor difference, neither coming-in nor going-
out,” then further developed by the Chinese San-lun school —, along with its cardinal
teaching of the non-duality between nirvāņa and samsāra, exhibits a version of the
In any case by the 1940s Nishida comes to view his own notion of basho as the
place wherein the logic of soku-hi operates, to unfold its characteristic dialectic that
then in the essays of the 1940s, dealing with religiosity and its dialectic, Nishida suggests
and Suzuki’s understanding of the Prajñāpāramitā logic of soku-hi. Seeing the two
negation, which in Buddhist terms means emptiness. This is no self-identity that affirms
dominates its other or its parts. A decade or so earlier in Ippansha no jikakuteki taikei
(The Sustem f Universals in Self-Awareness, 1929) Nishida had already expressed this
citing the famous Prajñāpāramitā equation from the Heart Sūtra, “form is emptiness,
emptiness is form. (Z4 357) In that respect he already had some awareness, though
reticent about it, of the closeness of his thinking to Mahāyāna even prior to the influence
of Suzuki’s soku-hi logic in the late 1930s. During the mid-1930s Nishida develops that
of the dharma realm of the mutual non-obstruction between thing-events and their
patterning (li-shi wu-ai; riji muge) and amongst thing-events themselves (shih-shih wu-ai;
jiji muge). It is that dialectics of non-substantiality that becomes explicated in the 1940s
exercise caution so as not to simply reduce the uniqueness and complexity of Nishida’s
philosophizing sought to overcome certain issues, most notably the issue of dualism
raised in the works of western philosophers and his response to them was accordingly
engaging in a nonsectarian philosophical search for truth. We also need to recognize the
uniqueness of his dialectical thought when viewed in light of the history of Buddhist
thought, e.g., in his understanding of the unfolding of history and the active role of
humanity therein, and even his notion of basho. Such ideas go beyond traditional
Buddhist formulations.