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Abstract: Carnatic music is a popular music in south Indian contain different number of Swaras in arohana and
music. Carnatic ragas are the most critical combination of avarohana. For example, Raag Abheri consists of Swaras S
saptaSwaraswhich are arranged in Arohana(ascending) and G2 M1 P N2 S in arohana and S N2 D2 P M1 G2 R2 S in
Awarohana(descending).It is very challenging and interesting avarohana and Raag ChitrambariAmruthavarshini consists
task to find the similarities among them thathelp the learning
community to find which ragas are to be learned as a group. In
Swaras S G3 M2 P N3 S in arohana and S N3 P M2 G3
this work we investigated the methods to find the similarity among S.there is now raga with less than 5 Swaras it is a notable
72Melakartha ragas using raga symbols as features. We thing. Raga identification using computational methods
considered raga signatures as text that represents the raga; by work is a promising work and it can be done in many ways. In
representing the raga structure in the form of feature matrix we our paper we used vector representation of MELAKARTHA
investigated the similarity among the ragas using binary, cosine ragas. And we worked on 72 MELAKARTHA ragas, each
and Manhattan distance measures. Based on the similarity results
we clustered the ragas. Further we took the expert opinion on this
raga is represented with a vector that describes out of 12
clustering of ragas and applied classification techniques to study Swaras which Swaras are present in the specific raga and
the performance of classification algorithms. which are absent. Later we identified the similarity among
the ragas using cosine similarity measure and grouped them
Index Terms: Carnatic music, Raga, sapta swaras, Melakartha into 4 categories using PAM (Partitioning Around Medoid)
ragas, similarity, arohana, avarohana. clustering method. This grouping will help the music learning
community and teaching community in selecting the ragas
I. INTRODUCTION teaching order. The idea is the student will easily learn the
Data mining is a versatile technology that can be applied ragas which are close to each other than the ragas which are
to rich kinds of applications, among that Music is one dissimilar. Later we used classification methods to classify
application area. Music as a Universal language it can be the partitioned groups and tested their accuracies.
expressed suing certain frequencies, in India these
frequencies called as Swaras. The popular word related to II. RELATED WORK
music is “SaptaSwaralu” (seven notes) Sa, Re, Ga, Ma, This work mainly focuses on best grouping of
Pa,Da,Ni or(S,R,G,M,P,D,N) . But with variations to these MELAKARHTA ragas based on their structure[8] so that
seven Swaras the total Swaras used in Indian music are 12 learning community can find it helpful in learning the highly
those are Sa, R1, G1/R1, G2/R3, G3,M1, M2, D1, D2/N1, similar ragas first and dissimilar ragas later. In this direction
D3/N2, N3. In this R, G and D, N shares frequencies. With our work is first of its kind. Surendra Shetty et.al[1]
the composition of these 12 Swaras ragas are manifested. developed a mining method by extracting the raga structure
Raga is a combination of the 12 Swaras and each raga has from audio songs. And classified using Multi-Layer
its separate structure. Ragas are majorly categorized into two Perceptron and they achieved 95% accuracy in classifying
categories MELAKARTHA and JANYA ragas. raga. In another work Shreyas Belle et.al [2] studied on
MELAKARTHA ragas are base and complete ragas, they intonation of Swaras in different ragas and compared the
contain 7 Swaras in arohana and avarohana (i.e. reciting the difference among different ragas. For their work they used
Swaras base frequency to high frequency and high frequency Hidden Markov Models (HMM) and the accuracy attained is
to base frequency in respectively). The total melakartha ragas 87% in raga identification.Gouravpandeyet.al[3] proposed a
are 72 and these are called parent ragas. From the parent raga detection method using HMM with string matching
ragas many new ragas are evolved by the permutations and algorithm, they worked on audio files. Each raga will have
combinations of the Swaras and these ragas are called normally a specific style called PAKAD, by describing it
JANYA ragas. they tried to identify the raga, the authors worked on Yaman
JANYA ragas are different from MELAKARTHA ragas in Kalyan and Bhupali and the achieved accuracy is 87% on
many ways. JANYA ragas need not to contain whole 7 average two ragas. Our idea is that we are assuming that the
Swaras and even in arohana and avarohana need not to have raga is identified its structures along with the Swaras, but the
same number of Swaras. Some JANYA ragas may contain Swara identification it self is a big task. Here we considered
sameSwaras in arohana and avarohana, some ragas may the raga structures in text format. The paper is further
organized like this, In section 3 we describe the methodology
Revised Manuscript Received on April 25, 2019. used to cluster and classify the 72 MELAKARTHA ragas. In
K. Praveen kumar, P.Subbarao, Department of Information section 4 we discussed the obtained results and in section 5
Technology, VFSTR deemed to be University, Guntur, Andhra Pradesh,
India, conclusions and future work is proposed.
Venkata Naresh Mandhala, Debrup Banerjee, Department of
Computer Science and Engineering, Koneru Lakshmaiah Education
Foundation, Vaddeswaram, Guntur, Andhra Pradesh, India,
Published By:
Retrieval Number: D7007048419/19©BEIESP Blue Eyes Intelligence Engineering
1864 & Sciences Publication
Classification of 72 Melakartha ragas using PAM clustering method: Carnatic Music
Published By:
Blue Eyes Intelligence Engineering
Retrieval Number: D7007048419/19©BEIESP 1865 & Sciences Publication
International Journal of Engineering and Advanced Technology (IJEAT)
ISSN: 2249 – 8958, Volume-8 Issue-4, April 2019
Published By:
Retrieval Number: D7007048419/19©BEIESP Blue Eyes Intelligence Engineering
1866 & Sciences Publication
Classification of 72 Melakartha ragas using PAM clustering method: Carnatic Music
V. CONCLUSION
Dr. Subba Rao Peram completed B.Tech form Koneru
Raga classification is an interesting task in music mining Lakshmaiah College of Engineering affiliated A.N.U,
field. In this paper we have tried to group the 72 completed M.Tech form Jawaharlal Nehru Technological
MELAKARTHA ragas using cosine similarity by University Hyderabad and awarded Ph.D from Jawaharlal
Nehru Technological University, Kakinada in Computer
representing the ragas as vectors. This will help the learning Science and Engineering in 2017. He is currently
and teaching community while learning which ragas must associate professor in Department of Information Technology at Vignan
group so that student can learn the ragas easily. For this we Foundation for Science, Technology and Research University, Guntur, India.
He focused on a socio-technical approach that combines internet of things,
used computational methods such as hierarchical clustering software-defined techniques, computational models, and network science
to group the ragas based on their cosine similarity measure. In methods. His research interest focuses on software engineering, IoT and
this work we considered the ragas with their Swara structure. Software Defiened Networks.
Later to evaluate the grouping we performed classification
using 8 popular classification methods. Among them J48
decision tree and PART methods shown best classification
Published By:
Blue Eyes Intelligence Engineering
Retrieval Number: D7007048419/19©BEIESP 1867 & Sciences Publication