ma The dest Years oj Our Lives Lise WowLY CRS emu BEM 19 Like Wow PAM CORRE) Ce RL) 34 The Best Years of Our Lives Riel) CAT is Cog 46 You Belong to Me CC ESE 57 Hallelujah CAE 67 I'ma Believer (reprise) O(a) ae ge acyOnce upon a time in a far away swamp there lived an ornery ogre named Shrek (Mike Myers) whose precious solitude is suddenly shattered by an invasion of annoying fairy tale char- acters. There are blind mice in his food, a big, bad wolt in his bed, three little homeless pigs, and more, all banished from their kingdom by the evil Lord Farquaad (John Lithgow), Determined to save their home—not to mention his own— Shrek cuts a deal with Farquaad and sets out to rescue the beautiful Princess Fiona (Cameron Diaz) to be Farquaad’s bride. Accompanying him on his mission is a wisecracking Donkey (Eddie Murphy) who will do anything for Shrek except shut up. Rescuing the Princess from a fire-breathing dragon may prove the least of their problems when the deep, dark secret she has been keeping is revealed. Shrek is based on the children's book by William Steig Working with the band Halfcocked on the song "Bad Reputation” was a true pleasure, What a great band, and ducer of “Bad Reputation We really enjoyed working o ndtrack fr the mi ‘Shrek. It was te frst animated movie | personally had ever seen and thought Edie Murphy was ofthe hook. We hope tobe a part of a DreamWorks production again soon,‘We (Halfcacked) had! an amazing time being Involved with the Shrek soundtrack, Not only are we extremely honor cover a song by one of ourheras, Joan Jett, but we also fee! privileged to be part of such a great, successful project. ts star, Thank ABOUT THE PRODUCTION In some ways, Shrek is your classic fairy tale. It has a hero, a beautiful princess, and a dastardly villain, Unlike the fairy tales of old, however, the hero is an ugly, ill-tempered ogre, the princess is not all she appears to be, and the villain has some obvious shortcomings. ‘Shrek producer and DreamWorks principal Jeffrey Katzenberg notes, “Shrek kind of looks backwards at all the fairy tale tra- ditions we grew up on, and takes great fun turning all those lling conventions upside-down and inside-out. Producer and head of PDI/DreamWorks Aron Warner agrees that alot ofthe fun in Shrek comes from lampooning some of ur most beloved fairy tale characters, even throwing in some Mother Goose favorites for good measure. “We basically took every fairy tale in the book and turned it on its side. Nothing sacred; every fairy tale gets roasted. These characters are ripe for parody because they're part of the cosmic conscious- ‘ness, so to speakIn addition to breaking the mold of fairy tale conventions, Shrek also showcases some amazing breakthroughs in what have been referred to as the “Holy Grails” of computer ani- ‘mation, the first being realistic humans, who are able to express both dialogue and emotion through a complex facial animation system developed at PDI. Using special tools called ‘Shapers,” the animators were able to achieve sophisticated facial and body movements by applying interacting layers of bone, muscle, fat, skin, hair, and clothing. There are also advances in the creation of rich, organic environments; clothing that moves, wrinkles and reacts to light lke real-life fabric; fire and fluids of different viscosities, achieved using PD\/DreamWorks’ award-winning Fluid Animation System (FLU). “The computer has been revolutionary in animation—not evo- lutionary, revolutionary. There is absolutely no question that Shrek is far and above anything that's been done in computer animation,” says Katzenberg, who is quick to qualify, “for at least ten seconds. Yes, i's state of the art, but do | think it will be the benchmark for a long time to come? No. It will be the benchmark for about a day or two. | say that with a sense of humor, but that's what's exciting about computer animation; its evolving exponentially. With today’s digital tools, it seems if we can dream it, we can make it. OF course, long before they could dream it, the filmmakers had to read it. The movie Shrek has its origins in a short illus- trated book of the same name by award-winning children's author William Steig, Steig’s story of an ogre who sets out into the world to find adventure first came to the attention of producer John H. Williams via a very close source. Williams recounts, “Every development deal starts with a pitch and my pitch came from my then kindergartner, in collaboration with ys eran ili i his pre-school brother. Upon our second reading of Shrek, the kindergartner started quoting large segments of the book pre- ‘tending he could read them. Even as an adult, | thought Shrek was outrageous, irreverent, iconoclastic, gross, and just a lot of fun. He was a great movie character in search of a movie.” Screenwriters Ted Elliott and Terry Rossio, who had previous- ly worked with Katzenberg and Warner on Antz, collaborated with Joe Stillman and Roger $. H. Schulman to adapt the story into an animated action adventure, told with humor and heart, under the direction of Andrew Adamson and Vicky Jenson, ‘The heart of the story is found in what could be calle¢—in the language of all fables—the moral of the story. Vicky Jenson relates, “The story is about self-acceptance and that things aren't always as they appear, We definitely turn the concept of beauty on its ear, which | think is a very powerful theme.” That being said, Adamson adds, “Yes, there's a moral to the story and it has tremendous heart, but all of that, | hope, comes ultimately through humor." “We set out to create a joyful, fun expression of all the things ‘we'd like to see and, really, to make ourselves laugh,” Warner agrees. “I think humor is universal when it's good, and there's a lot of stuff to laugh at in this movie, depending on what you know and remember about the world of fairy tales. We hit on elements that have been so much a part of all our lives, and we had the right actors in the right place at the right time. It just all came together.”ABOUT THE MUSIC Accompanying the characters on their adventures is a musi- cal score composed by Harry Gregson-Williams and John Powell, who had previously collaborated on the scores of DreamWorks’ animated hits Antz and Chicken Run. Juxtaposed with the orchestral score in the film are song selections from an eclectic group of artists, including Baha Men, Smash Mouth, Joan Jett, Rupert Holmes, Herb Alpert and the Tijuana Brass, and DreamWorks recording artists eels, Self, Leslie Carter, and Dana Glover. Glover's song, “It Is You (I Have Loved),” was originally a score cue from com- posers Gregson-Williams and Powell, to which Glover wrote lyrics, turning it into one of the featured songs in the film Like the story, the songs will relate differently to audiences, depending on their age and musical tastes, but, Katzenberg offers, “As much as any movie I've worked on these last 20 years, this one genuinely has something for everyone. It’s such an irreverent comedy, but at its core is an incredible heart. It realy talks to the fact that there's a place for each and every one of us, and someone to share it with. Long before Shrek was animated, the filmmakers hand Picked many ofthese songs. Each holds atic that tels us ‘more of our story and expresses Shrek's point of view. The songs are as eclectic as our fairy tle creatures. These ‘musicians and songwriters have great wit and a keen sense of adventure. Our composers, Harry and John, blended these songs with ther original underscore to cre ale a one ofa kind musical joure — Marylata E, Jacob, Music Supervisor Warner agrees, “I think its theme is a very important one these days—that beauty not only isn't everything, it can mean absolutely nothing. We lve in a world that's obsessed with the way people look. | love the fact that we were able totella story here the so-called beautiful people don’t always win.” Katzenberg concludes, “It really is an allegory in which we can find something about our own lives. Each of our characters ‘comes to understand that there is something wonderful— warts and all—about who they are. | think that's true for all of Us: that the people who ultimately come to know and love us see the strengths inside of us. Whether you're a princess, a donkey, or even a big, green, stinky ogre, you can find love and happiness. ‘Shrok was the third film that Hary a for Jetirey Katzenberg and DreamWorks. So you'd think scored together that it would be getting easier, wouldnt you? Whit it was that from the fist rough cut we saw), and whilst we were teamed up with a great wel was stil, with all ofthese advantages, a do, At times Harry and | felt as if we ‘same rickety bridge that Shrek and Donkey crassed above the lake of fiery ava (but I can't the fright [Making music fortis fim required us to walk ween senti a wonderful film to work on (we could 9 of people (some of whom we knew very then—the darling Marylata Jacob, for one), Shrek I project to ere crossing the fal who a thin nt and subversion, truthful ‘emotion and sticky sap, comedy 1 action, fruit and nuts But ike Shrek and Donkey, we got to the other side and wondered what all of the hollering had been about. — John Pow (with Ha mpaser of musical score y Gregson-WVil It fs rare to have an opportunity to work on @ movie such as Shre. | was thriled and honored to collabora with composers | so admire — Dana Biover, ats ais You (1 Have Loved)’SHREK — Voiced by Mike Myers, Shrek is a big, green, Ugly, smelly ogre. Perfectly content just living alone in his swamp, he enjoys taking mud showers, eating forest critters, and scaring the spit out of anyone who crosses his path. It takes a princess that packs a punch to finally soften his heart. DONKEY — Voiced by Eddie Murphy, this Donkey’s no jackass—he talks, sings, hums, dances, and just won't shut up. As Shrek's unlikely sidekick, it doesn't take long to see his charming and optimistic nature. He finds true friendship and a hot romance where he least expects it PRINCESS FIONA — Voiced by Cameron Diaz, Princess Fiona is every guy's dream. She is not only beautiful but she's able to drop-kick a band of outlaws and eats weed- rats with the best of them. She's smart, tough, and spirited, but she is also a princess with a deep, dark secret who waits patiently for her one true love to sweep her off her feet. LORD FARQUAAD — Voiced by John Lithgow, Lord Farquaad, the measly four-foot-tall ruler of Duloo, is the antithesis of Shrek—neat, orderly, and power-hungry. He's a control freak who would like nothing better than to rid the land of all undesirable fairy tale creatures and create his own per- fect wortdStay Home Words and Music by Matt Mahaffey Moderately J. Be Se 2 = —# Ss | rye Zo —_——_— tion. Des - tin- y___ = vr o v = - + o v —y == a zs 7 * Bb ti] straight. Copyright © 2001 Songs Of SKG (BMI) Worldwide Rights for Songs Of SKG Administered by Cherry River Music Co. International Copyright Secured All Rights Reserved 9Bb —. a Eb right de - ci - sion. Try to Z a == = turn _ back now,— it might FT Bb Eb ro art He atl Eee . ~ — é vor + oa ~o ae ¥ ws? v be too late. ___ And its off to the moon and then back a - gain. 4 = —<———— =—=— ———s = oe zo ~e = we eo ~@ 8 a =o = Tn 2B 5 3 Zz e x . o 5 ‘t 7 Oo oe zw o Bb Eb/G Bb Eb TS To vue 7 Zw Same old day, same sit - u-a - tion My hap-pi - ness_ rears back_ as if to F7 Eb5 BbS G5 RE AAA ci ‘ Str n by += SS = i — = = JA SS say... I wan-na stay home_— to - day. __ (Don’t wan-na go out!) If t v — v ole) Pee @! al) aEb5 Bb5 GS BbS EbS € 6fr [ee 6fr ofr 3ir [wie 6fr Efe oh SSS SSS as an - y - one comes _ ny a (gon-na get thrown out.) I wan-na stay home _ a — — io oe —s vet SHH = on ent 5 SS SSS fo Cols BbS GS BbS EbS a fe” fe” fae ca SSS s SSS = (Don’t want no com - pa - ny, non Yeah! Yeah! Yeah! { =. S| 5 aS + oe 7 =e =s a =z =z as = —— a 4 Ds SS ==. SSS SSS s Bb Eb Bb Eb ae FE EE! ae = a SS eS SS ! The sim - ple life’s_ my cup of tea. I don't _ - -Bb — aay Eb He ty Bb — Ee Eb/G He I wan-na be a mil - lion-aire_— but know what it feels 6 aos Z tees some - day, like to give it a - way._ eee o - ver and me march_ to Eb Fa o- ver and 0 - ver a - gain. Bb stra Same old And it’s Eb/G ww day, _ same u - a - tion. My Bb eb a ag a D.S. al Coda GF = ——— 5 { ness ___ rears 12Yeah! Db5 Gb5 HHH ES =, just SS Tat be FS i day. (Come Bb5 fee | o~ oe(gon-na_ get thrown out.) ¢ e rd os =z = | SSF ai id oe N32 wv wan-na stay home _ to - day. (Don’t want no com-pa-ny no way.) — — 3 3 ¢ eer + o Zi ws: a ee i —__ SS pS me. Love was out to get__s me. got. (D.S.) What’s the use in try - ing? aca = t _ ate 2 se aE : — ; : 2 : “f = : @ ooo oe Original key: F# major. This edition has been transposed up one half-step to be more playable. © 1966 (Renewed) STONEBRIDGE MUSIC and FORAY MUSIC All Rights Reserved International Copyright Secured Used by Permission i ¢ s 15G Bb a ey G 290 = 19 Fae t wep . = il —= ¢ That’s the way it seemed. Dis - ap-point - ment haunt - ed all___ my All you get is pain. When F want - ed sun - shine, ]_____ got Hel ee SS rain. oe. oe @ ta a oie gg 2p g. 5 Se ‘ _& Ei He Ha HES # cr = - ~~ Te # is =—==== dreams. Then I saw her face. _ Now ’'m_— a_ be-liev - ee ef L —_—_— SS per SSS of doubt. in my — — SS ee mind. I'm in love. I'm— a be-liev - == poeN.C. DS. al Coda G i e a ns Nl a a—e ee t— o—e e a wo ¢-. = aig o vite wey Then I saw her face. _ = SSS See aa =G C, G S G 7 G. S fs = & Fe Be fs oe. }o—e“»—»—e_»—e @- oe be : ee =— —_— Now 'm— a be-lieyv -— er. Not a trace _ @ a e e G Cc G Cc G Cc G Cc ES = 6 & im me “AQ #£ @ @ nN ~ ~ i ee ee of doubt in my mind. Now 'm— a_ be-liev - 7 | t 1 | i G. Goo G SC Gc g oc Ene. Eo £E 6 Eee z ee ppp pp lipent See ES - er, yeah, yeah, yeah, yeah, yeah, yeah. I'm _ a be-liev - er. a 7 be ——F = z = == — = = jowats ra Repeat and Fade| Optional Ending i 1 hel [| I’m_— a be-liev -~— er.Like Wow Words and Music by Jimmy Harry and Sandra St. Victor Moderate Pop Guitar G Cc (capo 3rd fret) fa fee Piano Bb Ev-’ry-thing looks right stand-in? in your light. _ Ss == Ev-’ry-thing feels —, a mf rs —— Pur pT EEE t 7 z- 3 a * G Cc Bb Eb = ¥ N = oe = 7 7 — S = = right; what’s left is all out of sight. What’s a girl _ =e oe eU ew VY vs e_ ae v_ ev ee we es — to do? __ I’m feel - in’__ you;_ you’re on my — mind. T wan-na be with you,_ oe ees oe o FF ew z a —~ SY} © 1999, 2001 EMI VIRGIN MUSIC, INC., WHORGAMUSICA, EMI APRIL MUSIC INC. and MAANAMI MUSIC All Rights for WHORGAMUSICA Controlled and Administered by EMI VIRGIN MUSIC, INC. All Rights for MAANAMI MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission 19Cc Eb = — a Zz = J —— a L ——— ee —_——. “cause when you're stand - in’ next__ to me, it’s like wow! __ | eee oF oe = oe o— = eo ets = os >. e ch =, 3 z == : v- a # = z * G Cc Bb Eb = — = P Z of SS SSS SS SS You know, your kiss - es seem _ to set me free. _ It’s like wow! __ = =e 4 {J = ¥ tad a ° = ~ a ve ° SSS = ¥ zw. D F Tacet YS SS And when we _ touch, _ it’s such a rush, I can’t — get e-nough., It’s like it’s like... = @ a? It’s like wow! 20ie} lo 3 lp NI Q Gm7 Eb z. =z oi | f t ~o t = e—* - a what? It’s like wow! + Se 5 4 le +e é t Em7 Cc Gm7 Eb —— oe what? It’s like wow! aS Cmaj9 Ebmaj9G Cc x000 Bb Eb oe = SS = Cd a oe — —— this great? _ Don’t wan-namake a big___ mis - take;_ don’t wan-na make ya think_ I’m _ play - Ht , F D.S. al Coda ? F J x 7 a Ss a = = a t — in’ games. _ [m just try’n’_ to say __ I wan-na be with you,_ e ew = aT oO ow G D Coda § | Fa 6 Bb F = SS a Hy o - Y ed what? Like wow! Fas - ci- nat - ed by —_ your love, _ oe b- — a Ky ] 4 3 ¥ ‘ a : $8 * = : é _e a Zz od Em7 Cc G D 909 O09 x000 © Gm7 Eb Bb F st Y= 4 tee Oo SS ose — — you know it’s all___ I’m think - ing of. ___ Have I wait - ed long— e - nough?_ = Ve - $ + wv + 7 te ee | vue — 222 000 2 cE EE Gm7 Eb Bb F o—e = My mind and heart _ are all__ mixed up. ___ Feel - in’ high - er than a cloud, — = - z os $ re ee —— o ee wd Em7 Cc Cmaj9 Eres Hi Hi Gm7 Eb Ebmaj9 SSS = ¢ 7 o o Fe ee ~S _ al my sens -— es are like wow! __ Ooh, hey, what? It’s like wow! f p - ‘ “¥ os nat = so Em7 Cc Cmaj9 = aE iii i Gm7 Eb Ebmaj9 Tacet (Spoken:) You know, it’s all I’m thinking of. It’s like, it’s like... 23ve [293 sty) 308 om puy 6fow) j MOM OM Say oo ov 8 OOGK jmom OM SAT a Lud d dD jMom OMT SAT o COOKi, p fn? c Eek eh HE aes F Gm7 Eb ae a = z = = Vocal ad lib till end o » SSS Ww . —_se a oe G D Em7 Cc Cmaj9 Repeat and fade Ebmaj9 25It Is You (| Have Loved) Moderately Words by Dana Glover Music by Harry Gregson-Williams, John Powell and Gavin Greenaway Cadd2 G/B Am9 G/B © ° Str te loco HEH 8va---5 a . Moderately fast D Em Bm7 Cc lo He cy lo di a a = 2 IS5 SS S| There is some - thing that I sec in the way you look at 7” > a id r r jer ee = SS (eae! Am7 Cadd2 G i 2 SSSSss There’s a smile _ that’s a truth 26 Za Copyright © 2001 Songs Of SKG (BMI) and SKG Songs (ASCAP) Worldwide Rights for Songs Of SKG Administered by Cherry River Music Co. Worldwide Rights for SKG Songs Administered by Cherry Lane Music Publishing Company, Inc. International Copyright Secured All Rights ReservedEm Bm7 Cc ex-pect-ed way on this un - ex - pect - ed penne = ee = Am7 Cc ad ey cae = fe SS =F » = = be - long? G/B ‘al G 2 Sa as AT have loved all_.._—_ a - long. eS — Sig pricsees Nand There’s no more mys - - ; i is fi - n’lly clear_ to Lt 27Em c 2900 a9 G/B Fees “Ae a 2s oe = ! aa me. You’re the home Vv: my heart — searched for a per 7 —a F S. To Coda FES SSS SSS There were 28 2000 Em times Bm7D7sus4 G G/B 9 0 xo G Am? G/B this is where I 3-4 29D.S. al Coda 30T I'm filled = with __ eee ee is =o ffs Se Ee CT/E aeFm Dbadd2 Bbm7 Ab/C — —— — There’s no more mys - ter - y, 32Py Ne! searched for == si — 7 Db Ab/C Db 4 fr GH 4 fr Gee we f ——— == ¢ — = you I have loved, it is you I have _ | i = F tes = = = De Z bs | are Ee | Slowly, freely Fm7 Bbm7 Bbm9 ae Ee He me = — —— ==] loved, it is you have loved all a nm a SS =! —- * + g ma ES rb # J n a g. Ab/C Abadd2 33The Best Years of Our Lives (Part l) Words and Music by David Jaymes and Geoffrey Deane Moderately I get such____ a_ thrill when _ you look nw my eyes. My When we first met I could hard - ly ___ be - lieve the My ~~ world’s_ a_ bet -ter place_’cause I know. you’re mine. heart skips _ a beat, girl, _ I feel so ____ a - live. things that__ would hap - pen and we could _ a - chieve. So This love _ is so real ___ and it’s no sur - prise. I wan - na say, © 1982 BUSINESS ART PRODUCTIONS LTD., EMI SONGS LTD. and CHRYSALIS MUSIC LTD. All Rights for BUSINESS ART PRODUCTIONS LTD. and EMI SONGS LTD. in the U.S. and Ganada Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permissionme, to ba - geth - rm in side all want - ed__ was you. so thank - ful _—__— that you are ____ still mine. the years PH be right by __ your side. zi z zi 2» SSS a Laem —— z A/E E/D A D/A aS —= makes me wanna == dance. _ —— Oh, ——___ ft SS SS SSS SS DIA aS a eer Oh, I took in - toyour eyes. — = 353rd time to Codal; 5 A 4th time to Coda He_,2° oo ® == SS best years of our lives. HAH ps. al Coda al-wayscon-sid- er me like an ug - ly duck-ling and treat me SSS eo oe = ‘3 — See, you 36is ce like No-tre Dame. _ This is why _ I had to get my shine = keep _ my mind on. I break a lit - tle some-thing to SF ESS cause you had my mind gone. i i et SS | SSS SS Se Uh, uh, uh, uh, uh, uh. Turn — the lights on. Come on, —— SS 4 ee —s % % x = z ——* — SS —— SS ba - by, let’s just — re-wind the song. — *Cause all I wan-na do is make the rest years the best years — =—# = S # - # — zs a oe oe : o : oe ———————— = ¥ — Codall ¢ Ee a ° Tacet D.S.S. al Coda ew — 2 SSS = all night long. best years of our ives. _ ~ ca 355 es a Sl | eae = Danae. = 5 : 37Bad Reputation Words and Music by Joan Jett, Kenny Laguna, Ritchie Cordell and Marty Kupersmith Fast c %®C 9 oo * He Play 4 times EA Tacet 1 don’t give a damn a- bout my Tacet - A z the past, it’s a new gen - er o- oa - tion. liv ing nev - er said I want - ed to im - prove my sta - tion. nev - er been a - fraid of an - y de - vi - a - tion. world’s in trou - ble, there’s no com-mu - ni - ca - tion. *Recorded a half step lower. Copyright © 1980 Jett Pack Music Inc. 38 All Rights Reserved Used by PermissionAnd a girl can do __ what she And [’'m al- ways feel-ing good when I’m And I don’t real - ly care And ev - ‘ry-one can say what they G F Cc G x000 — 20 x090 — # I — = J rd t_? = Fr - fe f e = & t oe s_| wants to do, and that’s what I’m gon - na do. And I hav - ing — fun, and I don’t have to please no one. And I if I'm _ strange. _ I ain’t gon - na change. And I’m wan - na say. __ It nev - er gets bet - ter oan - y - way. So = nee don’t give a damn *bout my bad rep - u - ta - tion. ___ don’t give a damn *bout my bad rep - u - ta - tion. nev - er gon - na care a - bout my bad rep - u - ta - tion why should I care a - bout my bad rep - u - ta - tion ] Se Pe 392 = 7 = 4 = eine ° iz = *From this point, 3 zs recorded a half step higher than written.~~CodaMy Beloved Monster Words and Music by E Moderately Ee EE EE EE He a | = a SS —7 My_ be - lov - ed mon - My be- lov - ed mon - ster and me, __ we go ev - ry-where to - geth- er. ster is tough. _ If she wants she will dis - robe you. ——= 7 TS Wear - ing a rain - coat that has four sleeves __ But if you lay her down for a kiss, Copyright © 1996 ALMO MUSIC CORP. and SEXY GRANDPA MUSIC All Rights Controlled and Administered by ALMO MUSIC CORP. All Rights Reserved Used by Permission 43SS = gets us through all kinds of weath - er. heart, it could ex - plode. She will al-ways be the on - ly thing _ that was be-tween me and_ the Wd —— hate — a aw - ful sting _— that comesfrom liv - ing in a world — that’s so damn =e45You Belong to Me Words and Music by Pee Wee King, Redd Stewart and Chilton Price Moderately Guitar C Em F Cc (capo 7th fret) 2° 9900 — an BER Piano z= | = lo HEE G a ye ao vw Cc Em F G Bm Cc : S a = a ¢ - See the pyr -a-mids a - long the Nile, — watch the sun-rise from the See the mar -ket-place in old Al - giers,_ send me pho - to-graphs and = = Cc F Fm Cc G/B Am 29 — — 9.9 oe HEE ae te] ay G Cc Cm G D/Ft Em Just re-mem-ber, dar - lin’, all the while, _ Just re-mem-ber when a dream ap pears, _ ooo * Recorded a half-step lower. © 1952 (Renewed) RIDGEWAY MUSIC COMPANY, INC. 46 All Rights Reserved Used by PermissionIT. 1f2. Dsus2 Gsus4 Dsus2 Gsus4 xoo o 9 x90 Asus2 Dsus4 Asus2 Dsus4 ty (3554S SSS SSS you be - tong — to me. you be - long______ to: me. _ ——— oe —_—_ @. w FES —<—_——— — with-out_____-you; —— is = + r — t = oe —= x D G Gsust Cc A D Dsus4 G SSS may-be you'll be lone- some too, Fly the o-ceanin a F Cc Cc G Le — es D3 ve Je sil - ver plane, _ see the jun - gle when it’s wet with rain. __ oS SS : 47F Fm C G/B Am To on Dsus2 el cca ay ae Cc Cm G D/FH Em Asus2 é Z : Z ree 3 : Just re-mem-ber till you’re home a - gain, — ize +4 = a= Cc F Gsus4 Cc D.S. al Coda Dsus4 a ‘ D.S. al Cod x000 2 ° 2 9. al Coda ih a at HE ne t —~e. oe. = —# -o =z = ‘ e = — = — SS zs # i fi - re, how *bout yours? _ That’s the way I like it and [Il nev-er get bored. —e oe = o = @ 1 3 SS Se SS == = 52So oe or c NC. FEE ize fac ites = SS a ar eae v4 Hey now, you’re an all star; get your game on, go play. = iS : = == SSS S=S SS te =oFe ci —— ce ce Ce ae a ca + — — SE —— SS Hey now you’re a rock _ star; get the show on, get paid. And 5s SS — z s— —+#$ == 3 SS = ——— r — —_—— - - G Cc c# Cc G F > > eae — P i = SS all that glit-ters is gold, __ On - ly shoot-in’ stars... Some - 53x000 9 2 o0 Fae Fe HE asked could some change for G D Am7 c G a EE cit fla ~~ . get my-self a- way from this place.” _____ Isaid, “Yep, — what a con-cept! Icould use _ Am7 Cc G D ooo 9 xo0o ° s _— SS SS SS —~ a ilit-tle fuel my - self and we could all use a lit - tle change.” _ SSS —— = Well, the years start com-in’ and they don’t stop com-in’. = s— C= eo 54c# Cc G ° 20 nua eet aS eS hit the ground run-nin’. Did-n’t make sense not to live for — fun; your I to the rules and cH? Cc G Cc xo 0 290 x90: oo = + 3 —_— 3 f 4 ~— ; o fF oe? 2 brain gets smart, but yourhead gets dumb. — So much to do, so much_ to see, so what’s wrong — SS SS SS | ta SSS SSS c#e c Cc ae HE == ————- = —— with tak - ing the back-streets? You'll nev-er know if youdon’t — go. (Go!) You'll 2 ——— a SS SSS SSS SS SS SF = f = f i —— —" = 4 = ft rd = —— + SSS cH c G Cc x900 i HE = Ne. i Hf o e 2 + ie — — =| —t o £ o @ £ ¢ nev - er shine if youdon’t glow. Hey now, you're an all star; get your E 2 = ——— " a 4 = = ° —* # — —# 4 iF =, SSS 55glit-ters is gold. 3? * Ld Cc a oe —2 f= ] that glit-ters is gold._ cea S$ On - ly. shoot - in’ = stars __ break the ati c mold. =Hallelujah Words and Music by Leonard Cohen Moderately slow, in 2 — o: = — = | ,of fOr) ery orp eps or — = = at: = ve SS 1. I’ve heard there was a se - cret chord __ that 2.-5, See additional lyrics —— ! = z a S t [ Da - vid played, _ and it pleased the Lord, —_ but you don’t real - ly t Cc ge — * Le 7 TRE ND 4, ULL} do you? It : . : | r r * > | === SS - PE 2k Copyright © 1995 Sony/ATV Songs LLC All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved 57= # Fs lp: + ¥ ¥ i ¥ - 5859I=3 ne 60 _t F 3 Additional Lyrics . Your faith was strong, but you needed proof. You saw her bathing on the roof. Her beauty and the moonlight overthrew you. She tied you to a kitchen chair. She broke your throne; she cut your hair. And from your lips she drew the Hallelujah. (To Chorus) . Maybe | have been here before. I know this room; I’ve walked this floor. I used to live alone before I knew you. I’ve seen your flag on the marble arch. Love is not a victory march. It’s acold and it’s a broken Hallelujah. (To Chorus) . There was a time you let me know What’s real and going on below. But now you never show it to me, do you? And remember when I moved in you, The holy dark was movin’ too, And every breath we drew was Hallelujah. (To Chorus) . Maybe there’s a God above, And all I ever learned from love Was how to shoot at someone who outdrew you. And it’s not a cry you can hear at night. It’s not somebody who’s seen the light. It’s a cold and it’s a broken Hallelujah. (To Chorus)I’m on My Way Words and Music by Charles Reid and Craig Reid 34 Moderate Blues Shuffle (oe -. 2) Guitar — G (capo Ist fret) poe Piano —. Ab ; = Pm on my way SS : : oe a ee to hap -pi-ness to - day Uh - huh (uh-huh), uh-huh (uh-huh). eset SN | ‘ a am a am Z 2 SS D7 Eb7 z SST —<—<——— f x x ¥ é a Se A $ * I’m on my way from mis-er- y to hap-pi-ness to - day. __ Uh - oes ees SS SS —— 2 a © 1988 WARNER BROS. MUSIC LTD. All Rights in the Western Hemisphere Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission 61x000 oo Db a = 5 oa o on my way to what I want from this world. = 2 ifs 4 And years from now, you'll make it to the next world. And ev - ‘ry - thing Cc G D7 BE Hae EH | Db Ab Eb? or SS + SS ES J you re-ceive up yon - der is what you gave me the day [| wan - dered. tie = Sa x000 He io j — wat Ab 1 b —— ve ee I took a right, I took a right turn and yes-ter - day. __ Uh - T'll do my best, Til do my best to do the best 1 can. ___ Uh - N NaN \ Sj == J [oats ds faa oe SS Ste h— 62(uh - huh), (uh - huh), a my right best to uh - uh - turn do huh huh and the (uh - huh), (uh - huh), yes - best — yeah, _____ yeah. __ ter I Pil took a do right. my . best, G Cc Ab Db SSS SS SS SS -s } S e vey ews 4 > é —— yeah,__—s- yeah, ___ yeah, I took the road that broughtme to your home - town. To keep my feet from jump-in’ from the ground, dear. — EO | T id wee ss SS N N 3 —— — a a Cc Db 7 ik SSS zs oe e oe Z e ve I took the bus to streets that 1 could — walk down. To keep my heart from jump - in’ through my — mouth, dear. —— — 1 #12 2 3 2 63