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All-Combinatorial Hexachords
All-Combinatorial Hexachords
explained by Dr. Jody Nagel
Call the first hexachord (six pitch-classes) of some specified 12-tone row "M" and the second
hexachord "N".
Require "M" and "N" to have the same Prime Form set-type.
The specified row will have the order "M, N."
Then look for rows (out of the possible 48) that have the order "N, M."
If at least one transposition of each of (1) type "T" (2) type "I" (3) type "RT" and (4) type "RI" can
be found that have the order "N, M," then the hexachord is said to be an "All-Combinatorial
Hexachord," and the row is an "All-Combinatorial Hexachordally-Generated 12-Tone Row."
A row, generated from an "All-Combinatorial Hexachord," with pitch-class order "M, N" could
participate in a first-species counterpoint "duet" with one of the rows of order "N, M" so that the
following takes place:
- Voice-1 will play all 12 notes.
- Voice-2 will play all 12 notes.
- The first half of Voice-1 and the first half of Voice-2 will together constitute all 12 notes (an
aggregate).
- The second half of Voice-1 and the second half of Voice-2 will together constitute all 12 notes.
Voice 1: M, N
Voice 2: N, M
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All-Combinatorial Hexachords, by Jody Nagel, Combinatoriality, All-Combinatoriality, Twelve-tone music, serial music 09/11/15 09:05 AM
Trichords Hexachords
(formable by the given trichord and an equivalent trichord at
some Tn or TnI)
3-5 (016) D
3-8 (026) F6
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All-Combinatorial Hexachords, by Jody Nagel, Combinatoriality, All-Combinatoriality, Twelve-tone music, serial music 09/11/15 09:05 AM
Each all-combinatorial hexachord, shown above in Prime Form, can be used along with its
compliment (which will be of the same hexachordal type - non-Z-related), to form a 12-tone row
such that at least one Tn, one In, one R(Tn ), and one R(In ) can unfold simultaneously with T0,
partitioned 6+6, resulting in two 62 vertical partition types. ("n" is an integer between 0 and 11,
representing some transposition of the original row [T], the inversion [I], or the retrograde [R] of
either of these.)
- Hexachords A, B, and C are "first-order all-combinatorial hexachords" in that only one of each
set-form type (T, I, R, RI) can combine with T0 and produce combinatorial 6+6 partitioning. (Also,
A, B, and C have only one tritone-axis of symmetry.)
- Hexachord D is "second-order" because there are two of each set-form type combinable with T0.
(D has two axes of symmetry.)
- Hexachord E is "third-order" because there are three of each set-form type combinable with T0.
(E has three axes of symmetry.)
- Hexachord F is "fourth-order" and there are six of each set-form type combinable with T0. (F has
six axes of symmetry.)
* Note: When a tri-chordal generator can be used in more than one way to construct an all-
combinatorial hexachord, a superscripted number shows how many possibilities exist.
terms to know:
aggregate, derived set, secondary set, partition, compliment, z-related hexachord
______________________________________________________________________________
Notice that the necessary transposition(s), Tx, consists of those intervals missing from the
hexachord's interval vector. The interval vector, usually expressed within triangle brackets, is a list
of the number of semitones, whole tones, minor thirds, major thirds, perfect fourths and tritones
found between all possible pairs of pitch classes found within the set. The six smallest traditional
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All-Combinatorial Hexachords, by Jody Nagel, Combinatoriality, All-Combinatoriality, Twelve-tone music, serial music 09/11/15 09:05 AM
intervals, along with their "inversions," are thought of now as interval class 1, 2, 3, 4, 5 and 6. So,
in the case of A [0,1,2,3,4,5], the interval vector is < 5, 4, 3, 2, 1, 0 >, and the missing interval
(there are no "interval class 6's") is the interval used to obtain the compliment of T0, namely T6.
B [0,2,3,4,5,7] <343230> T0 + T6 or I1
C [0,2,4,5,7,9] <143250> T0 + T6 or I3
Tranpositions of Trichordal Prime Forms and Inversions Necessary for Generating an All-
Combinatorial Hexachord.
A [0,1,2,3,4,5] (012) [ T0 or I2 ] + [ T3 or I5 ]
A [0,1,2,3,4,5] (013) T0 + I5
A [0,1,2,3,4,5] (014) I4 + T1
A [0,1,2,3,4,5] (024) [ T0 or I4 ] + [ T1 or I5 ]
B [0,2,3,4,5,7] (013) I3 + T4
B [0,2,3,4,5,7] (015) I5 + T2
B [0,2,3,4,5,7] (024) [ T0 or I4 ] + [ T3 or I7 ]
B [0,2,3,4,5,7] (025) I5 + T2 ]
C [0,2,4,5,7,9] (024) [ T0 or I4 ] + [ T5 or I9 ]
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All-Combinatorial Hexachords, by Jody Nagel, Combinatoriality, All-Combinatoriality, Twelve-tone music, serial music 09/11/15 09:05 AM
C [0,2,4,5,7,9] (025) T0 + I9
C [0,2,4,5,7,9] (027) [ T5 or I7 ] + [ T2 or I4 ]
C [0,2,4,5,7,9] (037) I7 + T2
D [0,1,2,6,7,8] (012) [ T0 or I2 ] + [ T6 or I8 ]
D [0,1,2,6,7,8] (015)1 T7 + T1
D [0,1,2,6,7,8] (015)2 I1 + I7
D [0,1,2,6,7,8] (016) T0 + I8
D [0,1,2,6,7,8] (027) [ T0 or I2 ] + [ T6 or I8 ]
E [0,1,4,5,8,9] (014)1 T0 + I9
E [0,1,4,5,8,9] (014)2 I1 + T4
E [0,1,4,5,8,9] (014)3 T8 + I5
E [0,1,4,5,8,9] (015)1 T0 + I9
E [0,1,4,5,8,9] (015)2 I1 + T4
E [0,1,4,5,8,9] (015)3 I5 + T8
E [0,1,4,5,8,9] (037)1 T9 + I8
E [0,1,4,5,8,9] (037)2 I0 + T1
E [0,1,4,5,8,9] (037)3 T5 + I4
E [0,1,4,5,8,9] (048) [ T0 or T4 or T8 or I0 or I4 or I8 ] + [
T1 or T5 or T9 or I1 or I5 or I9 ]
F [0,2,4,6,8,10] (024)3 [ T8 or I0 ] + [ T2 or I6 ]
F [0,2,4,6,8,10] (026)2 I6 + T8
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All-Combinatorial Hexachords, by Jody Nagel, Combinatoriality, All-Combinatoriality, Twelve-tone music, serial music 09/11/15 09:05 AM
F [0,2,4,6,8,10] (026)4 I2 + T4
F [0,2,4,6,8,10] (026)5 T6 + I4
F [0,2,4,6,8,10] (026)6 I0 + T2
F [0,2,4,6,8,10] (048) [ T0 or T4 or T8 or I0 or I4 or I8 ] + [
T2 or T6 or T10 or I2 or I6 or I10 ]
Copyright © 2005 by Jody Nagel. All rights Call 1-765-759-1013 or Email for additional information.
reserved.
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