O-—_ Violin School )?)° TL veAY yf Ecole Moderne du Violon (Modern Violin School) BOOK. Iniatry Core ‘studies and melodies on timekeeping, intonation, for the wrist, staccato, and other bowings, and 48 duets for two violins. BOOK 2. The 1st, 2nd, and rd Positions. 485 studies for moving from one position to ‘another ; 28 melodies, scales, and arpeggios in two octaves; aud short pieces introducing BOOK $. The Grouné-work of Bowing. 590 studies for the wrist, martel, detaché, legato, marcato, spiceato, staccato, and com. plexity of bowing. BOOK 4. Elementary Double Stopping & Chords. 80 studies up to the third position in thirds, ixths, octaves, chromaticy diminished and ugmented intervals: scales, and 39 short pieces, BOOK 5. The Art of Shifting 450 studies in single and double notes for moving between the seven positions, BOOK 6. Tone Production and Phrasing. 387 studies in various bowings, specially Uesigned for producing variety of tone; and 145 studies for turns, trills, and sbakes. BOOK 7. Rapidity of Fingering. 119 studies for the cultivation of clearness in technique. All positions. BOOK 8. Bravura Double Stopping. 10 Prelndes aud 7 Concert-Etudes in thirds, sisihs, octaves, tenths, chromatic, augmented ‘and diminished intervals. BOOK 9. The Art of Bowing. ‘Studies im the most complex and difficult varielies of staccato, arpeggio, saltato, ‘autille and feather bowing. BOOK 10. Chords and Part-Playing. ‘Three Concert-Caprices, Prelude, Tannbiiuser Parapbrase, and Cadensas to the Bralims and Beethoven Concertos. WILLIAM. HENLEY Op. 51 CAHIER 1. Elémentare. 467 études et mélodies pour la mesure, Ia justesse le poignet, le staccato, et coups da Chet divers, aussi 48 duos pour deux violons. CAHIER 2 La premitre, la seconde, ot Ie ‘roisiime position. 485 Giades pour ie changement de position. 28 melodies, Tes games et ies arpbges eo deox. octaves, et des. petits morcensx ployant les silences, CAWIER 3. Les exercices préparatoiresds'archet, 590 diudes pour le poignel, marteé, détaché, lego marete, splat, sacri, cours £370 études jusqu’ la Sme position en tierces, shrtes, octaves, les intervalies,ebromatiques, Gimiaus, et sugmentés, les gommes et 39 petits moreeatx CAMIER 5. Le changemonts de positions. 450 Giudes en simples et doubles ‘notes femployant les sept positions. CAMIER 6. Les exeries pour ies nuances. 17 laden en enope darchet divers asi. dcr surtout pour donner dele veri ta Soa! et 148 Zudes pour les oruetients. CAMIER 7. La wie du mécaniome 119 des pour Pgalité des dolgts dans fe techulgue, employast toutes lcs"feateas CANIER 8. Double Corde de Bravoure 1o Preludes et 7 Concert-Hudes tn trees, Hates ected es negli chee imatgics, augment dimiace OAMIER 8. Larchet Eiades sur les coups Garchets 1es_plus difficies les staccato les arpsyes, le salate, istunlle ste stacate velo CAMIER 10, Aecords et Ensemble Trois Concert Caprice, Prelude Praphrase de Tanabaey, et Catenss dee Beatens Beethoven Cosceros MILLS MUSIC, INC. 1619 BROADWAY, NEW YORK 19, N. Y.Ecole Moderne du Violon. (Modern Violin School) Verbal instruction has been purposely dis- ensed with as the author considers that the jolding of the Violin etc,can only be success- fully acquired by the precepts of a teacher Each exercise should be played ten times successively The tempo should be increased according to the ability of the player. SEMIBREVES. e © ® @ @ © © © © ® Part |. WILLIAM HENLEY, Op. 51 Lauteur considére que la tenue du Viclon etc, ne peut pas étre bien appris sans les renseigne- ments dln professeur. Chaque étude doit étre jouée dix fois. La vitesse devrait étre accélérée avec le pro- greés de Péléve. — DES RONDES.~ EXERCISES in G. MINIMS. — _ Exercices en Sol. Les Blanches. © © © © © © © © ® © Moderato. Bohemian Folk Song. — Chant Bohémien. a First. Second.CROTCHETS. — LES NOIRES. i ©©®& ® © ® Oo ©® @ © no ® > Andante. Mozart. First. Second, FHF SCS aay ever ay Andante. Old Hymn Tune. — Un vieux cantique.* INTRODUCING RESTS. — _ _ Exercices avec les silences. © © © © © © © © @® @ aussian National Anthem. — Lhymne nationale de la Russie. Moderato. Ri National Anthem, Vhymne natio First. Second,CROTCHETS. — LES NOIRES. 4 Ly Gio idelpet f. Sort ® ©O © ® 0 © © e® @ Moderato. ‘The Carnaval. — Le carnaval.o EXERCISES in D. EXERCICES en RE. MINIMS - 2 NOTES SLURRED. LBS BLANCHES.— DEUX NOTES LIBES. n o 6, © e® © 6 © © © © © ® N\3 Moderato. 2 Paganini,MINIMS andCROTCHETS. -— _ Les Blanches et kes Noires. 6, n 4 © ® 6&6 8 6 © © © ® Andante. Hungarian Melody. — Mélodie hongroise. First. Second.e FOR THE WRIST. — POUR LE POIGNET. no ° © ® 6 6 ® ©o © © © ee ‘Andante. Vesper Hymn. — Cantique du Crépuscule, A ot ca First. == 1) 5 Second. eee’ SS Cee LS S408° EXERCISES in C. | EXERCICES en UT. TWO CROTCHETS SLURRED. DEUX NOIRES LIKES. ~ a ee 0 “a 2 4 © e® ®® ® © © © ® @ Andante. German Folk Song. — Chanson d’Allemagne. A First, Second.16 MELODIES. — MELODIES. Andante. © eS Andante. no. ® — Mogerato. Allegro. Yogy 14008DOTTED NOTES. — LES NOTES POINTEES. 4, © e686 6 ® © © @ © © ‘Allegretto, Neapolitan Melody. — Mélodie Néapolitaine. an First. a Second. 3. Wase08STACCATO. — LE STACCATO. wee eR a a a © ® ® © ® Oo ® ® © © Allggro. Lecoca First, ®@ leggiero Second, a Da Capo al Fine.18 CROTCHETS in VARIOUS BOWINGS. — Les Noires en coups darchet divers. fn 4 9 4 © © © ®& ® 0 ® ® © © Andante. Haydn. .FOR THE WRIST. — ETUDE POUR LE POIGNET. o. ° 0 ° n © © © © © © © © ®@ 4 ) oS Ss ‘The old folks at Home. — Chanson Américaine, Nibiierato, folks at Hor Chanson Améri First. Second. Tee & ae JL, 44308SYNCOPATION and TIED NOTES. — _ Les syncopes et les notes liées. — ® 8 © ® © ® ® Andante, Nocturne-Chopin. First, ® Second,INTRODUCING RESTS. — _ Exercices avec les silences. n © © © © © © e © ® © © God save the King. — Chant national de Angleterre, Moglerato. First. ® f Second.7 STACCATO. — _ LE STACCATO. ©® ® © @®& @® © ®©® © © ® Andante, Aileen Aron, — Air Irlandais. PARPEGGIOS. — LES ARPEGES. no ° o © © © © ® © © © ®@ © Adagio. —~ Spohr.19 EXERCISES in F. EXERCICES en FA. CROTCHETS in VARIOUS BOWINGS. LES NOIRES en COUPS DARCHET DIVERS, ni 4 6 a © © ® © ® © ® ® © )20 MELODIES. — MELODIES. Moderato. 4 Moderato. Andante. Hungarian Melody. —- Mélodie hongroise.a1 FOR THE WRIST. -— ETUDE POUR LE POIGNET. n 40 ©® © © © © © © © ® a © SH NSS SS EG Allegretto. Mozart.DOTTED NOTES. — LES NOTES POINTRES. a © © © 6 8 © © © © © Moderato. The Harp that once. — Air Irlandais, First, Second.23 INTRODUCING RESTS. _ Exercices avec les silences. NW 4 4 © © ® © © ® ® © @ ® a Scotch Melody. — Air Eeossais. Allegro. First. @® Second. PSTACCATO. — LE STACCATO. © 666606 ® © © © Andante. Scotch Melody. — Air Ecossais. First, ® mf25 ARPEGGIOS. — LES ARPEGES. © ® © ®® © © © 9 ) “~ Allegro. Hungarian Melody. — — Mélodie hongroise. o26 CROTCHETSinVARIOUS BOWINGS. — Les noires en coups d’archet divers. ° © ® ®26 © 8&6 © 6 © Allegro. Slavonic Melody. — Theme Slavonique. n — First, Second.FOR THE WRIST. — ETUDE POUR LE POIGNET. 9 © © 6 © © © © © ® 0 German Folk-Song. — Chanson Allemande. Allegretto. 1 at. —_28 SYNCOPATEDand TIED NOTES. —— La syncope et les notes liées. p — © ® © © ® © © © ® © Andante. Morart. Second.20 MELODIES. — MELODIES. Andante. And Moderato. zw Angante. ce ; ss, Moderato. Moderato. ‘Andante. Robin Gray. — Air Ecossais,INTRODUCING RESTS. — Exercices avec les silences. 0 © © © © @® © S89 © © ®@ Moderato, Bohemian Fotk-Song. — Air bohémien, First. = Second.31 STACCATO. — LE STACCATO. © © ® ®6 © ©®6O&® 28 ® Allegretto. Weber. n ——___ EXERCICES POUR LES NOTES CHROMATIQUES. CHROMATICS. ©®e® © 6G @® Oo © © © ® bi AF be Moderato. DonizettiEXERCISES in A. EXERCICES en LA. " CROTCHETS in VARIOUS BOWINGS. LES NOIRES en COUPS D’ARCHET_ DIVERS. © ®® © ® © © ®©® 2 © < Moderato, - Donizetti a ° Second.FOR THE WRIST. — ETUDE POUR LE POIGNET. © ® 6&6 ® © © © © ®@ $l meri y. —— Mélodie Américain: Allegretto, American Melody. Métodi . First, @® nf Second.85 QUAVERS. — LES CROCHES. ®® ®©&e®& © © ® © © © The Vi . — Air Anglais. Moderato, 1e Vicar of Bray. ir Angi First. ® t Second.INTRODUCING RESTS. — _ Exercices avec les silences. © ® © ® ® Oo © © ® ® Andante. Handel, First. Second.a7 MELODIES. — MELODIES. Moderato. " Moderato. tt Andante. is Allegretto. Moderato. Swedish Melody. —- Mélodie Suédoise. D First. Second.STACCATO. — _ LE STACCATO. ©® © © © &© © © © ® ® Dutch Melody. — Mélodie Hollandaise. Moderato. First. @ eae! Second.| ee39 js, — ETUDE POUR LES NOTES CHROMATICS. GEROMATIQTIES, 4 —~ a 4 a4 © © © ® ® © © © © ® Verdi. Andante,QUAVERS _ LES CROCHES in VARIOUS BOWINGS. en COUPS D’ARCHET DIVERS. ® ® © © ® © © © © ®@ ;panish Melody. — Mélodie Espagnole. Moderato. ia FOR THE WRIST. — ETUDE POUR LE POIGNET. © ® 6 ® ® © © © © ® SE FOS Russian Melody. —— Air Russe. Allegro. First. @ PR Second. ad uw© © © © ® © © © © ® DOTTED NOTES. Andante. Sicitian Hymn, LES NOTES POINTEES. Cantique Sicilien,43 INTRODUCING RESTS. — Exercices avec les silences. © ® © ® ® © © © © © Welsh Air, — Mélodie du Pays de Galles, Moderato, >>> F>>=> i First, @ fSTACCATO BOWING. — _ Les coups darchet pour le staccato. a oO ® © © ® © © © @ 0 TE tt Moderato. Arkansas Traveller.45 MELODIES. — MELODIES. Andante. 0 ® Moderato. @® Moderato. = em _— © He Rope al ara Moderato. nee ® Allegro. Russian Song: Chanson Russe, First. © Secona| p1G Scales and Arpeggios | Les gammes et les arpéges en in G major and minor. Sol majeur et Sol mineur. © eS = eet Ste? : ae = tes s ® @ dl © 4 ts © © ® © © Andante. ‘Theme Allemand, oe = _a7 Scales and Arpeggios Les gammes et les arpéges en in Dmajor and minor. | Ré majeur et Ré mineur. See Andante. Red Red Rose. — Chanson Anglaise First. Second, e wy oe48 Scales and Arpeggios | Les gammes et les arpéges mCand Fmajor. en Ut et Fa majeur. 4 4 ® : Andante. My Pretty Jane. —__ Air Anglais First. Second.49 Seales and Arpeggios Les gammes et les arpdges in A minor en La mineur. tt —S Allegretto. Danse Allemande -Sehubert. First. Second.Scales and Arpeggios | Les gammes et les arpéges in Bb major. en Si bémol majeur. HN Vive rm ©® e®2® © © © 8 © ® © Andante. Prume. First. ® of Second, putz, 8GRADED VIOLIN MUSIC (01) Very Bometary nablodh nae Sey ae ae ee be ie meee | Oo a ee ee tee et aan. Se ee che a ee ee 5 as ioave. wer. Grade 2 ee each 20 2 Serenade Noregiane, Chant us Becta, 5 Chane du Sar 8 Gavotte Stems DENSISON, HERBERT, 1G) Four Lite Tunes 16 Yel Bie Hoel Pests 1 Gavotte Pltstve 3 Sapplication 2. The Shepherdess 4 Fram the His ofS ‘Gn Dreaniand River ae (0) A Sailor Dance Peso GEORGI [Revert 2, Acabease. endie 9, Pseans paced cock 3 Barcarole cman ‘runes xaNSeXy Hi First Violin Lessons RO in Boot (eis pices) )) Roun Miniature Sketches pe, , MARKHAM ja) Fiddle and’ I Book 1 Books 23 and 4 fal bance nce) LENORMAND, (ih, Melodies Inandalees (4 pieces) LEVENSON, ‘BORIS. G) Bhve Short 1L0¥D, © He {el Thicee Le Plecos MactiANN, THOMAS. (et) tures Lieto Tunes {G)) tunes from ee Countiyiae (isis pecs) MACKENZIE, AC. Ga) Three Eas) imprompras (wo boos nanan Gauges : (2) OM ielan Melogy MARSDEN, EVAN (2) By the Wayside (5 cacy pieces) BS SBROWN, J. HULLAH. 1b)" Now Hingetboara Dexterity for Young Wiollsiets 1 6 "ter Pan" Violin Clase Tuto out bok) (at) Hook do.Gd. act Book's. tw. Sabet (Gy! Book 2 te: Sa: act, Hooke ta: 6d: mt ‘he Tecnnigue af the Fiddle Bow (@) Twentysone Melodie’ Violin Studien Violinne” Daly Practice Book snd Regie “BROWN, J. HULLAH and SPENCER DYKE, hitaren's Violin Books ‘aca (ot) Boke Ase tbl ite ele, oven (ot) Book nthe tie young in taken iolla Method for Adults aa “tne 40 (@) Easy VIOLIN SCALES, STUDIES, EXERCISES, Etc, (0) Moderately Bary MARSHALL, CHARLES. mod epastiniatare Sketches (eno bois) vie egierigslers ile pocs io two book) each 2 ai) ou Wie vices : 2 ean 3 0) "Dom im tne wet County) eh No. Rowe tie 1 Seah Sy Rien EOld Adam the Poacher 4: Widdocoabe Par (=) Seite of For rece vet TBscetie Ga anc 2 Paste 4 Spain Sg RowLRy, ALEC Four Conteasted Pieces. @) 1Snier Song a) 3. Romasce fa Pasta 6) ose ela), Rive Minlaes Op. 207 SHORE, BERNARD. g {a Six Impesadions ovo book). sominveuty Riers oR : Ministre lees (ovo Sols) sta een 2 as Pine eRe i “2 et Bata ae ; rag as a ete gee yt acne Gi hewe. Go ueeies, Bi neers ee fener ieee ee HGH SOR eys — ‘Op. 155 ach 2 Ta) 4 Arietta con Venason, (a) 5 Govotes () & Boumes ve Pieces, Op. 105 Ta)'s sstapoiens a ° ° ‘ ey venng Song - 16 ‘roufunen, (aie) Tate Characteristic Pieces 20 ‘TWINK, SYDNEY. (a), ‘Traditional Songe and Dances 2 books) each 1 TCLASSICS. BE BACH, 4. S. (a! Bouerée tn 1 BEETHOVEN, 1, VAN. (a) Menace hin @ con iasemmtins Pert Manaoina (Dunk “aeimpo i Mimuetto in © (CA. Toure) scrlABINes A, (a) Imprompes a ta Mazur Fo lr ini as Sota, a 8 FARMER, HENRY, Violla Tutor (Onival Eston) oy For stusies cubits) ial) Vien Instructions for Beginners KUMMER, A a) (ay Fo seen Piat Book forthe Vista Drogressive School of Violin Studies 1) Grade 1 (inmaty) st Porton Grade 3 (igher Bibl ay) tro "Scale Book tor the Violin, Containing 9 ys tematic method of finger. wheteby al tlle sod Srpeggor are aul aogirel "Descriptive lists of Hullak Brown's and Spencer Dyke's works on application. LONDON: JOSEPH WILLIAMS LIMITED “