Bachianinha

Nº 1
Transcrição para Piano:
Renata Cortez Sica Paulinho Nogueira

    
    
                 
         



        
              
 
7

         


  
                        
13 To Coda

     
   
 

         
            
    
19

     
   
 

     
            
             
25

   
     
 
     
       
                      
31

     
       


               
                
38

        
       

     
 
                
       

45

   
 
  
 

                
                       
       
51

       
   

       
                                
59 
D.C. al Coda

            
 


      
                                
67


   

     
   

2
        
                
75

               

      
                              
83

          
       

   
      
               
92

          

         
    
          
98

          

        
                  

104

     
 

 
              

110

  
     
