Argentina secreta

E 7sus 9/F
Antonio Tarragó Ros


D m7/F E7
Chamamé 

           
  
 

   
                     
Piano

 
    
Am D m6/B

     
6

       
 

         
  
             
     

B m7 E7 Am D m7/F

       
12

 
   
  
                   
     
     
 

E 7sus  9 /F E7 Am

        
18

      

                 
       
   

    

Transcripción de Oscar Allorio

2 Argentina secreta

D m6/B

24



  
  


B m7 E7 Am

      
     
   
25

  
    
             
  
      

G7
Am Dm

  
               


30

                    
       
            

G m7
C A7 Dm

                             
 

36

       
                
         
   
 Argentina secreta 3
G7 C C Maj7 B ºsus4

  
              
42 1, 2 3

 

                   
   
         

D m7/A G
 C 7/G
5fr. 4fr. 3fr.

              
48

      
            
     
             A m  
 F D m6/F E 7sus4 E7


 
           
     
54

     

        

 

 
    
 
           
 