NAME Substitute Dominants

Complete this chart by filling in chord symbols and broken arrows in the given keys.

C:subV7 Imaj7
B subV7 Imaj7
E : subV7
Imaj7

D'7 Cmaj
sub II-7 subV I-7 subv I1-7

subV7 -7 subV7 I1-7 subV7 Ill-7

subV7 subV7
IVmaj7
subV7 IVmaj7
Vmaj7 TV

subV7 V7
subV7 V7 subV7 V7

subv VI-7 VI-7 suD VI-7

subV7 subV7 subV7

G: Imaj7
F: Imaj7
D' Imaj7

subV7 I-7
subV7 I1-7 subV7 I-7

subV7
II1-7
subV7 II-7
subV7 II-7

subV7 subV7 subV7

TVmaj7 IVmaj7 Vmaj7

subV7
V7 subV7 V7
subv7
V7
/v V

subV7 VI-7 subV7 VI-7

subV7 VI-7
/VI VI

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NAME Substitute Dominants

Fill in the empty boxes on this chart:

ROMAN NUMERAL CHORD SYMBOL

MAJOR FOR FOR DIATONICc
CHORD ODF
KEY SUBSTITUTE SUBSTITUTE RESOLUTION
DOMINANT DOMINANT
subV7
C E7 D-7

E Amaj7
3
subV A7
subV7
4
E7
subV7
5 A-7
subV7
F V
G B-7
8
subV7
V
A c7
subV7
10 A7
subV
D
12
subV

13
E F7

14
B F7
15
F D'7
subV7
16

/IV D7
Note: It is more common for subV7/II to be heard as IV7 and subV7/VI to be heard as 'VII7.
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