In his play, Antony and Cleopatra, Shakespeare presents duty and desire on a metaphorical

spectrum through the individual narratives of several characters including Antony, Cleopatra and
Pompey. When presenting duty and desire in Antony and Cleopatra, Shakespeare does so in such
a way where duty is an expression of honor and desire is an expression of selfishness. In order to
present this spectrum, then, Shakespeare uses Cleopatra to exhibit desire, Pompey to exhibit duty
and Antony to exhibit the confliction when duty and desire are simultaneously exercised.

Cleopatra is representative of desire in the form of her constant selfish pursuit of power and
affirmation. One instance Shakespeare reveals this to the audience is when Cleopatra demands
Antony to “tell [her] how much,” he loves her, “if it be love indeed.” Her demanding Antony to
prove his love shows the audience Cleopatra’s tendency to act upon her desires, and in this
example, for the purpose of affirmation. Another way Shakespeare shows Cleopatra’s desire is
her interactions with one of her attendants wherein she demands them to “see where he is, who’s
with him, what he does,” and if he, Antony, is particularly happy to report that she is “sudden
sick,” or if he is particularly sad to report that she is “dancing.”

By ordering someone to psychologically manipulate Antony and report of his exact status,
Shakespeare shows the audience Cleopatra’s desire for power and affirmation, as she wants to
affirm that whatever Antony may be feeling or doing it is a direct consequence of something she
herself has initiated. Shakespeare also makes a point to show the audience just how little
Cleopatra values duty and shows this through Cleopatra’s reaction to Antony’s marriage to
Octavia. Cleopatra erupts in dialogue saying, “melt Egypt into Nile,” and beckons the inhabitants
of Egypt, her followers, to “turn all to serpents.” This presentation of Cleopatra solidifies her
representation of desire as she curses and condemns her own people and land (symbolic of her
duty) simply due to the assumed failure of her own personal relationship – the dissatisfaction of
her desires.

Antithetical to Cleopatra, Shakespeare presents Pompey as a character completely centralized

around duty and thus honor. Early on in the play, Shakespeare reveals Pompey’s beliefs to the
audience when Pompey proclaims that “if the great gods be just, they shall assist the deeds of the
justest men.” Pompey’s beliefs are a significant piece of information to the audience because
they outline Pompey’s duty – to follow and honor his beliefs at all times. With the revelation of
Pompey’s beliefs as a basis, Shakespeare continues to elaborate the ideal of duty through the
character of Pompey when Menas approaches him during their celebratory dinner with the
triumvirates. Menas asks Pompey to “let [him] cut the cable,” giving him the chance to kill the
“three world-sharers,” so that once they cease to exist “all there is thine.” Shakespeare uses
Menas in this scene as a temptation to try to persuade Pompey against his moral beliefs, thus
testing his honor and furthermore his value of duty. Shakespeare allows Pompey to reveal his
temptation to the audience when he replies “this thou shouldst have done and not have spoke on
‘t,” and if Menas had done so he would have “found it afterwards well done.”

The theoretical pleasure that Pompey suggests through analyzing how he would have reacted to
Menas if he had done so without asking consolidates the temptation. However, the temptation
that Pompey exhibits does not necessarily make him appear as less dutiful, but the stark opposite.
Shakespeare uses the temptation as contrast for when Pompey says “but must condemn it now,”
thus turning down Menas’ offer. By revealing how Pompey would have found pleasure in taking
up Menas’ offer but ultimately declining it, Shakespeare shows the audience Pompey acting
according to his beliefs and thus placing his duty before his desire.

In Antony and Cleopatra, Shakespeare illustrates both extremes of the spectrum of desire and
duty through Pompey and Cleopatra; however, he continues the presentation of desire and duty
through Antony whom struggles with the confliction of both motivations. Shakespeare reveals
Antony’s motivation of desire when Antony is heard saying “let Rome in Tiber melt,” followed
by “here is my space,” in reference to Egypt. This piece of dialogue shows how Antony
relinquishes his duty to Rome by condemning it while proclaiming that his place is with
Cleopatra, thus satisfying his desires as opposed to his duties – enveloping selfishness as
opposed to honor. However, Shakespeare also shows the audience a moment where Antony
shifts his priorities to his duties whereas his desires are the latter. Antony admits that residing in
Egypt with Cleopatra creates “ten thousand harms, more then the ills,” he knows and that he
must “break off,” his relationship with Cleopatra and “with haste from hence.” This particular
scene, although ultimately shows Antony valuing his duty more than his desires, begins to reveal
to the audience the conflict that Antony endures in attempts to satisfy both simultaneously.

To further elucidate this conflict, Shakespeare explores so explicitly through Antony’s dialogue.
Antony, before journeying back to Rome, admits to Cleopatra, and thus to the audience, that “the
strong necessity of time commands,” him, thus his duty is summoned by Rome, while his “full
heart remains in use,” with Cleopatra, thus is desire is summoned by Cleopatra. This quote
embodies the entire conflict of juggling both motivations. Shakespeare presents Antony to the
audience caught in a web somewhere in the middle of the spectrum of duty and desire and it is
this very tug-of-war relationship Antony has with duty and desire (the virtues of honor versus the
vices of selfishness) that prevents him from being successful in either aspect of his life: his duty
to Rome or his desire to Cleopatra.

Using the narratives of each of the aforementioned characters: Cleopatra, Pompey and Anton,
Shakespeare explores the spectrum of duty and desire, showing the audience total immersion of
duty, desire, and the conflicts that result from imploring both simultaneously and how each point
on the spectrum shapes the characteristics, actions and interactions of each representative
character. It is through this elaborate exploration of the spectrum, then, that Shakespeare presents
duty and desire throughout the entirety of Antony and Cleopatra.
Antony's major conflict is the way he's torn between his commision as a Roman ruler
and soldier and his wish to remain in Egypt with Cleopatra. This inner conflict results
in a war with Caesar, one of his fellow triumvirs. Once Caesar gets him to leave Egypt
he marries Antony to his sister; Antony does this out of a sense of duty, but soon
Antony will return to Egypt and Cleopatra.

Everything Antony does after this comes from love. He shames himself by fleeing
from battle to follow Cleopatra, something he cannot forgive himself for because it
goes against everything he believes. Cleopatra eventually abandons him, and as a
result Antony suffers complete defeat in the ensuing naval battle. Antony's ongoing
struggle between his sense of right and wrong and the pull of emotion leads to both
he and Cleopatra's deaths.