He heard the yells and the running steps as the rest of the men broke and ran, but
he stayed put He had a hunch they
were running into trouble, and anyway he was fed up with being a part of Serrurier army; the further that unit and he were separated, the better he would fell so he lay in the foxhole and played dead The machine-gun fire stopped abruptly, but he lay there for fifteen minutes more before even poking his nose above die level of the ground When he did so, the first thing he was a long line of men emerging from the houses on the other side of the field--Pavel's men were coming over to mop up Hastily he wormed his way out of the foxhole and crawded on his belly back towards the shacks, expecting to feel the thud of bullets at any moment But there was plenty of cover since the ground had been churned up by the mortar fire and he found he could crawl from shell-hole to shell-hole with the minimum of exposure Finally he got to the cover of the shacks and looked back Pavel's men were nearly across the field and he had the notion they would shoot anything that moved and he had better find somewhere safer He listened to the racket coming from the left flank--someone was putting up a fight there, but that would collapse as soon as these oncoming troops hit them He began to move to the right, dodging from the cover of one shack to another, and always trying to move back As he went he ripped off the tunic he was wearing and rubbed at his face Perhaps the sight of a white skin would cause hesitation of the trigger-finger--at least it was worth trying He saw no sign of the Government army and all the indications were that Pavel was on the verge of punching a hole right through the middle--there did not seem much to stop him Presently he had an idea tried the door of one of the sahcks It had occured to him that there was no point in running away; after all, he did not want to catch up with Serrurier's forces, did he? It would be much better to hide and then emerge in the middle of Pavel's army The door was not barred, so he pushed it open with a creak and went inside The shack was deserted, it consisted merely of two rooms and needed a minimum of inspection to show there was no one there He looked about and saw a washbasin on a rickety stand below a fly-blown and peeling mirror, which was flanked on one side by a highly coloured oleograph of the Madonna and on the other by the standard official portriat of Serrurier Hastily he pulled down the idealized photograph of Serrurier and kicked it under the bed If anyone interrupted him, he did not want them getting any wrong ideas Then he poured tepid water into the basin and began to wash his face, keeping a sharp ear cocked for anything going on outside At the end of five minutes he realized in despair that he was still a light-complexioned Negro, the boot polish was waterproof and would not come off, no matter how hard he rubbed Many of the inhabitants of San Fernandez were even lighter complexioned and also had European features He was struck by an idea and pallidity, but now he thanked God that he had not felt the urge to sunbathe As he stripped off his shirt he prepared for a long wait What brought him out was the sound of an engine He thought that anyone driving a vehicle around there would be civilized enough not to shoot him on sight, so he came out of the cupboard and into the front room and looked through the window The Land-Rover that was passing was driven by a white man "Hey--you!" he shouted, and dashed to the door "You there--arretez!" The man driving the Land-Rover looked back and the vehicle bumped to a half Causton ran up ant the man looked at him curiously "Who the devil are you?" he asked "Thank God!" said Causton "You speak English--you are English My name's Causton--I suppose you could call me a war correspondent" The man looked at him unbelievingly "You got off the mark pretty quickly, didn;t you? The war only started yesterday afternoon You don't look much like a war correspondent--you more like a nigger minstrel who got on the wrong side of his audience" "I'm genuine enough," assured Causton The man hefted a sub-machine gun which was on the seat next to him "I think Favel had better have a look at you," he said "Get in" "Just the man I want to see," Causton, climbing into the Land-Rover and keeping a careful eye on the sub-machine gun "You a friend of his?" "I suppose you could say so," said the man "My name is Manning II "It's too hot," said Mrs Warmington querulously Julie agreed but did not say so aloud--Mrs Warmington was the last person she felt like agreeing with about anything She wriggled slightly, trying to unstick her blouse from the small of her back, and looked ahead through the windscreen She saw exactly what she had seen for the last half-hour--a small handcart piled perilously high with trumpery household goods being pushed by an old man and a small boy who obstinately stuck to the crown of the road and refused to draw to the side Rawsthorne irritably changed down again from second gear to first "The engine will boil if we carry on like this in this heat," he said "We mustn't stop," said Julie in alarm "Stopping might prove more difficult than moving," said Rawsthorne "Have you looked behind lately?" Julie twisted in her seat and looked through the back window of the car, which was now cresting a small rise Behind, as far as she could see, stretched the long line of refuges fleeing from St Pierre She had seen this kind of thing an old newsreels but had never expected to see it in actually This was a people on the move, trudging wearily from the coming desolation of war, carrying as much of the material minutiae of their lives as they could on an incredible variety of vehicles There were perambulators loaded not with babies but with clocks, clothing, pictures, ornaments there were carts pushed by hand or drawn by donkey, there were beat-up cars of incredible vintage, buses, trucks and the better cars of the more prosperous But primarily there were people-men and wome, old and young, rich and poor, the hale and the sick These were people who did not laugh or speak, who moved along quietly like driven cattle with grey faces and downcast eyes, whose only visible sign of emotion was the quick, nervous twitch of the head to look back along the road Julie turned as Rawsthorne blasted on the horn at the obstinate old man ahead "The damned fellow won't move aside," he grumbled "11 he'd move just a little to the side I could get through" Eumenides said, "The roas--it drop on side "He pointed to the cart "E fright'e fall"