In a scarred Hong Kong, “beautiful things are gone”

Hong Kong, China

Photography by Lam Yik.

Reporting by Jessie Pang.

Updated 6 July 26 images BEFORE & AFTER

As documentary filmmaker Kiwi Chow walked through a pedestrian tunnel in Hong Kong on a recent day, he spotted a team of cleaners
scraping off glue left by illegal ads and scrubbing the walls clean with mops.
 Chow poses for a photograph at Kwun Tong Ferry Pier near his studio.

It reminded him of the day he became an activist during the pro-democracy protests that galvanised this Chinese-ruled city in 2019. Back
then, he had gathered with his young son and some friends to cover another tunnel wall with Post-it notes scribbled with political
messages and drawings.

Strangers joined in.

“I was very happy. It was the first time I was an organiser,” he said.

The next day, as he walked past, cleaners were removing the mosaic of notes, known in Hong Kong as “Lennon walls” after the original
John Lennon Wall in communist-controlled Prague in the 1980s that was covered with graffiti, Beatles lyrics and messages of political
grievance.

Urged over the phone by his wife, he collected some of the notes from the ground. “Pick as much as you can,” she told him. “Bring back
the drawing by your son!”

The cleaners on that day in August 2019 told Chow that they needed to clear the tunnel wall and photograph it as proof of their work for
their bosses. But then they told him that he could put the Post-its back on the other side of the tunnel.
 Graffiti reads "See you on Hong Kong Island on October 1" in Kwun Tong.

To Chow, that was the cleaners’ act of resistance, an experience that inspired him to use his own profession for the cause.

“This is the Hong Kong spirit,” he thought, and took his camera out to film the protests. He hopes to finish editing the documentary later
this year.

Clearing the Lennon Walls was the beginning of “beautiful things” being destroyed, he said.

“Of course, we feel angry when beautiful things are gone; it’s important, and we need to remember. But the anger can also transfer into
perseverance,” said Chow, now 42. After all, during the protests, the Lennon wall in his tunnel was dismantled many times, but people
rebuilt it.

The floor at Yuen Long metro station used to be covered by protest posters.

But today, Lennon walls have disappeared. They’ve been risky to assemble since China introduced a sweeping national security law a
year ago to crack down on what it deems subversion, secessionism, terrorism and collusion with foreign forces with up to life in prison.

People who want a democratic future for the city are regrouping behind an invisible front line that is harder to disrupt with tear gas and
rubber bullets, but still, they say, under attack: the memory of what happened in 2019.
Democracy activists charge that those in power are trying to take control of the narrative, and they fear that future generations will hear
only the government’s version of events: that the 2019 protests were illegal riots by a minority of people who were manipulated by
foreign forces to undermine the rise of China under the successful leadership of the Communist Party.

Public broadcaster RTHK has removed archives containing shows covering the protests or that were critical of the government and
investigating those in power, prompting online activists to move backup copies onto blockchain platforms.

Authorities have declared certain slogans and songs illegal, have removed or reframed sensitive topics in school curricula and pulled
democracy books off the shelves of public libraries. Cinemas, universities and art galleries have cancelled screenings or exhibitions of
protest-related works.

The Hong Kong government recently enacted new guidelines that allow authorities to censor films on the basis of safeguarding national
security. “The censor should be vigilant to the portrayal, depiction or treatment of any act or activity which may amount to an offence
endangering national security … and any content of a film which is objectively and reasonably capable of being perceived as endorsing,
supporting, promoting, glorifying, encouraging or inciting such act or activity,” the guidelines state.

Posters hang on a wall outside a room for the Chinese University Student Press' room at the Chinese University of Hong Kong (CUHK). In 2019, students clashed
with riot police in the CUHK campus.

Chinese and local authorities deny freedoms have been curbed and say their actions are vital to defend the red line of national security,
restore stability and bring prosperity.

Responding to questions from Reuters, a government spokesman said that “no civil society in the world could accept such violence and
vandalism” as occurred in what he called the “riots” of 2019. The government, he said, “has no tolerance for illegal acts and strongly
decries any attempt to glorify illegal acts using the excuse of freedom and democracy.”

On censorship rules, Hong Kong leader Carrie Lam said in June that her government had to strike a balance between respecting creative
freedom and safeguarding national security and that officials “will discuss with the industry to allay their concerns and anxiety.”
RTHK, the broadcaster, said its new archive policy for social media platforms matches its practice for the official website, which keeps
programmes from the past 12 months, and that few media organisations would keep entire archives online permanently.

“We fail to see how our archive policy and arrangements for RTHK programmes on YouTube are in any way relevant to your story about
attempts by some people in Hong Kong to defend and preserve their version of the social event in 2019,” it said.

Chinese and Hong Kong flags are hung at the Legislative Council surrounded with construction boarding. Protesters stormed the legislature on July 1, 2019, the
anniversary of the former British colony's return to China and spray-painted slurs against police and the government on the walls.

China’s Hong Kong and Macau Affairs Office, which comes under the State Council, or cabinet, and the Hong Kong Liaison Office,
Beijing’s top representative body in the city, didn’t respond to requests for comment.

It’s not only a battle over the narrative: Since the protests died down last year, the city’s very landscape has changed, leaving familiar
places unfamiliar.

Suspended footpaths that protesters used to launch petrol bombs have been covered with fences and barbed wire. Plastic, water-filled
barriers surround and protect administrative buildings, forcing pedestrians to cross to the other side or walk through a narrow corridor in
between the barriers and police in riot gear standing guard.

Litter bins throughout the city, which protesters used as shields, have been replaced with plastic bags hanging from a metal loop. Paved
sidewalks, from which protesters dug up bricks to throw at police, have been repaired with concrete.
 Chung poses for a photograph in front of a wall covered with ads at Kwun Tong.

“If Hong Kong is a person, the ground is the skin. It’s like they are doing a laser surgery,” said Jade Chung, a 24-year-old freelance
journalist whose work focuses on human rights and pro-democracy activists’ struggle for freedom.

Beyond the physical changes, she said that after the government started to crack down, many things became hard to say out loud. That
has led to secret codes of resistance against authoritarian rule, she said.

When Chung asked for the Wi-Fi password at a tiny Hong Kong restaurant recently, she got an answer that was much more than that:
721831101.

July 21, August 31 and October 1 were three of the most violent days of the unrest in 2019, a password connecting Chung with a past she
feels authorities are trying to rewrite after regaining control.

“I guess it is the only way we can express ourselves now,’” Chung said.

She wants to unlock a version of events that won’t be told in history lessons and is fading from public discourse.

“We do not want to remember, yet do not dare to forget. People do many things on the side to protect our collective memory,” said
Chung, who contributed to “Road to Hong Kong,” a book about the protests. “We did not forget. We may be waiting for a chance to do
something.”

BEFORE & AFTER

 Before: University students standoff with riot police at the Chinese University of Hong Kong pictured on November 12, 2019.
After: The same spot a year later.

In the year since the security law was introduced, minutes before the July 1 anniversary of the former British colony’s return to Chinese
rule, China has also overhauled the city’s political system, demanding that anyone holding public office is “patriotic” and loyal to Beijing.
Most opposition politicians and democratic activists are either in jail, ensnared by the new law or for other reasons, or in exile.

In mid-April, Hong Kong authorities marked “National Security Education Day,” with school activities, games and shows, and a parade by
police and other services performing the Chinese military’s “goose step” march.

In schools and cultural centres, residents were invited to build national security “mosaic walls,” a top-down, organised version of the
2019 Lennon walls. “Supporting the national security law is not an issue. Support! Support! Support! I hope we can be one with the
mainland,” one Post-it on a wall set up at the Wong Cho Bau Secondary School read.

Children were given toy versions of police guns and played with them under the watchful eye of cops in riot gear, including inside a
replica of a subway train carriage. To many in Hong Kong, these images were a surreal shadow play of the widely televised scenes of
police officers charging onto a train on August 31, 2019, pepper-spraying and hitting cowing youngsters with batons.

BATTLE OF THE SYMBOLS

The fight with the government in the arena of symbols, words and culture is a sequel to the more chaotic battles of 2019, when petrol
bombs were thrown almost on a daily basis for months on end in one of the world’s most peaceful cities, activists say.

This, too, is a battle that authorities are not shying away from.
 Chow poses for a photograph near his office.

In early May, as Herbert Chow was ordering dinner, police vans turned up at his new Chickeeduck shop in the Tsuen Wan district. At first,
Chow thought authorities were there to enforce a COVID 19-related lockdown on a nearby building.

But officers wearing “national security department” vests began cordoning the area around his shop, drawing crowds of curious
onlookers. They entered the shop, showed him a search warrant and began looking through the items for sale.

“It’s like they were raiding a bar to find drugs,” Chow recalled, standing near a two-meter-tall bust of a protester wearing a helmet,
goggles and gas mask and holding a yellow rubber duck above his head as if he were about to throw a Molotov cocktail.

Chow, 57, was wearing a long-sleeved shirt with “Liberate Sausages, Vegetables of our time” and “Five meatballs, no sauce left”
imprinted on it – puns that echo slogans of the protests such as “Liberate Hong Kong, Revolution of our time” and “Five demands, not
one less.” He said he believed all his ducks were in a row, legally speaking.

Officials have said the “Liberate Hong Kong” slogan is subversive and illegal, a claim that will be tested in coming months in a court case
against a motorcycle driver arrested under the new law.

Chow’s shop also carries “Be water” beers. The product name alludes to a protest tactic of playing cat and mouse with the police to drain
their resources, inspired by a quote from Hong Kong martial arts legend Bruce Lee, urging fighters to constantly adapt to the enemy.

Chow’s food puns didn’t trigger an arrest or any sanction, but the raid was enough to frighten two of his employees, who quit afterward.

“I was very angry – the scale of 1 to 10, the angry level was 9,” he said. “The remaining one was fear that they scared my colleagues and
made them quit, which they did succeed at.”

Police have said officers entered the store with a court warrant after receiving a complaint that the shop was suspected of violating the
national security law.

Chow said he wants his shop to become a place of hope.

“We want to tell people that we still have free space,” he said. “It’s because we see that they might change history.”
BEFORE & AFTER

Before: Anti-extradition bill protesters react after tear gas was fired by riot police during a protest to demand democracy and political reforms, at Tsuen Wan pictured
August 25, 2019.
After: The same spot a year later.

Chow, the filmmaker, said his children are literal reminders of Hong Kong’s history: His son was born in 2014, the year when protesters of
the “Umbrella movement” occupied the main arteries of the financial district for 79 days; his daughter was born in 2019.

“The regime wants us to forget. I hope to use my camera to remember,” he said. “We are resisting in our memories. We are resisting
forgetfulness.”

(Photo editing Gabrielle Fonseca Johnson; Text editing Kari Howard; Layout Julia Dalrymple)

SLIDESHOW 4 / 14

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