Be - os : po ead ie e es ee THE LONG PG By ae ED ae ie = SiiGHTS ole Ski oe = ss :THE NEW ES COM [Any duplication, adaptation or arrangement ofthe compositions contained inthis colection requir the witten consent of the Publisher. [No par ofthis book may be photocopied or reproduced in any way without permission Unauthorized uses are an infingement ofthe U'S. Copyright Act and are punishable bylawAFTER THE THRILL IS GONE ALL NIGHT LONG ALREADY GONE THE BEST OF MY LOVE BITTER CREEK CERTAIN KIND OF FOOL CHUG ALL NIGHT DESPERADO DESPERADO PART II THE DISCO STRANGLER DOOLIN-DALTON DOOLIN-DALTON PART II DOOLIN-DALTON (Reprise 1!) EARLYBIRD GET OVER IT THE GIRL FROM YESTERDAY A GOOD DAY IN HELL THE GREEKS DON'T WANT NO FREAKS HEARTACHE TONIGHT HOLLYWOOD WALTZ HOTEL CALIFORNIA | CAN'T TELL YOU WHY | WISH YOU PEACE IN THE CITY IS IT TRUE? JAMES DEAN JOURNEY OF THE SORCERER KING OF HOLLYWOOD THE LAST RESORT LEARN TO BE STILL LIFE IN THE FAST LANE LIFE’S BEEN GOOD THE LONG RUN LOVE WILL KEEP US ALIVE Page Album 181 One Of These Nights 299 Live 134 On The Border/Greatest Hits 117 On The Border/Greatest Hits 106 Desperado 99 Desperado 46 The Eagles 56 Desperado/Greatest Hits 86 Desperado 262 ~The Long Run 74 Desperado 89 Desperado 298 Live 29 ‘The Eagles 304 Hell Freezes Over 310 Hell Freezes Over 154 On The Border 286 = The Long Run 243 The Long Run 184 One Of These Nights 199 Hotel California 254 The Long Run 196 One Of These Nights 258 = The Long Run 164 On The Border 127 On The Border 194 One Of These Nights 270 The Long Run 234 Hotel California 315 Hell Freezes Over 213 Hotel California 294 Live 250 The Long Run 320 Hell Freezes OverLYIN’ EYES MIDNIGHT FLYER MOST OF US ARE SAD MY MAN NEW KID IN TOWN NEW YORK MINUTE NIGHTINGALE OL’ 55 ON THE BORDER ONE OF THESE NIGHTS OUT OF CONTROL OUTLAW MAN PEACEFUL EASY FEELING PRETTY MAIDS ALL IN A ROW THE SAD CAFE SATURDAY NIGHT SEVEN BRIDGES ROAD TAKE IT EASY TAKE IT TO THE LIMIT TAKE THE DEVIL TEENAGE JAIL TEQUILA SUNRISE THOSE SHOES TOO MANY HANDS TRAIN LEAVES HERE THIS MORNIN’ TRY AND LOVE AGAIN TRYIN’ TWENTY ONE VICTIM OF LOVE VISIONS WASTED TIME WITCHY WOMAN YOU NEVER CRY LIKE A LOVER Page 168 150 80 226 190 220 16 145 Album One Of These Nights/Greatest Hits On The Border The Eagles On The Border Hotel California Hell Freezes Over The Eagles On The Border On The Border One Of These Nights/Greatest Hits Desperado Desperado The Eagles/Greatest Hits Hotel California The Long Run Desperado Live The Eagles/Greatest Hits One Of These Nights/Greatest Hits The Eagles The Long Run Desperado/Greatest Hits The Long Run One Of These Nights The Eagles Hotel California The Eagles Desperado Hotel California One Of These Nights Hotel California The Eagles/Greatest Hits On The BorderTAKE IT EASY Words and Music by JACKSON BROWNE & GLENN FREY Moderate Country feeling G c/o Amt/c Well, I'm a ~ run= aint down the road try'n' to en my load, I've got sev — that wan-na own me,_ two that wanna stone me,_ one ‘ili esodon't let the sound of your. wheels drive you cra Light-en up while you still can, don't e-ven try__ to un-der ~stand,_ Just find a place to make- your_ stand and take it easWell, I'm a- stand-in’ on a cor-ner inWins- "fine sight_ to see, slow-in' down to take a don't. say mayknow if your_ eweet.love is. gon na save thoughwe will nev-er be here o-pen up, I'm olimb-in! in, so take it eas -a lover who” won't — blow my cov-er, she's ¢ ESS roe e| y take It eas % don't let the sound of your own make you cra = 2y.— Come on,—10 PEACEFUL EASY FEELING Words and Musie by JACK TEMPCHIN Moderately EB 2s wa Musi Conp azz BRO MUSIC urinario by WB MUSIC COMPwith a billion stars all PET BSBbut she—a fetend,“WITCHY WOMAN Words and Music by BERNIE LEADON & DON HENLEY — Gm bia a oom Boe we night. She's a rest ~ lesswiteh-y wom an, See how high_ she flies. Bes ( SSS et Sj witeh-y wom ~an, She got the moon_ in her eye Dane - ing shad-ows and fire - light, —_—18 Crazy laugh-ter in an ~ oth-er room. ‘And she droveher-self tomadnesswitha sil -ver spoon._Some-one's un-der-ground,She ean rock you in_ the night un = til your skin turn red. Gm a fr, mY Gm if ce get = SS a Woo - hoo, witeh-y wom = an, See how high— or fies. Woo - hoo, witeh=y wom ~ an, She got the moon. in her eyes.‘MOST OF US ARE SAD Words and Music by ENN FREY Stowty c, Emaiy ¢ i i Fmaj9 a ? a0 - ows of — my~ self,a Fmajo 2. +H me, scar - let sun, what will time al ~ low? ¥ oe = —= — We have brought_our_ chil - dren_here, who can save them now? most of us are—— sad, it's true, still we—must — go—22 the sun was_ bright, will sing you_far a ~ way,“TRYIN Words and Music by RANDY MEISNER Moderate Rock D gust =p Daud G5 Deust =D Deusé i Ym just ar = rlv~in' in the eit-y andthere's mu-sic_ on— my mind, for my des ~t-na~ton and my25> ook-in' through this world, s ———— ie # £* yD cri ora make it if__ you try, and ev'ry - thing willbe fine —___smokin! just a think-in' Is an eas-y— thing oP Peo keep on try - in! for the feel-in' to come through, — tive, —— ‘And it's a lone=ly— way toyou got-ta take it, you got-ta give, ___ if you mis - take it__ just try a> gain, 4 Uh huh hub, we got to Keep on try = in’ Four times29 EARLYBIRD Words and Music by RANDY MEISNER & BERNIE LEADON Moderate Country feeling Bm Bb c Pat 7 Fe ar =ly inthe morn ~ tnt about the break of day, the a uyspend his days de ny in' that he's got — the breeze. eagle flys a-lone, he isat ear -ly~bird_ is scratch ~ in', though the go in's get - tin’ tough,— fs pass - in! by him he just can't get all. is goin’ well, but ear - ly -bird. will wake— one day and findknow T Uke to lay— in bed, — sleep out inthe sun, readin! books. or play ~in'' cra- zy mu - sic for fun.0 fine and sets. my mind at ease. know that I_ don't harm a goul_in don’ what I please. Repeat and fade ain't gon-na fade a - way. Repeat and fade‘IGHTINGALE Words and Music by JACKSON BROWNE Medium beat D c D cs 4 fe Tm hangin" on to my peace T just don't know, — just want to let them — roll. Sa eg vrved> sg A RR SSS eo light and joy, — oh, 136 Geo a dy $ Don't let me see that morn ‘eause I don't need those— dues, It’s just the same old— but they call it the news. TIL tell you what would-be fand what would set_me— freea7 0 D a ee thing happened to that just hap-pened to. me.— Tl nev-er let her go. 1 hear__ some - bod38 sneak-in' up be - hind, tura a~round, and to lose my_ mind, hear that sound, — = ba = by, ——— ing-in’ Uke a night ~ in ~ gale,—Hoo FE S\ We'll tell the Lord a bove_ she's got a brand of love — that can- not Welll let the fires burn and let the floods re ~ turn; — we will pre~ trail. — and that'sno Me, T'mhang-in' on to my spe ~cfal friend,° fey So fs ee 4 my in -spi-ra-tlon, lead on my heart and my soul and she knows justi Fee neat ee % Ht: a fag e* D.S. i Es cag et Just don't know. — feSE 320 Repeat and fade piepeat and JeTAKE THE DEVIL Words and Music by RANDY MEISNER Moderately slow Four times Fim? Fim? Brauss ee up your eyes, take the dev ~ il fromyour mind, Dade) A os Fhmtous4 Fimt he's been hold - in! on to you and you're 80 Hi AS ‘The wind out-slde is cold, rest ~less feel - in in myA cs FhmTeus4 i (edd) tempt - in! me to get__a-way_ but there's. no place et ==S2S5 help me not_ to let__ my be so blind? oh, how could youFimtsus4 bya) eo rrr prertrer ¥ + re SSS Py a ull“CHUG ALL NIGHT Words and Music by GLENN FREY Moderately bright (double time feeling) ed ES FS ES Be pe we A know when I want you, — ‘And I've been mean-in’ to tell — Z it toe fe you, ba - by,— that if makes—no sense, sul tm om -FS os, FS ral ly g aH peer convinced, a et tees SSS I be - leve- we could chug all night, — I be = Heve— we could hug— FS eS PSE te) ‘The band ae a is loose-and the groove ts right, = oS Weve we could chug allFS. & et that I'm hung on «mn Y'm blind and black— and blue Se no one— else wall chug all — ight, — gig =F hug all MaeTacet oe ae ee eo 80 much wom -an, be-Heve we couldchug all night, — oeWelregon-na doa lit He chug-gin’, ppt eS SSS SSS band 18 loose and the groove is right,— Tm wired for sound,_ are you wired. = = = = pet SS — for ght? And you're eve we could chug all ——— aTRAIN LEAVES HERE THIS MORNIN’ Words and Music by GENE CLARK & BERNIE LEADON Moderate Country feeling sus E Esusd © © @e @F = ly the wrong — right — place at ex ~act rereif > # & —— as well have been — com-plete-ly blind. _ ocr mo , — There's @ train leaves here this54 Geo She signed —_me to con= tract, ba~ by sald itwould all — twen-ty North Co ~ lum-bus ‘was the ad T wrote — T looked a - round — then for a T don't know —— just what she reason when there wanted, might have beer SS eea: a! But if time makes a dif~P'rence _while.we're gone, and 1 watehed "ag % amok -er" passed it on, ~ h Bie eee hae Paw = : ' - ot55 = # tell me now and T won't be hang = tn’ on, and I laughed when the joker sald,"Leadon. ‘There's a train — leaves here this morn-in', I don't ‘Cause there's a__train—— leaves here this morn-in', don't, what I might be on. — what I might be on. wveshere this mornin', I don't know ——58 DESPERADO Words and Music by DON HENLEY & GLENN FREY Slowly G cméthese things that are beat you if she's a ~ ble, — you know the queen of hearts is al - ways yourbest bet... (SS eet z Sa SP pe Tr OPO = SS =58 Em Bm? c prt oe a ie es _ i some fine things have been ‘ones — that you can't get.— but you on ~ ly want— the a your pain and your hun - ger,59 @eiv- in’ you > = ———— walk in’ through this sky woo't snow and the sun won't shine, t's hard to tell the alght - me fromthe = 2 __ P=Pero = _| ¥ER Bm7 Hg fie ee You're los = in? all__ ‘Ain't it your highs— and lows. — why don't you61 It may be rain - int, You bet-ter let some -bod-y love you bet=ter fore it's too“DUT OF CONTROL Words and Music by DON HENLEY, GLENN FREY and TOM NIXON Moderate Rock ‘Tacet Fe all shin = int down. — don't the sky SS {© 1979 CASS COUNTY MUSIC and RED CLOUD MUSIC ‘rFighs eseredcan hear the be eo high and lone - some sound, — my— starv - in! soul ——— sad- dle up, boys, we're gonna ride in - to town,__we're gon - naE nee FY ont Hs #55 = = === SSS 6 SE = = get a Uit-tle out of con - trol. and the bar - maid smiled at me. oe 6 ON ifort, pe eT: 6 Se fand she brought_me a drink. for free. — tippedher a sil = ver dol ~ lar.65 All_ the town ~ folk call her the cheap_ call her Flo. Leor youknow I'm the one you want_ to Well, rl68 bet-tin! my money on an think I'm get- tin’ out of conTEQUILA SUNRISE Words and Music by DON HENLEY & GLENN FREY Moderately s at70 Gmaj? G6 = He was Just a hired hand work-In' on the dreams he planned to try, Ev-Iry nlghtwhenthe sun goes down,— just an-oth=er ‘and she's out run~nln' "round, —————__________—n She was-n't just an - oth - er wom - an | keep from com = tn! on,—— {t's been so ong. nd it's a hol -low feel = int, down to deal ~ in! frlends, ft nev-er ends,3 Em? > Am. til ie Ia sun ~ rise, this old world still looks the same,— ey i itt st an - oth-er frame, —4 DOOLIN—DALTON Words and Music GLENN FREY, JOHN DAVID SOUTHER, DON HENLEY & JACKSON BROWNE Slowly A. alot Fim76 Fim ae ck Fim a fat Ge Go down, Bill_Dal-ton,it must be God's will, twobroth~ers— ly ~ in’ deadin ‘Two vole~es call_ to you from where they stood, | — your. law ~ books now, they're ‘ul your— De = =) ==TWENTY ONE Words and Music by BERNIE LEADON, Fast Country feling ‘Tacet and strong as can't give the rea should ev er want to die,that fe will ev we have just be-gun,—friends will be a-round.85 I can't give the rea = son er want to die. oO # = SS SS i =F Repeat and fade86 DESPERADO PART II Words ond Music by DON HENLEY & GLENN FREY Very slow D Ae Bm Fim D A Bm HE } mp A litte faster Fim? chm? Fim? ae, oe ae ‘The queen of dia ~ monds let you- down, she was just an emp - ty fa ~ ble, ‘Your twist - ed fate_ has found you — out and it's phe bisect f. === rmD on Fhmt i i & a stole your dreams and pald— you with re > ee ane ss E/6t, ‘e i up) Ig there gon-na_be ne ‘is there = gag fide } fRepeatand fade ar D> A 3DOOLIN—DALTON PART II Words and Music by GLENN FREY, JOHN DAVID SOUTHER, DON HENLEY & JACKSON BROWNE D Fim7 (adap) Slowly Tacet HH Be Well,the stage.was set, blood-thirst -y by stand- ers, will you try to find your seats?"_ Watch 'em_ duel~ if»BUll— Doo ~ lin,‘UTLAW MAN Words and Music by DAVID BLUE Moderately slow, with a beat Emee _— fT a‘ 7 | Se MT ay, cp tTeeey a vou! vel | | ae ; oii] ‘otal all 4 al ‘Tl +. *poe ee ws = — head-ed for O- kla-ho - ma, I was rid ~ in’ night and day. quick - ly come and ie tr or SFWom=an,—_ don't = SS 2 Ife up-on__— the road____ i the life. of an out - lawAm? ‘Tacet Woman, don't_ try to love_ me,don't_ try the road ig the life of an out ~ law.eee erent ous =a = SiS Out =taw maCERTAIN KIND OF FOOL : sie by RANDY MEISNER, GLENN FREY & DON HENLEY‘They sald that he was Kind that no Ia - dy should meet, yeah, he wants to101 > o oh, yeah, he wants to see the lights a-flash- in’ and ls -ten to the thun -der ring. emooth. in his102 Hee prac-ticed for— days — with-out rest, — fand then one day he felt103 yeah, and it's a > ie104 ee HE Tacet ‘Apost-er on a store ~front, the plo-ture of a want-ed_ man, —105 Tt was - n't for the spread-ing like fire. through the land, ‘Tacet > af ie fi go least tt did~n't start that— way mon ~ ey, at D if ev-try - day. now he's run-nin!“HITTER CREEK Words and Musie by BERNIE LEADON Moderately slow G/D gp — im —— to find the cure. 2 old man told- me,107 he ev > er hap ~ pened PS re oh crit He | 4 = t me Ee j = at * ht — sees find - ing sweet ~heart. ‘and hold - ing her tight ?__ ‘ choos = ing and los = Ing fight? he Ss SSS114 py ae ae Fe She sald, "Tell me,__ was Tall right?" She— said, "Tell me,— fare you all right?” What -ev - er hap-pened, to Sat - ur ~ day night?115 pass - es the tme_ ~ stance.116 s Em. c/a what ~ev ~ er hap-pened Sat ~ ur - day"7 THE BEST OF MY LOVE Words and Music by DON HENLEY, GLENN FREY & JOHN DAVID SOUTHER Moderately slow ° ° mp legato with pedal throughout aa Ev-er-y night I'm ly-in' in bed, hold-in' you close-in my Beau-ti-ful faces and loudemp-ty places, look at the way that we dreams; — think-in' a bout all the things that we ives eas wast-in' our time — on cheap talk and wine 121974 CASS COUNTY MUSIC, eB CLOUD MUSIC and EM APRIL MUSIC INC, Ii Ripite Resend118 Em 0.000 com-in' a-part__ at the seams. We try to talk it o- left us sa lit-tle ‘That samecldcrowdwaslike a Dm Em FR] HE ver words come out cold dark cloud ‘we could nev - er know you were : the best of your— here in my the best of my — sweet dar ~119 you get the best of my — sweet dar - lin, you get the best of _my— love. I'm go-in' back in time— and it's a qui-et — night— and 1120 G7 2000 i ir way, and what's gon-na hap-pen to ~ day; —__ it you vs see it mine, see it slip-pin’ a - way.121 Em Em 0.000 0. 000 You know we al-wayshadeach oth-er, ba - I guess that was-n't_e - nough;— cr c 2000, 2,9 here in| my heart __ of give you the best — sweet dar - lin’,122 I Words and Music by ra Moderately slow (J d= 4 2) Tacet with pedal throughout SS time went so quick - ly, I went lick-e-ty~split -ly__ out to my ol’____fif-ty- 3 3 3 five, As 1 pulleda-way slow - ly, feel-In'so ho - ly, God— 3Ty F/G o7 x S00 3403 5s knows I was feel-in’ I 123 = = free-way cars and trucks. — Sta rs be = gin-ning to fade, — tia ; and I lead the pa - rade;126 wish -in’ I'd long - er, GEE HE HEH Now the cars are all pass - in’ me, trucks are all flash- in’ me, 3I'm head - ed home — from your Pl Em7 F/G 2000 lace. c7 ne 000 125 rid-in’ with La - dy Luck, = a, F/G. Ge ea Hitt} i HE SS - SS a — = ae > et —— Stars be - gin-ning to fade, So =aee. 4126 lead the pa ~ just a wish-in' I'd stayed_ Lord, — don't you know — 3 Repeat and fade Em7, a 6 Coda "09 Free-way cars and trucks, beat and fad feces ee SS rid-in’ with La -dy Lack. —JAMES DEAN Words and Music by JACKSON BROWNE, JOHN DAVID SOUTHER, DON HENLEY & GLENN FREY Moderately fast Rock beat B/A know just what _ you 17128 know my life — would look all right if I could see it on the sil - ver screen,_ You were the low down —reb-el no cause,_ James129 you said it all 0 know my life would look all right talk a-bouta low-down bad re-frig-er - a-tor,you were just too cool for school.130 hop, so- da pop, bas-ket-ball and au - to shop, the break-in’ all the rules, James Dean, James you said it all so clean, —131 would look all right_ if I could Won-d'rin' who he might be; — = long came a Spy - der,132 B Ez A at HEE EHH took him down the road James ought it sight— un ~ You were too fast to too young to133 you were too fast134 ALREADY GONE Words and Music by JACK TEMPCHIN & ROBB STRANDLUND Moderate Rock beat eu 0 heard some peo - ple talk - in’ just the oth-er — day,__ let - ter that you wrote___ me ‘mademe stop and won - der why, and they said you were gon - na put ___ me but [guess you felt like you had —— to135 But let me tell youl got some news Just re - mem g BE and you'll soon — find out__ it's true,_ and then you'll when you look up in the sky — you can cate have to eat your lunch___ all by___your- self. ___ see the stars_ and still not_ see the _ light. aise tm) ay : eee136 ‘woo, hee, hoo,197 who held me down; _ who set me free.— Ba of-ten -times— it hap - pens that we138 D i HE D.S.Hal Coda® have— the key. 3900, —138 20 T will sing_ this vie -t'ry song, — ‘cause I'm al -140 ON THE BORDER Words and Music by BERNIE LEADON, DON HENLEY & GLENN FREY Moderately Chm E c 000 3000 sk Cruis-in' down the cen-ter of a two-way— street, 20 990 mind-in' my bus -hess,— won-d'rin! who Is real-ly a ~ long comesbig broth-er, says"Son, you bet-ter get on outon the bor - der, 1a one side or the oth - er. ‘walk-in’ the line. — Don'tyou tell me "bout your I'm try'n' to change this__ wa-ter to wine, hard_ day142 EEE Tacet _ (Spoken) ‘out of no-where some-bod-y cuts In— and says, "Hmm, you in some trou-ble,boy, we jade I'm out on the bor T'm stuck on the bor Ithought this was a pri-vate line. —_ I want-ed wassome peace of mind. ee ee oo143 EB To Coda Nev-er mind your_ name, just_give us your num - ber, simile nev-er mind your face, — just show us your card, — ——_ ‘And we wan-na know ___ whose wing are you_un -144 you bet-ter step to the right wa-ter to wine, Repeat and fade ooo xdo oro ° on the bor145 YOU NEVER CRY LIKE A LOVER Words and Music by JOHN DAVID SOUTHER & DON HENLEY ‘Moderately SS fe = Younev-er cry lke a lov-er should, _ c or or see the sky through the stone— and wood, — 1 1874 EMI APRIL MUSIC INC, and CASS COUNTY MUSIC [ALFights Reserved146 G7 younev-er cry like a lov - er. I thought I saw some- sleep-ing deep in - side — Em I could catch you in an un-guard-ed mo - ment, T'd stay right there be~side— G7 ° 2000G7 3990, laugh too much, out loud when we get it right; G7 3000 —— light, you nev-er smile like live with you, ‘And some-times I 147 G7 you can't get loose if there's can’t live with - out — be - lieve in148, some-times I doubt___ it. 000 pe 5 goes on Mike @ bro-ken-down car - ou - sel — 1000 a where some-bod left the mu - Gr c G7 xo00 ° 3000 You ney-er move like you used pour it out when you're149 feel-in’ blue; some-bod-y musthave putsome pain on you, __ Se 3800 < - — younev-er cry like a lov = er, younev-ercry like a lov - er. Se So ¢ j ea G7, Repeat and fade Go oe i Ht yp FI — Come mand cry. Repeat and fade — ———MMONIGHT FLYER Words and Music by PAUL KRAFT Bright Country style D Mid-night Fly en ~ gi-neer,.won't you let your whis-tle > 1172 81975 RocaY TOF MUBC, Ne181 3000 Mid-night Fly ~ paid my dues and I feel like trav-'lin’ on. {4 J run-a-way team of hors-es _ain'te-nough to make me stay, so__ throw your rope_ on an- May-be I'll go to San-ta Fe, may - be San An - tone; an - y town is oth -er man— and pullhim down your Make him in - to some- where I'm bound- any way to —get_ me Don't think a - bout —182 s. m m, x900 o ati) aa to take the place. of — me, never let. me cross— your mind, kind of fool you want - ed me to be. hear that mid = night lone-some whis - tle whine, Mid-night en ~ gi -neer,— won't you let your153 Mid-night D Bm Em A ° 9,000 ono pald my dues feel like trav-'lin' on, - Em 000 leu feel lke trav-'lin' on._ be 3800154 A GOOD DAY IN HELL Words and Music by GLENN FREY & DON HENLEY Moderately GuitarA (Capo ‘3rdfr) Hee Pigno—>C G won-d'rin' why she haunts you,155 G s000 9 © beauty in the dev-il's dis -guise. She can tell you all a-bout it, - she'll burn you if you try to puther down. well, it's been a good day in mor-rew I'll be glo - ry bound. High = er,—186 a dev-il's on the phone;_ In that big book of names_ I wan-na go down in flames see-in's how I'm go- in’187 well, it's been a good day in hell__ and to ~ mor-row I'll all that I been do every ginl's a fork feel- in’ ke 1 wan - na ex - plode._158 allthis grat-i-fi- ca - tion and sick con-ver-sa some-one get me out of town, Oh — well, it's been a goodday in hell and to - mor-row I'l be glo - ry bound.158 MY MAN Words and Music by BERNIE LEADON Moderately slow *cuitar—26 maiz Ba Piano—- F Bbmaj7 Gm Soe ong g HEH fais Fal? oy how do you feel; likeyou're roll-in' so that you're ae g z spin-nin’ your Don't feel “*ouitainte; Tune all weings down one whole step,you're bound to get tripped, and what can you Just go a-long_ till they turn out the lights;_ there’ noth-in’ we it made— be-yond the pain,161 FH Dm who must re - main goon liv- ony aint Fmaj? = once knew a man, ver-y —tal-ent-ed guy; — sing for the peo-ple cry. = ‘They knew that his song— came from side;_ you could162 hear it in his voice and see it in his eyes, And so he = old called him home, ——______ My man's. got it made; — he's gonewho must re - who— must re - main — just the same.168 IS ITTAUE? Words and Music by RANDY MEISNER Moderately Pp pyct Bm Hf HGR Ht with pedal throughout D pict Bm Ha How come you love him when he he's on - ly look-in' for a When we were young we did- nt you were hung up, T had a good time, good line. I nev-er knew it then but, man, [was inD p/ct Ht he's not the best thing that you how could see it, leav-in'? 1 I know can't it) was the tbe - lieve it, you've lost that feel - in’ Is Is it it 165 ey could find, right time?. Em? 1 just can't you might be Gm? true? true? Ts that you?———______166 cm7 D pict Bm A — Don't wan-nafind pyct if = Ht there was-n't much I could do. Yes, I was so wrong for lead-ing you on, Bm A in I was a wild one, but I can change some, —167 you've lost that feel - — you might be Repeat and fade Dp D/ct Bm A D pyct Bm A Jeav-in', She's real-ly168 LYIN’ EYES Words and Music by DON HENLEY & GLENN FREY Bright Country style ‘al Tacet sf Cit-y girl. just. seem to find out Instrumental — She gets up—— and pours her-self__ a how to o = pen doors_ with just a smile... strong_one and stares out atthe stars up in the sky. D Gmaj7 rich old man, and she won't have to oth-er night, ‘Ws gon na169 Am a rg my she'lldress up all «= in lace and goin style. —— one: she drawsthe shade and hangs— her head to ery — — Late at night a_—big. old house— gets lone = On the oth-er side of town a boy is wait- —_ She won-ders how— it ev-er got this. cra- 1 guess ev = "ty form of ref-uge has its with fi- ery eyes— and dreamsno one could she thinks a - bout— a boy she knew in170 = ‘And it breaksher heart_ to think her love. is. on She drives on through. the night an ~ tic i - pat Did she get tired. or did she just_get_ la eiv-en to a man— with hands_ as cold as ice— “cause he makesher feel the way—— she used to feel— She's so far gone she feels__ just like a fool tells him she must go. out forthe eve rush -es to his arms,they fall to - geth- My, oh my, you —sureknow howto. ar1m Am, ae a ning to com-fort an old friend who's feel - in’ down. er: she whispers that it's. on - ly for a while.— you set it up so well, so. careful = ly. range things: But he knows where. she's go. in’ as she’s She swears that soon she'll be com = in’ “back for Ain't it’ fun=ny how your new life did n't — > oO a headed forthe cheat - in’ side of __ town and leaves him with a smile you used to be leavin’; she is evo er she pulls a - way cchange.things: you're still the same— old girl,172 You can't hide =~ your, ty = in’ eyes. there ain't no way to. hide your ly - in’173 DSM alCode There ain't no way— to hide— your ly = in’ eyes.. Hon-ey, youcan't hide— your ly ~ in’ eyes.—14 ONE OF THESE NIGHTS Words and Music DON HENLEY & GLENN FREY Moderately: Em ia cmayz = = = ae _ : ee ts = SS eee fone ofthese cra = zy old nights__ we're gon-na fone of these lost___ and lone - ly dreams; we're gon-na hf. e ep — | - = a ae ee ee 4 === find out, pretty ma = ma, What turns on your lights.- find one. fone that teal = Wy sereams..175 Em/D high and the the fe - ver is Pve been of the dev - il him - self; — The full moon is call - ing, Tve been searching for the daugh - ter cmaj7 = You got your de - mons, Tve been wait-ing for a wom-an who's whis- pers and moans. — in white, wick - ed wind search-ing for an an - gel Bm? = © well, 1 got few of my own. Ther but she’s no-where in sight. you got de - sires: fit = le of both, and 1 can’ feel176 cmaj7 ee 7 —— = toe et Se io t some-one to be kind to in be-tween the dark and the light; — Tone - li ness will blind you in__be-tween the wrong and the right; — 00, com - ing 00, com - ing right be - hind you, right be - hind you, swear I'm gon-na find you one of these nights. One of these _ swear I'm gon-na find you, of these nights. One of these —cmaj7 Gmaj7 Tight. in be-tween the dark and the BES a cmaj? ae == ———————= com ing right behind you, swear T'm gon=na find you, — = 4 =a Fry Repeat and fade (vocal ad lib) maj? Hes nights. get you, ba- by, one of these nights. — — Repeat and fade178 TAKE IT 10 THE LIMIT Words and Music by RANDY MEISNER, OON HENLEY & GLENN FREY Py Moderately slow (J d=, Tacet at the end of the eve - ning, and the bright lights all your time mak-ing mon - ey, you can spend all ae fad - ed to blue 1 was think ing "bout a wom-an, love mak =~ ing time Ir it al fell. to pec - es. 3 who might have to- C/E, Sa and T nev ld you stil178 al = ways been a dreamer (spent. my life run-ning ‘round),- and it’s so hard to look - ing for your free - dom. (no = bod -y seems to care), and you can't. find the SS = = a —* a = chanee (can't seem to set-tle down). but the dreams_ T've seen door (can't_find it’ any where), when there's noth =~ ing = tobe Zz 3 Sed + 3 5 _ —— _ & = =a +4 Fa === = 34 ve: ————— Kgep On tumn-ing out and burn-ing out and i slill you're comeing back, you're run-ning back, you're turn-ing out the same. com-ing back for more.180 FE a SS ep Ss 2 ist et Sipe eles ete ett 3 - cI 35 3 ,. — 23S SBS ES Take it to the lim - it take it to the tim - it, take it to the lim = it fone more time181 AFTER THE THRILL 1S GONE Words and Music by DON HENLEY & GLENN FREY Moderately slow o g i Re i Same_dane-es in the same old shoes, some. hab-its that you just can't lose;— there's no tell-ing what a man might use the thrill is ‘The flame_ is - es but it’ soon de - scends,. emp-ty pag-es and a Time— pass - es and you must move on,—~ half the dis-tance takes you Same_ dane-es in the same old shoes,—. you get too care -ful with the182 oO rue] fio = ren pom you're not quite ov-ers and you're not quite fends twee’ “as ons so you keep “on sing-ing TOF the sake "of the songs | Steps you choose youdon't care about win-ning but you dont want lose. i 8 To Coda af = ter the thrill = af - ter af -ter the thrill ——— af after the thrill the thrill is-—_gone. ter the thrill is gone. Em What can you do—— when your dreams. and. it’s You're afraid you might fall out of fash and you're sAm? Em, Bmz aa Fe not quite like. you planned? What have you done. to be os - ing the one, you feel-ing cold and_ small, ‘An-y kind of lovewith-out pas - sion, that ain't TiiJs77 gd ed ea TpTeuee pa DIDS al Code fe eer SS S=2 held itso tight in your han no kind of lov - ing at all, af-ter the thrill. is gone, af-ter the thrill is gone te eres ee es) | ee164 HOLLYWOOD WALTZ Words and Music by BERNIE LEADON, TOM LEADON, DON HENLEY & GLENN FREY Moderately (fd=J 3) ‘Tacet Gutter C Em? (espe gp - sini iE fy Panos F. Hye Spring : time, and the a - ca - cias are bloom She looks an - oth er year old - er Spring and the la > dy is griev = ing — the — Dm? a a a = eee — : = = —— = fs cs | =f ? # ¥ + south-em Cali = for ia will see one more. day. too man - yy lov = ers who used her and—— ran. But Jov = ers just" stand there with noth - ing to say They |, 35 (01975, 1978 cass COUNTY Must, Reb CLOUD MUSIC and LIKELY STORY MUSIC AA Rigns Reserved185 Am? Bb the birds are a Dream : land, and bus’ - ness 1s boom: ing: some nights, oh, she looks like an an gel, and she's al - ways got what they want - ed; they're pack - ing and lea = ing— to look for an- 3 e 3S 1 drift a - way. sing ~ ing at will - ing—— to hold you a - pain. oth 5 er fo love the sameway. t186 all Learn how [P she eave more than she’s tak = en, and Til go down— do-ing the Hol = ly = wood Waltz. c Four times , Cola F clr { ae ae Fe a I F Bb F/A Gm7_ 4 Bb F/A Waltz The Hol - ly - wood Waltz. Four times100 MANY HANDS . Words ond Music by RANDY MEISNER & DON FELDER Moderately Tacet one of __ a kind, some-times hard to. find, like a beau = ty all a flight: al - ways seems to. tum the tide at she’s for Ai igh eres188 all her glo - ry, there. is no. rest 2 should know. ture — ing could aid good tell that for you some sto = ries best do ~ ing what is And there's One of these on her. to you. One of these SF a ee Too man-y eyes will neveer see that it's days she” might shake you to” the — ground. But her = ts189 dmg - ging her down: but you won't hear =a sound_ fire is still burn ing, ander heart is still yearn = ee oe ing tobe found. — DS K tore )a1 Guta ¢ Repeat and TareVISIONS Words and Music by DON FELDER & DON HENLEY Moderate Rock beat ‘Tacet ft — be that will nev -ergrow old. _ Sweet ba - by, I191 just a taste_will do, Fim Dost you ever think 4 = bout the ath = er all your fan = ta-sies;_ helps you and Go ahead and live till you wear out your blues: Dance... an ~ gel, dane B ty estates ea rae ie pet SS oo lose. get from where. you are you got noth-ing 0 lake an - oth er chance,—192 tae me 8 te a a 7 Be fai = HD tiT Ary spe fe es oF = =F —— you do the best you can and. you maleyour mis takes, Gin, you drive me wild whenyou "do. what you do, ont Bt es, o/s — _=— - B SS i — ‘cause all = 1 have__ to give - if 1 can't have it all_— ro cou — is what-ev-er it takes. — just a taste_will do.Play on,— ade - EL Ching - lay on, Pl194 JOURNEY OF THE SORCERER Music by BERNIE LEADON 2 Ant195 No chord Repeat and fade196 | WISH YOU PEACE Words and Music by PATTI DAVIS & BERNIE LEADON Moderately, in 2 cmt am? A - 8 ae I wish you peace when the cold winds blow,— I wish you hope when things_are go = in bad, imp legato with pedal throughout B9/DE Bo Bm? Dm6 £6, Bb9-5 Amajo a ee i Ff ie wish you com- wish you shel ‘ warmed by the fire's kind words when times are slow. sad, p iE fort inthe and arms to hold — ter from the cool - ing wa =197 when you : wish you atthe when times are a the light to guide you through the dark,———__ And storms are and your, your dreams. oOo ™ when198 you the strength. to let love 1 Cat eae let__ love flow. 1 wish you 1 wish the you strength to I wish you the strength t let love ee | = 1 wish you the strength. to let__ love go.HOTEL CALIFORNIA Words and Music by DON HENLEY, GLENN FREY and DON FELDER Moderate Rock beat Tacet On a dark des-ert high - way, mindis Tif - fa -ny twist - ed. 197,177 CASS COUNTY MUSE, REO CLOUD MUSC FINGERS MUSIC hgh toaved cool wind in my She got the Mer - ce - des etl oa) 199smell of co- Wo - tas— lot of pret-ty, pret-ty boys —3— 3 ris - ing up through the air. Up a-head in the that she calls friends. — How they dance in the 3-1 saw a shim-mer - ing light. sweet sum-mer sweat, —3— My head grew sight grew Some mem - ber;201 Ft am ° Ga a aap Thad to stop for the —— night.— ‘There she stood in the some dance to for - get.— So I called up the —3— a ae a 1 heard the mis - sion bell. "Please bring me my wine." He said, —3— 1 was think - ing to. my = _—self:___ this. could be We have-n't had that spirit here — since * heaven or this could be _ hell. nine = teen six - ty ~ nine.” And still those an Jee) rr 3—and she showed me the can - dle, voic-es are call - ing from far ‘There were voices down the cor = ri - dor;_ 1 thought I heard them wake you up in the mid-dle of the night just to hear them - SWel- come. to the Ho "Wel - come to the Ho = — = ly place, (such = ly place, (such FiPlen-ty of room at liv -in’ it up—— at the the Ho - Ho - tel cal tel time— of year, sur pris a = + 7 - time of year— sure pri ) you can being yourMir - cors — Last thing — ao} pris - on = ers here— of our own Pas - sage back to the place 1 was— be - fore. —s— y 2the mas - ter's — "Re - lax," said the they ath - ered for —the feast. pro - gramed to re > ceive. —s— —,7 7 —— 3 — ‘They stab it with their steel - y knives, but they You can check out = an - y time you like, but - 3— — kill the beast. nev - er206 NEW KID IN TOWN Words and Music by DON HENLEY, GLENN FREY and JOHN DAVID SOUTHER Moderately Tacet ‘There's talk on the You look in her © 1976 EMI APRIL MUSIC INC. ‘ArFights Recered it sounds so fa-mil - lar, the mu - sic be-gins to play.207 Fim? B A Great_ex - pec -ta Hope-less ro - man ev-'ry-bod-y's here we Peo-ple you mee But af-ter a while— oe 8 or 4 =< they all seem to know— you. E-ven your old — = you'te took-ing the oth - er way. e's those rest pa ee eeetct = f= mis He a 5 oS . B E Gtsus4 ot — friends = hearts208 Chm FE cém FE 3 : 3 John-ny-comedate - ly, the new kid John-ny-comeiate - ly, the new kid a a iam a Ev-"ry-bod-y — loves— you, so don't let them down, — Will she still love — you’ 2. Fem7 B A Gtm tm ‘Thete's so man-y things you should have told her, ra 3chm ; om He SS ee eee 0 gif é \ ny c377 3 \ ft SS =p ge e Se DE ‘There's talk on the street; it's there to re~ ae a PF Pee Hee LS —_ = that it does-n't real-ly — = 5 _ Z fort - pe py You're walk-ing a- wayS ® ° —I— 3 — you. ‘They will nev- er for- get you ull --3— i - 3 some-bod- y new comes a —i_] 3 Where you been I late = ly? ‘There's a new kid in town, = Se SE loves— him, don't they? Now he's hold- ingan B E Gtm7 A ? —.— hie ae aH her, and you're still a imap tas ‘There's a new kid in 3 Gtm7 ae o37F just an-oth-er new kid in T= ctm aa Ev-'ry- bod- y's talk-ing "bout the new kid in town,212 new kid in town, new kid in town, 1 don't want to hear it.Therés a new kid in town, si new kid in town, There's anew kid in town, Repeat and fateLIFE IN THE FAST LANE Words and Music by DON HENLEY, GLENN FREY and JOE WALSH Moderate Rock beat Tacet 213 , SSS — ~ ————— oe SSS 5 we ee ———— te - = : ¢ SS : acdvhesd ved tn ==«Hewaesbru ial iy hind some ara snub seeidod cert ne Gedo ine eS eer = com - ing at ~ trac - tion, and she was _ter-micnal-ly pret-ty,ara —_ She held him up, and he held her for ran som in the heart_ all the ight peo - ple; they took all the right pills, They threw yt ad Fl + = of the cold, cold cit = y. hada geous par-tiesithey’ paid heavy - i - ly bills. ‘There were nas - ty rep =u - ta - tion lines on the mir- ror,was ruth not to said he tend ~ ed. ~ less; no-tice; they said he she was caught up in the— crude. race. B7 et one Out thing in ev - "ry ‘mon: ning they were un - tl it good in Tight, She'd he say, 218 gi == — +7 = SS = ee "Fast - er, fast. - er. Me Ughes are, tucncin’ rede too tired to” make— ity she was 00 tired to fight a-bout it. = + ie a216 Tacet HEH Tacet in the fast lane sure-ly make_ you lose your mind. Are you with-me so far? HEH Tacet eS Life in__the fast lane;ATH To Coda @ a did-n't see the stop__ sign; took a turn for the worst. — She said, ev tS SS "Lis = ten, —ba-by. You can218 pit tp tp pa up and down this high= way; have>n't seen 2 god - dam thing." He said, — think I'm gon ~ rush-in’ down that free-way; messed a - round and got 3,