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ALBUM DE BRODERIES AU POINT DE CROIX

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à marquer, les cotons pour crochet, les cordonnets et les fils d'Alsace D.M.C
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II'"^ Série Plancin

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11™^ Série Planche N° 5

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Il"»' Série Planche N° 7

Par Th. de DILLMONT
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DOLLFUS-MIEG & 0^ MULHOUSE-BELFORT-PARIS

11™^ Série Planche N" 12

Par Th. de DILLMONT
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11""= Série Planche N° 14

Par Th. de DILLMONT
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DOLLFUS-MIEG & Os MULHOUSE- BELFORT-PARIS

11"^ Série Planche N° 19

Par Th. de DILLMONT
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Patrons de broderies de couleur à exécuter avec les cotons à broder, les cotons ù tricoter, les cotons

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DOLLFUS-MIEG & 0\ MULHOUSE- BELFORT- PARIS

II'"^ Série Planche N° 25

Par Th. de DILLMONT
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I""^ Série Planche N° 26

Par Th. de DILLMONT
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DOLLFUS-MIEG & 0\ MULHOUSE-BELFORT-PARIS

Ime Série Planche N° 27

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Patrons de broderies de couleur à exécuter avec les cotons à broder, ies cotons à tricoter, les cotons
à marquer, les cotons pour crochet, les cordonnets et les lîls d'Alsace D.M.C
DOLLFUS-MIEG & C'S MULHOUSE-BELFORT-PARIS

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II™« Série Planche N° 35

Par Th. de DILLMONT
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II™^ Série Planche N° 36

Par Th. de DILLMONT
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DOLLFUS-MIEG & C-% MULHOUSE-BELFORT-PARIS

— f" —
i**l
Directions for Cross stitch Embroidery.
Various stitches,
seams for joining edges together, fringes, etc.
Since the first Album of Cross stitch Embroidery was published, our collection of materials and
designs bas been considerably enriched, so that we hâve found no difficulty in compiling a second
collection of patterns, in no way inferior to the first; both either as regards their importance as
designs, as well as their originality and usefulness. In ail thèse respects they may in point
of fact be said even to surpass their predecessors.
In the présent pages, we shall pass at once to the description of quite a new set of stitches.
Though perhaps familiar to some of our workers they are sure to be unknown to others, and
will, we hope, be favourably received by ail lovers of fancy work, as a welcome assistance in the
invention, contriving, and décoration ofnew articles whichthey can manufacture for themselves.
The directions which accompanied the first Album were déficient in a sensé we now hope to
remedy ; namely they did not give sufiicient particulars as to the materials and colours to be
employed in executing the designs, We now repair the omission, by giving this additional infor-
mation at the end of the présent pages, in that part which serves as an explanation to the plates.
Believing that thèse directions will prove a sure guide as regards the colouring of pièces of em-
broidery herein referred to the colours of the D.M.C card which, most nearly resemble the original
hâve been given throughout.
There, where, as far as could be seen from the traces still left, the colours hâve preserved their
first freshness, the brightest colours on the D.M.C list are recommended as a match, whilst wherever
the colours would seem to hâve paled from exposure to air and water, the quiet faded tints to
be found on the same list, will, we can confidently assure our workers, faithfuUy render their soft
and subdued tones.
Finally, we hâve, in gênerai, completed thèse directions by pointing out, to begin with tl.^
kind of stufF that best lends itself to the reproduction of the pattern in question, and most nearly
approaches in the character of its manufacture the old original stuff, and finally, by mentioning
the size of thread or cotton best adapted to the stuflF.
4 —
STITCHES.
Plaited Slavonic stitch.
(FlGS. I TO 7).
Plaited Slavonic stitch, called also 'knotted the left ; then follows a half stitch, whence the
stitch' bears a great resemblance to the Monte- needle returns to the point it first started from.
negrin(*), but it is easier than the latter and In fig. 3 the half stitch is finished and hidden
requires no more time and attention than the by the following stitch ; the third stitch which
ordinary marking stitch. ends at the fîfth thread is begun, and the needle
Generally this stitch is worked over three is directed obliquely from left to right under
and six threads, as shewn in fig. i ; but if a three threads of the stuff. In fig. 4 the needle
round be desired, it is in- returns horizontally under
dispensable to begin it
'-fL-SÏ#rïpp_^ the threads of the com-
over an even number of pleted stitch , so that the
threads of the material. outlining stitch on the
Several plates in this Al- |±|_L|J-|_ right is finished as you
bum represent designs re- pass to the stitch at the
produced in plaited Slavo- Fig. I. Plaited Slavonic stitch. top. In fig. 5 the needle
Finished stitches. passes straight, and down-
nic stitch and outlined in
l'u;. 2. FiG. 3. Fig. 4. Fig. 3.
First stitch of outlining to A STITCH FINISHED Outlining stitch to the Position of the needle for
THE left, half RETURN STITCH AND POSITION OF THE NEEDLE right and position of the returning to the lower
AND POSITION OF THENEROLE FOR THE HALF STITCH needle for an outlining DOTTED LINE MARKING
LINE,
FOR THE FOLLOWING STITCH. TO THE RIGHT. stitch at the top. THE HALF STITCH TO THE RIGHT.
stroke stitch, still the FFF5=n'-Tn wards from above, un-

manner, indicated in der four threads, then
figs. 2 to 7 of doing this following the direction
stitch, mightbeapplied indicated bythearrow,
for the most part to the needle passes obli-
ail the designs. quely on the right side
-1-3
In making a straight of the stufîand returns
Une, the first stitch undertwothreads. Fig.
ought to be taken in ffi EBÎE&fflSœ 6 shews first the posi-
FlG. I). SECOND
liliGINNING OF A l'IG. 7.
the width over six or ROW OF STITCHES AND OUT- A ROUND FORMED BY MEANS tion of the needle for
eight threads; but in LINING STITCH TO THE RIGHT. OF THE OUTLINING STITCHES. working the vertical
order to round the stitch, the thread must be outlining stitch, and the dotted line marking a
taken each way over four threads only, fig. 2, cross stitch and a long stitch for forming the plait.
fixing at once the first stitch of the outlining on Fig. 7 shews us a round, outlined and finished.
(') See Treatise of Album of Cross stitch N' I .nnd the Encyclopcdia of Necdlework, by Th. de Dillmont.
Slanting chain stitch.
(FiG. 8).
Amongst the 100 ways of executing one and the stuâ, after which, the needie having been
the same pattern given at the end of Album drawn out and theloop sufficiently tightened, the
N° 1
stitch is
is
the slanting
alsomentioned.
which can
a pretty stitch
chain
It MM
EffiteTlTl
loop is secured by means of
a back stitch, indicated in
the figure by the dotted
be used either as a ground line and the arrow.
stitch only or at the same Acharming effect is
time for making the design produced by using a rather
itself. coarse and strongly twisted
ii±i±ii±l±ii±ii±ii3!3ri thread for this
It is invariably as stitch,
FiG. 8. Slanting chain-stitch.
the figure begun
shews, such as Fil à pointer
at the bottom and worked upwards. The loop D.M.C or Cordonnet 6 fils D.M.C in the lower
is laid down slanting on the upper surface of numbers (').
Two-sided Roman stitch.
(FiGS. 9 To i3).
This stitch which forms a perfect square on carried diagonally over four threads and the
the reverse side can, in order to be two-sided needie passed under the same number; then
an
^ffl^ïffl .mffiffifflffipEffil
FiG. 9. Position of the needle

fflffidiU
FiG. 10. Second séries
» FiG. II. FiG. 12.
FOR BEGINNING HORIZONTAL OF STITCHES CROSSING THE FIRST Séries of Roman stitches The STITCH on the
ROWS OF STITCHES. IN VERTICAL LINES. finished. right side. REVERSE SIDE.
be worked indiffè- a second stitch is
rent ways. We made, the same as

hâve chosen ra- the first, so that
ther to describe on the wrong side
the simplest of the work, two
which leads soo-
'
rlTim-ptUT
threads lie side
nest to a visible by side.
and satisfactory Observe that
resuit. Rows of FiG. i3. the stitches that
horizontal stitches Roman stitch worked on fine transparent stuff.
form the square
are first made ail over the surface which is on the wrong side are always composed of two
to be embroidered , fig. 9, the thread being threads. In the vertical rows, the slanting stitches
(') See the lable of the sizes of D.M.C threads and cottons page 18, and their namcs and colours page 19.
complète the cross and tlie straight stitches form always présent the aspect of a perfect square.
the outlining of the crosses above and below, Fig. 1 1 shews the right side of several rows
fig. 10. As in the plaited Slavonic stitch, the out- completed, fig. 12 the reverse side, and fig. i3
lines of the design can be softened and moulded represents in natural size, the effect the stitch
by half stitches, so in the Roman stitch the same produces on a fine transparent stuff, as well as
can easily be done without destroying the shape the way to make the oblique outlines of a
of the stitches on the reverse side, which should design.
Two-sided Castilian stitch.
(FiGS. 14 AND l5).
The pretty stitch hère described may be the style of work, you miss from two to six threads,
substituted for the rows of cross stitch with but never more, if you wish the stitch to retain its
which designs are often bordered or which are peculiar character. By consecutively taking up
used as a footing to small borders. It can be made and missing the same number of threads of the
either, « two- material a
sided », that fcsssiffipriiii
fi-li-fi-f
stitch is natu-
is , alike on rallyproduced,
both sides, or which is the
with a right same on both
and wrong. sides. In a
Working it third and a
HixLT^lTiî-aMffi^^^
alike on both Fig. 14. Fig. i5.
fourth rowyou
sides does not Two-siDED Castilian stitch on a The Castilian stitch executed then introduce
MAGNIFIED SCALE. ON Spanish linen.
take any more a thread, that
time or patience than working it with a right and connecta ail stitches on the surface and fastensthem
a wrong side. You begin by making two rows together. In fig. 14 the stitches are seen in the
of stitches on the upper surface, over the same course of formation, in fig. i5 they are repre-
number of threads, at equal distances from each sented as they were in the original, and the size
other both ways. According to the material and they will be, when worked on Spanish linen.
One-sided insertion stitch.
(FiGS. 16 TO ig).
Beginning by a single cross stitch worked needle upwards and pass it, three threads above
both ways over three threads, you direct your the first stitch, under the same number of
fcErEffi±TEr^-EtEEDa
l^cErHirLW-f. M.P.-I
MTtffiS
'T4T4T-l-T-|-TfF
Lt4tp--
lDITO
FlG. 16. lie. 17. Position of tue l-IG. 18. l'iG. 19.Séries of stitches
First stitch and position NKEDLE FOR COMPLETING THE Cross stitch finished and FINISHED, AND POSITION
dp the needlë STITCH ABOVE AND FOR RETURN- POSITION of the NEEDLE OF THE NEEDLE FOR RETURNING
for the stitch above. ING TO THE CROSS STITCH. FOR THE LOWER STITCH. TO THE FIRST CROSS STITCH.
— 7
threads of the stuff, fîg. i6. Then, returning stitch , and the séries of stitches repeated as
to the Une of the first stitch, pass the needle shewn in fig. 16. This insertion stitch ter-
under six threads, fig. 17, and make another minâtes the groundings of plates 23 and 24,
cross stitch, after which add a stitch below, figs. which are bordered by it at a distance of several
18 and 19; this is again succeeded by a cross millimètres.
Two-sided insertion stitch.
(Figs. 20 to 25).
This insertion stitch requires rather more 21 a slanting stitch is shewn taken from right to
attention than the former, because the least irre- left and upwards from below across the first long
BBS 3BBE
PPf^^pf^
l—l— l—l— I
yykiiii-UiJjiJji^jLJîiii^jiiiiiiuiULO
Fig. 20. First long slanting stitch, FiG. 21. FiG. 22.
position of the needle for the Position of the needle for the Position of the needle
vertical stitch and for one running SECOND long stitch AND FOR PASSING for returning to the first
from right to left. TO THE VERTICAL STITCH. vertical stitch.
gularity would interrupt the Stitch; this is followed by a

course of the pattern on the re- stitch in a vertical direction,
verse side of the work. and carried upwards from below
Six stitches are counted as shewn in fig. 22, when the
every way for a group of stitches. needle is brought back under
Fig. 20 shews the first stitch the stuff to the starting point of
carried over 12 threads in width the first vertical stitch. This last
and four in height; then the FiG. 23. is seen again in fig. 28, where
needle passing from right to left Séries of stitches finished. the second group of stitches is
beginning again the first long stitch.
and upwards from below under marked by a dotted line. The
four threads ; ,,,,,,.^.^.,,,,,,,,,,,,,,,,,,.,,,..-,,..,,, ,,,,,,,,,,,,,,,,,,:,,,^^,,,^. right side of
whence again this stitch, exe-
descending to cuted on fine
the line from linen, is repre-
which the first FlG. 24. ShEWING the RIGHT SIDE OF THE FiG. 25. ShEWING THE REVERSE SIDE sented in fig.
stitch begun, TWO-SIDED INSERTION STITCH OF THE TWO-SIDED INSERTION STITCH

it 24, in its ori-
EXECUTED ON SPANISH LINEN. EXECUTED ON SpANISH LINEN.
passes once ginal size ; fig.
more upwards from below under the four threads 25 shews the reverse side where the stitches are
which form the centre part of the insertion. In fig. less close but form a very regular pattern.
— 8 —
Insertion with buttonliole stitches.
(FlG. 26).
This which covers the material very

stitch You begin by making a buttonhole stitch,
well, looks richer and better, worked with a soft drawnpretty tightly downwardsoverfour threads,
loose cotton, than with a more strongly twisted and then a similar one upwards over the same
one. We therefore number, asitwere,
recommend the opposite to the
use of Coton à first, so that the
broder D.M.C two stitches meet
(Embroidery Cot- rh±EbiTh''T'T'Ttr±rJT_l_i:lTJTJT-LXiT'XSiT'T'T'T'T'TiTlT'7
in the same hole.
Pr'TiTÎTHIxl-ErTlTlT'TTlT
ton) or Coton à In this way
repriser D.M.C you make groups
FlG. 2Ô. Insertion with duttonhole stitches.
(Darning Cotton) of five double
and more particularly, the latter, whenever it is stitches , six threads apart from each other, the
possible to use a différent material from the one whole length of your stuff which finishes the
you hâve chosen for the embroidery itself. insertion.
Ornamental seams for Connecting two edges together.

(FiGS. 27 TO 35).
In the description of the plates at the con- one longer stitch in the middie, over six threads.
clusion of thèse pages, we occasionally advise In fig. 29 three stitches meet in one and
that the small borders should be separated from the same hole and the groups alternate on either
the ground, or the narrow borders from the wider side, instead of being placed one above the other
ones, that each may as in the preceding
be worked separa- ^^MT3MÈ^^^ï^;^^Wf^\É^S^y^Mi^^^^M i-Ht It It il It lTff'HE±rlB
T-T|-
BitltlTÏiîiÎTîîf^^^ figures. The posi-
telyand united af- -li|iTi|i4i4i4-iii4i4^li+i+4i-^,4TlTiT!T4T4^^^
i-tT-T-trlT-'W tion of the needie
terwards by the indicates the posi-
edges being joined tion of the first
together. Fig. 27 stitch of a group in
represents one of fejggiStMlSME^ëiiM^sSEëÉt^^ the bottom border.
l'iG. 27.
the simplest of
Connecting seam with duttonhole stitches all of the same length. When this has
thèse seams. The beendrawn tight, a
thread is carried third stitch ismade
alternately, above quite close to the
and below, over two on the left in
four or five threads the illustration.
of the edge, whe- p-TiT'&lT I- liiTiTÏxL-H
rlrr|lWl|T-to|^^^ Then going back a
therit be a sclvage, HlTlTl-î^-^^^Tilf'T'TT'T
i7lj'7±dj_q-JTjTli ItItI-I-i- second stitch is
librnxixrLairr f iiLTÎTÏlÏTîlïlJxESSi
a turned-down l'iG. 2S.
made next to the
Connecting seam with uuttonhole stitches of un erent lengths.
edge or a narrow one standing by
i
hem, care being taken to miss and take up the itself, and missing from six to eight threads of
same number of threads on both sides. the upper edge, you begin the next group of
Fig. 28 represents a similar seam made with stitches as before with a single stitch.
two short stitches worked over four threads, and Should the work, when it is finished, look too
plain, or turn out it is as well todraw
to be too narrow lines on the foun-
for the purpose it dation before hand
is intendedfor, one — thena barof but-
or other of the tonhole stitches is
braids which are made to connect

hère given may be the two selvages, at
added to make it the end of which
look wider and two buttonhole
handsome. Thèse stitches, a little
braids are manu- distance apart, are

factured in diffé- set in the border
rent widths, of or selvage, fig. 33.
Fig. 2(j.
which fig. 3o re- OrNAMENTAL STITCH UNITING A PIECE OF MATERIAL AND A WOVEN BRAID. By means of thèse
presents the nar- you pass to the re-
rowest,figs. 3i and turning row, of
32 the widest. stitches which con-
For Joining sist of two loose
thèse braids to a Fig. 3o. Braid used for joining. buttonhole stitches
pièce of work or Origin_m, SIZIC.
and one loop over
stuff by means of the two lower
a Connecting seam, stitches. In the
as shewn in fig. third of thèse rows,
29, Cordonnet 6 you miss two
fils D.M.C Nos. double stitches and
10 to 20, or Coton one looseloop, thus
à tricoter D.M.C making a larger
Nos. 10 to 20 opening in the
should be used. grounding. In the
A fourth kind next row you make
of openwork seam as manystitches in-
frequently to be to thislong loop as
met with in the youmissed before.
beautiful embroi- After a plain
deries ofthe Slavs l'IG. 3l. lÎRAlD Lbi;u 1-OR INSKRTION.
row of stitches,
Original size.
in the South, yet you, again by a
remains to be de- long loop, make an
scribed which, opening on the
owing to the way other side. In this
in which itiswork- way thèse open-
ed, looks quite like ings, or eyelets al-
a lace insertion. ternate right and
The two pièces left.
of work or linen to The tighter
be joined, are first the stitches are
tacked parallel to drawn the better;
each other, on to
a stripe of paper
'lfF'V"W^ w ww w ww a verysmooth and
eventhread, which
or waxed-cloth, — FiG. 32. Braid used for insertion.
Original size. yet will give the
— 10 —
stitches a raised look, should be used, for in- thread) for slighter fabrics and fine work, and
stance, Fil à pointer D.M.C for coarse stuffs, Cor- two or even three numbers coarser than that
donnet 6 fils D.M.C or Fil à dentelle D.M.C (Lace used for the embroidery itself.
FiG. 33. FiG. 35. FiG. 34.
Openwork insertion Openwork insertion. The eyelet produced

for joining two edges. Original size. by missing two stitches.
Différent hems for embroideries.

(P'iGS. 36 To 3g.)
Coloured embroidery is finished off, someti- In fig. Sy the variety consists in two stitches,
mes with hemstitching, sometimes with an orna- covering the width of the hem only , being
mental hem which, if the selvage of the stuff be both worked in the same opening, and in two
a nice even one, longer stitches
can be worked BaTiTiTiTMTiTiEbdTlTlT±rlTlTj.TlT iTlTJrr 't^^^
lEEEBŒfEffiîffiFïa?KEEbSffi±rffi îKbffiî^ ^fPfFfPTP +^^KP^fmïtEtKS
separated from
îtriTJrrlxLTiThlTlxLTlTlTlTlTlTlTiTlTLTl
upon that. lffit[ffi?EbŒffiffiîffiTEP KatSftrtKtKtffiffiïEEEE
îftSbSSïSf^^Keî0SSffiStÉtsaaffl±a; the first by four
&lTlxLTiljT..l^liT4TiBlili^^^ 4T4T-k4T44T4T|T|Ti^
In order to I4l4i4i4l4l- threads which are

14141 -lll-fJfTf 14141414171-
make an ornamen- -1—1 -1 — t--I~!— I— 1— I— 1^ foUowed by two

tal hem like either 4lh'iRËHHlKSt]44b other stitches like
of those represen- the first one.
ted in fig. 36 or Anotherhem,
37 the eut edge of 41-
as original as it
'-\~i ii-i-i
iMt-jt-I I4l-l4^^[-l4l-^l
the stufif, if it be a 1-^-
ri4i- i4ii4i44i44iyi4i4i-fi-|Ui
141-
is pretty, is illus-
mi-ji fiTi4i4K
finematerial,must ,_ i-L |_ [-1, (— .ul'i— 1— iJ- 1— liLT-TT— 1^ J. I— I— i— I— i-i-,i_ J- 1. ±ll;4i^lii:y4l|i:i4l
trated in figs. 38
1417414
! I
first be roUed, if a
|_||_i4i4i4i4i44i4JiT TlTj-rJ-T iTJiriTiiMlTiTd
and 39. You be-
stout one, turned gin by roUing up
mma S=!I4
in and laid like or- about a quarter

FiG. 87. Hem or selvage ornamented with doudle buttonhole stitches.
dinary hem. This of an inch of the
beingdone,the edge as tightly
buttonhole as it will bear,
stitches are ail bringing your

made over the thread forward
rolled or flat from behind
edge, either Fig. 38. Hem rolled and embroidered. Fig. 3g. Hem rolled and embroidered. and passing
Enlarged scale. Original size.
eachbyitselfas over nine
in fig. 36 , or in close pairs as in fig. 37. In threads — counting from the
group of stitches last
fig. 36, threads are left between each stitch and — nine stitches are worked advancing only one
twice the number between each group of three. thread at a' time. The stitches must be drawn
1
tightly and kept ail in a line. It is advisable to covered by the stitches. Coton à repriser D.M.G
draw ont a thread for the hem that you may keep (darning cotton) is the best to use for hems of
it perfectly even. The stuff should be quite this description.
Purled hems for embroidery.

(FiGS. 40 TO 44).
Hère, the eut edge of the stuff should be forms a small purl or picot, which may again be
rolled, as explained in the two preceding figures, secured as before, by a pin ; the thread is then
and then overcast with stitches, set very closely tightened, and the space between the pins filled
âHumi JHÏÏID- mïiin>-:
FiG. 40. FiG. 41. FiG. 42. FiG. 43. Two PURLS FINISHED
Whipping or overcasting Formation Formation of stitches AND THE PASSING OF THE NEEDLE
of a selvage or hem. of the small purl. across the purl. TO THE NEXT PURL.
together as represented in fig. by five Russian stitches, as in

40. The edge of a flat hem or fig. 42, only that instead of your
a selvage can be overcast in the simply Crossing the stitches,
same way as in fig. 41 , the you take up the thread again
thread being carried from left before you go on to the follow-
Fig. 44. Séries of purls completed.
to right, so as to form a small Original size. ing stitch. (See again fig. 42).
loop, which may if necessary, be secured by a The purls can be worked at short distances from
pin ; the thread is then taken back to the centre, each other, as represented in figs. 43 and 44, or
where it is interwoven with the first loop and quite close together, as preferred.
Purls placed one above the other.
(Fig. 45).
Pattern 87, in plate form a very pretty sub-

No. 19, is finished off be- stitute for fringe or lace.
low by a hem and purls For making this trim-
as represented in the ad- ming you should take
,
Any one
joining figure. strongly twisted thread
who knows how to make of two colours, the one
buttonhole stitches or to suit with the shade
scallops will find no Fig. 45. Purls placed one above the other. of the stuff, the other
difficulty in making purls of this kind, which with that of the embroidery.
12
Albanian fringe.
(FiGS. 46 TO 5o).
The fringe, hère described, which is also than 10 c/m. as otherwise the twisting of the
referred to in the text belonging to plate 29, is little cords is very troublesome. The threads
the most suitable one for embroideries that are which were left uncovered in the first row, are
the same on both sides. covered in returning and thus the upper halves
FiG. 46. FiG. 47.

First row of stitches for the two-sided chain stitch. Second row of stitches.
FiG FiG. 4g.

Third row of stitches FOURTH ROW of STITCHES.
Before drawing out the threads of the ma- of the links of the chain, figs. 46 and 47, are
terial for the fringe ,
you finish off the edge formed. Two more rows of stitches complète
by a two-sided the chain and
chain stitch of aremade in the
a very original same way as
kind. the first ones.
Beginning When the
on the left, the chain is quite
thread for the finished, the
first stitch iscar- threads of the
ried over four material are
horizontal and pulled out for
one vertical the fringe, and
thread, and for twisted toge-
the second stitch ther, two and
you miss the two, into little
same number of cords on which
threads, slanting FiG. 5o. Albanian fringe finished, the tassels are
your needle this SHEWING THE KNOT BY WHICH THE TASSELS ARE FASTENED ON.
mounted by
time, however, downwards. On reaching the end means of a single knot fig. 5o. The tassels
,
of the row, you leave the working thread hanging, should be made of a soft, loose silky material,
at least i5 to 20 c/m. long, but never shorter such as Coton à repriser D.M.C.
— i3 —
Sundry directions as to the mode of executing the designs in Album II
Plate I. such for example, as sloping (') or

tinctly différent stitches,
straight gobelin for the broad letter, and cross or
stitch (*)
Small and capital letters, heraldic ornaments and subjects for square stitch for the long letter. Two gobelin stitches count
powderings. Nos. i to lo. as one type or point.
In the adjoining diagram we hâve a monogram carried
AU the patterns représentée! in this plate can be executed
out in the manner just described, on Rhodes linen No. with i
in cross stitch, also cailed marking or Russian stitch, and in

Coton à broder D.M.C No. 12, colours Gris-Tilleul 892 and
stroke stitch. (')
Bleu-Indigo 822.
The best colours to work on a white
letters and initiais in
ground are Rouge-Turc 32i, or Bleu-Indigo 3i2. In marking
articles already embroidered in several colours, the letters Plates 7, 8.
may be worked in the same. In embroidering sentences or
names in full, the two darkest shades of the principal colours Alphabet and detached subjects. Nos. 3o to 34.
of the embroidery should be used, the more pronounced of The dark characters in this plate are to be copied in
the two for the capitals, and the less so for the small letters cross stitch, while the light ones are to be worked in stroke
and numbers. stitch, unless both be worked in cross stitch. In the latter
Out of the two heraldic patterns 8 and lo very pretty case it is well to take a very much finer thread for the
ground patterns for screens, hangings etc. can be made. For inside stitches than for the outside ones. (See also plates 20
reversing thèse two designs use the Pénélope mirror. (^) and 40). The three small designs could be utilized as a
grounding or in the composition of a stripe.
The letters are to be worked in shades; the best tints
Plates 2, 3. being Bleu-Gentiane 477 and 480, Bleu-Indigo 3i2 and 334,
:
Rouge-Cardinal 346 and 348, Rouge-Cerise, 33i6 and 33i9,

Alphabet, monograms, numerals and subjects for powderings.
Jaune-Rouille 363 and 365, Brun-Rouille 33io and 33i4 etc.
Nos. II to 21.
On the last line of the Alphabet and on the following

one three examples are given shewing how a monogram may Plates g, lo.
be formed by pushing, as it were, two letters together, so
Alphabet, Coronets and a square design. Nos. 35 to 3g.
that the outside strokes intermingle. Any of the letters of
the Alphabet can be united in this manner by suppressing The two sided Italian stitch (') has been chosen in préfé-
the stroke, either of the letter on the left or of that on the rence for thèse beautifui and highiy ornamental letters; the
right, according to the Initiais which are to be placed to- outlining can be done either in back or stem stitch, or in
gether. Similar combinations are given in Plates 8, 9 and 10. very finely executed chain stitch. The square composed of
The materials used for working the Alphabet and the ecclesiastical emblems is suitable for chalice veils, corporales,
numerals must match those in which the work itself is done altar-cloths, etc.
whether it be Coton à broder D.M.C, Coton à repriser D.M.C, Hère more than elsewhere the choice of colours dépends
or any other kind of D.M.C cotton. on the purpose the work is intended for. Among the shades
enumerated on the last page of thèse directions, the following
are the most ecclesiastical: Rouge-Cardinal 3o4 Rouge- ,
Plates 4, 5, 6. Turc 32 1, Violet-Scabieuse 394, Violét-Evôque 462, Vert

métallique 465, 466, 467, Noir grand-teint 3 10. On fine ma-
Alphabets for making monograms, monograms ready-made terial, such as Spanish Linen, Linen Gauze and Rhodes
and detached subjects. Nos. 22 to 20. Linen No. 2, the embroidery should be done with Coton à
broder D.M.C No. 25 to 5o, or Coton à repriser No. 5o; on
The tall narrow in Plate
4 are so arranged that
letters
coarser materials with Coton à broder D.M.C No. 3 to iG or
they can be interlaced with the broad letters of plates 5 and 6.
Coton à tricoter D.M.C No. 6 to 16, as the stitches will of
''
Plate 6 contains several
necessity be larger.
|Sff' spécimens of monograms
made with thèse letters,
mode
clearly explaining the Plate II.
of proceeding.The letter
Fourteen borders. Nos. 40 to 53.
W, which there was no
room for on plate 4, will Designs 40 to 53 can be copied in the stitches ex-
be found on plate 6 joined plained in the text of Album No. I. The plaited Slavonic
to the letter O. Both kinds stitch, fig. 1 in the work before us, should be used for
,
of letters can be reprodu- design 5o; ail the rows are worked horizontally, excepting
ced in cross stitch, but for in the berries where they hâve to be worked in the opposite
the sake of variety and a direction.
ifiilj;;.:.:..:
'
better contrast in the ini- Designs 43 and 45 are worked in two-sidcd Italian stitch;
'âfcIniilulâiKiilirsSË
tiais , it is advisable not design 46 in plaited Slavonic stitch, for which the coarsest
only to take two différent colours, but to choose two dis- cotton the material will bear should be taken. For Rhodes
(') See the Encyclopedia of Needlework by Th. de Dillmont for stitches not described in the treatise.
W C)(*) (') See the same work figs. 255, 256, 257, 258 and figs. 3oo to 3o3.
.
14
linen Nos. would be Cordonnet 6 fils D.M.C Nos. 3,

i and 2 it and 39). The design is worked in plain back-stitch, with a
to 10, D.M.C Nos. i5 to 3o, for Batavia
or Fil à pointer right and a wrong side.
linen Coton à tricoter D.M.C Nos. 12 to 16; and for Ceylon For design 78 two sizes of thread are used, the one a
linen and any other material that gives large stitches, Coton number coarser than the other in order that the rows of
à broder D.M.C Nos. 3 to 14. Subdued shades, to imitate as cross stitches, which border the design may be more raised.
nearly as possible the beautiful faded tints of old needlework, The three originals of the patterns in this plate are exe-
should be selected in préférence to brighter colours. cuted in crimson; the first in a shade resembling Rouge-
Cardinal 347, the two others in a red which time has faded,
something like Rouge-Grenat 326 and Rouge-Cardinal 346
Plate 12. of the D.M.C colour-card.
Six borders and a design for a border or a powdering.

Nos. 54 to 61.
Plate 16.
Design 61 shows to better advantage worked in slanting Two narrow borders, two powderings, and a grounding with
gobelin stitch than in any other, and looks best in one colour a footing of branches. Nos. y5 to yg.
only; should a worker however prefer it to be in two co-
Designs 75, 76, 77, 78 and 79 are to be embroidered in
lours the second colour must only be used for the stitches
two-sided stroke stitch; design 76 has a right and a wrong
that form crosses and for the bars, and the octagons must be
side. The ground and border of design 76 can be made sepa-
ail in one colour, otherwise this beautiful design loses cha-
rately and joined together afterwards, by means of the seams,
racter and distinguished simplicity.
explained in figs. 27, 28 and 29 of the présent work.
Thèse are a few of the colours which go best together :
Bleu-Indigo 3i3 and Rouge-Turc 32i, Rouge-Grenat 359 and

Sog, Gris-Tilleul 391 and Rouge-Cornouille 45o, Vert-Bou- Plate 17.
teille 493 and Rouge-Cerise 33 17, Brun-Rouille 33 12 and
Bleu-Canard 3307 etc. Three stripes with pattern left blank a>id outlined by the
grounding. Nos. 80 to 82.
Plate 13. Design 80 executed on Spanish linen, is worked entirely

in two-sided square stitch. It may aiso be worked in cross
Seven st ripes. Nos. 62 to 68.
stitch like the two following designs, hère worked in marking
The first six of thèse designs are to be executed in cross stitch ;the two latter again if agréable to the worker may
stitch ,two-sided Italian stitch or in plaited Slavonic
in be worked in the first-named stitches.
stitch, and design 68 in cross and stroke stitch. In numbers This style of work looks very well finished off with a
62, 63, 65, 66 and 67, ail the rows are worked horizontally, trimming, such as a macramé fringe (>) or one of the hems
only the stalk of the flower in design 64 is worked in the described in thèse pages.
contrary direction. A thread that will make the stitches look
as if they were raised, is préférable to a soft flat one, for
Plate 18.
example Coton à broder D.M.C in any number from 3 to 5o
is suitable for almost any stuff. Two stripes, with pattern left blank and outlined by the
grounding Nos. 83, 84.

.
Plate 14. Thèse two designs may be copied in almost any of the
stitches used for linen embroidery; the inequalities formed
One stripe with border and two otliers with branchings.
by the majority of them, which often interrupt the outlines
Nos. 6g to 7 / of the pattern, are singularly softened by the back stitches,
that pass from one square to another and border the edge of
Design 69 is bordered on each side by a hem. orna-
ail the rows of stitches.
mented with buttonhole stitches. (See figs. 36 and 37). The
row of square stitches, which in design 70 séparâtes the Back stitch, used for outlining, is only admissible where
ground of the middle part from the branchings of the two the work has a wrong side, if the embroidery is alike on
sides may be replaced by two-sided Castillan stitch. (See
,
both sides the outlining must be the same. Either an open-
figs. 14 and i5). Design 71 which is to be worked in the work insertion or a narrow lace may be substituted for the
same stitches as the proceeding patterns, lends itself to a small border which terminâtes stripe 84. The openwork in-
pretty variation, the introduction namely of two différent sertion must be executed in the same materials as the
textures. The middle stripe may consist of a transparent work itself.
material, such as Tammy cloth or Net canvas ; the border The outlining can be done with either Or fin D.M.C or
of linen, or linen canvas. The space occupied in the plate by Chiné d'or D.M.C. Gold thread D.M.C can be used in con-
the three rows of cross stitches can be replaced either by junction with ail the D.M.C colours.
hems or by a seam that unités the selvages.
Plate 19.
Plate 15. Two narrow borders and four powderings. Nos. 85 to go.
Three stripes. No. y 2 to J4.

The composition of design 86 shews how a simple and
even monotonous pattern, can be made interesting and attrac-
The original of the first stripe represented in this plate tive by a judicious distribution of colours. The same conti-
is worked both sides alike on very fine linen. With Spanish nualiy recurring little flower can either be worked, as in the
linen and Coton à broder D.M.C No. 35 or Fil à dentelle plate, once in a light colour, and then enclosed by a diagonal
D.M.C No. 3o an exact copy of the original can be produced. row of flowers in a dark colour, or the rows may be shaded
The edges are finished off with an overcast hem (see figs. 38 in waved lines, or simpler still, four dark and four light flowers
(') See Encyclopedia of Needlework, by Th. de Dillmont, figs. 348 to 610.

i5
can be made to succeed each other. The design can be further D.M.C card we consider most suitable for their exécution.
varied by working it in two sizes of thread for instance on
;
Design 98, which requires two colours will look best if Bleu-
Rhodes linen, with Fil à pointer D.M.C Nos. i5 and 3o, or Gris 33o3 be used for the foliage and Rouge-Maroquin 3327
with Cordonnet 6 fils D.M.C Nos. i5 and 3o. for the central figure, or else Vert-Bouteille 492 and Brun-
The plaited Slavonic stitch is especially recommended Caroubier 356.
for design 89; it should be worked like the original stitch Only one colour is needed for design 99; to heighten the
over four threads in width and three in height. As shown effect ail the outlining stitches can be worked with Cordonnet
two colours are used, but there is no objection
in the plate, d'or D.M.C or with Or fin D.M.C, according to the stuff on
toworking it in one it would be quite as effective worked in
; which the design is executed.
Rouge-Géranium only, or in Brun-Caroubier, or Violet-Lie-
de-vin, etc.
Design 87 is finished ofF with the picots represented in Plate 23.
fig.43. Design 90, ground pattern and border, looks equally
well in one colour or in two. In the latter case the stars for
Two groundings. Nos. 100, 10 1.
instance might be worked in Bleu-Indigo 3ii or in Bleu- The original of the pattern reproduced in this plate fur-
Gentiane 478, and the bars in Rouge-Turc 32 1, Rouge- nished us with the pretty insertion stitch described in figs.
Cornouille 449, or Rouge-Cerise 33i6, etc. i6 to 19. The portion of the pattern represented below bor-
dered by the said insertion stitch gives an ideaofthe colours
selected and if we keep strictly to those of the orignal pièce
Plate 20. of work , the first row
of lozenges should be worked in
Five powderings. Nos. g i Violet-Mauve 3i3, the stars strewn over it, in Jaune-Rouille
to gS.
364; the second row of lozenges in Rouge-Géranium 349,
It is more especially in the designs contained in this the stars in Jaune d'Or 667; the third row of lozenges in
plate that we see the good effect resulting from the use of two Jaune d'Or, the stars in Violet-Mauve. For the division be-
sizes of cotton. The coarser the thread the design is copied in, tween the lozenges, composed of slanting rows of stitches the
the more striking the contrast with a ground worked in same colour as that in which the last row but one of the
fine For Ceylon and Cuba linen we recommend
cotton. :
lozenges is worked should be used and continued on along
Coton à tricoter D.M.C Nos. 6 to 12, and Cordonnet 6 fils
D.M.C Nos. 25 to 5o, or Coton à broder D.M.C Nos. 3 to 12
and Nos. 25 to 40 of the same cotton, for finer stuffs such
as Russian and Rhodes linen Nos. i and 2, Coton à repriser
D.M.C Nos. 25 to 5o and Fil à dentelle Nos. 3o to 60.
The colours which most nearly resemble, as far as we can
see those of the original should be distributed as follows.
Design 91 Jaune-Rouille 364
: Design 92 Rouge-Cor-— :
nouille 449 for the fiower. Vert-de-gris 474 for the stalk and
the small leaves, Jaune-Rouille 363 for the head and wings #:*;*::*;
of the little and Rouge-Cornouille 449 for the tail. The
birds,
colours for the ground, if it is to be covered with fine
stitches as described in the plate, are Lilas gris 3i4
, — the zig-/ag 10 which it forms a bordci. The same colouis
Design gS Vert-Mousse 470
: Design 94 —
Vert métallique :
can be used for pattern loi.
465 for the stalks, Rouge-Grenat 326 for the outside stitches
A thread that is neither too heavy for the embroidery,
in every other pair of tulips, and Rouge-Aurore 362 for
nor for the stuff is to be preferred; the latter might even
filling them in, Gris-Amadou 386 for the outside stitches
with advantage be visible between the stitches which should
of the pairs of tulips between, and Bronze doré 589 for fil-
be worked either with Coton à repriser D.M.C, Coton à
ling them in. The colours should in each case alternate in
broder D.M.C or Coton à tricoter D.M.C.
the rows of the design —
In design 95 they might be arranged
as indicated for design 94, or by way of variety, the design
might be worked in différent shades, a lighter shade being Plate 24.
used for filling in the flowersj the stuff itself may, if pre-
ferred, form the ground. Richly ornamented ground. No. 102.
The colours and stitches are the same as those described
Plate 21. in the proceeding Plate and the borders are ornamented
with the same finishing seam.
Two powderings, composed of conventional flowers.
Nos. g6, gj.
The two drawings requires the use
distribution of the
Plate 25.
of différent kinds of threads and colours. The middle tones Floral ground pattern. No. io3.
of pattern 96 suggest Gris-Tilleul 392 or Jaune-vieil-Or
This pattern which imitâtes in cross stitch, is peculiarly
679, the lighter ones, alternately Rouge-Géranium 349 and
adapted for tapestry, chairs, arm-chairs, hangings, carpets,
Brun-Caroubier 356, and the dark, Brun-Acajou 3oi or Vert-
etc. It should be executed on a slightly tinted ground in pré-
Mousse 469.
férence to white in subdued shades. For the tulips and the
The colours in pattern 97 should be distributed in the
same manner and the small martagons printed in a médium tone an assortaient ofseveral
subjects worked in square stitch.
shades is needed in the same way several shades of green
;
can be introduced into the foliage of the flowers.

Plate 22. A set of colours which together extremcly well go are :
Rouge-Cardinal, Jaune-Rouille, Rouge-Groseille, Bronze doré,

Two groundings. Nos. gS, gg.
Gris-Tilleul and Vert-Mousse.
Our remarks with référence to thèse two designs, will The small designs printed in dark type are to be copied
confine themselves to pointing out which colours of the ail alike, either in Brun foncé, or in Noir grand-teint.
1
i6
vieil-Or 679 for the light and Rouge-Cornouille 460 for

Plate 26.
the médium one. In this row ail the sprays are in the
Two groiindings and a border. Nos. 104 to 106. same colour.
If a fourth row of fîowers be required Vert-Pistache should
The foUowing are the colours we recommend to our be taken for the dark shade and Rouge-Cornouille only for
readers as being the most harnionious for working the
,
the other stitches.
designs in this plate. For No. 104, a rose-coloured material The little sprays between the flowers are to be worked
should be used somewhat of the same shade as Rouge-Géra- with Noir grand-teint 3io, and the four stitches in the centres
nium 353, and embroidery, Brun-Caroubier SSy for
for the with Or fin D.M.C or Chiné d'or D.M.C. Every third small
No. io5, satin stuft" of the colour of Jaune-
or any other figure in the border is to be embroidered in red, one of the
vieil-Or, and for the embroidery, one of the darker shades two between in blue, the other in green. In the footing ail
of Violet-Mauve 370, 371, 372. the flowers that turn upwards are to be red and the first
Ali articles, the threads of which are too fine to be counted, of those that turn downwards green, the second blue, the
must, if thèse patterns are to be reproduced in cross stitch, be third black; the nine stitches in the centres must always
covered with plain canvas, which is pulled out when the be of the same colour as the preceding flower.
work is done.
As to the border 106, it will always look best worked in
the colour of the original, which resembles Rouge-Cardinal Plate 29.
3o4 in the D.M.C colour-card.
Ground pattern with border and branched footing. No. 11 5.
Two things strike us hère in the original : the harmony
Plate 27. and richness of the colouring and the charming fringe with
which it is finished off (see figs. 46 to 5o). As the way in
Two stripes and a grounding. Nos. lo-j to log.
which thèse plates are printed only admits of the représen-
The narrow borders are simple enough not to require tation of four shades, the directions for the colours begin at
any spécial directions. But it is necessary to say a few words the first flower on the right, above the border.
on the manner in which design 108 may be copied. The The outlines represented by the dark lines are worked
lozenge shaped figure can ah\ays be reproduced in cross in Rouge-Corinthe 447, or Rouge-Grenat 326; those parts ot
stitch and worked with the outside petals represented in the médium shade, in Rouge-
Coton à repriser D.M.C, Géranium 349; those Or fin D.M.C and
in the darkest shade, in
used either single or double in plaited Spanish stitch (*). The lighter shades are worked in
or even four fold. The Vert-Mousse 471. The tulips of which the border is composed
ground may be left plain are to be outlined like the flowers of the grounding, the
as in the Plate, but the first with red, the next with green and so on. AH the tulips
work will look handsomer that are outlined with blue or green, are to be fiUed in with
; if the ground be open- Rouge-Géranium, the outside petals of those which are out-
worked. To this effect a lined, on the contrary, with dark red, are to be filled in with
less close material resem- light green and the inside petals with Rouge-Grenat 335. The
blingTammycloth, should four stitches forming the calyx at the bottom of each tulip
;
be used, of a more or less are to be worked in Gold thread.
. stout make, and once the

.
If it be an object to produce a more costly and artistic
design is fixed, the ground resuit the work may be executed on Algerian linen and the
is covered with stitches which draw the threads of the stuff filling in done with Chiné d'or D.M.C.
together. In the adjoining square a small portion of the

design is represented worked in a stitch that forms an
,
open-work ground. For this last kind of worlc, a strongly

Plate 30.
twisted thread is to be preferred, such as Cordonnet G fils Two stripes and a ground. Nos. 1 1 6 to 118.
D.M.C, or Fil à dentelle D.M.C of the same colour as the
The two stripes in this plate can very well be adapted
embroidery.
to broad stripes, or to a covered ground. For No. 118, ail
that is necessary is toby the aid of a Pénélope
double it
Plate 28.
mirror (2); whilst the design of stripe 116 can be carried on
Two narrow borders, two stripes, a ground pattern with indefinitely by placing the right subject above the left, so that
the two together resemble a S in shape and that, when the
footing. Nos. 1 to 1 14.
design is thus repeated, one bail turns to the right and the
We our remarks hère, design
shall confine 2 to which 1 1 next to the left. ,
furnishes an opportunity for a classical style of colouring. The The ground pattern, fuU of quaintness and originality,
original is executed in triangular Turkish stitch (') and in composed of conventional birds embroidered in horizontal
silk, for which Coton à repriser D.M.C may be substituted. stripes, shows to best advantage worked on stuff resembling
The pattern would look best on Algerian or Spanish Linen; coarse household linen, in Bleu-Indigo and Rouge-Turc 32 i.
working on thèse stuffs the Colon à repriser should be The woven braids represented in figs. 29 to 32 are more
split; on a coarser material it may be used whole, or, if especially useful for finishing off work of this description.
necessary even doubled. The following are the colours ^\hich
will best represent those of the original pièce of work. Rouge- Plate 31.
Cornouilie 460 for that part of the first and third row printed
in dark type; Bleu-Indigo 3i2 for the lighter shades and
Two borders with insertions as footings. Nos. 11 g, 120.
Vert-Pistache 367 for the médium ones; the two last colours Thèse two designs are intended to ornament bed linen,
alternate, as will be seen, in every other spray. In the second and especially pillow-cases. The insertion has to be made on
row, Bleu-Indigo 3i2 is used for the dark shade, Jaune- both sides of the fold, in such a way that half the design
(') (>) See Album of Cross stitch N" I and the Encyclopedia of Needlework by Th. de Dillmont.
17
cornes on each side. The border, seen in the plate only in the opposite direction the stitches set perpendicularly
,
on one side of the insertion is to be repeated on the other. even in the stalk. With regard to the grapes, which we
The best material to use for this kind of work is Coton à cannot represent rounded as they are in the original, figs. 2
broder D.M.C in Rouge-Turc 32 1. to 7 should be consulted, which illustrate in full the plaited
Slavonic stitch. The dark type in this plate is to be worked
in Vert-de-gris 476, the médium toned in Brun-Puce 459, the
Plate 32. light in Bronze doré 587.
Two narrow stripes, one broad border and one of medhini si:ê.
Nos. 121 to 124. Plate 36.

For ail the designs on this plate, the most suitable ma- Broad stripe, the pattern left blank and outlined by the
terials are those that cover the such as Coton à
ground best,
ground with dctached border. No. i3j.
broder D.M.C, Coton à repriser D.M.C and the lower num-
bers of Coton à tricoter D.M.C. Pattern 124, especially Instead of the scarlet colour which is so common in
suitable for brackets, headings of curtains etc., can be ein- antique embroidery, any two of the washing colours of the
broidered in two parts and joined together by one of the D.M.C colour-card, or any two shades of one colour may be
Connecting seams, figs. 27 to 35, or by a woven braid. used hère; we recommend more particularly Bleu-Indigo 3i i
and 334, and Bleu-Lapis 342 and 344, Rouge-Géranium 349
and Brun-Caroubier 356, Jaune-Rouille 363 and Rouge-
Plate 33. Écarlate 464, etc. Although two différent colours may be
introduced, one kind of material only should be used, the
Narrow border and broad stripes with footings composed
one of the D.M.C cottons which happens to hâve been chosen.
of acorns. Nos. 12 5, 126.
Neither the stitches nor the colours of the originals of
thèse two patterns require any spécial observations, we would Plate 37.
only recommend the embroidery being finished off with
picots, such as are described in the Directions for Cross Broad stripe with border composed of branchings. No. i32.
stitch Embroidery, figs. 40 to 44.
As in origin and style the design in this plate resembles
the designs given in plates 33 and 35, we may refer to what
Plate 34. was said in connection with them, with regard both to stitches
and colouring.
Two stripes, the pattern left blank and outlined by the ground.
Nos. 12-], 128. Plates 38 and 39.

Thèse two patterns are to be embroidered both sides
stripe and border with a corner composed of sprays.
alike, the first in Italian stitch, the second in Roman stitch.
The former is described in the publications already often Nos. i33, 134.
In this pattern we hâve, what is rarely to be met with,

namely a handsome design for a corner and the same design
so arranged and reduced serve as a border. The reduced
design as to, also of flowers and leaves consisting, is to be
distributed over the aliotted space at equal intervais. As the

sprays hâve to be reversed in the middle of the border, so as
to lean towards each other, the number on each side must
be the same, hence the need of carefuUy calculating before
hand the distance to be left between. The two rows of stitches
at the base can be placed five stitches distant from each
other, and the pretty finish given in figs. 20 to 25 worked
between.
referred to, the latter in the présent work, figs. 9 to i3. As

Plate 40.
similar designs are very effective executed on Greek tulle,
Broad stripe with narrow insertion as footing and one of
we shew in the' above figure how to do cross stitch on that
médium width as heading. No. i35.
material. This kind of work is very suitable for curtains.
We recommend Coton à repriser D.M.C as the best working Our séries of plates concludes with a rich design, fur-
material. nishing an opporlunity for the introduction of a great variety
of materials, colours and stitches. The grounding of fine
Plate 35. crossed lines should be worked either in Fil à dentelle D.M.C
or Cordonnet 6 fils D.M.C, colour Rouge-Cornouille 45o ;
Stripe, the pattern left blank and outlined by the ground,
the cross stitches in the dark type in Coton à broder D.M.C
broad stripe with footing of branchings. Nos. 12g, i3o.
Noir grand-teint 3 10; those in light type in .laune d'Ocre
Thèse two patterns arc embroidered in plaited Slavonic 677. The white parts in the plate represent the stufF itself
stitch; the first is worked in horizontal lines, the second where it is left plain.
Table of the sizes of the D.M.C Cotions and the widths of the Soutaches and Braids.
Thèse articles will ail of them be found useful in the exécution of the différent kinds of fancy-work described in our pages.
DMC
40 meties.
FILD ALSACE & FIL POUR MACHINES

(Sewing-machine thread) COTON A MARQUER
COTON A BRODER
(Marl<ing Cotton)
20 (Embroidery Cotton)
" «
30 3 ma^^m^mÊÊÊmm 5 COTON A REPRISER
36 4 îi^^^^^^ 6 (Darning Cotton)
2 ^-a
40 5 ^mmasm^^ÊÊmm 8 u ° ^
50 6 MiM—i^^—«^ 10
60
70
80
OJ Z
8
10
12
^^—
^~^H^^~«
^^— ^^— — I
S)
12
16
20
3 "2
10
12
14 •g M "
90 24
14 .| 16 5 2g
100 16 S 30 18
I 10 > c e -e 18 35 20
S
120 20 40 25
S - 2; : i
130 rt cri g
22 'à S 45 30
KO 25 ^ 2 50 35
150 30 B =3 60 40
160 35 I -S 70 45
180 XJ t^ "^
40 a "S
80 50
200 45 S 90 60
250 ==
.s c o 50 .S
100 70
300 120 80
55 t
400 60 - 150 90
500 200 100
65 g
600
700 75 a
200 80
DMC 90
, 200 »t 100
120
FILADENTELLE&SOIEDECOTON 150
(Lace Thread) c
COTON SPÉCIAL "S | COTON A TRICOTER
25 pour la broderie anglaise cj jà
(Knitting Cotton)
30 (Madeira embroidery Cotton) -g S ;
35 6 LACETS SUPERFINS D'ALSACE

40 <= '- ',
40 8 (Braids)
50 -a a Width
50 10
60 S o
12
Nos. in Millim.
60 COTON A BRODER SURFIN 14 H 1 "/-
70 (Embroidery Cotton for Mono-
1
— eu 3 16 l'A H l'A »
80 grams and for Cambric) 18 H l'A
90 2 »
100 ^ ^ 20
100 120 £
25
3 H 2 »
I
120 150 30 4 i-\ 2'A »
150 35 5 I— 3 »
S •
200 OR FIN A BRODER 40 6 I— 3'A »
50 7 I—
3o Mètres N° 3o 1—
8 é'A
OR FIN POUR LA BRODERIE 9 H- 5'A » =^
(Washing gold) 10 6
20 12 7
30 14 9
^ J
40 16 10
CORDONNET 6 FILS CORDONNET D'OR 18 11

COTON A FEUTRER
(SIx-Cord Crochet Cotton) (Gold cord) 20 13
1 6 —^^—^—^— (Felting Cotton)

24 15
\'h 25 28 19
CHINÉD'OR POUR LA BRODERIE
2 '^ ^ 32 H 22
(Washing coloured gold) ir,
Th
30
3
GANSE TURQUE
4
(Washing Turkish gold cord)
5
10 6
15 12
20
CROCHET 4 FILS
25
(4 cord Crochet Cotton)
30
e 2
40 6
50 8 SOUTACHE D M-C
10
60 (Narrow Braid)
12 Width
70 14 Jos. in Millim
80 FIL APOINTER
90
(Knotting Thread)
s' £, o
16
18
1
H
H
1 T
100 10 20 l'A l'A »
120 15 24 2 H 2 »
150 20 30 2'A M 2'A ^
200 30 40 3 —
1
3 »
Alphabetical list of the names and numbers of the 450 shades contained in the D.M.C colour-card, in any of which shades
the D.M.C machine, crochet, sewing, embroidery and knitting cottons, soutaches, braids, etc. are to be had.
Couleurs Très-foncé Foncé Moyen Clair Très-clair Couleurs Très-foncé Foncé Moyen Clair Très-Clair
Coloiirs Very clark Dark Médium Llght Very light Colour» Very dark Dark Médium Llght Very liglït
Bleu d'Azur .3325. Jaune- Citron . 307 445. ,446...

Bleu-Canard .3305. .3306. .3307... .3308. .3309. Jaune- Crème . 711. ,712...
Bleu cendré ..448... Jaune- Maïs.... 575. 576 577. ,578... ....579...
Bleu de Ciel ..515. ..516. ..517...!.... 518. ..519.. Jaune d'Ocrc.. 676. ,677...i
Bleu-Fayence . . ..481. ..482. ..483... ..484. ..485.. Jaune- Orange I....443. .444.
Bleu de France ..337. ..338. ..339... ..340. ..341.. Jaune- Rouille ,363. ,364...!.... 308. ,365 366...
Bleu-Gentiane... ..476. ..477. ..478... ..479. ..480.. Jaune d'Or.... J....667.
Bleu-Gris .3300. .3301. .3302... .3303. .3304.. Jaune vieil-Or. ,678. 679...!.... 680.
Pieu-Indigo ..336. -.311. ..312... ..322. ..334.. I;
:ju-Lapis ..342. ..333. ..343... ..344. ..345.. Lilas gris 313. 398... ....314. 328..
Bleu-Marin ..505. ..506. ..507... ..508. ..509..
Bleu-Outremer.. ..682. ..683... Noir grand-teint. 310.
Bleu pâle 668. Noir-Jais 681.
Bleu-Prunelle 486. ,487. 488... ,489. 490..
. .
Noir vert ,473.
Bleu tendre 709..
Bleu vert 525. 526. 527... 528. 529.. Rose-Eglantine ,570. 571. 572. ..573.
Bleu violacé 674. 675.., Rose tendre ....
Rose vif 565. 566. 567. !!568.
Bronze doré 585. 586.. ...587.. ,588. 589. Rouge- Aurore ..306.
..360. ...361. ..332.
Rouge- Bordeaux . ..496. ..497.
..301. .401. 402. Rouge- •Cardinal . . ..346. ..347. ....304. ..305.

Brun- Acajou ,300. ,400.
..435. .436. 437. Rouge- Cerise .3315. .3316. ...3317. .3318.
Brun- Cachou 433. ,434.
..662. ,663. 664. Rouge- Corinthe... ....447.
Brun- Cannelle ,660. 661.
..303. ,356. ,357.
Rouge- Cornouille. ,449. ....450.
Brun- Caroubier .... ,354. ,355.
..324. ,418. 419. Rouge- Ecariate ... ,'498. ....464.
Brun Chamois ,416. ,417.
..302. ,432. 325. Rouge- Framboise. 684. ,685. ....686. ..687.
Brun- Cuir ,430. 431.
,616. ..617. ,618. ,619. Rouge- Géranium.. 349. 350. ....351. ..352.
Brun- Feuille-morte ,615.
458. Rouge- Grenat 358. ,359. ....326. ..309.
Brun Havane ,454. ,455. ..456. ,457.
..440. ,441. 442. Rouge- Groseille... 605. 606. ....607. ..608.
Brun- Loutre ,438. ,439.
407. Rouge- Maroquin.. ...3327. .3328.
Brun- Marron ,403. ,404. ..405. ,406.
Rouge- Turc ....321.
Brun- Myrthe ..463.
Rouge- Vermillon . ....666.
Brun- Puce ..459.
Brun- Rouille .3310. .3311. .3312... .3313. .3314...
Vert-Bouteille... 491. 492. ...493. ..494.
Vert-Bronze 669. 670. ...671. ..672.
Gris-Acier ..650. ..651. ..652... ..653. 654. Vert-Canard 545. 546. ...547. ..548.
Gris-Amadou.. ..329. ..383. ..384... ..385. 386. Vert-Corbeau ... 665.
Gris d'Argent ..719... Vert doré 580. 581. 582. ...583.
Gris-Bleu 590. ,591... ..592... ,593. ,594. Vert d'Eau 713. ...714.
Gris-Bois ,610. ,611... ..612... 613. 614. Vers-de-gris 474. 475.
Gris-Brun 408. .409... ..410... 411. 412. Vert-Emeraude 555. 556. 557. ...558.
Gris-Castor.... 645. .646... ..647... 648. 649. Vert-Fauve 689. 690. 691. ...692.
Gris-Cendre ... ,413. .317...; ..414... ,318. 415. Vert-Lierre 500. 501. 502. ...503.
Gris-Coutil ,387. .388...: ..323... 389. 390. Vert-Madeira ... ...710.
Gris-Deuil 655. ,656...i ..657... 658. 659. Vert-Malachite.. ,560. ,561. ....562. ...563.
Gris-Écru .704...! ..705... 706. Vert métallique. 465. ,466. ....467.
Gris-Etoupe... ,
707...i ..708... Vert-Mousse .... ,468. ,469. ....470. ..471.
Gris de Fer . . 600. ,601... ..602... 603. 604. Vert-Myrthe 535. ,536. ....537. ..538.
Gris-Feutre. . . 635. ,636... ..637... 638. 639. Vert-Olive 510. ,511. ....512. ..513.
Gris-Ficelle.... .460... ..461... 462. Vert-Perroquet 694. ,695. ....696. ..697.
Gris-Foin 520. ,521... ..522... 523. 524. Vert-Pistache ... 319. ,367. ....320. ..368.
Gris-Fumée 640. ,641...' ..642... 643. 644. Vert-Pré 699. 700. ....701. ..702.
Gris-Lin ..716... 717. Vert russe 499.
Gris-Mastic... ..718...
Gris neutre.... ,620. 621. ..622... 623. 624.. Violet- Améthyste .3320. .3321. ...3322... .3323.
Gris-Noisette.. ,420. 421. ..422... ,423. 424.. Violet- Evèque ..451. ..452. ....453...
Gris-Perle ,625. 626. ..627... 628. 629.. Violet- Lie-de-Vin. ..370. ..371. ....372... ,373.
Gris de Plomb ,378. 379. ..380... 381. 382.. Violet- Mauve ..375. ..315. ....376... 316.
Gris-Poussière ,630. 631. ..632... 633. 634.. Violet- de-Parme.. ..540. ..541. ....542... 543.
Gris- Souris 425. 426. ..427... 428. 429.. Violet- Pensée ..530. ..531. ....532... 533.
Gris-Tilleul 391. 392. ..393... 330. 331.. Violet- Prune ..550. ..551. ....552... 553.
Gris verdâtre ., 595. 596. ..597... 598. 599.. Violet- Scabieuse.. ..394. ..327. ....395... 396.
Couleurs Très-foncé Foncé Moyen Clair Très-clair Couleurs Très-foncé Foncé Moyen Clair Très-clair
Colour» Vei-y dork Dark Médium Light Very llglit Cjlours Very dark Dark Médium Llght Very light
N.-B. The above-named colours were divided into definite shades, although it was by no means easy, considering the largo
choice, to hit upon names that would be intelligible to every one.
As however, the greatest care has been expended on their dénomination, our customers will not find it difficult, even in the
absence of the colour-card, to order what they may require.
i^°* The fastest colours are those, the numbers oi which begin with 3 or 4. ""^SB
A complète list of colours (450 in number) sent post free on application to MM. Dollfus-Mieg & C°.
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