Randall RG 100 ES, RG 80ES OWNER’S MANUALFRONT PANEL sisi 2 eam [ras 4 cam ® wen can 8 9 mp ‘This input can be used with most musical instru- ments. The gain characterise of this mput € 6 3 higher than the low gain input ‘This input is provided to accommodate those elect- ric instruments whose outputsignal is so high as to {use an overload when plugged into the high gain input ©O comet can cont aa ©® state vorne conve clean Sound To.achieve a clean, nondistorted sound, the master volume control should be set at te full on position frat 10.0n the dal, The volume level of theampiifiar i§ then controlled by the channel volume control on the channel in use, To eliminate unwanted back ‘0uNd noise, one should always set the channel olume control atthe full off position, 0" onthe cial, 100 the channel not in us. Distortion and Sustain To achieve distortion sound, the following volume ‘control setungs should be used: Select the channel {to bo used and sot its channe! volume control athe {ull on postion. 10 an tho dal. The volume level at the ampitier snow controlledby the master volume Ccontral Once again. the channel volume contol of the channet notin se should be set at the ful ff position, "0" aa the aia Diffoent levels of distortion can be attained by experimenting with the olond between the master volume control and the channel volume contol. As fan example, a setting of 2 on the master volume Control and 10 on the channel valume control will produce more distortion than a setting of on the ‘master volume eantratand 6 on the channel volume ‘contol (There wil be no sound if master controls are turned ot) (OO pea and creen Leo ug: Indicate channel in operation (operated by foot- switch) 666 666 66 Oo ® ® Treble Control Middle Control Bass Control {Both channels are FED to the faur tone controls, tech allowing maximum controlo! the portion ofthe tone spectrum for which hey aredesigned. Sinceno fone can dotermine exactly what sound wil be ‘sited im any given situation, i 1S Best 10 exper ment with the tone controls until the desired response is achieved *TREBLE PULL SWITCH: © rsoce conor “This control operates inthe audio spectrum higher {han the treble control ang adds the vory sparking, fF tingling, touen to the sound that provides that fextra dimension fo the response. It is effective on tether channel CD er conte ‘The reverb controlalows totaleantrotot the amount of revern introduced tothe signal Experimentation will produce the exact amount of reverb desired Reverb can be turned on and off by means of a footswiteh (soe rear panel highlights). everb is of fective on both channels © ovorvign ‘The pilot light is activated when the ampitier Is tuenes on © onana or suton This three position switch provides a means of tur ing the ampitieron and also reversing the polarity ot the poster source so that the ampilir will not repro duce a canstant hum orsizzle Select theon position ‘which best grounds the ampifier at each diferent set up.BACK PANEL Bene Qg== 2 BS © sero ‘To>beconnected to any external power source cap bie of supplying 115-125 VAG at 80/60 Hs, draws Approximately 200 watts at ampliiers tll output © cess soser ‘The cet breakers actually amechanicalfuse and protecs the amplifier rom exireme overload condi- tions. i! ampli turns off because of overioad pushing on the red circu breaker button will resot Tr cwcutt Breaker cannot be reset, ar continucs to trip. HS an lnication of teouble and should be investigated by @ quale technicien. ® se comenones ove OO ent er ‘The jackabeled ‘tfects send” shouldbe connectes ta the input of ihe effects unit. The jack labeled ‘fects return should be connected tothe oulputot the effects unit. The elfects buss's prepower amp lier and post pre arpilior ® over oxp se ‘The pre amp output jack provides an output signal for driving additional amps tape ecardr, liner tar recording directly trom the ampifier eliminating the feed tomike the speakers. This jacks nol &speaker Duput and should never be used as one B 6 65 DW speoter outst Jacke: Use to connect the internat speaker of the amplitier for external speakers as required. Less than 8 OHM. Toad impedence not recommended ® pera Fost ok “This jack provides a connection for the reverb foot switch which sused to turn the revere on oroftater the amount of roverd Is preset by the reverb control fom the font panel lis nat necessary 10 use the {otswitch unless fs desredtowbe able to turn the rever® on and ff at wil D roots sc Plug in footswitch to switch channels. No lock i provided forthe plug ardor that can disconnect Easily in case the cable i accidentally tripped over for pulled too Hany WARNING: TO PREVENT FIRE OR SHOCK HAZARD 00 NOT EXPOSE is APPLIANCE TO RAIN OF MOISTURE,phn ‘nme 1s" Bae | RG 100 ES, RG 80 ES BLOCK DIAGRAM SPECIFICATIONS POWER OUTPUT | 120 wats PMS (@ 4 obs @ 2% THO RG 100 ES) e0 wats ANS 8 one 2% THO POWER OUTPUT | 100 wats RAS (4 cbs @ 236 THO TRG €0 E8) G0 wats PIS 8 ohms @ 2% THO [NUMBER OF CHANNELS Two, ech chanel is ven tom commen np Jacks NM MEUT SIGNAL) 5 2K He #2 char FOR ATED OUTPUT! @' mV 3K He #1 rannal ‘TONE CONTROLS Alone cons seta acs Saigo 80.He 1568 ‘Mid Swing 600 2, 10.08 ‘red Swing @ K He 1608 Presence Sing 10K He 15 8 Procence Swing 2 15K We 16.68 NOISE Alton contos@ 10 ‘ose 0 Master 10,75 68 EFFECTS LOOP Send 200 mV max. return SOK chs SIGNAL OUTPUT 0.68: 600 ohms INPUTIMPEDENCE 1 MEG, H +68, 190K chm Loo 8 AC OUTLET 200 wats unowiened, POWER AMPLIFIER DAMPING FACTOR 24.@8 ohms ACLINE VOLTAGE FOR RATED OUTPUT 120 VAC WEIGHT 5 Lo SZERG 100ES 11°, 29%W,9%0 SZEAGAOES oH 24W,9%0 Randall RANDALL ELECTRONICS, INC. 1992 DURYEA, IRVINE, CA 92714-5582