Key of B> Major Major Scales LH: 4th finger on E> (4th degree). RH: 4th finger on B» (1st degree).* Parallel motion in octaves. s Contrary motion starting on the same note. o 4 4 14 “) aed a 13k Lis 1 12 Parallel motion in thirds or tenths. 5 1 “ 1 5 on zat Parallel motion in sixths. 4 Oy ‘i 4 te ® Pas deo? “In the 1st octave, RH 2 or 4 may be used on B>—RH 4 thereafter.supertonic mediant subdominant dominant submediant leading tone tonic B Major Cadences Three Positions 1 1 3 3 5 8» Major Arpeggios Two-octave arpeggios ond Beg st ond ji s aoe 42 inversion Seaton 2 ‘SS inversion 1 a a ® ® 24 12 = 212 2)? 13 sere 2 br gre a=) Sate Tea Dominant Seventh Arpeggios Two-octave arpeggios root st position 1234 inversion 1234 Sa43214321 1234123Key of B- Minor* LH: 4th finger on G or G? (6th degree). RH: 4th finger on BP (1st degree). Harmonic minor scale, parallel motion in octaves 32 eee wo eeietears Harmonic minor scale, contrary motion. a 3 4 213} 1s Melodic minor scale, paralle! motion in octaves. LH 4th finger on Gt ascending, G> descending 4 3 ius 1 ® ® 2 oe 2 213 Ta monic with Af minor. See page 46. In the 1st octave, RH 2 or 4m ay be used on B\—RH 4 thereafterBom Eom F or F7 toni¢ supertonic mediant subdominant dominant submediant leadingtone tonic B> Minor Cadi Three positions B- Minor Arpeggios Two-octav 2as 24 332 T2s'5 s2t A Diminished Seventh Arpeggios Two-octav a st 23 4 whoo 4Key of B Major* Major Scales LH: 4th finger on B and F# (1st and Sth degrees)."* RH: 4th finger on Af (7th degree). Parallel motion in octaves. 45 asia 13 Contrary motion starting on the same note. an 5 1a 134 a1 13 1s Parallel motion in sixths. S asa 1 rT. “Enharmonic with C? major. See page 30. “In the 1st octave, LH 4 is used on B—LH 1 thereafter.ic supertonie mediant subdominant dominant submediant loading tone tonic B Major Cadences Three Positions Vvorv? | 1 1 a B Major Arpeggios Two-octave arpeggios root a ee t 2a position pe} inversion, ‘ mabe fo Se 15, 2 z 21 @t? 5 gat so? Dominant Seventh Arpeggios Two-octave arpeggios 2343 ed, 2341 Zias214a32 s4123 412 32s 2nd 23 S20 ee 2304 234 19,36 Key of B Minor Relative Minor of D Major LH: 4th finger on B and F# (1st and Sth degrees)." RH: 4th finger on A or At (7th degree). Natural minor scale, parallel motion in octaves. ad 5 Harmonic minor scale, parallel motion in octaves. 31 5 1 Harmonic minor scale, contrary motion. an 5 14 poeiT a4 ea 1 Melodic minor scale, parallel motion in octaves. RH 4th finger on Af ascending, Ai descending, 1 1s 3 atta + 1 i “In the tst octave, LH 4 is used on B—LH 1 thereafter.B Minor Triads =< tonic supertonic mediant subdominant dominant submediant teadingtone tonic B Minor Cadences Three positions te VorV7 aa : tt TG , 4 4 eas 248 [23 $3 Lh arpeggios, three positions Ist a 2 inversion 31 1 2s 54? Ad Diminished Seventh Arpeggios Two-octave arpeggios, four positions root Ist EET al postion oat? Wea imerion 4 123 1 oe w 321599 D, 23 aw 2S 2nd 73 2 T2 $45 5 452 T23 414 Key of F# Major* Major Scales th finger on F# (1st degree). RH: 4th finger on At (3rd degree). 7 Contrary motion starting on the same note. Parallel motion in thirds or tenths. 4 ® 2 134 Parallel motion in sixths. 7 ae JI 4 === 2 “Enharmonic with G> major. See page 28F: Major Triads = g¢. si 2 RR =. tone supertonio mediant subdominant dominant submediant leading tone tonic Fi Major Cadences Three Positions sia 5 3S 3 gt i i}-4 T IV 1 | Vorv7 F: Major Arpeggios Two-octave arpeggios 53a ist 123 inversion 124 5, 2nd —_— 3 2 5 rae Dominant Seventh Arpeggios Two-octave arpeggios 43 4123 Wo @y 23 a» 5 aid) 1 23Key of F: Minor AM LH: 4th finger on F# (1st degree). RH: 4th finger on G# (2nd degree)” ] allel motion in octaves. i: 3 1 Harmonic minor scale, contrary motion. shactl ? 9%, 3)! ae oeeee a a siea Melodic minor scale, parallel motion in octaves. RH 4th finger on Dé ascending, G# descending. 2 418 ee 3 ———-——— T - 1 “In the 1st octave, RH 3 or 4 may be used on Gi—RH 4 thereafter.Minor Triads Gidim- Aug = Bm 2 ° 3 $ 3 Q 9 y tonic supertonie mediant subdominant dominant submediant leadingtone tonic Fi Minor Cadences Three positions sas [a 3 Fa i) i ii 3. i 5 § 1 Vor V7] i eg ¢ =e 2 s i F# Minor Arpeggios Two-octave arpeggios, three positions and 2 = Ist 5 : 1 7s ® 1 f 1 Pie 4, 4212 124 Nae 24) I Tots zits Tas Trt z 2 i, res era E: Diminished Seventh Arpeggios Two-octave arpeggios, four positions os 1234 Whe 154 ion 4 i @ ®, 443217 re T2sa, ag2 i 7 1Es 3rd Both hands 8va inversion and da inversion 2 1 1