Key of C Major Major Scales LH: 4th finger on D (2nd degree of scale). RH: 4th finger on B (7th degree of scale)." Parallel motion in octaves. a a ro jig 134 1s aT Contrary motion starting on the same note. at 5 3} asia 1s 13a Parallel motion in thirds or tenths. ai a id day Parallel motion in sixths. An a 4 4 1 aan 13 3 “The 4th finger is usually used only once in an octave. The 4th finger is important because if you know the position of the 4th finger, you can figure out the position of the other fingers. Because of this, the 4th finger of each hand and the degree of the scale it falls on is shown at the top of the scale pages that follow for each major and minor scale. When there is an exception itis so noted just above the music.3 (— Primary Chords — Dm Em F G Am Bdin oc c oF Gara C Major Triads Root position tonic supertonic mediant subdominant dominant submediant leading tone tonic C Major Cadences Three Positions 1 2 6 C Major Arpeggios Two-octave arpeggios st “ 12 2nd 54 4 2 inversion 4 12 position 123412 54s a Sra 34 2 7 2 inversion IT) 23 a 1 2 12 34 pas 2 T23 452 Key of C Minor Relative Minor of E> Major LH: 4th finger on D (2nd degree). RH: 4th finger on B or B> (7th degree). Natural minor scale, parallel motion in octaves. Harmonic minor scale, parallel motion in octaves. Harmonic minor scale, contrary motion a Res Ha53 C Minor Triads Root position [= Primary Chords cm Ddim ehaug Fm a ab Bdim cm cm Fm GorG7 {onic supertonic mediant subdominant dominant submediant leadingtone tonic C Minor Cadences Three positions t 9 5/8) 8 ra :306(b 5 8 3)3 3 _ os fe 2 ih toi 1 A _ 343 6(48 0) a8 F C Minor Arpeggios Two-octave arpeggios, three positions ist and ie inversion eee 4 55 Shion Z a i m ‘ aap Seige : rae 3B : Play LH 8va aT rear zat Sartstias ¢ ST ere Pate Tees Pages > B Diminished Seventh Arpeggios Two-octave arpeggios, four positions 7 nua 5 1238 Sut 3 2 inversion 12 38 —~ [a 2nd yas 2 T2 $45 4527SEEEEEEEEEEEEeEEEEEELEE EEE Eee eee eee ee eee Key of G Major Major Scales LH: 4th finger on A (2nd degree). RH: 4th finger on F# (7th degree). Parallel motion in octaves. Contrary motion starting on the same note. 5 3 : sh ae 1 4 Parallel motion in thirds or tenths. z 1s eens a4 Parallel motion in sixths ATonle superionic mediant subdominant dominant submediant leading tone tonic G Major Cadences Three Positions 3 i 12 Sazide 14 5 Dominant Seventh Arpeggios Two-octave arpeggios 1st 1234 543 2 inversion : Te one sak ae2r w : ee Freon teat ~Fee eee eee ee ee eee eet eee ee eee EE eee ee eee ee Eee ee eee eee eH e eee eee Key of G Minor Relative Minor of B> Major LH: 4th finger on A (2nd degree). RH: 4th finger on F or F¥ (7th degree). Natural minor scale, parallel motion in octaves. Harmonic minor sqale, contrary motion. \é | 3 a oa 1 5G Minor Triads tones. ‘mediant subdominant dominant submediant leadingtone tonic G Minor Cadences Three positions G Minor Arpeggios Two-octave arpeggios, three positions 22 220 - She inversion a12 La Le 1 a oat at t ™ var F: Diminished Seventh Arpeggios Two-octave arpeggios, four positions : 1st Carrer : Inversion 7 @ @ 1 2125 412344321 43219 123 412 syd f324 2nd inversionEe Key of F Major Major Scales | th finger on G (2nd degree of scale), RH: 4th finger on B» (4th degree of scale). ] Parallel motion in octaves. Contrary motion starting on the same note. 4 1 4 1 sa Parallel motion in thirds or tenths. oa 234 3 Parallel motion in sixths. 1 4 1forte superionic mediant subdominant dominant submediant leading tone tonic F Major Cadences Three Positions 3 5 F Major Arpeggios Two-octave arpeggios ee 522 ‘st ont inversion 1 124 Tega 1 2 4 2 Te sos Dominant Seventh Arpeggios Two-octave arpeggios @ Sa 3 Fiersion 23 123 1234 1 inversion “ 2Key of F Minor Relative Minor of A> Major LH: 4th finger on G (2nd degree). RH: 4th finger on Bb (4th degree). parallel motion in octaves. 42 44 at‘onic supertnio modiant subdominant dominant submeciant leadinatone tonic F Minor Cadences Three positions ca 5G) il Vor V7 ag 4 3: 1 ze 1h 31365} 3a F Minor Arpeggios Two-octave arpeggios, three positions 2 ist Sa et 2 3 S21 3 > are “Ta z12@ fei aad "ras s4? E Diminished Seventh Arpeggios Two-octave arpeggios, four positions 1234 5432 123 4 eo? ce a vorsion T J — at “ 14 12 3y4 ais 2 TTT h a THES oes 7 5 3 @ ais iesion 3 412 | Tied = 2 is aid to fte : |? “ 21 2 Tr 21a ai Key of D Major Major Scales L LH: 4th finger on E (2nd degree). RH: 4th fingor on C# (7th degree). Parallel motion in octaves. aay Contrary motion starting on the same note. ast 44 at Parallel motion in sixths. a a 1 13 astonic supertonie mediant subdominant dominant submediant leading tone tonic D Major Cadences Three Positions 2 3 D Major Arpeggios ~..2-ccr2.¢ 132 12 a2 T re 35 1 a123 Dominant Seventh Arpeggios Two-octa 234 543 2 23 1234Key of D Minor Minor of F Major RH: 4th finger on C or Of (7th degree of scale). Harmonic minor scale, contrary motion. 1 at Hse 44 3 5tonic supertonie —mediant subdominant dominant submediant leadingtone tonic i D Minor Cadences Three positions 1 4 3 7 a3 3 3 3. 5 D Minor Arpeggios Two-octave arpeggios, three positions inversion fe % asta inversion 2 7 2 12h tae. 124 T2 paz - 3 mT, ray Ct Diminished Seventh Arpeggios Two-octave arpeggios, four positions pas ee inversion Tad 3 te 4321 1238 he Ste 5 4 FAs 2 STs Sra 2Key of A Major LH: 4th finger on B (2nd degree). RH: 4th finger on Gt (7th degree). 1 allel motion in sixths. psa sr1 a 5 42 s2 inversion 4 12 mn inve ‘ o 421 B21 21% acetal 5s s2132 23 Dominant Seventh Arpeggios Two-octave arpeggios 12a thse istKey of A Minor lative |__LH: 4th finger on B (2nd degree of scale). RH: 4th finger on G or Gt (7th degree of scale). | Natural minor scale, parallel motion in octaves. at 44 Harmonic minor scale, parallel motion in octaves. 31 aa Harmonic minor scale, contrary motion. 44 3 1 aa | | | aaa Melodic minor scale, parallel motion in octaves. RH 4th finger on G# ascending, Gi descending. 5 aot aoe 1 4 aE atonic supertonic mediant subdominant dominant submediant leadingtone tonic sitions A Minor Cadences Three p a 3 i Wattage aay a2 35 A Minor Arpeggios Two-octave arpeggios, three positions 4 4p 3 eS inversion 2 } sito nia = at 7 4, 1421 ee s4aa1a2 Diminished Seventh Arpeggios Two-octave arpeggios, four positions i 1st a 3 123 th inversion 128 7 ‘sition 4 21238 41324 1234 \e IE Ts2iasaa0 TS, Ts a 4 43 . 1234 he Sd oy tena tong Vitae as ate #2)Key of E Major motion starting on the same note, aes 4a ae 4aIV VorV7 tonic mediant subdominant dominant submediant leading tone tonic E Major Arpeggios Two-octave arpeggi inversion 4.1 @, 2 rape ys24 5a = Ta 5 Dominant Seventh Arpeggios Two-octave arpeggios _ 1234 hae ior a) O® 123d 432, Ts? * pas To. vat? , s432Key of E Minor 4a 3 an | Melodic minor scale, parallel motion in octaves. RH 4th finger on D4 ascending, D' descending. Tid STi iv VorV7 ae tonic supertonic —mediant subdominant dominant submediant teadingtone tonic E Minor Cadences Three positions 5 3 : vy a2 3S E Minor Arpeggios Two-octave arpeggios, three positions i aaa Bag an 24 whe root Fo fmersion "Zen bovis position : 2 123 1 < D} Diminished Seventh Arpeggios Two-octave arpeggios, four positions root a4 inversion position ow 219. @ Oy 2 219% % 2 ted 9 2g aa = ara s2 1 ears 4 4 32 5 2nd 123 Se 5 ners 1 inversion 4 wt 32 inversion tise 23 123 7 + Both hands 8a" 1 234 1