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fe et flue suum folk 2018 HOWTO ORGANIZE YOUR DAILY PE (sgn ter orn fr eu eatery eo at SOUND- Longtones/ Overtones/ Lip Slurs Scales/ Arpeggios- Major, minor, diminished, whole tone, 3rds, 4ths, Sths “Use various cycles and routines for scale practice Technical Exercises- Rudiments, scale patterns, finger patterns, lip slurs Music- Pieces, etudes, studies, solo’s, improvisation yes we Fram ourelfto nove sr ata conctant sped thoughout the inhale ad the exhale, sing your entre “Cmtabelung cape, without stopping the arn babween, Sac with sow, ens ihales, and then inhale ‘ester, le sng the same smeoth aration and your fll ppacy. ‘Breathing exercise #1 “Extend the inhale” Breathing exercise #2 (on bag or using vertical hand) “Heaving’ Jecos2 Breathing exercise #3 (on bag or using vertical hand) “Normalize” 4-60-92 Breathing exercise #4 (whisper) “Four-Part Breaths” (eeadyseng teste) 1234 Out (Renan reste et) in? 34 Out flue Sue felt 2013 woe (Fae ew natannstioon Category: intervals Tile Galway Warm Source: James Galway "he iss great nterval exercise that ames Gavay developed as an extension of Moyse tone warm ups roc 2) Start with 8 above the ttt. 2} Repeat the Bunt you seNeve one you ar ea sted with, 3) Continue that good sound throughout exch noe of te exer. ue Slo bee) Zee ws = ele = 5 c= = a ‘You thould by now be some pcgbems of the middle register. ‘Yous tone will not improve evenly throughout the range oPwaes go far studied, though wa should now be eatipped with enough ideas on how ro tale dificult areas, wud 2 FOG cue super recisteR-1 se ne mg yn ed i ie yy ta oben etme SS ah gee tennant srrodi pin ame atens amare tinea SNSC ea cocaine ae ‘THE HIGH REGISTER Perhaps these firs two octaves have been difficult but the high register is certainly the snow difficut in which to obtain 4 good sonorty, colour, and depth of tone. BB sore, before attempting these extausting exercises, to thoroughly cover the ground in the fs wo octaves" Poe ee cec pric te high sister inthe ste practice ceesion atthe middle and Tower registers, Try to doit Tater in the day. ‘Remember: its a question of____ ant You ao need understanding neighbours! See alo the net seston on Gnomes. Wwus 8 ON. 2 Yes PREPARATION FOR THE HIGH REGISTER “The execs wil help iron out any change in cnlour fom he midleg the register “ia np ou ene’ he per nasa in he ei seo Donita haf Sam Go much ou ew ene i nd ert o make the ndenvourt make the high egies ound noble ‘Top E natural and F sharp are often problem notes. See the section Ug colasintbemp reser ismore die, Patpmctbcts cbainevens snl rence ‘between ‘yellow’ and ‘purple’ la mnnrnnnnnr ran wanna An Hara eee ee ee ee eee ee ee ee ee ee | pul 159 EXPRESSIVE SCALES a F major SSS EE SS = SSS SS SSS Zgpettt Ferre, erpftftrr. ¥ S = ee [higes oS | fie ape fees Appestt terrors Se tS ELL nnnnnnranananm pul 7 _ Ab major ‘ingest teers _———— ee pe LRERELDOARDEFRAR AAR ADR A A bHHEBHHBRHBHBHHPHEHHER nae a ttre ff teers 104 Cf minor _—_———_——$————_nite_ we as eee ae A major LRERERBRDEDUDETRFADRHAAARAAAHAH A (ORO TTHRRHHHET HAAS era opecergirieett Else sa peertiets at. anetele oa TARRRRADATRENAAAAAAAHDIAOD Bana eae ae eee ee 167 EXPRESSIVE ARPEGGIOS Practise es in the Expressive Scales Learn to make your tone SING. Feel happy! The weather may be lousys pretend it isn. ry sa are nt enjoying them with the rsutant improvement in your fen, you ar sek pat your ute in ite care and goto bed. (BUT PRACTISE TWICE TOMORROW) od PRACTISE THIS ARPEGGIO SECTION IN TWO WAYS:— == = ee Remember Practice Book 3 ARTICULATION, pe 9 exercise 6 LOOK 1 UE In srecrapeary msi the skur=diminuendos don’t shorten the second te. F major ose === va ee Bs major And EXPRESSIVE ARPEGGIOS tate atabile EET > f pat 168 Bb major Di mic ——s, GEE e3 ee —— gee ao Eee se Fee wane ae GEE Et ce os oa ere B major heahth GEER Aint: $8 s petitecit eters f a ———S RRRRARRETETEFRTRARDARADAAAAD AD BHBHHHPBRBHPBHHEHEMRRe aaa pte major g \" e jo te? t G Amie os Gtereht Cte Pe aot gseesea ne: BSS eS a — Ft minor ——Sy GEER aE ese —=S= - D mijot_——"p att Pt fo eres, ee yt ‘A. Bamisor heath EY pies eanke piiett a oF one ———— wel \ Slowly maiz No g coir ieeces ee art SH SSoS == et FZ t FZ ‘Crna? cmai7 Lay oh. cmai7 cmaj7 Arto, coo 7 Crnai7 Prez Fea, Fri7, 7, Cmai7 era? pay | Foi? age cz - = Frei? 7, Ea Frei? we g Moderato Moderato drei ety en esi? 7h cm? F7 Slowly ee a7 hoi? . = viet ae ng FE Be Moderato Ebmoj7 aby Ebnai7 eraiz, No1e $70) Fro) 7 79), aay aN 530d Lesson a MISCELLANEOUS TECHNICAL EXERCISES art t= sone — ef aS Sebati ke a Wl 54th Lesson MISCELLANEOUS TECHNICAL EXERCISES Ke..ce SER ny att fo gees eit (BEES se Te nate aay Eetese: aE, Z . f Epteiete tetehe cee ont Eteiaent® as Jespebls 55th Lesson MISCELLANEOUS TECHNICAL EXERCISES uk > ellie tlettl ot ait Ett Est, SnD = a F ; ae wart Etude IL ‘TARANTELLE | | | | ee Tine Pp OO tine oa > ke? ieee ae QS ees go aeefiet SS be Getigine be — - fie tle ier o aS Clee Wieketen Etude II SYMPHONIC Ernest F, Wagner foeees wo ide ¥ Etude IV BRILLANTS Breet F, Wag legro B “2! 56 of eSB. P a = ence waitin a 2 LE op bhigrepet fetetett yf feb es = ce —? ey FER Be Fee tee ae a & opm EP Goud wine BEES } we . NSN Ko eet peer Eee eft € fen fe eee =f ul — = gers fen? sf fein fee Efer. st oa tee te ly t [Ut kz a wot 2. SERENADE : Andante cantabile N “p wale ee wr pure Bh 28. Allegretto grazioso SPRING SONG Felix Mendelseohn ie EEE Capt one setiettae Bea al c+ Rot (owl CAVATINA 24. Langhetto quasi Andante op a Ln? —— 1 = awe i SSS SSS io ——P Rett ae et ES ee —— 3 104 owt T 8 25. Andante sostemuto(d : 1) INTERMEZZO SINFONICO from ‘CAVALLERIA RUSTICANA oy Pietro Mascagsi ba t— P w OF 5 0 Sp ee Ss wn o% $ 6 oer ere moderato (= 126)

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