‘Together they moved to Neulengbach, 35 km west of Vienna, seeking inspirational surroundings and an inexpensive studio in which to work. As it was in the capital, Schiele's studio became a gathering place for Neulengbach's delinquent children. Schiele's way of life aroused much animosity among the town's inhabitants, and in April 1912 he was arrested and jailed for seducing a young girl below the age of consent, and more than a hundred of his drawings were seized as pornographic. Although the charge of seduction was dropped, he was found guilty of exhibiting erotic drawings in a place accessible to children and sentenced to 3 additional days in jail besides the 3 weeks already served. In 1914, Schiele had a studio in the Viennese suburb of Hietzing. Across the street was a middle-class, Protestant locksmith family which included the sisters Edith and Adéle Harms. In February 1915, Schiele wrote a note to a friend stating: "I intend to get married, advantageously. Not to Wally." When he told Wally, she left him immediately and never saw him again. Around this time he painted Death and the Maiden, where Wally's portrait is based on a previous work, but Schiele's is new. Schiele and Edith Harms did get married on 17 June 1915. After leaving Schiele, Neuzil trained as a nurse and worked at a military hospital in Vienna. In 1917 she was working in the Dalmatia region of Croatia, and died there on December 25 of scarlet fever.(3] Early ownership and Nazi seizure ‘As outlined in a 1997 article by Judith H. Dobrzynski in The New York Times, the painting had been owned by Lea Bondi Jaray, a Jewish art dealer who was fleeing the German annexation of Austria and the Aryanization program, and had under duress given up the painting to art dealer Friedrich Welz in 1939.4] While Bondi's art gallery had already been "Aryanized" and all paintings seized, Welz had seen the painting in Bondi's apartment, where it was part of her private collection, and demanded that she turn it over to him. As they were to be fleeing the country any day, her husband convinced her to turn the painting over to Welz, saying "you know what he can do.” Welz also forced Dr. Heinrich Rieger to sell his collection of Schiele paintings before Rieger was deported to the ‘Theresienstadt concentration camp, where he was murdered on October 21, 1942.!5IL6] Efforts at recovery After the end of World War II, the United States Army seized Welz. and recovered the paintings that he had accumulated during the war. The Portrait of Wally was mixed in with the other Schiele paintings from Rieger's collection, which were all turned over to the Austrian government.!5! The Gsterreichische Galerie Belvedere (Austrian National Gallery) purchased the Schiele works from Rieger's heirs, which erroneously included the Portrait of Wally because of a clerical error by the U.S. forces, listing the painting as Rieger's. The museum was informed of the mistake, that the painting had not belonged to Rieger.!7! After Bondi recovered ownership of her Vienna art gallery in 1946, she contacted Welz, who told her the painting had been turned over to the Austrian National Gallery. Bondi recounted that she had met Rudolph Leopold in London in 1953 and asked for his assistance in retrieving the painting from the museum, offering to help him acquire other works by Schiele. Bondi later discovered that Leopold had purchased the painting from the museum for himself in 1954. Leopold's 1972 catalogue raisonné of Schiele's works omits Lea Bondi from the list of provenance, despite an earlier catalogue by Otto Kallir citing her as the last owner in the 1930s.!7! Bondi died in 1969 and her heirs picked up the trail she had been following.(41 In 1994, Portrait of Wally was among 5,400 works in Leopold's art collection purchased for $500 million by the Austrian government and used to create the Leopold Museum, with Leopold named as director for life, a position he served in until his death in June 2010.81 In a 1995 catalogue of works by Schiele, Leopold inserted the claim that the picture had been part of the Rieger collection that he