A 999% f) ee) luciano berio sequenza V for trombone solo universal edition‘On the geo wry low sone ne. Walling onthe sap ad uring he psfomance of tin A the pefames (uit ie se om cov feta to vreySomman abst ting on oi oni pire extn sere ee orlower bit met lly hi pe / 4.) with movements which should appear spontaneous, he hesitates. Just before section B he utters © bewildered "why?" end sits down iin The alton it poponiral, In aeion A the veal ped saute by vital uit ofthe belaning of ach tne ( —Stm— J bres fe decide by ths peters cactonB, Intend, seeing wien tree trier cminarsrearh eit at be prored in ane bah, ether oxelieg or iki eee comeaueny in sechan 8 sthaigh therein ll poparanl, the enh of each tech unt stem he over iped It mpc, {cr coh pao nd ot cah petomance, Hh arth tha beath ule ob iret Te Worston between inhaling and eelog mat ways seer wit ‘ovine lnrrpion sa that trashow section 8 teres no rein nen (seep the thin beat nt of he let Treo age 2 nome sounds re ‘ten cnbine wth vocal ond he prfrmer should hwo tein sir of clo nak ete ee: (© + vocal oun othe given pitch, pedced withthe lp onthe methiece, generally wile loin (© ecal sunk rice wth he lips onay fom the methiece, fuming the heed othe ah han side with mall end vik movement [u0i) the vows mat be vcalzed no perceptible my nitating the ment sid (ua) the pesfrmer mt init he nce von with ha itamen, witha sacl 460 6 sotto ponte 1 © shld the eat sod sexton oe ponte, sae re dole opt Hocete Fs tanner Seyi (A) rt bration pope iced Tapsmrs emer tnd on hone oe on 24,3, 7 pny) “he pyres wl cman held oma puger me fe ope 0) od cae (1) sd, cosa nese per >. te $y an 2 incase hole mt clea he bell completely The sign -oeecon nets Pet the mse mu be raed aide the ball of the Earner ‘Sih Stas movements selfs sere hard porisn, Seating the wanted pam nd forthe waged Tra othe id cf wctin A the fa ord Sots moyen elie" nscated ony ov 9 vial ato a). The premer will pede n= we 7 ‘umoraleune (without coat fre sven fhe lie, At he anf ction A, ft ele pppettepertng the ward “y?* urd, the ibang sod fe) oui el become ovtle (irhaing tw cl om the inane). _— a ‘Thee oe sever dynam sep, ram CD (xp pil), to (on loud pil). The velour in porta Jin the secon ine of page 2 ar poe InectionB he too mat be hep evel Beoue of neha fo omy wateequenza V r trombone solo (1966) J luciano berio©. 0. {fem fen _ ot Oe ea" °