a a a a a as tad Aidt) tt WT tad tad Ua Und aad dda HORATIU RADULESCU khufu’s serpent U forensemble OPUS 94.© 2003 LUCERO PRINT4 i 1 ] i 1 a i 4 } i 1 1 4 4 1 } 5 A 1 j i 7 i q j i j 1 } 4 3 3 a 5 = vue ow w ws w w wwe eww wow wow ow wow lucero print music puflisiers LONDON PARIS BERLIN MONTREUX — Iucero@blvewin.ch POBOK 269 CH 1620 MONTREUX 2. poh.nr.: +41 21 964 6877 8 +41 78 766 1297 fox. +41 21 964 6884 HORATIU RADULESCU KHUFU’S SERPENT V opus 94¢ world premiére Warsaw Autumn 2003 for flute, clarinet, hom in F, violins, violas, celli, doublebass, 2 percussions with Bronze plates, 2 keyboards with Thai Gongs and Sound Icons (sampled / digital sound) for ArtZoyd & Musiques Nouvelles Ensemble Mons and Jean-Paul Dessy Aesthetic and Realization ‘Khufu is the actual name of Kheops. ‘The main geology of the music is a7-part canon. This canon is concealed by the fact that it is a ‘Laceau’ Canon, where parts however start simultaneously, i.e no delay in between voices, the time-shift being compressed to zero. he 96 resulting eruptions of sound are a strange ‘forest’ of old and young ‘trees’, timbre-processes with enriched spectral life but placed on frequency plateaux of quasi- inharmonic functions or of very high spectral functions filtered to 1/4-tones. NBeruptions 20, 43, 87 are summits of so-called ‘accidents of purity’. ‘The conductor indicates the measure numbers from | to 10, 11 to 20, 21 to 30, ..., 91 0.96. ‘The strings play the > ‘yellow tremoli’(YT) slowly and like non-periodic ‘cori-spezzal oneself, mostly solo, sometimes with others, but not synchronously, i.e. the rhythm is slow and uneven, and even slower and more independent when two or more players are on the same event. ‘The sound production resembles a ‘morse’ signal which is slow and sudden as in N6 Theatre. The same rules apply for v In event 20 (measure 20) the <> YT are very powerful and beautifully strident, but the clarinet should not be a soloist or pretend to have the ‘Hauptstimme’ ‘The horn alone with the V of harmonic scale tries to simulate (in ppp up to p )3 voices slightly shifted with segments of scale at 3 different tempi quasi simultaneously. The effect is, best achieved by using a lot of ‘lasciar vibrare’ and different layers of dynamics all at nearly the same time. 1 when performed by the tutti strings, the phase-shifting in between the players should vary in all parameters, and a ‘cosmic baroque’style is to be used, ie. with many ‘flautandi’ and ‘lasciar, vibrare’. The pitches are emitted as if from an imaginary ‘viola da gamba’ which had all those pitches but on open strings . Y - the harmonic scales are slow and non-periodic ‘emanations of the immanence’, shifted and played with a slight marcato détaché. The detail of V is a harmonic-equivalent scale, which each player transposes onto the indicated starting pitch. To understand how to play these scales, each should learn the global harmonic scale as a Byzantine modus of the spectrum of which then only segments and transpositions should be employed: ( double nrs are just octaves of the odd nrs ) 12345 678 91011 1213 14 I5 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 3233 T D -M-sT cD n4*+4sM -Lt Ph2™ m3" -4" +trit+Nap6"Doric +sT +Lt 1/47 with ©2003 by lucero print music publishers LONDON PARIS BERUN MONTREUX lucero@blvewin.ch.ae ee a soz d ani quid ouaanj hig oe © (££ 04 di Yebug Ryvuowedosdso ,r0,gr uouvanp AN Supmoyiod hg "> 0139001 i f save|d azuosg aB2e] tpt systuoissnarad Z / g sBuo8 rey 1 29 suoat punos yoq - saut|-1eq pjog punase A (pajdures) sBuo8 req, - saurp-req ajqnop punore jg (pajdwies) suoat punos - sault|-1eq ponop punose /0 aN ‘suonouny jensads asoup 40 s9nex90 asnf Ajgissod 20U JI (woy pue s6uurs) soruouuiey jemutn Jo esmeu asn - mou So|UOWEY YA 40 dor ayy sp1eMo3 Gunesa|909e Ansou - dua} snouer ul sawn jeianas pereadas ue payso] Ayyns e ym opuerney ojousasy Bumog sIpouade ue osje asn sBunns (oxasyes Aiqissod) uosun ut “youd uani6 ay) yim Bunieys ‘sajeos jenoeds Bulpuasse A Sul6urs pue enBucy-s833ny snosueyn)s a soquoydijnw jenise sasn sseq ejqnop aya ‘youd ueuUopaid ax (0u0 0128: - ay], /BUBIS 8SI0W), € - uonIsod /BuyaBuy 0, SGuyns aya ije UO pyOYD aIgeIS e PYNG HI9d ‘BjOIA seBueyo uappns A1en ang wiy2Ays oIpouade ‘mojs Jamo] 248M p1OYD 4p JO youd awes ayn uo - ( sBuuns ) sSusa6uy si@fe| eWOs J! ene queUIWOpald S| youd UAAIB AyD - qualayyp 40 (spuim) sGuye6uy auareyip - ojowien mojek > puoyo aiqers ‘oquoydrynu you a ose JOA ajgipne (uaa aq 03 uoRUEAVaIUI SaueWNASUI Yee sejqeus a6ueL apim sr8Y2 pUe Luorinjone axy-uouawiouayd e 0} aInquUCD soLWeUxD sNOUEA ay ‘eunseaw yoee uly (siuana g 01 dh auo) punos 4nOK Ajo04 aoeid pue awn aa Jo 9608 &9 Aejd spuonas $$ 10 b€ ‘Lz ‘EL ‘g ‘g sise| einseaw Yeo Jamo} JeyBiy 9u03 Jouenb das # 20 42464 auoy souenb 2u0 == — a A ° a n 4e1u99 ayn ul Jo.anpudd ‘souarpne punoue ajasto 2610} & (suo, punos s6u06 !ey.pajdwes)punos jeui6ip pue (sere\d ezu01q)suo!ssnosed 'sseq e1qnop 8u0 ‘I}29 ‘301A ‘SU]OIA “4 UI WOY “Jey g Ul JOUUE}D ‘any 296 sndo suoneuejdxe nossTnave niLvuoH (A quaduas s,nynyy1 violin wow wow ow ow ow w U viola A ] | | i i } 1 \ 4 | wow ow ow I cello clarinet in Bb wow we wow v Mute wow wo ow UI horn in F uw 1 double bass oo wo woul Khufu's serpent UD Horativ Radulescu : recess cana Gee He - “is ie ee Pari yaa AV le vee Fs fo ——— =t a Te ee rs a e og Regeben ong 13 ects oe Say 13 21 5 yw ie aa 5 Ne ea fg i O nveie 2 heen 13 1" flee ae ag = 5 eo 4=|—te e Fi on 7" 13 cr higher h 13 seconds a 45 "3 "o1 as) an Toys 2 gous: eee Cae hy Ge SS = = = a E like on F sharp 11° (0 16° or higher ree a) = * © "on “5 a Te 2h Siemay/ sie ome VE) Ae te: = S =| oe oer Pe, 8G tay “, Fg a ee wots al su 6 fe te ae fo © isi 13 "1 ae ow Fy : = (© 2008 by LucERO inch Me onF IF 17 onc sto ALL AUGHTS RESERVEDmmm 8x5. 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INTERIEAIR p28 27) sat foes i ae, ENE OF FRONOS oy 102 (2%) span a pet = 11 Faron inet Inge pets tig” AMOR MEDICABILIS NULLISHERMIS 5 (1191 spn TEEN DREAMS AGO sp 26 A419 P2827 A), LUCE pop inet,” ANGOLO DIVING, iin, due clit, lone * 11979. fallosine the worl! premise of WHLD INCANTESIMO for nine chess a the Met Festival TR. OLIVIER MESSIAEN une “Herain Baulscu one ofthe mest orginal young muses of our ime. We few a te XX century - more tan in any ones Sete and tg faa ac Ts party rue forthe ma of Radic wh fas prepa i te ena of usc agua” lucero print music publishers LONDON PARIS BERLIN MONTREUX. tuceroblvewin.ch POBOX 2697 CH 1820 MONTREUX 2. hunt: +41 21.964 6877 & +41 78-766 1297 fax. +41 21 964 684lucero print mic ublisrs 2008 review enc Jao yn det Wei ine Monde de La Maiq Pans May an tervew with Nenokis, Nono, Kadlese, Lig Jando eomporers “sloratiu Radulescu, te greatest movator of music today." ater the Reese Concert at tbe Danni Summer Courses 4, with sci he Fepesn ser pexfrming SUBIR Tay Hatbeich ot in -e Monde dea Msi, are This ‘Ode to oy’ of our time opens the next contury’s music™ Following the Rohesen Concer a the A hy the compose, Anne Rey wrote in Le Mond, “Ritual of otal jubilation, of an. extreme energy" intaterton, Pais Apel - hoe pge dict by Cait Fehle othe espace {atler he den of Cage snl Seek Rasen isthe atl poner the mot revolunars an the pens! rsa compose: “etween cosmos ave humanity, the sonorities of Horatiu Radulescu fave something much more wniversal* in Le Temp, Geneva Now. 9 vole ister & eransported tito a universe out of time, made of interragation, mystery and contemplation -wntil reaching the ihe” Ica Saban Horan Ralesen "The Quest” Concerto fo pane and ange ores op {CH} 990 49, CD relened Ose Cea in eeNauvel Observteur Pais, Des. 89, heques Delon sate: “They will change te world loratiu Radulescu, Simon Rattle, Gerard Mortier, Brian Ferneyfiough* foto he Horta Ralescu Comet in Pars 88 atthe Cate Pei, cnet I he compe himself ‘Anne Rey tet Le Mone Radulescu works with te musicians as does a great stage director swith famous actors ~ fe reveals them to themsehes* Je Monde dela Msiguc, Psi Jum 2001 gies 46-19) ‘oratn Radulescu: "Ca composition des mages” «te rich universe of the great master ofthe spectral music» neni Nahe Kah bneep://mywebpage.netseape.com/uytarokh/horatiuradulescu.htm luceto print music publsiers LONDON PARIS BERLIN MONTREUX lwcero@blvewin.ch POBOX 269 CH 1820 MONTREUX 2 ph.nr: +41 21 964 6877 & +41 78 766 1297 fox nr: +41 21 964 6684 ‘in Lon - with he Ali Sing Que and he urea wero ensemble conte nono iseuuuuyy 2 a wesw oo os eg 2 ceo LUCERO music publivhcrs Lucero tnternational P,0..0x 269 W820 Montreux 2. Switzeriend Iucero@bluewin,ch HORATIU RADULESCU Discography CDSwew 1.das andere op.49 Garth Knox ‘spectral Viola’ zeitklang/March 2003 NEW 2. Khufu's Serpent IV Musiques Nouvelles Ensemble, Horatiu Redulescu conductor, ArtZoyd Production, 30D "Expériences de Vol” Anthology Sub Rosa 182 / Belgium Dec.2002 NEW 3. 4th String Quartet, op.33 for 9 string quartets “infinite to be cannot be infinite, infinite anti-be could be infinite” Arditti, Paris IRCAM production RZ 4002, Edition RZ/DAAD, Beclin ten 002 4. Piano Concerto "The Quest! op.90 Frankfurt Radio Symphony orcheecea Lothar Zagrosek / Ortwin Stiirmer CPO 993 589-2 Germany 1998 "choc" (Mare Vignal) Monde de la Musique & R10 Pact, 1909 5. being and non-being create each other op.82 second piane gansta Ortwin Sturmer piano ARS MUSICI AM 1086-2 Freibacy 1993 6. like a well ... older than God op.92 fourth piano soneca Ortwin Sturmer piano ARS MUSICI AM 1148-2 Freiburg 1997 7. Anner time 11 op.42.2 Armand Angster Clarinet System(7 clarinets live) Montaigne NO 78 20 30 Paris 1994, one of the KALVOS" FAVORTaS 8. Byzantine Prayer Requion for Giacinto op.74 for 40 flautiste with 72 flutes 2. Frenetico il longing di amare bass voice, contra-bess flute, sound icon 10. Dizzy Divinity 1 bass flute alone 11. Capricorn’ Nostalgic Crickets IT Picrre-Vves Artaud and Orchestre Francais de Flates, conductor iin Musidise 243 792 (Ex ANDA) Paris 1993 "choc" (Patrick Szersnovicz) Monde de la Musique Paris 1993 12. Angelo Divino opus 87 large orchestra, commissioned by the sie SWR Symphony Orchestra, conductor Zsolt Nagy, DONAUESCHINGEN FESTIVAL "94° col legno / SONY WHE 3cD 31982 Munich 1995 13. Sensual sky op. 62 - 9 players & two pre-recorded octobass flutes (P-¥ Artaud) 14. Tubiri (‘anours') op. 43 - large enconble Polychromy Ensemble, Nvart Andreassian Musidise 204482 Adés 750 Paris 1904 LPs 15. Clepsydra opus 47 (24) 16 sound icon players, EUROPEAN LUCERO ENSEMBLE conducted by the composer 16. Astray opus 50 (21') for two duos : Daniel Kientzy saxophones & Horatin Radulescu sound icon RZ 1007 Lc 8864, Berlin 1990 "Choc" (Franck Mallet) Monde de la Musique, Paris 1990 17, Colonne d'alba opus 73 Opera Daedalus Ens.Roma cond. by the composer Edivan PAN PRC S 20-64 Rome 1988 18, Small infinities' togetherness La Petite Compagnie Ensemble Munro/Lovano, HR conductor Escargot Paris 1974* pha ZERO (00335 1114 2999 00336 08908118 004178766 1297 lucerombluewin.ch hitp:/myerebpage netscape com/uytarak/horatiuradulescuhten