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Culture Documents
Japan chapter.
The truth is that the cultural and historical similarities are far more significant
than any superficially perceived differences, be it appearances, technological
advancements, diet or religion. What on the outset looks like an entirely
different universe, upon deeper inspection there’s a blueprint directly relevant
to modern day Iraq: where we have been, and where we can potentially go
next.
From bloodshed in ancient times between tribes over land and power, struggle
with foreign influence and religious divide, to hitting rock-bottom during WWII.
Today’s Japan is often portrayed, especially by the Arab media, as an
unattainable ideal — ‘what we could have been’. This is often accompanied by
images of Tokyo’s fast trains, flashing lights and the lines of politely queueing
commuters; or the other extreme of high suicide rates due to overworking and
the ever occurring natural disasters. These extreme portrayals are further
away from the real Japan where some chaos still ensues — the brawls and the
occasional chairs thrown at each other, is a display by Japanese politicians in
their parliament perhaps far more extreme than any seen in its Iraqi
counterpart. In this technologically advanced society, cash is still king and fax
machines are viable means of official communication. Bureaucracy, red-tape,
niceties and habits are similar to points where I often needed to remind myself
that I’m in Japan. Yet, there’s no denying the wonder of where this country is
’Ganbarimasu’...
In the past year living mostly with a Japanese family to improve my language
skills as well as hands-on cultural experience. What struck me the most is a
general attitude of encouragement among people and an attitude of
‘Ganbarimasu’ which means I’ll do my best, regardless of what’s available or
any extenuating circumstances. It’s a full acceptance of the ‘now’ no matter
what it looks like and to do the best with it. My role is to do the best I can
and help you do the best you can. Any result thereafter is cherished and you
try again until you get to your destination. This attitude is key as to why
despite natural disasters, wars, and usual societal problems like corruption,
gangs and poverty, the negatives don’t outweigh the impact of this
collective way of thinking.
Everything else? The similarities between Iraqi culture and Japanese even
linguistic expressions are so striking, I find myself automatically switching to
Baghdadi occasionally when speaking to my host family.
Today, Japan has two main coexisting religions, a united country despite
previous domestic and foreign feuds, a thriving economy, a chaotic,
frustrating and bureaucratic government, a society still in recognition of its
ancient customs and history. It’s not perfect, but exploring it from an Iraqi
perspective, one cannot help but be inspired that there is a way forward.
A year later I campaigned to create Iraq’s first National Youth Orchestra bringing
together young musicians from Arab and Kurdish regions of Iraq. The orchestra was a
great success and I ran it for 5 years until ISIS broke out in 2014 and put us on hiatus.
During that time I received a lot of international recognition including UNESCO’s
Young Artist for Intercultural Dialogue between the East and the West.
As well as running an orchestra and giving talks around the world, I went to Law
school in Glasgow, Scotland and ended up working for a legal tech startup. I then
decided it wasn’t for me and ended up joining ITN News in London working for
Channel 4 and ITV in production and occasionally investigative journalism. In 2016 I
set up a three-month long programme Music therapy programme for Syrian refugees
and Iraqi displaced children in Arbat, KRG, addressing symptoms of post traumatic
disorder. Prior to my decision of taking up my life-long dream of traveling the world
and exploring cultures, I completed an M.st. from the University of Cambridge in
International Relations, focusing on Conflict Resolution.
I still mostly only want to play the piano, but I always wished I can transmit my
experiences and discoveries through my travel to a particular audience, namely my
fellow Iraqis. The studies and experiences plus my personal endeavours have
empowered me to be more, achieve more and aspire for more. I want the viewers of
the show to take the message that your power of one can make a big difference for
all, and sometimes all it takes is a perspective shift.
Japan Chapter Layout
Total: 8 episodes.
Duration: 40 minutes per episode.
Locations
Tokyo: 2 episodes
The initial two episodes will cover an intro into Japan in general and will
dive into popular sights and aspects of modern day capital of Japan,
Kyoto, including pop-culture, food and central areas with reference to
some history. The latter end of the second episode will cover a Tokyo
not often experienced — suburban Tokyo where a much simpler and
surprising way of life thrives, including Mount Takao and the country’s
steepest slope .
Presentation, filming, research, animation and editing fees: $2500 per episode.
Total: $31000.
Timeline
The aim is to film, edit and deliever finished material in 6 weeks as of the date
commencing filming. A good period for filming would be the start of the Spring
as it coincides with the famous Cherry Blossom festivities. Should filming
commences late February, early March, then the finalised material will be ready
for airing by mid-April.