Tapped in “Tylana Words and Music by Paul Gilbert, Jeff Martin and Russ Parrish seas Gsitps ieetad ‘Tune down one whole sep : ay : # Yeah, yeah Twen- ty long— yeas sid int (Approx 20sec) HE = ees ot — 7 3 § “Doub by 2nd ge Uoughout “Tend vocal doubled an octane lower tlsolo Ne Bs Ne vermin goby though a heavy coat of chain. = mail___ ‘Copyright © 1998 by Carees-BMG Muse Publahing. Ic. PGY3, Peed Music and Severin Son Music ‘Arps forthe word on bana of PGS Admunstared by Careers-BMG Mosk Pubning. nc 4 international Copyright Secured Al Fights ReservedSosa wan na change the world but ya still cant de ~ ide aoe They can take a= way the cash but a Half ime feel A fools got is pride Ev = y= one mst kneel be - fore the man, Chorus lead = er ofthe band —___ ‘Trapped i toy(end halftime feel) 2nd Vere ve ts ett 2 # + © twen = ty - odd years heard tw tion” Feed ing your fears with pay - cho - log - i - cal pol tion Ev ty + bod = yim the world wy tefake gould aceeeantceeeeseeee Gomi eee soya 4 tetrng get be hind the wheel just Halftime feel H As Sye phanis- asso - ei ates and press mon read. the up - per hand. Chorus WIR. Fig! (4 times) Ne. be: sf time feel) ‘Trapped i, ey - land,aa fer 44] os bs as (Gtr Lou) . Full z vu Full = NSE ez eh i i is Guitar soto sNcieS™ 6 ANY na Jai 3 Ful (Gt. out) Toy land. Toy land, Tey . land Rhy, FL (Gtr 1) {end Rhy Fill) 7 Ph. Toy— Well, it seems tke ~—=—«years since an = y - bod- y knew your name, “Lead vor doubled an octave lower il india : t , = ‘And you're drown in’ in your tears but its just the same And it 10seems sucha waste. for ‘man with such But is ob - vis ous res al i - ty is eat-in’ out your in - sides Sye- 0 - phan as - 40 cis ates and pres men read the up per hand. — PM. PM. eM. PM. PM. i PM. PM. a Ey cone— mist kneel be = fore the man, "1Chorus Ouro ‘wiRhy Fig. 1G times) ne Trapped a wy : land wR, Fit why. Fig. 13 times) be ne ee Trapped in toy land, (Gtr Hout) © aha er 7 F a ra SVEN eA ag seen DI ee Trapped io toy land, 12WIR. Fill ‘wih. Fig. 1 (3 times) Ia eaeeeeeteeeeeeree ‘Trapped in ey (Ge. tt out) PM PM PM PM PM PM ‘Moca no longer dobed Tat ord ig trough bares 13take Cover. Words and Music by Andre Pessis, Eric Martin and Paul Gilbert im Chyaa2 ing 55 Chat Moderate Rock J = 108 Rita cou. RECA (Gte “i a“ Iawro (rm) 4 : ae Ze ot Si (end Rift A) Harm, st _ a eee 4 NCaS @ cts, € ‘Rif BI (kybes. are: for ste) (end Rift B1) itt (Gurs.1& “tt (cod RittB) * Chord namo inpaenthses inp by bus (Uvouphout) istVerse ‘WIRis B&B (both 4 times) NYAS) os ts, Words in ty mouth some = one ‘Copyright © 1996 by Careore- OMG Music Publishing, nc, PG19, Ec Marin Sonos Ev Ape Must ne. Endless Frogs Music and Sob A-Lew Mus ‘nights for the word on deal of POTS Adminetorad by Carers BMG Muse Pushing, ne 14 Sights lor Ere Marin Songs Contoled and Admiteod by EM! Apri Mus Tne pete ry ewer eal pean yp pry te thereee as es) told met say They go un = spo ny Gur Lsubsttue FI] (Resume Riff B) cls) 1s) @s mind gets in the way. 1 hold ny tongue. cts) «9 as) ws), ty, sett and stay sold Precchorus W/Ritfs B & BI (both times) Nc«FtS) as, ) Some ~ times you got=ta pull the ply ome - where — litte place to. crawl. ets) ~~ = Love me pe eg 21 tr aon eee teeetaeeeeeettae in ws) does- nt have tobe tke for an or - di- nar - y 1 wan-ma take cov 15wREA ‘WiRis B (Grr 1) de BI (both 14 times) G1 substitute Fill2 (Resume Riff A) NCAAs) 9) cls ay — “ ake ov e from you—— Wake 9) as) es) (Gir 11 & kybds. out) me when. its 0 yor Take cov et Twan-na take cov = er from you~ Ne. che? 2nd Verse ‘NRIs B & BI (both 2 times) NCAAS) ws) cts) « Sold all, my_— dreams, watched them — al dig = ap pear as, ws) (cts) a Tye spilled my blood. No one seems to care. "Cause Pre-chorus ‘WIRE 4 BI (both 2 times) Ncwts) as, a cannes — = you got= ta pull the-plug,—— ts) 16@s) How tong do 1 have. to go to make you un - der - stand? I wan-na take cov Chorus wR A ‘WiRitsB (Gus. 1) & BI (both 1% times) Gt. subsite Fil? (Resume Riff A) NCWAS) es) ct) > a Sp ake v=o from you. Wake (Gt 1 & byes ot) «9 (as) es, — me when. its 0 = ver Take ov + ex Twan-na take cov = er from you. Ne. Interlude Cha haa cle char a coum J, ad 4. a~d ° ‘ “Doubled wiht variations ad ib by adaonl eles gi wit one (ext barony) a a Es che ctmada chm char ° a and a ama es choos (Ge. owt) ° a 1572 3 t = (Gt. Lou) i a a Chorus wR A {WRiffsB (Gt. 1) & BI (both 4 times) ean _NCIAS) A Towanena take cov = ok take ov Gi. substitute Bl? (Resume Riff A) es, cls) © Nn eS ES from you— Wake me when ith o vet, Take cov WiFi 3 and Bkgd. Voc. Flt (as) es) «ty, er Towan-na take cov = er from you wiRittA Gur. substitute Fil2 (Resume Riff A) as) @s) cel, Cov = ex take cov l3 (Gu. 1) ‘ 18€ a, 5) | a yun = der Take coven, take ov = er from you. Outro WiBkge. Vos. Fil2 ‘SIRs B & BI (lend) el Newcts) z aL “Gi. tis two gear for oe il en. "For neat 1 barony et nots on 2nd sg ing wid, & wom. bar effects a W(t end) Pied by dona ge Bkgd. oe, Fill2 19Begin fade 20dane “poe Words and Music by Pat Torpey, Paul Gilbert and Billy Sheehan Bn, Modernte Funk J = 108, (Drums) (Drums & bass) Tro Newrts) Ont igh wb ‘wat om Ph Fra Bushs E Rhy Fig. 1 at Fr Fivew2 Be "7 Peace cng (end Rhy. Fig.) CCopyritt © 1996 Partrpedo Music, Chemy Lane Music Publishing Company, nc. (ASCAP). ‘Career BS Mute Pusiahing, Ine, PGT Intemational Copyright Secured” Al Pighis Reserved at1s, 2nd Verses A Boul E Phin i? 1.Can 1 ex E Seeadltional tyres ea “Vocal doubled an octave higher ilend of Verse Fh Eula E to get me through.— a FY Fuh E who Fett me full of doubt. a hr Ncw oe 9 Vw | tell me that she loved me, then the lights went out — a a slight vibhors Sy Fig (Gt. 1&1 (2 times Mbt oe pt Poe) Sac rat rug co Fru Be Fr What was her mame, where did. she go? Y Fras Baushs 5 a Jane Dee. co Fhe Ee nm 1.She slipped a a docs an = y= bod = y know? ) 2She sipped 8 = way with oma trace still’ dont know — Fir Newets) Jane Doe. Gus,1 U1 (Usttime Gre. Thou) a Ieee acter ac a Don plck Ske tg, wi index ager ove pickups Bkgd, Vor. Fig. 1Bridge Nc There's ipgeteet tt Geom ttn blame Love. can twist the frame, ‘And John, has lost his Jane, (st time Gur I contin slashes) 24Guitar solo hy. Fig-2 (Gt. 1) mt dr JH wy Fe 20 tines) wah after 1% ra 12 Fu Ful Fa Z 0 oh al ma Eat “ A Bail 25FAs (Gt. Mout) Ne. eel Gen J . a =e =, What's her— same, what's her— name, what's her— name, what's her— H loco sem: harm “Voc doubled an atave higher (next Sars oly) 7 = — = name, what's her— name, what's her name, what's her— name, what's her — D:S. (no repeat) a! Coda x Coda Fis oe a ae i: = if a : ana ——— 2 t sl Addtional Lyris 2. Platonic whisper that makes me want about ren she always disappears like a lady from Barclay House. ‘Who is this woman, someone that I invent? follow all night long like a bloodhound on a scent. (To Chorus) 26