K.BOEKE \wsc FoR RicoRDER en ae re a K.W Ar Yup Ya—A— DROD SOODREHTHR YI-F-ORDD3 OMB x IO 300M, 2-7 O HIRD coc, eI LES EI OMPE RMT SEH aO RD EMR Lo ThS, MCRL, Sx 0MOMMAE CA SOS CEDDHS EG MME TALE LOT, TRO Tham, Ki meook REA EEBEIE Go THEE, LERMEOL DL, FHMENDHE LONE, BLTOR, HM DEG, MMOD 7-7 2H, MAME LT, MEME TASS EDMAN ELSI. EGE, SIERO CHT SS Lid, AM be OSI £, ANORLEL TE, MMS LOTHS I. wELoORE 1. ae POwe . EDA KOE AR OM SOL ODLDTHS. 1H) (WAH 123456 TCT (MEL 234 ORCS Ee (ASAE A) n, abo EEOVKONE, MEMOT EMT LOOLOTHE. KABAMOHRTH 9, BABEL OOD WLR THMCAS, ACOHIEO 2 ACHIEL 23, mACw) it OF (129456 79(8)2012456 1 mi, 208m AA COTS TORN IENY ERA TOD, RAHORFM, RYO Kew LWT OAL ang. SS OMMML ORM TH 9X, + BRD HREM HF THEO, FAD, AME BSNS HET, AFH, VALE, thik, SEMA TAN. HAT EMO 9 ORME, AMM EGA, SOMME othe, IIT 7A Tor 1sI-1 THREE EXERCISES FOR ALTO RECORDER Preface ‘These three exercises were born from the lack in recorder literature of material to tackle the typical finger-technical problems of our instrument. My inten- tion has been to concentrate as many specific fingering difficulties as possible in each exercise, without bother- jing to much about being musically interesting, since I felt that technique can have a fascination of its own. ‘Thus you can consider every single measure or group of measures equally useful as an exercise by itself. Played in their entirety, though, they are valuable as a test for prolonged concentration and mere physical condition, Notes 1. “The Right Hand” Entirely based on the four fingers of the right hand, and the functioning of the left thumb. 2 in this exercise should always be played with alternative finger- ing~1234567. 2b with 6123456. (always valid for easure) UL “The Left Hand” Based on the functioning of the four fingers of the left hand, and the production of the top-notes. Alter- native fingeringsign + is always valid for an_entire, measure (like flats and sharps). €2-023; 12123; f¥ ; 2-1234567; &2-0124567. ML, “The 28 Steps” ‘The 28 Steps)contains all the connections between all the notes within the f1-£8 range. Alternative fingering sign « only valid for one note! No “interpretation” marks have been added, since 1 consider these exercises as “raw material”. You can do with them whatever you think is useful: e. g. add slurs, change the rhythm, add pauses etc. The repetition sign at the end of nos. I and II is, of course, optional (memento mori) 1977 Kees Boeke Bepnia151-2 FORE “THE RIGHT HAND” 1 | Se ied © 1978 ZEN-ON Music Company Ltd., Tokyo, Japan. International Copyright Secured.151-3 ie rn ba piesa, tae pte teto te? Kfpees ===. eq fee eS =151—4 FORE “THE LEFT HAND”151-5151-6 28 ORF “THE TWENTY-EIGHT STEPS” Presto151-7