Fantasia 3 à6

! 
Thomas Tomkins
(1572-1656)
  2       
3
 
4
 
5
   
cantus (S)      
   
# #
        
quintus (S)    
  
#
       
altus (A)    
$
tenor (T)  
 # # # # #
$
sextus (B)
 
 # # # # #

bassus (B)
 
"  # # #  #

! 6 
7

8
#
9
#
S     
             
S    
           
A    
$ 
 #               
T  
$
B
 # # #    
       
B "
     

! 10   
11
    12      13
  
14
  
S 

             
S  


             
A   
$ 

            
T   
$
                
B  

B
"
 # # # #   
 3

! 15 
Tomkins: Fantasia 3 à6
16
   17
   18
 
S   
                
S  
     
         
A   
$
  
T       
$

B
 # #      

       
"
B
        

! 19   
20

21
      
22
   
S   

S  
      # #
            
A     
$
   
#
  
T        
$
              
B 
        
"
B       

! 23   
24
  
25
       26  
S 

S 
 #              
 
A          
$      
T 
 # 
$

B
   #          

B "
              #
 4

! 27     28       29  
Tomkins: Fantasia 3 à6

    30    
S  
           
S           

A  
  #  
$
# # #

T 
$    
#
         
B  
       
B "
         

! 31        
32
 
33
    
34

S  

                
S 

               
A    
$        
#
    
T  
$
B
 #            
         
"
B
      

! 35    
36
    
37
#
38
   
39
    
S 

S 
      
            
                   
A 
$ 
    
              
T 
$  
B
                 
   
B "
 
           
 5

! 40 
Tomkins: Fantasia 3 à6


        
41 42 43 44

S    

S     
   #          
           
A     
$

                 
T    
$
B
         
#      

   
"   
B
        

! 45  
46

     47  
  48
   49
  
S  

  
            
S    
      
    %&
A       
$   
#
       
T       
$ 
        
B     
    
"          
B   

! 50    51
 52
       53
  
S        

# #
       
S  
            
A      
$     
    
T       
$
              
B

B "
       # #
 6

! 54  %&    
Tomkins: Fantasia 3 à6
55
    
56  57

S       
            
S           
             
A   
$

          
T     
$ 
B
          
 
"
B              

! 58     59 60
#
61
  
S      
       
S         
        
A       
$
       
T       
$  
      
B           

      
  
"          
B
   

! 62  63
  
64
     65 
S         
    
           
    
S  
       
A     
$  
      
T    
$
               
B
    

B "
    
    