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Themes
The main ideas or issues present in a text are called themes. In Much Ado About Nothing, these include the themes of love, appearance and reality
and the ideas of ‘nothing’ and ‘noting’.
Part of
English Literature
Much Ado About Nothing
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There are many themes in Much Ado About Nothing which could be analysed. These include:
nothingness
love
The title of this play refers to one of its main themes. 'Nothing' implies that the concerns of
the play are trivial.
The word 'nothing' in Shakespearean times was pronounced 'noting' and so the title itself is
a pun. There are many instances of 'noting' throughout the play: Claudio notes Hero's beauty,
both Benedick and Beatrice note the words of their friends that lead them to love, Claudio
and Don Pedro note Don John's trick to make them believe Hero is unfaithful. 'Noting'
implies that the play deals with characters paying attention to each other and listening to what
each other has to say.
'Nothing' was also a euphemism in Elizabethan times, referring to the female genitalia. The
theme also refers to sexual desire and the quest for love.
the title
Claudio's noting of Hero
Beatrice and Benedick's eavesdropping
How does
Shakespeare show Evidence Analysis
this?
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Claudio's love for Hero is often regarded as superficial. He seems to fall in love with her because she fits the model of an ideal woman:
modest, beautiful and obedient. Beatrice and Benedick, on the other hand, are each in denial of their love and need to be tricked by
their friends into realising their true feelings. Ultimately their love seems more real and true.
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Love is sometimes presented as superficial – Claudio falls in love with an ideal of a woman rather than the
reality.
The love between Benedick and Beatrice seems to be hidden to themselves. Their friends have to trick them
into realising their feelings.
Love is seen as protective as well as romantic through Leonato’s wish for his daughter and niece.
Appearances and reality in Much Ado
About Nothing
Shakespeare uses this play to show how appearance and reality are not always the same thing. At the beginning we see the apparent
enemies, Benedick and Beatrice, engaging in witty banter that verges sometimes on the cruel. However, they are tricked into
acknowledging their real feelings of love for one another.
Other examples of this theme can be seen in the masked ball, where mistaken identity is the cause of confusion and upset for both
Claudio and Benedick. In the gulling scene, Benedick appears to hear his friends talk about Beatrice's love for him, but in reality the
audience knows they are playing a trick.
In darker examples of the theme, Don John fools Claudio into believing his wife-to-be is untrustworthy by apparently showing him a
scene of unfaithfulness. When Hero is accused, Leonato makes it appear that his daughter is dead.
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Shakespeare shows that appearances can be deceiving and that the reality can be something quite different.
He shows that the reality of love depends on more than appearances. Benedick and Beatrice's connection,
with their equal wit, seems more reliable than that of Claudio and Hero which relies on looks.
The truth seems to be hidden at times, as we see in the cruel trick that Don John and Borachio set up.
Glossary
1. euphemism
A word, phrase or expression used in place of one that may be
found offensive or suggest something unpleasant.
2. pun
A play on words, relying on similar sounding words or two
meanings of one word.
More Guides
1. Plot summary - OCR
2. Characters - OCR