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WORLD OF a
7 THE STORIES
BEHIND THEIR
GREATEST HITS
SL GRANGE”
AN AND MORE!
THE COMPLETE .
HISTORY OF
BILLY
GIBBONS
AND THE
LPLOL BAND
FROM TEXAS
NTING RARE
GUITARS IN RUSSIA
he ROAMING THE
EAN STREETS
OF NEW YORK
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eee ens)For mehe selects « CD by country star
rad Paisley, a neve friend of Mill's, whom
he rates pretry highly as a guitarist Next, Mn
Gibbons soossthrougis the hangin bin, com
rienting authoritatively ontacky burt obseune
slseo tacks shat maybe he ouslienacadmit
to knowing so well. Then i's onto the DVD.
racks. Billy's eraving sonte fil noi tonieh
‘that ominous, black-and-white, B-movie
gent, filled with snzar-sharp lille, danger
fous gun mols aad other desperate characters
from the fringes of md-20th centiry Ameri
‘ean society. Bilyigs and digs, growing ilbly
frustrated. He ean'sfind one he hasn't alresdy
seen, bathe does present me wit 4 copy of
Dilger, quite possibly the only fim noir ve
Billy’ knowledge of flm is as eneyelopedte
sshis command of musialidfoms both high
snd low, Just name 4 cinematieentesvinlage
Hollywood, Italian necrealsm, Sixties kere,
‘Asian slasher Biles Biiy can nanie dizectors
cinematographers, tors and actrees.
He possesses highly retentive and wildlvas
suciative mind that seems reauire constane
Stimulation, One song ot movie ile wil trige
geramavalanche of related titles in his fevered
brain. He curries offtorrack them dawn,
‘The uniquely configured, hyperactive mind
of Billy Gibbons she engine that dives
ZZ.Top that Little OV Blues Band from Texas
‘ow init 38th sear of operation and likely to
‘ep on running infinitely chankes tote eat
Feitated Energizer bunny ther esides inthe
curiously adorsed noggin of Billy Gibbons.
‘Billy an interesting gy” says Dusty Hil,
Zz Top sbassistand Gabbons bandmate for
guitarist and mastermind
Billy Gibbons is a compul-
sive shopper. Late one recent
Hollywood night he could
be found prowling the aisles of the Virgin
Megastore on Sunset Boulevard, moving
stealthily like some African tribal hunts-
man, albeit one with a long grey beard,
strange tufted hat, natty black suit, ample
silver wrist jewelry and a white shirt ac-
centuating the night-owl pallor of that small portion of his face left visi-
ble by his legendary chin warmer and bizarre headgear. The Great White
Hunter! He swoops down the aisles, deftly picks through stacks of CDs
and extracts the discs that capture his fancy: a collection of cuts by Fif-
ties steel guitar legend Speedy West, some Los Lobos albums to prepare
for a jam with the famed L.A. band at the Latin Grammys, and a world-
beat compilation for the missus, the comely actress Gilligan, who is ap-
proximately half Billy’s age. “She goes crazy for this stuff” he confides.
the past our decades. "e's gotalotofvatied
sts If you'e involved in sone venture
hes into, yo realy get ingot
werybady knows that 22 Top ate one of
the arestes things ever to spring from the
‘Texas mud, bur fewer people get the Hol
Iywood connection. Billys dat, Fred, wava
soundtrack mesieian end composes for MGM
during the Thirties Hs uncle Cedric isoneat
the mostcelebrated cinematioart directors of
Hollywood's Golden Age In face, Billy inher
ited the family manse in the Hollyyood Hil
The adobe-style dvellingisbrimming with
farther arcifats of illy's mania for shopping
‘Museum-gualitypioses from his world-class
collection of African art acorn the ome.
humberef vinsage automobiles, al of hers
Dlack, are parked ont font. And, ofcourse,
‘there are guitarsand amps everswhere—rare
tones, new ones, the weird andthe wonder
fuk x Billy Bo Gretsch Jupiter based onan aX
iver Billy by rock and rll legend Ba Di-
lyrancnew bel JB Tele adowned with
sparkling jewas,a few pawenshop specials
chree Watkins Dominator ampe of different
vineagesand 1 Marshall Bissbresker in red-
‘orange Tolex
“There's even more sti
In Houston, the ety in w
Houston is also the site of 22Teps recor
Ingstudi, Foam Box, and eign: warchouses
containing thebulk of Billys Afsian or cole
lection, hundreds of guitrs, nips, effects and
Lord knows what else, Billy divides is time
‘besween the L.A and Houston residences
a5 well a various ather Hoes. No ome fll
Understands the comings and goings of Billy
Gibons. That's one ofthe Teles.
‘The Houston Bilis che ane everybody
knows: he deepstalkn’ Texan, with a passion,
forbarbocve, oadhouses, mudfiap galsand
stockear racetracks, Bue Billy's Hollywood
Finis every bias crucial 0-22 Taps identity
and longevity as thearoup's deep Texas blues
99%, His penchant for showmanship and
sharp eye for visuals (a genetic legacy from
‘Uncle Cedrie,perbaps) has enabled him w
reinvent the Band fereach sueceedingera,
Any one human beings conception of 22
‘Top depends lenvlyon the decae in wiles
that particular kutman being inde the
sage through adelescence into adulthood, For
those whe came up in the Seventies, ZZ Top
ae theultimate beer-drinkin hell
-go0d-timin’ ass-ickin’ party banc). Tis the
ZL Topof "Tash? “La Grange? “Whiskey'n
“Mama” and “Enjoy and Ge: It On." For ight-
iesfans, they're oneof the mast ubiquitous,
alboi wiley eons ofthe MTV era, hres
sluarp-dressed men with #sound as gleaming
‘and suearnlined as the custom hot rods and
{curvaceous cies seen in the video clips for
“Gimmie All Your Lovin “Lege” and “Sharp
Dr
sed Men"
Inthe Nineties and beyond, 22 Top re-
turned to their spots and emerged as curious
curators ofthe blues legacy. eared barrel=
house garus,semi-msthical characters, they
came ro remind us thet rack and roll aint
nothin’ but the bastard nfspring ofthe blues
an ail susie, This s the group that
‘rout us “My Head's in Mississippi “Fuzz
box Voodoo? "Poke Chop Sandwich and
“Buck Nella" Bless thei seized beards,F.Gibbons. Every note is steeped in the rch
Amyerican musical heritage thet Billy absorbed
{gonving up in Houston inthe Pilties. Someot
Fis earl ost musieal amare are of the di
‘verse soundseeming outafthe radio, chat we
ow call oot mse
Tas favorite channels onthe dial Dil
recalls, ‘seemed tobe the R&B cations KYOK
‘and