VGouitar System VG-SSB ......: Additional Function Thank you, and congratulations on your choice of the Roland VG-88 V- GUITAR SYSTEM, Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (Owner's manual p. 2), “USING THE UNIT SAFELY” (Owner's manual p. 3), and "IMPORTANT NOTES" (Owner's manual p. 11). These sections provide important information conceming the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Quick start and Owner's manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference Copyright © 2000 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION,WVGuitar ‘System VG-B8S veo: Additional Functions ‘This document provides descriptions and explanations only for the following features added Please read this while also referring to the “VG-88 Owner's Manual.” Version 2. Additional Algorithms [New algorithms have been added to the COSM guitar, COSM amp, and effets (Modulation, Wah). @COSM Guitar With the addition of "Sitar," ‘Wave Synth,” and “Nylon IL” which produces an even more realistic nylon guitar tone, the VG-S8 now features 22 different COSM guitar types in all @COSM Amp ‘The addition of 18 new amp algorithms now means you havea total of32 amp types to choose from. @Modulation Addition of “Defretter” and “Uni-V" brings the total number of modulation algorithms to 2 eWoh S types of “COSM Wal," modeling vintage wah and other wah sounds, have been added to the “Pedal Wah,” s0 now you can choose from § different pedal wah sounds. Additional Functions @GK Connection Detect ‘Annew function, which automatically detects whether or nota GK instrument is connected, and further, provides forthe switching ofthe internal settings, has been added. Even when the instruments only connected to GUITAR INPUT, you can use all the functions except ‘COSM GUITAR (including the COSM AMP, effects, tuner, and other features. @ Bulk Load in Play page 1tis possible to receive the bulk dump data in Pay page Copyright © 2002 ROLAND CORPORATION. llrightsreserved. No part ofthis publication may be reproduced in any frm without the writen ppermision of ROLAND CORPORATION,Col Te) Uae PM eam Cae oy COSM GUITAR hats Selects the COSM guitar type. NYLON 1 (nylon string guitar 11) ‘This isa newly developed nylon sting guitar sound included with Version 2. ‘The parameters fortis algorithm differ from those used in “NYLON STRINGS.” oxcen NYLON IE (race EQ (p45) PAN (p45) MIXER (p45) SITAR ‘This simulates the sitar’ characteristic buzzing sound and its changes in timbre. (race SITAR (races, FQ (p.49 PAN (9.45) MIXER (p45) me maf eC WAVE SYNTH ‘This is a synth sound that processes the string signal direct, from the GK pickup. (race (Paces, EQ.) PAN (9.45) MIXER (p45) Tere meson edn V8 Oo aa NYLON IT ATTACK [0-100] Specifies the stength ofthe attack when you pluck the string strongly. As this setting is increased, the attack willbe sharper and the sound wil be crisper. BODY [0-100] This adjats the body resonance. The body resonance is boosted asthe tings values increased. + The ody resonance is monophonic. This mers that if this Boy parameters set 10100, th panning of ech tring will Inve ls ef TONE [-50-+50] ‘Adjust the tone. Positive +) values will boost the high range. LEVEL [0-100] Adjust the volume. SEN Y These settings adjust the star's characteristic buzzing sound and tone PICKUP ‘This isthe switeh that selets pickups, FRONT: Use the front pickup. FoR Use both front and rear pickups REAR: Use the rear pickup, Piezo: Use the Piezo pickup. BODY [0-100] This adjust the body resonance. The boy resonance is boosted asthe tng vali inreased * The ody resonance is monophonic. This means hat this ty parameters et 110, he panning of ech string wt ae ls eft SENS (sensitivity) [0-100] ‘Adjusts the input sensitivity TONE [-50-+50] ‘Adjusts the tone ofthe plckup, Positive () values will boost the high ange LEVEL [0-100] Sets the volume of the pickup, COLOR [0-100] ‘Adjusts the overall tone quality of the sitar DECAY [0-100] Adjust the time it takes following the attack forthe tne 1 change. BUZZ [0-100] This adjusts the amount of characteristic buzz produced by the "buzz bridge” when the strings make contact with ATK LEV (attack level) [0-100] ‘Aajusts the volume level ofthe attack.Chapter 5. Parameter Guide AAS ial ‘These settings determine the waveform and volume ofthe synth sound, adjust ites, and affect other aspects ofthe sound. SHAPE Selects the wave type on which the synth sound is based, SAW: ‘Creates synth sound witha savitooth waveform. SQUARE: Creates synth sound with a square waveform. SENS (sensitivity) [0-100] ‘This controls the input sensitivity ofthe wave synth, ATTACK [0-100] ‘Adjusts the time takes forthe synth sound tori after a string i plucked, When itis set © a lower value, the sound will rise quickly, When itis set higher, the sound wil ise slowly DECAY [0-100] Adjusts theme ft takes forthe synth sound to decay’ The synth sound decays more quickly when this parameter is set toa lower value. Setting higher value incresses the decay time LEVEL [0-100] ‘Adjusts the volume ofthe synth sound. CUTOFF [0-100] “Thisadjusts the frequency at which the iter cuts off the sound's harmonic components (the cutoff frequency) “This parameter determines the sound that will resul after the fier ha stopped varying due to DEPTH, RESO (resonance) [0-100] “Thissets the degree of resonance (astnctivenes) of he sound, A higher value results ina sound that i more unique and extraordinary. F.TYPE (filter type) [-12 dB, -24 dB] Selects the level of attenuation in the ile, The-24 4B setting has very sep filtering characters. F.ATTACK (filter attack) [0-100] ‘Sets the TVF attack time F.DECAY (filter decay) [0-100] Adjust the time forthe modulation ofthe filtering from FATTACK and FDEPTH tostabilize F.DEPTH (filter depth) [-50-+50] This adjusts the depth of the ier. When the vali higher, the filter will change more drastically. The polarity ofthe filter will be opposite with "6" and“Chapter 5. Parameter Guide COSM AMP The rademarks listed inthis document are trademarks oftheir respectce oumers, ich are separate companies fom Roland. ‘Those companies are not affiliated with Rland and have not Ticensed or nuthorized Roland's VG-88. Tir marks ae sed solely to identify the equipment whose sound is simulated by Roland's VC-88 TYPE ‘The amp types indicated with at" are those added in Version 2 seam: ‘The sound of the Roland “JC-120" (Jazz Chorus 120), favorite of pro musicians around the world, + Jazz COMBO: ‘This isa sound sulted to jazz (CLEAN TWIN: “This models a Fender Twin Reverb, + PRO CRUNCH: ‘This models a Fender Pro Reverb + TWEED: ‘This models a Fender Bassman Combo. CRUNCH: ‘Allows you to obtain a crunch effec that creates 3 natural distortion. + STACK CRUNCH: ‘This is crunch sound with high gain MATCH DRIVE: ‘This models the sound input to left input on & Matchless D/C-20. 4 MATCH LEAD: This models the sound input to right input on a Matchless D/C-30. + FAT MATH: This models the sound of a MATCHLESS with modified high ga + VO CLEAN: This models the clean sound of a VOX AC-30TB. Vo DRIVE: This models the drive sound of a VOX AC-30TB, + VO LEAD: This models the lead sound of the VOX AC-30TB. BLUES: ‘A lead sound witha rich mile ideal for Blues. + 8G RHYTHM: This models the rhythm channel of a MESA /Boogie. + BG DRIVE: This models a MESA /Boogie with TREBLE SHIFT SW ‘BG LEAD: This models the lead sound of the MESA /Boogie combo amp. siss9un: ‘This models the sound input to Input Ion @ Marshall 19589. i959 ‘This models the sound input to Input Il ona Marshall 1959, si9soa ‘This models the sound of a Marshall 1959 with Inputs 1 and Il connected in parallel. 4 MSHLGAIN: This models the sound of a Marshall with a modified midrange boost + RAFIER RED: This models the lead channel of a MESA//Boogie Dual Rectifier. + R-FIER ORANGE: This models the rhythm channel of a MESA /Boogie Dual Rectifier. RFIER VINT: “This models a MESA /Boogie Rectifier with VINTAGE, ‘SW on. SLDN LEAD: ‘This models a Soldano SLO-100, + DRIVESTACK: ‘This is a drive sound wit high gain + LEAD STACK: This sa lead sound with high gain. METAL 5150: ‘This models the lead channel of a Peavey EVH 5150. METAL DRIVE: ‘A high gain and powerful metal sound, 4 METAL STACK: ‘This is a drive sound suited to metal “4 METAL LEAD: This isa lead sound sulted to metal, ACGUITAR: This ia preamp for electic-acoustic guitars. PRESENCE "This appenrs ony then anything oer than “MATCH DRIVE,” “MATCH LEAD,” “FAT MATCH,” “VO DRIVE,” “VO LEAD, "or "VO CLEAN” is selected for the COSM GUITAR TYPE setting. HIGH CUT * This eppears only when “MATCH DRIVE,” "MATCH LEAD," “FAT MATCH,” “VO DRIVE,” "VO LEAD,” or “VO CLEAN’ js select forthe COSM GUITAR TYPE settingChapter 5. Parameter Guide ‘SPEAKER The speaker typesindicaed with a” ae those added in Version? a a "| cane | SE em saat — fare noose] ree em —|eoas cn aronema| orbs fame Hin ow [eosstocm sromran|_orve_femecra fore Histon onion aia ++[eno me rast haar Sewer fa hsm re oor Siabecal Sra —esane ee ea rasp sree oseemw oa saan [sso ose orme_franeerenie fscngissases [omen om |Chapter 5. Parameter Guide EFFECTS Stypes ed “COSM wah” have been added, you can now select from 6 different types of pedal wah, © When “PEDAL WAH” is selected as the type MODEL ‘This selects the pedal wah model ORIGINAL: ‘Thisis the original VG-88 pedal wah sound cRY WAH: "This models the ound of the CRY BABY wah pedal ‘popular in the 70s ‘vo WAH: ‘This models the sound of the VOX VB46. FAT WAH ‘This a wah sound featuring a bold tone. UGHT WAH: ‘This wah has a refined sound with no unusual characteristics. 7STRWAH: ‘Wah featuring a broader range of variations for the seven-string guitar. This is very effective when used in ‘combination with the COSM GUITAR pitch shif. Bre Wtr TYPE DEFRETTER: ‘This effec allows you to use a conventional guitar to simulatea fretless guitar. iw) ‘Although ths resembles a phaser effect, it also provides. a unique undulation that you can’t get with a regular phaser. © When “DEFRETTER” is selected as the type SENS (sensitivity) [0-100] ‘This controls the input sensitivity ofthe defretter. ATTACK [0-100] ‘Adjusts the attack of the picking sound. DEPTH [0-100] ‘This controls the ratio ofthe harmonics RESO (resonance) [0-100] This sets the degree of resonance (distinctiveness) of the sound. A higher value results in a sound that is more unique and extraordinary. TONE [-50-+50] ‘Adjusts the amount of blurring between the notes. LEVEL (effect level) [0-100] ‘Adjusts the volume ofthe defretter sound. D.LEVEL (direct level) [0-100] ‘Adjusts the volume of the direct sound. @ When “UNI-V’ selected as the type RATE [0-100, BPM , -BPM 4] -Aadjusts the rate ofthe Uni-V effect, DEPTH [0-100] ‘Adjusts the depth ofthe Un-V effect. LEVEL [0-100] ‘Adjusts the volume ofthe Uni-V effect.Chapter 6. Changing the system settings GK pickup settings l§ Setting the Automatic GK Connection Detect Function Version 2 inches a function that automatically distinguishes whether or nota GK instrument is connected, while allowing you to switch the internal settings, thus enabling you ous all he functions except COSM GUITAR {including the COSM AMP, effects, tuner, and other features) even if he instrument is only connected to GUITAR INPUT. + You should normally ws ths withthe AUTO seting the defo vlc 1 this function does not work propery such s When using a Pickup other than the GK-2A, use the following step to change the setting. 1. Make sure you're in Pay page Ir you'e not in Pay page, press [EXIT] several times ‘2. Press (Fé) (SYSTEM). 3, Press [Fi (ORIVER), 4, Press [PAGE Pe ] to access page 4 nn ST a 5. Rotate [VALUE] to set the value AUTO: The GK connection is determined automatically, and switching ofthe internal settings is enabled, ON: The settings sed forthe GK connection remain in effect at all times, (OFF: The settings used for the GUITAR INPUT connection remain in effet at al tines. 6. Press [EXIT several imes to return tothe Play page.hapter 7. Using MIDI Transmitting/receiving all sound data @ Receiving settings from an external device (BULK LOAD) Version 2 allows to receive the bulk dump data in Play page 1. Make sure you're in Play page If you're not in Play page, press [EXIT] several times. 2. Transmit the bulk data from the external MIDI device, Everytime one patch is received on Version 2, the display shows this patch. * Please use the data dumped from the VG-88 for transmitting the data,PEDAL/ASSIGN Parameter List COSM GUITAR rion ‘SITAR WAVE (WAVE SYNTH) EFFECTS: FRDEFRET OEFRETTER) SENS ATTACK Derr RESO) TONE. ELEVEL Dever Peony ON RATE pertVG-88 Version 2 PATC H Li ST stalled in Version 2. ‘The new patches indicated with a“#" are those No. Name No. Name | Ne. Name USER 11 V-GUITAR USER 11-1 FalMETAL USER 21-1 FAT 1959 USER 1.2 AcGtt2st USER 11-2 AcPIEZO | UseR 212 TELEDAV USER 19° TEXSST USER 11-3 1HOLE USER 21-3 SPACSTRT USER 1-4 NYLONIT | USER 116 RICK 12 * | USER 21-4 OcTSFK USER 21 © WAHDAV = & | USER 12-1 DropD.2 USER 22-1 "80886 USER 22 SITAR + | USER 122 — DETUNEI2 USER 222 FATG USER 23 © FRETLESS = (| USER 123 JAZZBOX % | USER 229 © TL+BODY USER 24 — ECHOPAD USER 124 BOWED | USER 224 SYNLD2 * USER 31 PKANYLON = ® | USER 131 WAHTL. USER 23-1 "70sLED USER 32 © 12sEGt USER 132 ALLE | USER 252 TexsLead USER 33 VIOLIN * | USER 199 vaZZTL | USER 23:3 Darkiazz USER 34 ORGAN USER 194 — DAVBASS USER 23-4 Bell Mix USER 41 BGOAV USER 14-1 MetalWan USER 24-1 WAHLEAD USER 42 © AcGHBS USER 142 NASHGt USER 242 FuzzLead USER 43 Raga * | USER 143 © BODY 12 USER 243° CLEAN12 USER 44 © SYNLEAD =| USER 14-4 STEPSFX USER 244 BASS AMP USER 51 Heaw! * | USER 151 WAHA7 USER 25-1 AngleWAH USER 62 Chord }¥ * | USER 152 BANJO USER 252 — HARDROCK USER 53 -100TST USER 153 POSHIFT USER 253 ‘60sECHO USER 54 BASS DAV USER 15-4 — Slowécho USER 254 BAMBOO USER 61 -ATHM+LD | USER 161 MTLSOLO. USER 62 CAPO-+ USER 162 CAPO USER 63 MTLsiop. = ® «| USER 163 © TLTWIN USER 64 © PANSFX USER 164 — OCTAVE2s USER 7-1 — WoodStec *—*| USER 17-1 CoolLead USER 72 AnlgSYN + | USER 172 MINIAMP USER 73 TELEMOD USER 17-3 OPENE USER 74 © Emo USER 17-4 — SMOOTH * USER 81 LP WAH USER 18-1 Fat@iues ee ere USER 182 OAV-—CLN useR 02 wavEws «| USER 183 STRATOW ees cae USER 184 — 12st0cT USER 91 CHOWAH ee nek cere USER 92 FLamenco | USER 192 LIPMTL usen 93 picmer, «=| USER 199 RAR ee pres USER 194 BRASSGt USER 101 METALST pee ee ene USER 102 SudoAG USER 202 SMOKER Geet ee USER 203 BG CRUNC een en USER 204 — SLOWATK 10No. Name No. Name No. Name PRESET 261 V.GUITAR PRESET 40-1 OPENE PRESET TIGHT MT PRESET 252 AcGH2st PRESET 40.2 STRATCM PRESET CH DRIVE PRESET 253° TEXSST PRESET 403° RAR PRESET BEATORV PRESET 264 NYLON] + | PRESET 40-4 8G.CRUNC PRESET PEDALH2 PRESET 271 WAHORV + | PRESET 41-1 ‘asECHO PRESET Chord )Y PRESET 272 SITAR + | PRESET 41-2 PHASELP PRESET caro‘ PRESET 273 FRETLESS # | PRESET 41-9 CRYTELE PRESET 553 AngSYN & PRESET 27-4 ECHO PAD PRESET 41-4 HALF ORV pee ea eral PRESET 28-1 PKANYLON + | PRESET 421 ‘s0sRAA PRESET 561 FLAMENCO & PRESET 282 123WEGt PRESET 422 STSTACK PRESET 562 SudioAG PRESET 28-3 VIOUN + | PRESET 429 NATURAL PRESET 563 Ac PIEZO PRESET 28-4 ORGAN PRESET 424 BLUESMS PRESET S64 DETUNEI2 PRESET 231 BGDRV PRESET 43-1 SmalAmp PRESET 571 ALLE PRESET 232 AcGIsBS PRESET 432 TELETW PRESET 57.2 NASHG! PRESET 293 Rega + | PRESET 433 WancRUNG PRESET 57:3 BANJO PRESET 23.4 SYNLEAD | PRESET 43-4 ECLEAD PRESET 57-4 CAPOT PRESET 304 -10CTST PRESET 44-1 Heavy! * | PRESET 581 BASSORV PRESET 302 MTLSLDB + | PRESET 4&2 ATHM—LO | PRESET se2 PANSFK PRESET 303 TELE MOD PRESET 44-3 WoodSioc «| PRESET 583 Emo PRESET 304 WAVEWs 4 | PRESET 44-4 LPWAH PRESET 56-4 ROTARY PRESET 31-1 JAZZ TL PRESET 451 CHOWAH — * | PRESET 501 FATBASS PRESET 31-2 BODY 12 PRESET 452 METALST PRESET 592 ARPEGGIO PRESET 313 PDSHIFT PRESET 46-3 FatMlBTAL PRESET 593 RICKI2 & PRESET 31-4 TL TWIN PRESET 454 Dropd.2 PRESET 594 BOWED PRESET 321 SPACSTRT PRESET 46-1 WAH TL PRESET 60-1 DRVBASS PRESET 322 TLiBODY PRESET 46:2 Matawan PRESET 602 STEPSFK PRESET 92-3 DarkiAZZ PRESET 46:9 WAH 7 PRESET 60:3 SlowEcho PRESET 32-4 CLEAN 12 PRESET 46-4 MTLSOLO PRESET 60-4 OCTAVEZs PRESET 33-1 JCCLEAN PRESET 47-1 CoolLead PRESET 61-1 SMOOTH = & PRESET 322 HARMO12 4 | PRESET 47-2 Fotos PRESET 61-2 12st OCT PRESET 39:3 American PRESET 47-3 Octetal PRESET 61-3 BRASS.G! PRESET 33-4 ‘60s BOX PRESET 47-4 LPDANE PRESET 61-4 SLOWATK PRESET 36-1 S35CUTIN PRESET 48-1 FAT 1969 PRESET 62-1 OCTSFX PRESET 34-2 COOLJAZZ PRESET 482 80586 PRESET 622 SYNLD2 9 + PRESET 343 ESTAR | PRESET 48:9 705 LED PRESET 623 BellMix PRESET 34-4 STLINE PRESET 48-4 WAHLEAD PRESET 62-4 BASS AMP PRESET 35-1 SiowGEAR PRESET 40-1 AngleWAH PRESET 63-1 BAMBOO PRESET 352 EchoJAZZ PRESET 492 705M PRESET 60-2 125t5th PRESET 353 Matcha | PRESET 499 BOOGIE PRESET 69:3 CRYSTAL PRESET 264 CLEANST PRESET 49-4 BLUES B PRESET 63-4 RezoBASS PRESET 361 GHJAZZ PRESET 50-1 MINI AMP PRESET 64-1 SPACEDS PeESET gee adios PRESET 502 DAV~CLN PRESET 642 MidHom PRESET 969 Fer CUT PRESET 50-3 LIPMTL PRESET 64:3 NoizLoop PRESET 36-4 TwCHORUS PRESET 50-4 SMOKER PRESET 64-4 PWMLEAD PRESET 37-1 LP FRONT PRESET SI-t TELEDAV PRESET 65-1 SoftLead PRESET 372 ERT HALF PRESET 51:2 FATOG PRESET 652 DvSYNTH PRESET 97-3 MILD TL PRESET 51:9 TexsLead PRESET 653 GONG& PRESET 37-4 TELEBAT PRESET 51-4 FuzzLead PRESET 65-4 VIRUS a a Gree PRESET 52-1 HARDROCK PRESET 82 COMPO PRESET 52.2 DROPD PRESET 383 RICK GLN PRESET 62-9) REVERSE PRESET 384 TweeswWah + | PRESET S24 JBLEAD PRESET 391 BIGMETL x | PRESET Sot OCTDIST PRESET 39-2 GnunchTL PRESET 52-2 PAFLEAD PREser rs LE PRESET 53-3 POLYDIST PRESET goa Jazzeox + | PRESET 534 FUZZBOXRoland Corporation 03129367 04-3-4TPIS UOICHHY < EEL VG-88 ELH AUR THRU S , LFORIT ERK EELS @KSIN— + BY F4YAITIUT VERBIEF ANI FY Ke Ey Py ZORU ATR STRRUAE) SEE O° eas SES OD 2. Baa o5 o> Re é 8, Press [F2] (ON/OFF) to tun WAH “ON.” ee ress [F5] (EDIT) to access the WAH EDIT screen. Press [FI] (TYPE), Turn [VALUE] to select “PEDAL WAH." Nowe Press (F6] (SET PDL) to assign WAH to the built-in EXP pedal Ifyou wish to save the sound, perform the Write operation (Oumer's Monat, 25).Creating sounds Using EZ Edit to create sounds intuitively ‘You can create sounds easily and intuitively just by selecting one ofthe EZ Edit basic sounds, and adjusting four parameters. Pe Ew manne £268 ‘Amount of csorton “one brightness Tone breach ane modulation Delay added ote ound (Example) Here we will create a lead sound with a chorus effect. 1. Press [EZ EDIT), 2. Selecta sound Press [FI] (TYPE), and rotate [VALUE] to select “LEAD.” mame: 9 2. 2 2 Press F4] (COLOR), and rotate [VALUE] to select “1.” 18. Adjust the depth of distortion, Press {F2] (DRIVE), and rotate [VALUE] to set this to an 4 7. Adjust the brightness. Press [F3] (TONE), and rotate [VALUE] to set this to ea Adjust the amount of modulation, Press [F5] (MOD), and rotate [VALUE] to set this to “40 ‘Adjust the reverberation. ress [F] (DFLAY), and rotate [VALUE] to set this to a ress [EXIT] to return tothe Play seen, 1 you wish to ave the sound, perform the Write operation (Ouoer's Moma; p. 25).Make COSM guitar and COSM amp settings @ Make COSM guitar settings (Example) Here we will select “LP FRONT.” 1. Press [COSM GUITAR] ABoAA Pres fF ON/OFF to slet“ON* VARI, SG UTTAR '3._ Press [F4] (TYPE), and use [VALUE] to select “VARI Grr 4, ross PAGE De | to access page 2. + Yow ean also move tothe next pg by repentely pressing ICOSM GUITAR}. 5. Press [Fl] (PRESET), and use [VALUE] to select “LP FRONT." (6, Press [EXIT] several times to return to the Play sreen Wf you wis to save the sound perform the Writ operation (Otmer’s Marsal 9. 251 Make COSM amps/speakers settings example) Hore we wil eet “CRUNCH, 1. Press [COSM AMP}, 2 58S SnAooo 2. Press [FI] (ON/OFF) to select “ON.” 9. Press (Fé] (TYPE), and use [VALUE] to select “CRUNCH.” ie 4, Press [EXIT] several times to return t the Play screen, Ifyou wish to save the sound, perform the Writ operation (Ono's ManuapMake multi-effect settings 1. Press (EFFECT) SoRnea EQ rcs sazaieaks 2. Press [F1J-1F3] to select each eet. 3, Turn [VALUE] to select the effect setting, 4, Press [PAGE De ]to access the effect ON /OFF screen cated inthe next page. * You cam also moze tothe nev! page by repeatedly pressing IEFFECTI. ee ee es NSF Ree Bee 5. Repeat steps 2-4 0 turn each effect ON/OFF, and try playing the effect. Using polyphonic effects (Example) Here we effect. 1. Press [COSM GUITAR} 1 make settings forthe polyphonic slow gear Goose hy 2. 3. Press [Ft] (ON/OFF) to select “ON.” Press [F4] (TYPE), and use [VALUE] to select “POLY SG, Be FU azan pioapsea.y suowecen Press [PAGE Pe] to acces page 2 ‘You caw also move to the next page by repentdly pressing Icosm curraRl custo ot Sa oes 5. ross [F2] (ON/OFF) to turn SLOW GEAR “ON.” 6. Press [F5] (EDIT) to access the SLOW GEAR parameter setting sereen, Press [FI]-[F2] to selet parameters and rotate [VALUE] to-set their values. 1B. Press [EXIT] several times to return tothe Play screen, If you wish to sce the sound, perform the Writ peration (Ouner’s Manual p25.ESE 02123556 ‘04-4-27P Roland Corporation