The Complete Keyboard Player By Kenneth Baker BOOK aE Teach yourself to play any make of electronic keyboard with the world's bestselling easy-to-follow method we Fra thee Includes great ren nk page tur nd rae lyng Horm al ose Par eens ber pv to spec sete nett paps: rade fom ups wn Fae not been elo tine Nese lp tom ead can rc and se, ede si pti ul othe anon “rushing nd inde hve en poe nce iy tiie podbean whch ud gyn ‘elope yo cy fasta et or Nh anda ae roma ards vi gy pssae About This Book IN BOOK 2 of 7he Complete Keyboard Player you take several giant steps forward in reading musical notation, ‘Side-by-side with singl-Pinger cherds you continue your study of freed chords — by forthe best tring fer your lefe hand inthe long run In his book you play lots of easy fill-ins and double ates with your Fight hand, which helps ge you that professional sound not fund in other Keyboard books ‘Although Book 2 (ike Back 1) is designed basically as a'teach-yourslf method, teachers everywhere wl di deat for use with ther own stents. It you have purchased the CD edition all the songs in the book are featured one high-quality CD, played with a ful: bend accompaniment, which wil help you learn even faster!Sharps, Flats and Naturals Sharps THIS SIGN 15 a sharp: # When you see a sharp written alongside a note, play the nearest available key (black o- white) to the right of thet note: Wien oe 5 ° Note: sharp is simply another way of writing F Here ar ll the sharps, mered on the teyboard THIS SIGN isa flat:b When you see a flat written alongside a nate, play the nearest available key (black or white} to the left of that note: ‘writers @ | Note: flat is simply an aternative way of writing ‘ou may hare noticed that some notes on the keyboard have two notenemes eg FE/ Ch The name you use depends tn which key youre in You wl eam more about hey in Book 3, but fr now simply remember the fallowing cle: sharp: play the nearest black or white kay tothe right flat: pay the nearest black or white key tothe leePeter Kalabhavan Mobile = 050 2869979 vail: peterkalabhevenfaami.com \When a shar or flat written continues asa sharp or at night through the bar Fshacp F sharp Bflat Brat t ‘x the nest bar homeve, everything retuis to normal: Fsharp Fsharp. F 1 J Here are all the Flats, marked on the keybcant: dL Naturals | THIS SIGN is a natural 4 | Apart from at the new bar, @ sharp or flat may be cancelled at any time by anatural | Fsharp. F(ratural) Bflat B (naturel) ETE Lock out for sharps. fats. and naturals in the pices whic folioGet Back WoUS i by Bia Len ale lati gultar Sik Best “ee edu (J= 125) Sahota G re +2 canner ine wee” 6 a man who. thought he war a lon - er, wd 3 4 toad 2 and 3 4 bot he few It could = n't last, Jo Jo left his home in Tucson, Avct-20 = 9a forvomeGerli-for = nian gate Get bak! a tres ron | = =a = oS Get back Got back to where you once be g a 5 = Fhe eS fe = Tonge Get back Get CSpot eg ‘atone beer cpt eaeo back to where you ence be longed. — Sweet Lo - ret ta Mo = dern = thought she was a wo - man, but she was an-oth - er man. = All the gitle around her aay she’s got it com - ing, but she gets Tt while she Got back! expan eld te ett) lenge ran ween a ie ‘brine pare) ' —— Se Get back to where you once be = longed. 7InThe Midnight Hour “ibe & Mn Hom Cope wien POE EE ecacbmcroncanbla (onan Se Cheat ‘enpecmediem (= 105) a a a CHE g a a i SSS S55 walt till the midenight hour, that’s when my ic} a a a a foe SSS love comes tumb-ling down. Fm gon-ne wait tll the mid-night hour, g ga g a Gg a See aa when there's ne = one else a > round Vm gen-no ee ee SS SS 2 ¥- all the things 1 told you inthe mid night. hour. Scone aie Hoary Mts bp LS ina epee fencer a RonmaS cg ngnd hess ace Rigas Reseed manlyan Te == im gon-ne wait ll the stars come out and see that a a ee = twin Mein your eyes. Fm gon-na wait ill the mid-night hour, that’s when my love be = gins to shine. You're the nthe mid-night howe| Rock Around The Clock Perk Pa by Man Fwd my Kh wophone Pesach set button (dna nc sya th ef nda iit had at heat nol Diy rnagh one wig aed dre ely Sea lath charts at Chan Terps fat (2160) a @ oe vets ING. (crurns only) oe SS eS SS SS SS SS woo ted wea’ $4 344 ‘One, two, three o-lock, four o'clock rock! Five, ak, seven o'clock, come 1 2 Band ht nk 284 (ee) F (ous) ates sight o'clock rock! Nine, ten, eleven o'clock, twelve o'clock rock, we're gon-na Goa = rock ‘a-round the clack tosnight! Put your gladrags on, : t = SSeS ase ow ue ee Se Jon me hon, we'll ave some fun when the clock strikes one, we're gon-na Seif tured uoenstens Cope sae a#& SS Er = i= 3 a = i be =) broad dey -light, we're gon-na rock, gon-narock a - round the clock 24d ape i oalse) Es = sight When the clock strikes two, ==— “ee - xe ee Shas Sart yt fr ema ge ee — Gow ae == feck 8 rnd desk Hench wale gem mike oa 7 broad day -light, we're gon-na rock. gon-na rock a = round the clock to sep ten (ocr yo repo iylaneean|Two New Chords — C7 and A7 USING SINGLE-FINGER CHORD method: Locate C and A in the accompaniment section of your keyboard. Convert these notes into [7 and 7 (see Book One, p42 and your owner's manual) FINGERED CHORDS: ON Gg’ ———seorpaant scion 5 nat | 2 afta B (—— sconpormet secon. —— wantin lett HandA New Stage In Reading Music UP TO NOW, in order to help you, letter names in the music have appeared beside the written notes: These laters wll now be discontinued. The folowing wil help you lea the names ofthe nots: The stave consists of ne lines: amarnber this sentence EVERY GOOD BOY DESERVES FUN. ‘nd four spaces: These four eters spelt the word FA CE. Lasen the notes cn the the lines and in the four spaces Fr, then lean the’in-between’ notes, ke this Goatees o MIDDLE C eels lite dee Une Bc oso te iersiya pcan 86) Or gr a Ad TCE) RR SEES EQS EER Gg a wy ES SS SS = == == tove me ten de, love me sweet, nev ser let me cmt 1 203 4 tora 4 12 3 4 P (ei) a == | ———S = You have made ery Ue com ~ plete, ———— and ove you so. Love ome ten ~ dor, crescendo (eres) foam begs el ee === 2 for, my der-Uin, | love you, and 1 st-ways wil aif. (moder out) ‘Scape shay ae caine Conan rn ne ie pb of and ied eo enor oie TA stttesitrae ts Dopundencaondethy cats ean snd on Zend) Al Rp esredieraonal pyre Sege | Syncopation SYNCOPATION MEANS playing in between the main beats. | For example, take Bar 3 of ‘Blind Date’: Blind Date (excerpt) Bard becomes f gas FEE ce brane ensemble Sofe stat rep tan hea soot Gg a a oy a a7 DE] DR] ne 7 ppg jap 5 =a SSS SS See =e ge a 2 see cmez3e 1234 T23a4 123 6 12.3 die vac aaa ee st = = a or Se == Br a ag ewe 55] SS} Ses = a — sey? pata ‘econ was steers Meret [Aunaceet beonshena pyar‘Stuck In The Middle With You “Whi hy pan Gey Rey D7 gr LAr eI AARC OO NC. 1D i ty = f Fl ——— ——s é = SS Well | dos't___ brow why | came ere to > ht ene 12k ad and ad 2 one and ad = ===) _ I got the feet - ing that some thing ai't right. oS = —_ and fm won = ding how IU get down the stalrs ae = kers tothe right, here. am, £25 Seager wnt nite ins aint 2 RibhhePttnes martina cana eer Summer := St stuck tn the mnid-dle with you _—— stuck in the mid-dle with you cr Clowns to the lof of me, jo ers to the right, here 1 otCan See Clearly Now ‘ioe ERI by Nh a - PRO sone Peter Kalabhavan pe men Unt) Mobile: 050 2859979 mall; petetalzbbavangagrailcom o Gq oy a CE TNL ARE SSeS seeder = + ly row the rain 4 and i 2 and 3 and 4 and (etc) g Y fe Se Se = & ———— — = ca ee ee —=- —— dlouds that had 2S Es ¥ —— Kes gon-na be a bright, bright — sin shiny day emigrate chord ier ate Dinas Rteved eran Cope Ste= SS 1 think 1 ean make. g = “: Tes gon-na bee baight bright sun shi ny- New Right Hand Note:A THIS NOTE HAS gone beyond the range of the Stave, so a ledger line has been used Watch out for high As in the pieces which follow. NEWNOTE a o RE) ED RE Tone goes ga o Gg a le = — = = 7 ee? cA a Bo cucu sai 1 JS St oF Tae = log tou my nin aed Su) Seppe se 0 Bega cess ram oneenseanepul = sing through my vet, 1 just con't con-tein this feet = ing that re -mains,inert throne freee Dcugon, EN bar onthe Setepoteane” — secinthee hago hiivecsce — tmanyembetemain Fore ce man voce Stole Sbeat ge Tenzemedium (160) Gg Gi G7 @ site === imp 7 No mateter what they tell, ho mat-terwhat they 2olf on-ly tears were laughter, if on-ly night was count lad tad 3 4 12 3 4 Tam 2 and 2 4 fate) qr E : ae —————— No mat-ter whet they teach us, whatwe be - lieve is He on-ly prayers were ane wored, then we would haar God == == true, No mat-ter whet they call us, how-ev-er they at aay. (No mat-ter what they tall you, no mat-terwhat. they | ayyih 100 Ty Ue Cg Le (91 Sys cen Mie ing ina SO) ne Bictinaned lnembnea cope enna Betack, No mat-tar where they do. No mat-tor what they teach you, take us, we'll find our own way what you be-lleve is | can't be what Tm and shel-tered from the wee 1 teow no Bae an, our deem {8 Honus a - see can't de- ny what 1 be = lev a | know this love's for = mat - ter be + ing born, —— Lean't be what Tm not, aThree New Right Hand Notes: LowG,A,B Newnes —— ‘These three notes ie cracily tothe left f ride, che lowest of them, C, probably forms the left hand edtremity of the ‘melody section’ of your instrument Lettr names have been placed alongside the new notes inthe next Fee songs ga Gg | want. to see what peo + ple saw, — VS like to see the king - dom come,— cont 12 and 3A and «1-2 3 2-1 and 3A and ete} Fe = = iT like 1 felt be fore - er ‘ony 08 or /AT He Wiig (6 nid i Refs tse Romans cain Eee SE— na world where Ibe = long. SSS Se ter = that fe won't be ve = ry long.Candle In The Wind Whee Linas cian Bn Benita vo piano Sta: paro ballad Trp media (Jet20) SEE SS See SS Se ‘mp Good-bye Nor ma jean though never koew you at all, 3 4 wd 1 2 Sanson’ 1 2 3 4 and) coum 12 you had the grace to ald yourself, while those a - round you crawled. Se 2 SESE: = = a orb ute 2nd ger Drain, they set you on 2 ‘and they whis-pared In - 1 your and they mad2—you change your name — 26 Sagat eescuonss [7 - inet worst p ———— = == SS = = And it seems to ome you lived your life —= of : can = dle inthe wind nev-er know - ing who to would have liked to have known you, but twas just aid, your oo oe con-dle had burned out Jong be = fore your le - gend ev - er did irinvendo (din } etnies degrees — “| When You Say Nothing At All iar iy Con Sa Pad vst Sty 10 beat baled a Gg vess = a a Q pak SRA 5p ee SS ES \ mp VMS 2 > mar ing how you ‘can speak right to my heart | 2 All day long 1 can hear peo-ple talk - ing out loud count: Tans 2 and 3 and 4 and 1 ard 2 and 3 and 4 and etc] amp Without say - ing 2 word, ™P ‘ye when you hold me. you can light up the dark you drown out the crowd amply a 1 may 1 can ney = et ex plain Try as they may, they can ney - er de~ fy — cHonus Ga G7 G G7 === what 1 hear-when you don’ what's been sald_ be-tween your =H Say ai =F 3 HME} the sie om your ace lets me Snow = wf ‘conn 158300 sch sect ues sen Gant si Naiporeted USA LaNenACA ac ated SN rg Pac Putsuogingas a7 3/sowen Gees EMI Melek eed (2 Alps Rese asters Coyle Sete LLL LLee —— that you need. me, There's a truth in your eyes, say-ing you'll__nev-er leave. me. The g a Ici touch of your hand says you'll catch____ me where-eveer 1 fall, __ 3 =; ve You aay fe best. win you say o-thing at a ft Gg G @ a ict = “eg erty og ~~ gr ga TAT repoatanasace You say it best when you say no-thing at all_—| Minor Chords THE MINOR CHORD is another important type of chord. There are various ways of forming single-finger’ minor chords. Your ovmer's manual wil tell ou hove fo form | them on your particular instrument. The first two diagrams below show two possibilities: | chords of F Minor Gaal SINGLE FINGERED CHORDS: ON Bw ww accompanimertseton seer secion, ——— av wait ~ Vv tet and taeHaes RIGHT. play F together with ary ack noe 1 is LEFT; Play F together with any (one nate 0 Fingered chord method FINGERED CHORDS: ON wa snl, a iDotted Notes A DOT AFTER 4 NOTE adds half as much time again to that note Jw half note (minim) 2heats r J. a pe setedmtstteidnis) 41 3b dw f quarter note (crotehet) "beat deo pe edad coin) 12H teh Dotted Quarter Note (Dotted Crotchet) A oortED Quaater note J. (1/2 beats) usually combines with an eighth note: «) (\/2 beat) to make two whole beats: dD Viet ve=2beats J) vet 1 ve = 2 beats wimmmmcamcne J. jemawarerins This is how you count it . Detant count (1) 29 4 and 1 In bar 1 notice how the dot delays the note E, so that the net note, D als on an & beat The situation is always the same with this particular dotted combination, Lock aut for other examples of dotted quarter note eighth note ‘combinations in the pieces which fellow. By|Have A Dream "Wer & Nase by Buty Andean & Bom Vase re al = ty ee) And my des - ti - gq siti ———- — ef makes it worth the — you can take the fu - ture even if you ass pushing through the dark = ress still an-oth-er +59 capihe 970 en Sone at sly Swede two Deu Hatiniad for Gest etan aed he epi al 2 SuRfalR ered tinal Cngran Eoesa revrpaitn ga | = So SSS when | bon he emer ven ban sston a7 SS ai TU cross the stream, have 4 dream, mp Be EL seginten — a =< of‘Weds Mes by kn ok award dara yore Ban oc ce ale pine Sle Best pop Teepe medium (12 Syhesar | ta a er wm me tut es a on thet tease and the things you do bo eS me bad, bat I's the way you do the thinge you A Qsepi 06081072 Sora ita uC ine Bd REED RA ormnieares | ans SSat £ om ~ da kin . - ber a ¥ that. a 7 tide Uke ze The ust g ry bee one, © ——-_ = shes * ing g pedis secs a joes hold a ie = de a ’ o berChord of D Minor [ynjand A Minor r Convert these notas inte Dm and Am spectively (see 120 of this book an FINGERED CHORDS: ON — senpena, — aa 1 ecompanmene sation vent lyTega slow (J286) Syeeto aur on oo ag a g fam] CONN RENT! (QUEER) CUA) fire Pars - ley, ee, rose ee a ves. there. ening ster by eee Dm} g Hone Emin i she ‘once was a true love of mine. cap 1986 Dt Sine =e ‘av tijedmemine mara Cpe Ctiet 3- Fields Of Gold te Bib Sing Yolen Sie bose nova Sern medio 02) So 3 HE EB ga Gg Ne. == = pe a SS = Youll re mom-bor me when the ee ee + fey. You'll for - get 'the sun In hls foastous sky as we ae fields of gold, ‘cerpih ea aus rig nif Hake Pb de ‘nner cena btemesonal conn seared So she took her tove, for tojaar — = Cat =e = 7 7 —S— i gue 3 while pon the fields oF bar ey his SSS = | = ns Re — ee ae arms she fol, as her hair came down = mong the falls. of gol at = = £ ss 1 ner + er rade . g a i = 2 + provmi-ses tight - Wy, and there have been some that Ive bro ~ ken, a a g : SSS SS SESS — oF SS — but | swear in the days sit tet watt walk in thtde of gota fields gold. ofWonderful Tonight leds Mage by Be pon eee elects evar sey country Balad “enpo'madiam (292), g a ga @ [am] [Dm] OEE) AID MEENA] verses TA spre 4 its ote in the eve ing, — UP We go to 8 pw == ty cont 1 2 and 3 and 4 and 1 end 2 3 fete} shes non ding hosts = vn nt "wag om tae om 6 ——— Su pute nee mio. a oN 7 ‘and brush - 0s her long. is walk + ing a + round blonde hair. with — me. a ssetandpeition gr 5 And then che asks. And then she asks AQ RBURRRTRccwoJSS Se ee 4 = ¥ ¥ = Dot took all right" —_ And t say, res, you took "Do you feel all right?” And 1 say, "es 1 feel vein ci conan a serge { (ns) a = = =— e SS t won-der = ful to sap ayor wee ee ome 1 sat INTERLUDE [Dm] aq poi. nf fel ‘then the wonder — = SSS Just dont we = a lise how much 1 love you. wtatay a pustumbiny D.C. al FINE t seMore Right Hand Notes: High B,C andD It you have a 44 or 49 rote keyboard, these wil be your top notes. Letter nares have been placed alongside these new notes in the nec fr songs. | sje & beat pop “enjemediam |j=110} [Am] a a CUCU] CREAT Ne g fat=* == =! Ev-'ty breath you. take, ex-ry move you count 10 2nd 3 4nd 891 23 4 1 2 and 2 4 andietc) = SSE i EF vty stop you take, mate, = Pll be watch-ing you, Bvetty sin = gle ot 2 Yt being sabi Lined Jaangfbtearne besccrd ome SoeSS 2 day, ev-'ty word you. say, ev-'ry game you play, “ 2 — - = 1 ev ‘ry olght you stay, I'll be wateh-ing you. a eases o ‘Oh, can't you How my poor heart aches _____. with ev-“ry stap_ you ake Ev-ry move you. make, ev-'ry vow you break, = == a ee ee = aS eS Sie pained LooeHow Deep Is Your Love ‘Wad Pade by ary GK Mane Gb & an ie Pete Vox pan tte Se heat ight Tempo:mmsi 1-96) Syren on g Gr a Br Dm} [am] [Fm | HEL LE EE RED gun VERSE Ne TG cascetng LA? a oy x — ee SS = SS ES eS ee mt ci 3.1 know your eyes in the morn ing sun, 1 feel you touch count:(123) end 4 and = 1 2 and 34 and «12S and # and (exc) oy ty [Dm] Za es | C = = me in the pour - ing rain. der aap ge fe 7 far from me. 1 wencna feel you in my arms a = gain And you BE sagetige qa saucer tog pb - ‘ — A= : =r =z = % PSD = a a come (© me one sum-mer breeze, keep me warm in your love. then you soft ‘may not think I care for you, whan yeu know down In ~ side that I real LF FA esteminde a = ae $e < = ee a ly leave. And it's me you need to show. ly da And it's me you mead to show How deep is your faa ke i SS = i) aries. EET ga te tt wm a , = ft Tear we Woe in aimed fo bey WARE 2 =p. =ig= tet us be ——S be-tiove in you You know the door == to my ve - cy souk You're the light m_my dacp - est, 0.8. Fede ad. a ‘on VERSE 2 qe SS SS ee = SS 4 oe darkest hour, you're my sa - viour when | fall... And youa a 1om] ic errs a ZL THE RIE EE ETE Pl am sailing, tam sallsing, home a - gain ‘cross the come (1 23) 4 ad 12 Gand 2 a and a a a. i 2 4 nce teae and (ete) fly ~ ing, Uke a bird. BD? rene = OD [om] Po eee ——— fly + ing, pass-ing high clouds, to be near you. to be { coppteae 1972 nae Yan Unk Unnesantnd Meste enet ‘dng neered rane ope sareTore adtom (298) oo a gr Am} Gg a {Fm} {Dm} a Gr * — Es 4 SSeS SS ee | SS Ss mp You sry ysh— sym you sry stop and com; 1 ond Band 4 Vad2ad3 4 1 wd2ads 4 lo, 7 + lo. | don't knew why you say good-bye, 1 say hel - erase =o, hel-lo, hel - lo, Font knew why you say good-bye, | say hel - Lo, Sf molto Cloung coun ast os) copie WT Nerchemsonge Suet tacered ber ano pig Scud &